The London Fringe Theatre Festival is a Canadian annual fringe theatre and related arts festival in London, Ontario. It is credited with triggering a resurgence in local playwriting [1] and performance after the University of Western Ontario cancelled its drama program.
The first festival was presented in 2000, [2] comprising 28 local, national, and international productions over a ten-day schedule. Prior to 2009 it began on the province's Civic holiday weekend, but was moved to the beginning of June to take advantage of the east-to-west circuit of the Canadian Association of Fringe Festivals. By 2019, under the direction of executive producer and co-founder Kathy Navackas, the festival had grown to host over 50 productions and workshops. [3]
The London Fringe Festival organization also sponsored and supported theatre- and arts-related events throughout the year, including a Nuit Blanche event and The Lost Soul Stroll, a historical ghost tour.
In 2020 the organization joined with London Community Players to form the Palace Theatre Arts Commons. [4] After dismissing Navackas and its other staff, [5] the Palace Theatre presented a small "Fringe Binge" festival in September 2021 featuring only three productions, chosen from local companies, and four curated musical acts. [6]
Canada's contemporary theatre reflects a rich diversity of regional and cultural identities. Since the late 1960s, there has been a concerted effort to develop the voice of the 'Canadian playwright', which is reflected in the nationally focused programming of many of the country's theatres. Within this 'Canadian voice' are a plurality of perspectives - that of the First Nations, new immigrants, French Canadians, sexual minorities, etc. - and a multitude of theatre companies have been created to specifically service and support these voices.
The Edinburgh Festival Fringe is the world's largest arts festival, which in 2018 spanned 25 days and featured more than 55,000 performances of 3,548 different shows in 317 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place in Edinburgh every August. The Edinburgh Festival Fringe has become a world-leading celebration of arts and culture, surpassed only by the Olympics and the World Cup in terms of global ticketed events. As an event it "has done more to place Edinburgh in the forefront of world cities than anything else" according to its historian and former chairman of the board, Michael Dale.
Just for Laughs is a comedy festival held each July in Montreal, Quebec, Canada. Founded in 1983, it is the largest international comedy festival in the world. It also serves as a television division.
The Toronto Fringe Festival is an annual theatre festival, featuring un-juried plays by unknown or well-known artists, taking place in the theatres of Toronto, Ontario, Canada. Several productions originally mounted at the Fringe have later been remounted for larger audiences, including the Tony Award-winning musical The Drowsy Chaperone.
The Adelaide Fringe, formerly Adelaide Fringe Festival, is the world's second-largest annual arts festival, held in the South Australian capital of Adelaide. Between mid-February and mid-March each year, it features more than 7,000 artists from around Australia and the world. Over 1,300 events are staged in hundreds of venues, which include work in a huge variety of performing and visual art forms. The Fringe begins with free opening night celebrations, and other free events occur alongside ticketed events for the duration of the festival.
The Adelaide Festival of Arts, also known as the Adelaide Festival, an arts festival, takes place in the South Australian capital of Adelaide in March each year. Started in 1960, it is a major celebration of the arts and a signficant cultural event in Australia.
The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. Wilson, in the original production, was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on a German folktale called "Der Freischütz", which had previously been made into an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990, and was performed at Paris's Théâtre du Châtelet on 9 October 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada. Det Norske Teatret in Oslo staged a Norwegian (Nynorsk) version in 1998, with Lasse Kolsrud as Pegleg. Only the dialogue was translated by the dramaturg and key collaborator of the entire creative process, Wolfgang Wiens; the songs were performed in English.
Fringe theatre is theatre that is produced outside of the main theatre institutions, and that is often small-scale and non-traditional in style or subject matter. The term comes from the Edinburgh Festival Fringe. In London, the fringe are small-scale theatres, many of them located above pubs, and the equivalent to New York's Off-Off-Broadway theatres and Europe's "free theatre" groups.
The Edmonton International Fringe Festival is an annual arts festival held every August in Edmonton, Alberta, Canada. Produced by the Fringe Theatre Adventures (FTA), it is the oldest and largest fringe theatre festival in North America. The Edmonton Fringe is a founding member of the Canadian Association of Fringe Festivals.
