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The composer at work, painting by Franz Nölken, 1913 | |
1887 | –1916|
Lied
|
Max Reger was a German composer of the late-Romantic period. His works are initially listed by Opus number (Op.), followed by works without Op. number (WoO). Other features shown are translation of titles, key, scoring, year of composition, genre, information about texts and their authors, a link to the Max-Reger-Institute, which provides detailed information about times of composition, performance and publishing, and a link to the free score when available.
Reger was a German composer, born in Brand in 1873. He studied music theory in Sondershausen, then piano and theory, in Wiesbaden. [1] The first compositions to which he assigned opus numbers were chamber music and Lieder . A pianist himself, he composed works for both piano and organ. [1]
Reger returned to his parental home in 1898, where he composed his first work for choir and orchestra, Hymne an den Gesang (Hymn to singing), Op. 21. He moved to Munich in 1901. In 1907 he was appointed musical director at the Leipzig University and professor at the Royal Conservatory in Leipzig. [1] [2]
In 1911 Reger was appointed Hofkapellmeister (music director) at the court of Duke Georg II of Saxe-Meiningen, retaining his master class at the Leipzig conservatory. [1] In 1913 he composed four tone poems on paintings by Arnold Böcklin ( Vier Tondichtungen nach A. Böcklin ), including Die Toteninsel ( Isle of the Dead ), as his Op. 128. He gave up the court position in 1914 for health reasons. In response to World War I, he thought in 1914 already to compose a choral work to commemorate the fallen of the war. He began to set the Latin Requiem but abandoned the work as a fragment. [1] In 1915 he moved to Jena, still teaching in Leipzig. He composed in Jena the Hebbel Requiem for soloist, choir and orchestra. [1] Reger died in Leipzig on 11 May 1916. [1] [2]
Reger assigned opus numbers to major works himself. In his compositions for solo voices and for choirs, he set poems by notable lyricists, including contemporaries, such as Gabriele D'Annunzio, Otto Julius Bierbaum, Joseph von Eichendorff, Friedrich Hebbel, Detlev von Liliencron and Friedrich Rückert. [1]
Reger's works with an opus number are listed first, then works designated as WoO (work without opus number). Details to compositions follow, such as song titles and names of poets for a collection of songs. The scoring is given if it cannot be recognized from the title or the genre: for example songs (Lieder, Gesänge) are normally for voice and piano, in a sonata the named solo instrument is usually accompanied by piano, and choral works are for four-part choir a cappella, unless otherwise noted.
When the opus number provides a link, it leads to more details about a work, such as the titles, markings and keys of its parts. The last column provides two link for reference, when available: one to the detailed information on the piece by the Max-Reger-Institute (in German), which appears as "MR" and the number on the website, the other to a free score (sc).
