List of Alexander McQueen collections

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Coat made of silk, Alexander McQueen, Savage Beauty.jpg
Frock coat from graduation collection, Jack the Ripper Stalks His Victims (1992)
A dress by Alexander McQueen, Savage Beauty at V&A.jpg
Dress from unfinished final collection Angels and Demons (Autumn/Winter 2010)

British designer Alexander McQueen designed 36 womenswear collections under his eponymous fashion label during a career that lasted from 1992 until his death in 2010. [a] [3] As a designer, McQueen was known for sharp tailoring, historicism, and imaginative designs that often verged into the controversial. [4] His runway shows were known for being dramatic and theatrical, with some including elements of performance art. [5] [6] McQueen drew inspiration for his clothing and shows from a broad range of sources, including film, history, nature, world religions, art, and his own life. [12] Through his work, he explored themes such as romanticism, sexuality, and death. [13] [14]

Contents

He used unusual cuts and silhouettes to play with the human form, making wearers appear inhuman. [15] Early in his career, he originated an extreme low-rise trouser cut called the "bumster", which became a brand signature. [16] Other significant designs include the skull scarf, another brand signature, and the armadillo shoe, often worn by singer Lady Gaga. [17] [18]

Womenswear was the focus of McQueen's career. In his early collections, he sometimes presented menswear or had male models walk in the shows, but his label did not have a regular menswear line until 2004. [19] [20] From 1996 to October 2001, McQueen was – in addition to his responsibilities for his own label – head designer at French fashion house Givenchy, for which he produced both haute couture and ready-to-wear collections each season. [8] [21] [22] This article concerns itself with McQueen's own-label womenswear collections.

