The term post-disco is a referral to the early to late 1980s era movement of disco music into more stripped-down electronic funk influenced sounds; post-disco was also predecessor to house music.
This chronological list contains examples of artists described as post-disco.
Bernard Edwards was an American musician, songwriter and record producer, known primarily for his work in disco music with guitarist Nile Rodgers, with whom he co-founded Chic. In 2017, Edwards was selected as the 53rd greatest bassist of all time by Bass Player magazine.
Dance-pop is a subgenre of pop music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.
Goldfrapp are an English electronic music duo from London, formed in 1999. The duo consists of Alison Goldfrapp and Will Gregory (synthesiser).
Disco Inferno were an English experimental rock band active in the late 1980s and the 1990s. Initially a trio of guitar, bass, and drums performing in an identifiable post-punk style, the band soon pioneered a dynamic use of digital sampling in addition to standard rock instruments. While commercially unsuccessful during their existence, the band is considered to be a key post-rock act.
Shalamar is an American R&B and soul music vocal group created by Dick Griffey and Don Cornelius in 1977 and active throughout the 1980s. Shalamar's classic lineup on the SOLAR label consisted of Howard Hewett, Jody Watley, and Jeffrey Daniel, together with dancer Jermaine Stewart. It was originally a disco-driven group created by Soul Train booking agent Dick Griffey and show creator and producer Don Cornelius. They went on to be an influential dance trio, masterminded by Cornelius. As noted in the British Hit Singles & Albums, they were regarded as fashion icons and trendsetters, and helped to introduce "body-popping" to the United Kingdom. Their name was created by Griffey.
Jody Vanessa Watley is an American singer, songwriter and producer whose music crosses genres including pop, R&B, jazz, dance and electronic soul. During the late 1970s and early 1980s, she was a member of the R&B/funk band Shalamar, who scored many hits, notably in the UK. In 1988, she won the Grammy Award for Best New Artist and has been nominated for three Grammy awards.
Jody Watley is the debut studio album by American singer Jody Watley, released on February 23, 1987, by MCA Records. Although Watley already found success as a part of the trio Shalamar, the impact of this album made Watley a cultural style icon in contemporary R&B, pop and dance music. Its success culminated in Watley winning a Grammy Award for Best New Artist in 1988 against fellow artists Breakfast Club, Cutting Crew, Terence Trent D'Arby and Swing Out Sister. The album also produced three top-ten singles on the US Billboard Hot 100: "Looking for a New Love" (#2), "Don't You Want Me" (#6) and "Some Kind of Lover" (#10). The album has sold two million copies in the United States and over four million copies worldwide.
"Borderline" is a song by American singer Madonna from her debut self-titled studio album (1983), written and produced by Reggie Lucas. In 1982, Madonna was signed on by Sire Records for the release of two 12-inch singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. "Borderline" is a pop song with post-disco elements whose sounds recall the music of the 1970s, while the lyrics find a woman complaining of her lover's chauvinism.
Anniemal is the debut album by Norwegian singer Annie. It was first released by 679 Recordings in September 2004. Annie began recording music in 1999 with her boyfriend, Tore Kroknes, who died in 2001. She returned to recording later that year, collaborating with Richard X, Röyksopp, and Timo Kaukolampi.
Electronic dance music (EDM), also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
SOLAR was an American record label founded in 1978 by Dick Griffey, reconstituted out of Soul Train Records only three years after it was founded with Soul Train television show host and creator Don Cornelius.
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco.
"Real Love" is a song by American singer Jody Watley from her second studio album, Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100, "Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.
Avant-funk is a music style in which artists combine funk or disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music.
Stylistically, the bulk of this material can be classified as post-disco and pre-house.
Keep Moving is just perfect, like Aaliyah being haunted by the ghost of Sharon Redd, Sharon Brown or Vicky D – one of those postdisco girls – on the Prelude label in 1982.
Unlimited Touch (...) weren't disco, and they weren't exactly straight-up R&B; like their Prelude labelmates D Train, Unlimited Touch combined the two forms into what is often referred to as post-disco.
post-disco funk-n-soul bands like Lakeside, Midnight Star and The Deele
the post-disco DIY sound of ESG
"Should Have Been You," which helped establish Guthrie as one of the premier club music performers during the post-disco era.
With the release of their first proper self-titled full length, they [Holy Ghost!] contribute to growing post-disco fads with tracks that are chock full of soulful harmonies, backed with an unrestrained supply of drum machines, vintage keyboards, and bubbling synthesizers.
the U.K.-rooted John is best known to dance enthusiasts as the leader of famed post-disco trio Imagination
If Michael were smart he might make a similar move now, returning to his classic postdisco sound—lord knows Justin Timberlake has had success putting his own Off the Wallisms on the charts.
Her initial post-disco albums with reggae producers Sly & Robbie are the high points, with the Trevor Horn-helmed Slave to the Rhythm (1985) also of note.
the post-disco camp of Kid Creole and the Coconuts
Before Murphy's timeslot began though, '80s post-disco group Liquid Liquid had their shot to get the crowd going.
The seminal post-disco band Liquid Liquid is set to open the show
The undisputed heroes of Offset 2010 were New York post-disco troupe, Liquid Liquid
Both her post-disco music and defiant strut suggest a child's parody of grown-up posturing.
[Neil] Tennant popped off one day to interview an up and coming post-disco club kid, yup, Madonna.
In 1999, Geist and fellow producer Darshan Jesrani initiated a series of excellent post-disco singles as Metro Area
A talented songwriter and performer with a distinctive, soft voice whose post-disco dance-pop made him a superstar in the 1980s and '90s.
Vocalist with several post-disco club classics to her credit, including the chart-topping "Let the Music Play."
Thanks to brother Foster, Edmund can lay claim to being part of the first family of post-disco dance music. And he doesn't do such a bad job himself.
Since 2012, the label has been headed by the unlikely but somehow perfect Don Was, of the post-disco outfit Was (Not Was), famous for the immortal anthem "Walk the Dinosaur."
George Michael may adapt the music of his post-disco pop act Wham! for a stage production.