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Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music ; in practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music".
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research—of the early 20th century and postwar era. Many of the procedures of new musicology are considered standard, although the name more often refers to the historical turn rather than to any single set of ideas or principles. Indeed, although it was notably influenced by feminism, gender studies, queer theory, postcolonial studies, and critical theory, new musicology has primarily been characterized by a wide-ranging eclecticism.
Robert Orledge is a British musicologist who specialises in French music from the late 19th to early 20th centuries. A Professor Emeritus at the University of Liverpool, Orledge has published book-length studies on the composers Claude Debussy, Gabriel Fauré, Charles Koechlin and Erik Satie.
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Carl Dahlhaus was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, both areas in which he made significant advancements. However, he remains best known in the English-speaking world for his writings on Wagner. Dahlhaus wrote on many other composers, including Josquin, Gesualdo, Bach and Schoenberg.
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Richard Filler Taruskin was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including The New York Times. He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume Oxford History of Western Music. His awards include the first Noah Greenberg Award from the American Musicological Society in 1978 and the Kyoto Prize in Arts and Philosophy in 2017.
Joseph Wilfred Kerman was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book Contemplating Music: Challenges to Musicology was described by Philip Brett in The Grove Dictionary of Music and Musicians as "a defining moment in the field". He was Professor Emeritus of Musicology at the University of California, Berkeley.
Constantin Floros is a Greek-German musicologist. Among the leading German musicologists, his output includes "pioneering research" on the Second Viennese School, especially Alban Berg as well as György Ligeti.
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Friedrich Wilhelm Stein was a German theologian, conductor, musicologist and church musician. He found in an archive in Jena the score of the so-called Jena Symphony, which he published as possibly a work by the young Ludwig van Beethoven. After a long period in Kiel from 1919 to 1933, teaching at the Kiel University and as Generalmusikdirektor, he had a leading position in the Reichsmusikkammer of the Nazis in Berlin.
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Tammy L. Kernodle is a musicologist and the former President of the Society for American Music (2019–21). Her academic writing and public intellectual work has highlighted Black women musicians like Mary Lou Williams, Meshell Ndegeocello, Alice Coltrane, and Melba Liston and has considered African American women's role in contemporary gospel music and jazz.
Gilbert Reaney was an English musicologist who specialized in medieval and Renaissance music, theory and literature. Described as "one of the most prolific and influential musicologists of the past century", Reaney made significant contributions to his fields of expertise, particularly on the life and works of Guillaume de Machaut, as well as medieval music theory.
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music.
Jeremy Noble was an English musicologist and music critic who specialized in classical music. His career comprised two fields, musicological scholarship and music criticism. In the former, he focused on early English music, Venetian music and particularly the life and work of Renaissance composer Josquin des Prez. His colleague Stanley Sadie noted that "Although only a fraction of his research has been published, the breadth and depth of his knowledge and his generosity towards fellow scholars have made him an important participant in late 20th-century musicology."
References
- ↑ Josef Bek (2001). "Bartoš, František(ii)". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.02179.
- ↑ Siegmund Levarie (2001). "Marco, Guy A(nthony)". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.47661.