Anne Of Green Gables: The Musical is a musical based on the 1908 novel Anne of Green Gables by Lucy Maud Montgomery. The book was written by Don Harron exclusively, the music by Norman Campbell and the lyrics in a joint venture by Don Harron, Norman Campbell, Elaine Campbell and Mavor Moore. The musical is Canada's longest-running musical, having been performed annually from its opening in 1965 until 2019, with the 2020 production cancelled due to the COVID-19 pandemic. There was no performance in 2021. In March 2014, it was officially recognized as the longest running annual musical theatre production in the world by Guinness World Records.
The Inside Out Film and Video Festival, also known as the Inside Out LGBT or LGBTQ Film Festival, is an annual Canadian film festival, which presents a program of LGBT-related film. The festival is staged in both Toronto and Ottawa. Founded in 1991, the festival is now the largest of its kind in Canada. Deadline dubbed it "Canada’s foremost LGBTQ film festival."
Dennis Kelly is a British scriptwriter for theatre, television and film.
Enda Walsh is an Irish playwright.
The Magnetic North Theatre Festival is an annual festival celebrating theatre and related performing arts in Canada operated by the Canadian Theatre Festival Society in partnership with the National Arts Centre. The festival is held Ottawa every two years, with it being held in other Canadian cities in the alternating years. Other cities that have hosted the festival include Edmonton, St. John's and Vancouver. The festival offers not only productions and performances for the theatre-going public, but offers workshops and seminars aimed at theatre students and theatre professionals.
Mohammad Ali Baig is an Indian theatre personality and film maker of ad and documentary films, referred to by the media as 'Global Face of Hyderabadi Theatre', 'Sultan of Epics' and 'Master of Revival'. He is the recipient of the Padmashri He founded the Qadir Ali Baig Theatre Foundation in Hyderabad in 2005, as a tribute to his father, theatre legend late Qadir Ali Baig. Born into one of the most prominent theatre families in India, the playwright-director-actor remains passionately devoted to the illustrious family legacy. The Qadir Ali Baig Theatre Foundation is dedicated to promoting meaningful theatre in Hyderabad. He is the founder-curator of Qadir Ali Baig Theatre Festival, one of the most prestigious theatre festivals in the country, held annually in Hyderabad during October–November. In April 2014, he was awarded Padma Shri, the fourth highest civilian award in India, in 2014 for his contributions in theatre arts.
Supercrawl is an annual art and indie music festival held each September in downtown Hamilton, Ontario.
Come from Away is a Canadian musical, with book, music and lyrics by Irene Sankoff and David Hein. It is set in the week following the September 11 attacks and tells the true story of what transpired when 38 planes were ordered to land unexpectedly at Gander International Airport in the small town of Gander in the province of Newfoundland and Labrador, Canada as part of Operation Yellow Ribbon. The characters in the musical are based on real Gander residents as well as some of the 7,000 stranded travelers they housed and fed.
Six is a British musical comedy with book, music, and lyrics by Toby Marlow and Lucy Moss. The musical is a modern retelling of the lives of the six wives of Henry VIII presented as a pop concert, as the wives take turns singing and telling their story to see who suffered the most due to Henry and should, therefore, become the group's lead singer.
The COVID-19 pandemic has had a substantial impact on the film industry in 2020, 2021 and further into 2022, mirroring its impacts across all arts sectors. Across the world and to varying degrees, cinemas and movie theaters have been closed, festivals have been cancelled or postponed, and film releases have been moved to future dates or delayed indefinitely. Due to cinemas and movie theaters closing, the global box office has dropped by billions of dollars, streaming has seen a significant increase in popularity and the stock of film exhibitors has also dropped dramatically. Many blockbusters originally scheduled to be released since mid-March 2020 have been postponed or canceled around the world, with film productions also halted. This, in turn, created openings for independent cinema productions to receive wider exposure.
The COVID-19 pandemic has had a significant impact on the performing arts, mirroring its impacts across all arts sectors. Due to physical distancing requirements and closure of the physical venues, curtailing not only public performances but also rehearsals, many performing arts institutions attempted to adapt by offering new digital services. In particular this resulted in the free online streaming of previously recorded performances of many companies – especially orchestral performances and plays – lists of which were collated by journalists as well as bespoke crowdsourcing projects.