| Science fiction films |
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A list of science fiction films released in the 1920s. These films include core elements of science fiction and are widely available with reviews by reputable critics or film historians.
| Science fiction films |
|---|
| |
| By decade |
A list of science fiction films released in the 1920s. These films include core elements of science fiction and are widely available with reviews by reputable critics or film historians.
Dziga Vertov was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman.
The cinema of the Soviet Union includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. Most prolific in their republican films, after the Russian Soviet Federative Socialist Republic, were Armenia, Azerbaijan, Georgia, Ukraine, and, to a lesser degree, Lithuania, Belarus and Moldavia. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union.
A propaganda film is a film that involves some form of propaganda. Propaganda films spread and promote certain ideas that are usually religious, political, or cultural in nature. A propaganda film is made with the intent that the viewer will adopt the position promoted by the propagator and eventually take action towards making those ideas widely accepted. Propaganda films are popular mediums of propaganda due to their ability to easily reach a large audience in a short amount of time. They are also able to come in a variety of film types such as documentary, non-fiction, and newsreel, making it even easier to provide subjective content that may be deliberately misleading.
The 1920s was a decade that began on January 1, 1920, and ended on December 31, 1929. In America, it is frequently referred to as the "Roaring Twenties" or the "Jazz Age", while in Europe the period is sometimes referred to as the "Golden Twenties" because of the economic boom following World War I (1914–1918). French speakers refer to the period as the "Années folles", emphasizing the era's social, artistic, and cultural dynamism.
Agitprop refers to an intentional, vigorous promulgation of ideas. The term originated in the Soviet Union where it referred to popular media, such as literature, plays, pamphlets, films, and other art forms, with an explicitly political message in favor of communism.
The history of Russian animation is the visual art form produced by Russian animation makers. As most of Russia's production of animation for cinema and television were created during Soviet times, it may also be referred to some extent as the history of Soviet animation. It remains a nearly unexplored field in film theory and history outside Russia.
Likbez was a campaign of eradication of illiteracy in Soviet Russia and the Soviet Union in the 1920s and 1930s. The term was also used for various schools and courses established during the campaign. Nowadays, this term is sometimes used in Russian as a slang for teaching an unprepared audience the basic concepts of any science, process or phenomenon.
Russian cosmism, also cosmism, is a philosophical and cultural movement that emerged in Russia at the turn of the 19th century, and again, at the beginning of the 20th century. At the beginning of the 20th century, there was a burst of scientific investigation into interplanetary travel, largely driven by fiction writers such as Jules Verne and H. G. Wells as well as philosophical movements like the Russian cosmism.
Propaganda in the Soviet Union was the practice of state-directed communication aimed at promoting class conflict, internationalism, the goals of the Communist Party of the Soviet Union, and the party itself.
Jewish Bolshevism, also Judeo–Bolshevism, is an antisemitic conspiracy theory that claims that the Russian Revolution of 1917 was a Jewish plot and that Jews controlled the Soviet Union and international communist movements, often in furtherance of a plan to destroy Western civilization. It was one of the main Nazi beliefs that served as an ideological justification for the German invasion of the Soviet Union and the Holocaust.
Censorship of images was widespread in the Soviet Union. Visual censorship was exploited in a political context, particularly during the political purges of Joseph Stalin, where the Soviet government attempted to erase some of the purged figures from Soviet history, and took measures which included altering images and destroying film. The USSR curtailed access to pornography, which was specifically prohibited by Soviet law.
Science fiction and fantasy have been part of mainstream Russian literature since the 18th century. Russian fantasy developed from the centuries-old traditions of Slavic mythology and folklore. Russian science fiction emerged in the mid-19th century and rose to its golden age during the Soviet era, both in cinema and literature, with writers like the Strugatsky brothers, Kir Bulychov, and Mikhail Bulgakov, among others. Soviet filmmakers, such as Andrei Tarkovsky, also produced many science fiction and fantasy films. With the fall of the Iron Curtain, modern Russia experienced a renaissance of fantasy. Outside modern Russian borders, there are a significant number of Russophone writers and filmmakers from Ukraine, Belarus and Kazakhstan, who have made a notable contribution to the genres.
The Institute of Red Professors of the All-Union Communist Party (Bolsheviks) was an institute of graduate-level education in the Marxist social sciences located in the Orthodox Convent of the Passion, Moscow.
The Communist Academy was a higher educational establishment and research institute based in Moscow. It included scientific institutes of philosophy, history, literature, art and language, Soviet construction and law, world economy and world politics, economics, agrarian research as well as institutes of natural and social science. It was intended to allow Marxists to research problems independent of, and implicitly in rivalry with, the Academy of Sciences which long pre-existed the October Revolution and the subsequent formation of the Soviet Union.
Nikolai Petrovich Khodataev was a Russian and Soviet artist, sculptor and animator, one of the founders of the Soviet animation industry.
Yuri Alexandrovich Merkulov was a Soviet artist, animation and film director, conservator-restorer, inventor, film theorist and actor. He is known as one of the founders of the Soviet school of traditional and stop motion animation.
The cultural revolution was a set of activities carried out in Soviet Russia and the Soviet Union, aimed at a radical restructuring of the cultural and ideological life of society. The goal was to form a new type of culture as part of the building of a socialist society, including an increase in the proportion of people from proletarian classes in the social composition of the intelligentsia.
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