Title | Translation | Key | Scoring | Op. | Year | Genre | Text | Reference / score |
---|---|---|---|---|---|---|---|---|
Violin Sonata (No. 1) | D minor | 1 | 1890 | MR 001 sc | ||||
Piano Trio (No. 1) | B minor |
| 2 | 1891 | MR 002 sc | |||
Violin Sonata (No. 2) | D major | 3 | 1891 | MR 003 sc | ||||
Six songs | 4 | 1891 | MR 004 sc | |||||
F minor | 5 | 1892 | MR 005 sc | |||||
Three choral compositions |
| 6 | 1892 | MR 006 | ||||
Drei Orgelstücke | Three organ pieces | 7 | 1892 | MR 007 sc | ||||
Fünf Lieder | Five songs | 8 | 1892 | MR 008 sc | ||||
Walzercapricen | Twelve Waltz-Caprices | 4-hand piano | 9 | 1892 | MR 009 sc | |||
Deutsche Tänze | 20 German Dances | 4-hand piano | 10 | 1892 | MR 010 sc | |||
Sieben Walzer | Seven waltzes | 11 | 1893 | MR 011 sc | ||||
Fünf Lieder | Five songs (in the style of Franz Schubert) | 12 | 1893 | MR 012 sc | ||||
Lose Blätter Kleine Stücke | 13 | 1894 | MR 013 sc | |||||
Fünf Duette | Five duets |
| 14 | 1894 | MR 014 sc | |||
"Ich stehe hoch über'm See" |
| 14b | 1894 | by Fr. v. Lieven | MR 015 | |||
Zehn Lieder | Ten songs |
| 15 | 1894 | MR 016 sc | |||
Suite (No. 1) | E minor | 16 | 1894 | –95MR 017 sc | ||||
Aus der Jugendzeit Zwanzig kleine Stücke | 17 | 1895 | MR 018 sc | |||||
Improvisationen | Eight Improvisations | 18 | 1896 | MR 019 sc | ||||
Zwei geistliche Gesänge | Two sacred songs |
| 19 | 1898 | MR 020 sc | |||
Fünf Humoresken | Five Humoresques | 20 | 1898 | MR 021 sc | ||||
Hymne an den Gesang |
| 21 | 1898 | by Steiner | MR 022 sc | |||
Sechs Walzer | Six waltzes | 4-hand piano | 22 | 1898 | MR 023 sc | |||
Vier Lieder | Four songs | 23 | 1898 | MR 024 sc | ||||
Six Morceaux | Six pieces | 24 | 1898 | MR 025 sc | ||||
Aquarellen Kleine Tonbilder | Aquarellen | 25 | 1897 | –98MR 026 sc | ||||
Sieben Fantasiestücke | Seven fantasy pieces | 26 | 1898 | MR 027 sc | ||||
Chorale fantasia | 27 | 1898 | MR 028 sc | |||||
Cello Sonata (No. 2) | G minor | 28 | 1898 | MR 029 sc | ||||
Phantasie und Fuge | Fantasia and fugue | C minor | 29 | 1898 | MR 030 sc | |||
Phantasie über den Choral "Freu dich sehr, o meine Seele" | Chorale fantasia | 30 | 1898 | MR 031 sc | ||||
Sechs Gedichte von Anna Ritter | Six poems |
| 31 | 1898 | by Anna Ritter | MR 032 sc | ||
Sieben Charakterstücke | Seven character pieces | 32 | 1899 | MR 033 sc | ||||
Organ Sonata (No. 1) | F-sharp minor | 33 | 1899 | MR 034 sc | ||||
Cinq Pièces pittoresques | Five pittoresque pieces | 4-hand piano | 34 | 1899 | MR 035 sc | |||
Six songs |
| 35 | 1899 | MR 036 sc | ||||
Bunte Blätter Kleine Stücke | 36 | 1899 | MR 037 sc | |||||
Fünf Gesänge | Five songs | 37 | 1899 | MR 038 sc | ||||
Sieben Männerchöre | Seven songs for men's chorus | 38 | 1899 | MR 039 sc | ||||
Drei Chöre | Three songs | SAATBB | 39 | 1899 | MR 040 sc | |||