Collections

List of collections
CollectionSeasonShow dateShow locationThemes and inspirationNotes
Jack the Ripper Stalks His Victims 1992 graduation collection16 March 1992 [23] [24] Duke of York's Headquarters, London [b] [23] [24] London serial killer Jack the Ripper and prostitution in the Victorian era, particularly their practice of selling locks of hair [29] [30] Thesis collection for Master's degree in fashion at Central Saint Martins; purchased in its entirety by editor Isabella Blow [24]
Taxi Driver Autumn/Winter 1993March 1993 [24] The Ritz Hotel, London [24] Taxi Driver , a 1976 neo-noir film by Martin Scorsese; to a lesser extent McQueen's taxi driver father [31] [32] Debut of bumster trousers; exhibited rather than shown on runway; [c] no pieces survive as entire collection was accidentally lost immediately following the exhibit [33] [16]
Nihilism Spring/Summer 199418 October 1993 [34] Bluebird Garage, London [34] Eclectic collection with no straightforward theme, elements of primitivism, pushback against feminine womenswear [35] [36] [37] First professional catwalk show [37]
Banshee Autumn/Winter 199426 February 1994 [38] Café de Paris, London [1] The Gaelic banshee, a spirit whose wailing foretells death; romanticised survival through tragedy [38] Isabella Blow walked in the show [38]
The Birds Spring/Summer 199510 September 1994 [39] Bagley's warehouse, London [39] The Birds, a 1963 natural horror film by Alfred Hitchcock; ornithology; the mathematical designs of graphic artist M. C. Escher [40] First McQueen show styled by long-time collaborator Katy England [39]
Highland Rape Autumn/Winter 199513 March 1995 [34] Natural History Museum, London [34] English violence towards Scotland, especially the Jacobite risings and the Highland Clearances [41] First critically-significant collection, led to 1996 hiring by Givenchy [41]
The Hunger Spring/Summer 199623 October 1995 [34] Natural History Museum, London [34] The Hunger, a 1983 erotic horror film featuring vampires [42] First time McQueen showed menswear; first show produced by Sam Gainsbury, who would produce every subsequent show [42]
Dante Autumn/Winter 19961 March 1996 [43] Christ Church, Spitalfields, London [43] Religion and warfare; named for Dante's Inferno , a 14th-century epic poem describing Hell [42] First appearance of English supermodel Kate Moss in a McQueen show [42]
Bellmer La Poupée Spring/Summer 199727 September 1996 [43] Royal Horticultural Hall, London [43] Poupée, a 1934 series by surrealist photographer Hans Bellmer, which presented deconstructed dolls as a commentary on Nazi ideals [19] First show worked by Sarah Burton, who became McQueen's right-hand woman; Black model Debra Shaw walked while shackled to a metal frame, generating controversy [19]
It's a Jungle Out There Autumn/Winter 199727 February 1997 [43] Borough Market, London [43] Life cycle of the Thomson's gazelle; savagery of the fashion industry; paintings by the Old Masters [19] Set accidentally caught fire during the show [19]
Untitled Spring/Summer 199828 September 1997 [44] Gatliff Road Warehouse, London [44] Transformation and metamorphosis; human-animal hybridisation; John Galliano collection "Forgotten Innocents" (Spring/Summer 1986) [45] [46] Originally titled The Golden Shower in reference to the sex act and retitled after objections from sponsor American Express [45]
Joan Autumn/Winter 199825 February 1998 [44] Gatliff Road Warehouse, London [44] Martyrdom and persecution in the medieval era, especially that of French folk heroine and saint Joan of Arc [45] McQueen was photographed for The Face magazine in April 1998 in hair and makeup similar to that used in this show [47]
No. 13 Spring/Summer 199927 September 1997 [44] Gatliff Road Warehouse, London [44] Arts and Crafts movement of the 1880s to 1920s; finale inspired by Rebecca Horn installation High Moon (1991) [48] Show ended with model Shalom Harlow being spray-painted by robots [48]
The Overlook Autumn/Winter 199923 February 1999 [49] Gatliff Road Warehouse, London [49] The Shining, a 1980 psychological horror film by Stanley Kubrick, particularly its winter setting [48] First attendance of Vogue editor Anna Wintour at a McQueen show [50]
Eye Spring/Summer 200016 September 1999 [51] Pier 94, New York City [49] Islamic culture and clothing, especially the burqa; relationship of Western world to Middle East [52] First time presenting outside of London [52]
Eshu Autumn/Winter 200015 February 2000 [52] Gainsborough Studios, London [52] [53] Named for Yoruba deity Eshu; African-inspired primitivism with elements of Victorian fashion [52] Anti-fur activists broke into the venue before the show and vandalised the set, necessitating a police response [54]
Voss Spring/Summer 200126 September 2000 [55] Gatliff Road Warehouse, London [55] Staged as a voyeuristic look inside a stereotypical insane asylum; dresses of unusual materials like seashells and microscope slides [55] Finale showpiece presented author Michelle Olley nude, masked, and covered with live moths, in a recreation of Sanitarium (1983), a photograph by Joel-Peter Witkin [55]
What a Merry-Go-Round Autumn/Winter 200121 February 2001 [49] Gatliff Road Warehouse, London [49] Dark underside of carnivals and circuses; Child Catcher villain from Chitty Chitty Bang Bang (1968) [55] Final presentation at Gatliff Road; first appearance of skull print that is now a signature of the brand [55]