Two chorale fantasias | 40 | 1899 | MR 041 sc | |||||
Violin Sonata (No. 3) | A major | 41 | 1899 | MR 042 sc | ||||
Vier Sonaten | Four sonatas | violin solo | 42 | 1900 | MR 043 sc | |||
Acht Lieder | Eight songs |
| 43 | 1900 | MR 044 sc | |||
Zehn kleine Vortragsstücke zum Gebrauch beim Unterricht | Ten little pieces | 44 | 1900 | MR 045 sc | ||||
Sechs Intermezzi | Six intermezzos | 45 | 1900 | MR 046 sc | ||||
Phantasie und Fuge über B-A-C-H | Fantasia and fugue on B-A-C-H | 46 | 1900 | MR 047 sc | ||||
Sechs Trios | Six trios | 47 | 1900 | MR 048 sc | ||||
Sieben Lieder | Seven songs |
| 48 | 1900 | MR 049 sc | |||
Zwei Klarinettensonaten | Two clarinet sonatas |
| 49 | 1900 | MR 050 sc | |||
Zwei Romanzen | Two romances |
| 50 | 1900 | MR 051 sc | |||
Zwölf Lieder | Twelve songs | 51 | 1900 | MR 052 sc | ||||
Drei Choralphantasien | Three chorale fantasias | 52 | 1899 | MR 053 sc | ||||
Silhouetten Sieben Stücke | Seven Silhouettes | 53 | 1900 | MR 054 sc | ||||
String Quartet (No. 1) | G minor | 54/1 | 1901 | sc | ||||
String Quartet (No. 2) | A major | 54/2 | 1901 | sc | ||||
15 Lieder | 15 songs | 55 | 1901 | MR 055 sc | ||||
Fünf leicht ausführbare Präludien und Fugen | Five preludes and fugues | 56 | 1901 | MR 056 sc | ||||
Symphonische Phantasie und Fuge | Symphonic Fantasy and Fugue | 57 | 1901 | MR 057 sc | ||||
Sechs Burlesken | Six Burlesques | 4-hand piano | 58 | 1900 | MR 058 sc | |||
Zwölf Stücke | Twelve pieces | 59 | 1901 | MR 059 sc | ||||
Organ Sonata (No. 2) | D minor | 60 | 1901 | MR 060 sc | ||||
Leicht ausführbare Kompositionen zum gottesdienstlichen Gebrauch | Easy pieces for use in church service | 61 | 1901 | MR 061 | ||||
Acht "Tantum ergo" | Eight settings of "Tantum ergo" | 61a | 1901 | Tantum ergo | sc | |||
Vier "Tantum ergo" | Four settings of "Tantum ergo" |
| 61b | 1901 | Tantum ergo | sc | ||
Vier "Tantum ergo" | Four settings of "Tantum ergo" |
| 61c | 1901 | Tantum ergo | sc | ||
Acht Marienlieder | Eight songs to Mary | 61d | 1901 | sc | ||||
Vier Marienlieder | Four songs to Mary |
| 61e | 1901 | sc | |||
Vier Marienlieder | Four songs to Mary |
| 61f | 1901 | sc | |||
Vier Trauergesänge | Four funeral songs | 61g | 1901 | sc | ||||
16 Gesänge | 16 songs | 62 | 1901 | MR 062 sc | ||||
Monologe Zwölf Stücke | Monologues | 63 | 1902 | MR 063 sc | ||||
Piano Quintet (No. 2) | C minor | 64 | 1901 | –02MR 064 sc | ||||
Twelve pieces | 65 | 1902 | MR 065 sc | |||||
Zwölf Lieder | Twelve songs | 66 | 1902 | MR 066 sc | ||||
Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen | 52 chorale preludes | 67 | 1902 | MR 067 sc | ||||
Sechs Gesänge | Six songs | 68 | 1902 | MR 068 sc | ||||
Zehn Stücke für die Orgel | Ten organ pieces | 69 | 1902 | MR 069 sc | ||||
17 Gesänge | 17 songs | 70 | 1902 | MR 070 sc | ||||
| 71 | 1903 | by Busse | MR 071 sc | ||||
Violin Sonata (No. 4) | C major | 72 | 1903 | MR 072 sc | ||||
Variations and Fugue on an Original Theme | 73 | 1903 | MR 073 sc | |||||
String Quartet (No. 3) | D minor | 74 | 1903 | –04MR 074 sc | ||||
18 Lieder | 18 songs | 75 | 1904 | MR 075 sc | ||||
Schlichte Weisen | Simple songs | 76 | 1903 | –12MR 076 sc | ||||
Serenade (No. 1) | D major |
| 77a | 1904 | MR 082 sc | |||
String Trio (No. 1) | A minor | 77b | 1904 | MR 083 sc | ||||
Cello Sonata (No. 3) | F major | 78 | 1904 | MR 084 sc | ||||
Haus- und Kirchenmusik | 79 | 1900 | -04MR 085 | |||||
Kompositionen | 79a | 1900 | -04MR 086 sc | |||||
Kompositionen [Choralvorspiele] | Chorale preludes | 79b | 1900 | –04MR 087 sc | ||||
Kompositionen | Eight songs | 79c | 1900 | –04MR 088 sc | ||||
Kompositionen |
| 79d | 1902 | –04MR 089 sc | ||||
Kompositionen |
| 79e | 1902 | –04MR 090 sc | ||||
Kompositionen | 14 chorales | 79f | 1900 | –04MR 091 | ||||
Kompositionen (Drei Choräle) | Three chorales | high voices | 79g | 1900 | –04MR 092 | |||
Twelve pieces | 80 | 1904 | MR 093 sc | |||||
Variationen und Fuge über ein Thema von Joh. Seb. Bach | from Auf Christi Himmelfahrt allein, BWV 128 /4 | 81 | 1904 | MR 094 sc | ||||
Aus meinem Tagebuche (Four volumes) | From my diary | 82 | 1904 | –12 MR 095 MR 096 MR 097 MR 098 sc | ||||
Zehn Gesänge | Ten songs | men's chorus | 83 | 1904 | –12MR 099 sc | |||
Violin Sonata (No. 5) | F-sharp minor | 84 | 1905 | MR 100 sc | ||||
Vier Präludien und Fugen | Four preludes and fugues | 85 | 1905 | MR 101 sc | ||||
Variationen und Fuge über ein Thema von Beethoven | two pianos | 86 | 1904 | MR 102 sc | ||||
Variationen und Fuge über ein Thema von Beethoven | two pianos | 86 | 1915 | MR 103 | ||||
Zwei Kompositionen |
| 87 | 1905 | MR 104 sc | ||||
Vier Gesänge | Four songs | 88 | 1905 | MR 105 sc | ||||
Vier Sonatinen | Four sonatinas | two pianos [lower-alpha 2] | 89 | 1905 | –08MR 106 sc | |||
Sinfonietta | A major | two pianos [lower-alpha 3] | 90 | 1904 | –05MR 107 sc | |||
Seven Violin Sonatas |
| 91 | 1905 | MR 108 sc | ||||
Suite (No. 2) | G minor | 92 | 1905 | MR 109 sc | ||||
Suite im alten Stil | Suite in old style | F major |
| 93 | 1906 | MR 110 sc | ||
Sechs Stücke | Six pieces | 4-hand piano | 94 | 1906 | MR 111 sc | |||
Serenade | G major | 95 | 1905 | –06MR 112 sc | ||||
Introduction, Passacaglia and Fugue | B minor | two pianos | 96 | 1906 | MR 113 sc | |||
Vier Lieder | Four songs | 97 | 1906 | MR 114 sc | ||||
Fünf Gesänge | Five songs | 98 | 1906 | MR 115 sc | ||||
Six Preludes and Fugues | piano | 99 | 1907 | MR 116 sc | ||||
E major | 100 | 1907 | MR 117 sc | |||||
Violin Concerto | A major | 101 | 1907 | –08MR 118 sc | ||||
Piano Trio (No. 2) | E minor |
| 102 | 1907 | –08MR 119 sc | |||
Hausmusik |
| 103 | 1908 | –09MR 120 sc | ||||
Suite | A minor |
| 103a | 1908 | MR 121 sc | |||
Violin Sonata (No. 6) | D minor | 103b/1 | 1909 | MR 122 scsc | ||||
Violin Sonata (No. 7) | A major | 103b/2 | 1909 | MR 122 | ||||
Zwölf kleine Stücke nach eigenen Liedern | Twelve little pieces on his own songs from Op. 76 |