The Dance of the Twisted Bull Spring/Summer 20026 October 2001 [56] Stade Français sports club  [ fr ], Paris [56] Spanish culture, especially bullfighting and flamenco dancing [57] First collection after selling label to Gucci Group; first McQueen collection shown in Paris [57]
Supercalifragilistic-expialidocious Autumn/Winter 20029 March 2002 [56] La Conciergerie, Paris [56] Films of American director Tim Burton, especially Sleepy Hollow (1990); English school uniforms; photography of Helmut Lang [57] [58] Lighting and invitation by film director Tim Burton [59] [60]
Irere Spring/Summer 20035 October 2002 [56] Grande halle de la Villette, Paris [56] Three-phase narrative: shipwrecked pirates, drowned maidens in black, and birds of paradise [61] Debut of the "oyster dress", a riff on a 1987 design by John Galliano called the "shellfish dress" [62] [63]
Scanners Autumn/Winter 20038 March 2003 [64] Grande halle de la Villette, Paris [64] Journey eastward through the clothing of northern Eurasia: Siberia and the Russian Far East, Tibet, and Japan [61] [65] Clear plastic wind tunnel was suspended over the runway for some models to walk through [66]
Deliverance Spring/Summer 200410 October 2003 [64] Salle Wagram, Paris [64] Depression-era fashion, expressed as dance performance based on 1969 film They Shoot Horses, Don't They? [67] Choreography by dancer Les Child; McQueen's usual severe tailoring was dropped to enable the models to dance [68]
Pantheon ad Lucem Autumn/Winter 20045 March 2004 [64] Grande halle de la Villette, Paris [64] Ancient Greek draped garments; science fiction films like Close Encounters of the Third Kind (1977) and 2001: A Space Odyssey (1968) [67] Entire title often incorrectly translated as Latin for "Towards the Light"; this is the correct translation for " ad lucem " but neglects to account for "pantheon" [67]
It's Only a Game Spring/Summer 20058 October 2004 [69] Palais Omnisports de Paris-Bercy, Paris [69] Contrast of fashion cultures played out as chess-like game inspired by giant chess scene from film of Harry Potter and the Philosopher's Stone (2001) [70] Chess game choreographed by dancer Les Child [71]
The Man Who Knew Too Much Autumn/Winter 20054 March 2005 [69] Lycée Carnot, Paris [69] 1950s fashion, particularly as seen in the Alfred Hitchcock thriller The Man Who Knew Too Much (1956) [70] Show invite based on theatrical poster for Hitchcock's film Vertigo (1958); first McQueen handbag, named for actress Kim Novak, who frequently appeared in Hitchcock films [70]
Neptune Spring/Summer 20067 October 2005 [72] Imprimerie Nationale, Paris [72] 1980s fashion, including power dressing, hard glamour, and body conscious designs [73] All models were at least 5'11" in reference to the 1980s trend for Amazonian supermodels [74]
The Widows of Culloden Autumn/Winter 20063 March 2006 [72] Palais Omnisports de Paris-Bercy, Paris [72] Second examination of English violence towards Scotland in more mature and melancholy terms; centres the widows of the Battle of Culloden (1746) [73] Show closed with an illusion of Kate Moss as an apparition within a glass pyramid at the centre of the stage [73]
Sarabande Spring/Summer 20076 October 2006 [72] Cirque d'hiver, Paris [72] Exploration of fragility and decaying grandeur through floral motifs [75] One dress was covered with fresh flowers, which began to fall off on the runway in a moment of serendipitous beauty [76] [77]
In Memory of Elizabeth Howe, Salem, 1692 Autumn/Winter 20072 March 2007 [78] Le Zénith Arena, Paris [78] Religious persecution conducted by Puritans in 17th century; ancient Egyptian religion; occult symbolism [75] Final McQueen show styled by Katy England [75]
La Dame Bleue Spring/Summer 20085 October 2007 [78] Palais Omnisports de Paris-Bercy, Paris [78] Reinvention through fashion; avian and butterfly motifs; personal style of Isabella Blow [79] [80] Collaboration with Philip Treacy to memorialise their mutual friend Isabella Blow, who committed suicide in May 2007 [79]
The Girl Who Lived in the Tree Autumn/Winter 200829 February 2008 [81] Palais Omnisports de Paris-Bercy, Paris [78] Fairy tale narrative about a girl who lived in a tree; British culture and national symbols; clothing of India during the British Raj [79] Philip Treacy created a single headpiece for the collection: an enormous peacock with fanned tail, made from driftwood and sea fan coral [82]
Natural Dis-tinction Un-natural Selection Spring/Summer 20093 October 2008 [83] Le Centquatre, Paris [83] Beauty of nature contrasted with the impact of human industry [84] First of final three collections which shared a theme of the destruction of nature by humanity [85]
The Horn of Plenty Autumn/Winter 200910 March 2009 [83] Palais Omnisports de Paris-Bercy, Paris [83] Dark satire of the fashion industry with pastiches of notable designers and McQueen's past works; many items made to resemble trash [84] Creative process documented by photographer Nick Waplington, published in photo book Alexander McQueen: Working Process [86]
Plato's Atlantis Spring/Summer 20106 October 2009 [83] Palais Omnisports de Paris-Bercy, Paris [83] Human evolution following global flooding as a result of climate change [17] Final fully-realised collection; first livestreamed fashion show in history; debut of the armadillo shoe; debut of Lady Gaga single "Bad Romance" [17] [87]
Angels and Demons Autumn/Winter 201010 March 2010 [17] Hôtel de Clermont-Tonnerre  [ fr ], Paris [17] Religious paintings of the Medieval and Renaissance periods [17] Collection left incomplete at the time of McQueen's suicide in February 2010, completed posthumously by his assistant Sarah Burton; title is unofficial [17]