| 103c | 1909 | MR 123 sc | |||
Sechs Lieder | Six songs | 104 | 1907 | MR 124 sc | ||||
Zwei Geistliche Lieder | Two sacred songs |
| 105 | 1907 | MR 125 sc | |||
Psalm 100 | D major |
| 106 | 1908 | –09Psalm 100 | MR 126 sc | ||
Clarinet sonata (No. 3) | B-flat major |
| 107 | 1908 | –09MR 127 sc | |||
Symphonischer Prolog zu einer Tragödie | Symphonic prologue to a tragedy | 108 | 1908 | MR 128 sc | ||||
String Quartet (No. 4) | E-flat major | 109 | 1909 | MR 129 sc | ||||
Motets for a cappella choir | 110 | 1909 | –12Msc | |||||
Mein Odem ist schwach | SSATTBB | 110/1 | 1909 | Book of Job | MR 130 | |||
Ach, Herr, strafe mich nicht | SSATTBB | 110/2 | 1911 | Psalm | MR 131 | |||
O Tod, wie bitter bist du | SSATB | 110/3 | 1912 | Ecclesiasticus | MR 132 | |||
Mehrstimmige Gesänge für Frauenstimmen |
| 111a | 1909 | MR 133 | ||||
Drei Duette | Three duets |
| 111a | 1909 | MR 134 sc | |||
Drei Gesänge | Three songs | 4-part female choir | 111b | 1909 | MR 135 sc | |||
Drei Gesänge | Three songs | 3-part female choir | 111c | 1909 | MR 136 sc | |||
The Nuns |
| 112 | 1909 | by Boelitz | MR 137 sc | |||
Piano Quartet (No. 1) | D minor | 113 | 1910 | MR 138 sc | ||||
F minor | 114 | 1910 | MR 139 sc | |||||
Acht Episoden Klavierstücke für grosse und kleine Leute | Eight Episodes | 115 | 1910 | MR 140 sc | ||||
Cello Sonata (No. 4) | A minor | 116 | 1910 | MR 141 sc | ||||
Präludien und Fugen für Violine solo | Eight preludes and fugues | violin | 117 | 1909 | –12MR 142 sc | |||
String Sextet | F major | 118 | 1910 | MR 143 sc | ||||
| 119 | 1911 | by Hebbel | MR 144 sc | ||||
Eine Lustspielouvertüre | Comedy Overture | 120 | 1911 | MR 145 sc | ||||
String Quartet (No. 5) | F-sharp minor | 121 | 1911 | MR 146 sc | ||||
Violin Sonata (No. 8) | E minor | 122 | 1911 | MR 147 sc | ||||
Konzert im alten Stil | Concerto in old style | F major | 123 | 1912 | MR 148 sc | |||
| 124 | 1912 | by Hölderlin | MR 149 sc | ||||
A romantic suite | 125 | 1912 | MR 150 sc | |||||
Römischer Triumphgesang |
| 126 | 1912 | MR 151 sc | ||||
E minor | 127 | 1913 | MR 152 sc | |||||
Vier Tondichtungen nach A. Böcklin | Four Tone Poems after Arnold Böcklin | 128 | 1913 | MR 153 sc | ||||
Neun Stücke | Nine pieces | 129 | 1913 | MR 154 sc | ||||
Eine Ballett-Suite | A Ballet Suite | D major | 130 | 1913 | MR 155 sc | |||
Präludien und Fugen | Six preludes and fugues | violin | 131a | 1914 | MR 156 sc | |||
Three duos (canons and fugues) in old style | two violins | 131b | 1914 | MR 157 sc | ||||
Drei Suiten | Three suites | cello | 131c | 1915 | MR 158 sc | |||
Drei Suiten | Three suites | viola | 131d | 1915 | MR 159 | |||
[lower-alpha 6] | 132 | 1914 | MR 160 sc | |||||
two pianos | 132a | 1914 | MR 161 | |||||
Piano Quartet (No. 2) | A minor | 133 | 1914 | MR 162 sc | ||||
Variations and Fugue on a Theme by Telemann | 134 | 1914 | MR 163 sc | |||||
Dreißig kleine Choralvorspiele zu den gebräuchlichsten Chorälen | Thirty little chorale preludes | 135a | 1914 | MR 164 sc | ||||
Phantasie und Fuge | Fantasy and Fugue | D minor | 135b | 1916 | MR 165 sc | |||
Hymnus der Liebe |
| 136 | 1914 | MR 166 sc | ||||
Zwölf geistliche Lieder | Twelve sacred songs |
| 137 | 1914 | MR 167 sc | |||
Eight sacred songs | 4–8-part choir | 138 | 1914 | MR 168 sc | ||||
Violin Sonata (No. 9) | C minor | 139 | 1915 | MR 169 sc | ||||
Eine vaterländische Ouvertüre | 140 | 1915 | MR 170 sc | |||||
Serenade (No. 2) | G major |
| 141a | 1915 | MR 171 sc | |||
String Trio (No. 2) | D minor | 141b | 1915 | MR 172 sc | ||||
Fünf neue Kinderlieder | Five new children's songs | 142 | 1915 | MR 173 sc | ||||
Träume am Kamin Zwölf kleine Stücke | Twelve little piano pieces | 143 | 1915 | MR 174 sc | ||||
Zwei Gesänge | Two songs |
| 144 | 1915 | MR 175 sc | |||
The hermit |
| 144a | 1915 | by Eichendorff | MR 176 sc | |||
| 144b | 1915 | by Hebbel | MR 177 sc | ||||
für Orgel | Seven organ pieces | 145 | 1915 | –16MR 178 sc | ||||
fragment: Kyrie, Dies irae | D minor |
| 145a [lower-alpha 8] | 1914 | Requiem | MR 216 sc | ||
Clarinet Quintet | A major | 146 | 1915 | –16MR 179 sc | ||||
Andante and Rondo |
| 147 | 1916 | sc | ||||
Scherzino | C major |
| 1899 | MR 183 | ||||
Wind Serenade (first movement) | B-flat major | 1904 | ||||||
Scherzo | G minor |
| 1888 | or 1889|||||
String Quartet (No. 0) | D minor |
| 1888 | –89MR 184 | ||||
Scherzo | G minor | 2 string quartets | 1890 | /1892|||||
Piano Quintet (No. 1) | C minor | 1897 | /98MR 185 | |||||
Romanze | G major |
| 1901 | MR 187 | ||||
Petite caprice | G minor |
| 1901 | MR 188 | ||||
Tarantella | G minor |
| 1901 | /1902MR 188 | ||||
Albumblatt | E-flat major |
| 1902 | MR 195 | ||||
Allegretto grazioso | A major |
| 1902 | MR 194 | ||||
Caprice | A minor |
| 1902 | MR 193 | ||||
Prelude and Fugue | A minor | violin | 1902 | MR 190 | ||||
Allegro | A major | two violins | 1907? | MR 189 | ||||
Prelude | E minor | violin | 1915 | MR 192 | ||||
Canons in all major and minor tonalities | 1895 | MR 196 | ||||||
Grüße an die Jugend | 1898 | MR 198 | ||||||
Liebestraum | 1898 | MR 182 | ||||||
Miniature Gavotte | 1898 | MR 199 | ||||||
Improvisation über den Walzer von Johann Strauß "An der schönen blauen Donau" | 1898 | MR 200 | ||||||
Blätter und Blüten | 1900 | –02MR 202 | ||||||
Vier Spezialstudien für die linke Hand | 1901 | MR 204 | ||||||
In der Nacht | 1902 | MR 205 | ||||||
Perpetuum mobile | C-sharp minor | 1905 | MR 206 | |||||
Scherzo | F-sharp minor | 1906 | MR 207 | |||||
Caprice | F-sharp minor | 1906 | MR 208 | |||||
Ewig Dein! | 1907 | MR 181 | ||||||
Fughetta on the "Deutschlandlied" | 1916 | MR 209 | ||||||
Choralkantate "Vom Himmel hoch, da komm ich her" |
| 1903 | by Martin Luther | MR 210 | ||||
Choralkantate "O wie selig seid ihr doch, ihr Frommen" |
| 1903 | by Simon Dach | MR 211 | ||||
Choralkantate "O Haupt voll Blut und Wunden" |
| 1904 | by Paul Gerhardt | MR 212 | ||||