Notes

  1. ↑ McQueen's first collection, Jack The Ripper Stalks His Victims , was produced as his graduation thesis for his Master's degree from Central Saint Martins rather than for commercial sale, and some authors do not count it when numbering McQueen's collections. [1] [2]
  2. ↑ Some sources provide a date of July 1992 and list the venue as the Olympia London in Kensington. [25] [26] It is unclear where this originated from, but it appears to be erroneous, as London Fashion Week in 1992 was held in March, and Central Saint Martins holds its graduation shows at Fashion Week. [27] [28]
  3. ↑ Because of a slumping economy, few designers presented runway shows during London Fashion Week 1993. The British Fashion Council provided funding for six new designers, including McQueen, to exhibit their collections at The Ritz in lieu of runway shows. [5]

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<span class="mw-page-title-main">Alexander McQueen</span> British fashion designer (1969–2010)

Lee Alexander McQueen was a British fashion designer and couturier. He founded his own Alexander McQueen label in 1992, and was chief designer at Givenchy from 1996 to 2001. His achievements in fashion earned him four British Designer of the Year awards, as well as the Council of Fashion Designers of America International Designer of the Year award in 2003. McQueen died by suicide in 2010 at the age of 40, at his home in Mayfair, London, shortly after the death of his mother.

<i>The Widows of Culloden</i> Fashion collection by Alexander McQueen

The Widows of Culloden is the twenty-eighth collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2006 season of his eponymous fashion house. It was inspired by his Scottish ancestry and is regarded as one of his most autobiographical collections. It is named for the women widowed by the Battle of Culloden (1746), often seen as a major conflict between Scotland and England. Widows makes extensive use of the McQueen family tartan and traditional gamekeeper's tweeds, as well as other elements taken from Highland dress. Historical elements reflected the fashion of the late Victorian era and the 1950s.

<span class="mw-page-title-main">Illusion of Kate Moss</span> Video illusion of Kate Moss from fashion show

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<i>The Dance of the Twisted Bull</i> 2002 fashion collection by Alexander McQueen

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<i>The Birds</i> (Alexander McQueen collection) Fashion collection

The Birds is the fifth collection by British designer Alexander McQueen for his eponymous fashion house. The Birds was inspired by ornithology, the study of birds, and the 1963 Alfred Hitchcock film The Birds, after which it was named. Typically for McQueen in the early stages of his career, the collection centred on sharply tailored garments and emphasised female sexuality. McQueen had no financial backing, so the collection was created on a minimal budget.

<i>Neptune</i> (Alexander McQueen collection) Fashion collection by Alexander McQueen

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<i>Taxi Driver</i> (Alexander McQueen collection) 1993 fashion collection

Taxi Driver is the second collection by the British designer Alexander McQueen for his eponymous fashion house. It was named after the 1976 film Taxi Driver, and his father, a London taxicab driver. McQueen developed the collection following his 1992 graduation from Central Saint Martins art school. At the time he was unemployed and seeking a job in the fashion industry; although he was reluctant to launch his own company, he worked on designs to pass the time. The collection included experimental techniques and silhouettes, most notably the bumster trouser, whose extremely low waist exposed the top of the intergluteal cleft.

<i>Irere</i> (Alexander McQueen collection) 2003 fashion collection by Alexander McQueen

Irere was the twenty-first collection by British fashion designer Alexander McQueen for his eponymous fashion house. Irere was inspired by imagery from the Age of Discovery and from the people and animals of the Amazon rainforest. Its title is claimed to mean 'transformation' in an unspecified Indigenous Amazonian language. The collection comprised three distinct concepts presented as a narrative sequence: shipwrecked pirates, menacing conquistadors, and tropical birds. McQueen described the collection as an effort to present a more mature point of view and surprise viewers with bold colours.

<span class="mw-page-title-main">Oyster dress</span> 2003 dress by Alexander McQueen

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<i>Eye</i> (Alexander McQueen collection) 2000 British fashion collection

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<i>Jack the Ripper Stalks His Victims</i> 1992 Alexander McQueen fashion collection

Jack the Ripper Stalks His Victims is the first collection by British designer Alexander McQueen, produced as the thesis collection for his master's degree in fashion at Central Saint Martins (CSM) art school. The collection's narrative was inspired by the victims of 19th-century London serial killer Jack the Ripper, with aesthetic inspiration from the fashion, erotica, and prostitution practices of the Victorian era. The collection was presented on the runway at London Fashion Week on 16 March 1992, as the second-to-last of the CSM graduate collections. Editor Isabella Blow was fascinated by the runway show and insisted on purchasing the entire collection, later becoming McQueen's friend and muse.

<i>The Hunger</i> (Alexander McQueen collection) 1996 fashion collection by Alexander McQueen

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<i>The Overlook</i> (Alexander McQueen collection) 1999 British fashion collection

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<i>Pantheon ad Lucem</i> 2004 British fashion collection

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<i>The Girl Who Lived in the Tree</i> Fashion collection by Alexander McQueen

The Girl Who Lived in the Tree is the thirty-second collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2008 season of his eponymous fashion house. The primary inspirations were British culture and national symbols, particularly the British monarchy, as well as the clothing of India during the British Raj. The collection was presented through the narrative of a fairy tale about a feral girl who lived in a tree before falling in love with a prince and descending to become a princess.