Choralkantate "Meinem Jesum lass ich nicht" |
| 1906 | by Christian Keimann | MR 213 | ||||
Choralkantate "Auferstanden, auferstanden" |
| by Lavater | MR 214 | |||||
Weihegesang | A major |
| 1908 | by Otto Liebmann | MR 215 | |||
Tantum ergo | 5-part choir | 1895 | Tantum ergo | MR 217 | ||||
"Gloriabuntur in te omnes" | 1898 | ?MR 218 | ||||||
Fünf ausgewählte Volkslieder | TTBB | 1898 | MR 237 | |||||
Neun ausgewählte Volkslieder | men's choir | 1899 | MR 238 | |||||
Sechs ausgewählte Volkslieder | 1899 | MR 234 | ||||||
Acht ausgewählte Volkslieder | 1899 | MR 235 | ||||||
Maria, Himmelsfreud! | 1900 | by Heuberger | MR 219 | |||||
Zwölf deutsche geistliche Gesänge | 1900 | MR 232 | ||||||
Sieben geistliche Volkslieder | 1900 | MR 231 | ||||||
Sechs drei- und fünfstimmige Lieder für Passion und Ostern | 1900 | ?MR 226 | ||||||
Der evangelische Kirchenchor | 1901 | MR 233 | ||||||
Palmsonntagsmorgen | 5-part choir | 1902 | by Geibel | MR 220 | ||||
Komm heiiger Geist | 1902 | ?MR 229 | ||||||
Vier Kirchengesänge | 1904 | MR 230 | ||||||
Lasset uns den Herren preisen | 5-part choir | 1911 | by Rist | MR 221 | ||||
Abschiedslied | 1914 | MR 222 | ||||||
Am Meer | 1894 | MR 245 | ||||||
Wiegenlied | 1899 | MR 247 | ||||||
In verschwiegener Nacht | 1899 | MR 246 | ||||||
Bettgeflüster | 1899 | ?MR 250 | ||||||
Brautring | 1900 | ?MR 248 | ||||||
Geheimnis | 1900 | ?MR 249 | ||||||
Zwei geistliche Lieder | 1908 | MR 240 | ||||||
Schlummerlied | Wedding song | 1902 | ?MR 252 | |||||
Befiehl dem Herrn deine Wege | Wedding song |
| 1902 | MR 241 | ||||
Geistiches Lied "Wohl denen" | 1903 | MR 242 | ||||||
Ehre sei Gott in der Höhe | (Weihnachtslied) | 1905 | MR 243 | |||||
Es soll mein Gebet dich tragen | 1909 | MR 244 | ||||||
Sylvester-Kanons | 1913 | MR 180 |
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Dmitry Kabalevsky's Preludes, Op. 38 are a set of 24 piano pieces in the Chopinian model, each based on a folksong and each in a different key. It was composed in 1943–44, and dedicated to Nikolai Myaskovsky, his teacher. It is one of a number of examples of music written in all 24 major and minor keys.
August Winding was a Danish pianist, teacher and composer.
Felix Mendelssohn's six Organ Sonatas, Opus 65, were published in 1845. Mendelssohn's biographer Eric Werner has written of them: "Next to Bach's works, Mendelssohn's Organ Sonatas belong to the required repertory of all organists."
The 24 Caprices for Violin, Op. 22, composed in the early nineteenth century by Pierre Rode, are a series of 24 caprices for solo violin. They cycle through the circle of fifths, presenting each major key and then its relative minor. They were first published in 1813.
Alexander Scriabin's 24 Preludes, Op. 11 is a set of preludes composed in the course of eight years between 1888–96, being also one of Scriabin's first published works with M.P. Belaieff in 1897, in Leipzig, Germany, together with his 12 Études, Op. 8 (1894–95).