<i>Joan</i> (Alexander McQueen collection) 1998 British fashion collection

Joan was the twelfth collection by British fashion designer Alexander McQueen for his eponymous fashion house. Continuing McQueen's dual fascination with religion and violence, it was inspired by imagery of persecution, most significantly the 1431 martyrdom of French Catholic saint Joan of Arc, who was burned at the stake. The collection's palette was mainly red, black, and silver; colours which evoked notions of warfare, death, blood, and flames. Many looks referenced ecclesiastical garments and medieval armour, including several items that mimicked chainmail and one ensemble that had actual silver-plated armour pieces.

<i>Nihilism</i> (Alexander McQueen collection) 1994 fashion collection

Nihilism is the third collection by the British designer Alexander McQueen for his eponymous fashion house. McQueen developed the collection following the launch of his own label with Taxi Driver, which was exhibited in March 1993 at the Ritz Hotel in London in lieu of a fashion show. An eclectic collection with no straightforward theme, Nihilism pushed back against dominant womenswear trends with its hard tailoring, and aggressive, sexualised styling. It was created in collaboration with McQueen's associates Simon Ungless and Fleet Bigwood. Like Taxi Driver, Nihilism included experimental techniques, silhouettes, and materials, such as dresses made from cellophane, stained with clay, or adorned with dead locusts.

<i>The Horn of Plenty</i> Fashion collection by Alexander McQueen

The Horn of Plenty: Everything But the Kitchen Sink is the thirty-fourth collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2009 season of his eponymous fashion house. The collection drew on household rubbish and the aesthetics of classic haute couture fashion to satirise the fashion industry for its wastefulness and lack of originality. The Horn of Plenty also featured reimagined designs and reworked items from previous collections, serving as a retrospective of McQueen's own design history. Common design flourishes included houndstooth patterns, design elements overdone to ironic proportions, and prints based on the natural world. Production was shadowed by photographer Nick Waplington, who published a photo book documenting the collection's creation in 2013.

<i>What a Merry-Go-Round</i> 2001 fashion collection

What a Merry-Go-Round is the eighteenth collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2001 season of his eponymous fashion house. The collection drew on imagery of clowns and carnivals, inspired by McQueen's feelings about childhood and his experiences in the fashion industry. The designs were influenced by military chic, cinema such as Nosferatu (1922) and Cabaret (1972), 1920s flapper fashion, and the French Revolution, and had a palette of dark colours complemented with neutrals and muted greens. The show marked the first appearance of the skull motif that became a signature of the brand.

<i>The Man Who Knew Too Much</i> (Alexander McQueen collection) 2005 collection by Alexander McQueen

The Man Who Knew Too Much is the twenty-sixth collection by British designer Alexander McQueen for his eponymous fashion house. It took inspiration from the fashion of the 1950s and 1960s, as well as the films of Alfred Hitchcock; its namesake is Hitchcock's The Man Who Knew Too Much (1956). The runway show was staged during Paris Fashion Week on 4 March 2005 at the Lycée Carnot, a secondary school in Paris. Forty-eight looks were presented; the first thirty-six were daywear, while the final twelve were eveningwear. The collection's clothing and runway show both lacked McQueen's signature theatricality, and critical reception at launch and in retrospect was negative. It was the debut of the Novak handbag, which became a best-seller for the brand. Critical analysis has examined why McQueen pivoted to a more commercial approach, as well as the influence of film on the collection.

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  74. ↑ Gleason 2012, p. 141.
  75. 1 2 3 Bethune 2015, p. 318.
  76. ↑ Bowles 2014, p. 176.
  77. ↑ Deniau 2012, p. 23.
  78. 1 2 3 4 5 Fairer & Wilcox 2016, p. 346.
  79. 1 2 3 Bethune 2015, p. 319.
  80. ↑ Wilson 2015, p. 287.
  81. ↑ "Encyclopedia of Collections: The Girl Who Lived in the Tree". The Museum of Savage Beauty. Archived from the original on 9 February 2023. Retrieved 9 February 2023.
  82. ↑ Thomas 2015, p. 345.
  83. 1 2 3 4 5 6 Fairer & Wilcox 2016, p. 347.
  84. 1 2 Bethune 2015, p. 320.
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  86. ↑ Milligan, Lauren (10 September 2013). "Beginning to end: The real McQueen". British Vogue . Retrieved 20 September 2024.
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