Looking Back | ||||
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Compilation album by | ||||
Released | November 30, 1977 | |||
Recorded | 1962–1971 | |||
Studio | Hitsville U.S.A., Detroit | |||
Genre | Soul, [1] rhythm and blues [2] | |||
Length | 115:15 | |||
Label | Motown | |||
Producer | Clarence Paul, William Stevenson, Henry Cosby, Stevie Wonder, Johnny Bristol, Hal Davis, Berry Gordy, Brian Holland, Lamont Dozier, Ron Miller | |||
Stevie Wonder chronology | ||||
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Looking Back, also later known as Anthology, is a triple LP anthology by American soul musician Stevie Wonder, released in 1977 on Motown Records. [3] Since its release in 12-inch triple LP format, it has not been reissued and is considered a limited edition. [4] The album chronicles 40 songs from Wonder's first Motown period, which precedes the classic period of his critically acclaimed albums.
This section needs additional citations for verification .(February 2012) |
Between 1963 and the end of 1971, Wonder placed over 25 songs on Billboard Hot 100. [5] Twenty-four of those — including such radio staples as "Fingertips, Pt. 2", "Uptight (Everything's Alright)", "I Was Made to Love Her", "For Once in My Life", "My Cherie Amour", and "Signed, Sealed, Delivered I'm Yours" — appear on Looking Back. Wonder's recordings in the '60s stand apart from most Motown acts partially because he was paired with producers and writers who very rarely worked with the Temptations, Supremes, etc. In his early years, Wonder was often produced by Clarence Paul and/or William Stevenson and, during the golden years, by Henry Cosby. Then in 1970, Wonder started producing himself, beginning with Signed, Sealed & Delivered . Most of his singles were written by Wonder himself in tandem with a variety of others, or by Ron Miller. The hits alternated between stomping barn-burners and mid-tempo, understated ballads.
Before the long-awaited Wonder box set, At the Close of a Century , was issued, this triple-album set was the ultimate early Wonder collection. It contains every major hit and many other vital singles from 1962–1971, showing his evolution from Ray Charles' disciple to assembly-line hitmaker to individualistic artist. Unlike its other anthologies, which have been carved down from three-volume vinyl LPs to double-disc sets, Motown simply deleted this one altogether, although vigilant collectors may be able to obtain it through used record stores. It wouldn't be until 1999's At the Close of a Century that another Stevie Wonder anthology which included material from this period would be released.
This compilation marks the first release of Stevie Wonder's 1967 original recording of "Until You Come Back To Me (That's What I'm Gonna Do)," which was a 1973 hit for Aretha Franklin. It's also the only collection of his to feature material from his instrumental album Eivets Rednow .[ citation needed ]
In a contemporary review, Russell Gersten of The Village Voice wrote that, although it suffers from some poorly chosen material and omissions, the album is ultimately an "essential record" that "requires a bit more imagination and knowledge to appreciate than most anthologies, but the raw ingredients are there. Wonder worked in an era of excesses, and his fight to find meaning is—in its own modest way—uplifting." [2] The newspaper's Robert Christgau shared a similar sentiment and said that Looking Back is at the same time "flawed, long overdue, and essential." [6] He later included it in his "basic record library" of 1970s albums, published in Christgau's Record Guide: Rock Albums of the Seventies . [7]
In a retrospective review for AllMusic, writer Rob Bowman gave Looking Back five stars and said that Wonder's songs from the 1960s were unique from most other Motown artists because he had a hand in writing them and his producers rarely collaborated with acts such as the Temptations or the Supremes. [8] J. D. Considine, writing in The Rolling Stone Album Guide (1992), gave the album four-and-a-half out of five stars and felt that it is a significantly better compilation than Greatest Hits Vol. 2 (1971) because of how it highlights both his studio albums up to that point and several non-LP singles. [9]
Side one
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Side three
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Side five
| Side six
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Producer | Side one | Side two | Side three | Side four | Side five | Side six |
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Henry Cosby | 1, 2, 4, 5, 7 | 1, 2, 6, 7 | 1, 2, 3, 4, 5, 6 | 1, 2, 4, 6 | ||
Clarence Paul | 1, 4 | 3, 4, 6 | 1, 2, 3, 4, 5 | |||
Stevie Wonder | 2 | 3, 7 | 2, 3, 4, 5, 6 | |||
William Stevenson | 1 | 1, 2 | ||||
Hal Davis | 5, 6 | |||||
Berry Gordy | 3, 7 | |||||
Ron Miller | 1 | |||||
Brian Holland, Lamont Dozier | 2 | |||||
Johnny Bristol | 5 |
Title | Information |
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Looking Back |
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"Castles in the Sand" |
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"Nothing's Too Good for My Baby" |
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Region | Certification | Certified units/sales |
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Canada (Music Canada) [10] | Gold | 50,000^ |
United Kingdom (BPI) [11] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
Songs in the Key of Life is the eighteenth studio album by American singer, songwriter and musician Stevie Wonder. A double album, it was released on September 28, 1976, by Tamla Records, a division of Motown. It was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City; final mixing was conducted at Crystal Sound. The album has been regarded by music journalists as the culmination of Wonder's "classic period" of recording.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Stevie Wonder's Journey Through "The Secret Life of Plants" is an album by Stevie Wonder, originally released on the Tamla Motown label on October 30, 1979. It is the soundtrack to the documentary The Secret Life of Plants, directed by Walon Green, which was based on the book of the same name by Peter Tompkins and Christopher Bird. It contains two singles that reached the Billboard Hot 100 charts: "Send One Your Love" and the minor hit "Outside My Window". The single "Black Orchid" reached No. 63 in the UK.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
Hotter than July is the nineteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on September 29, 1980, by Tamla, a subsidiary of Motown Records. Wonder primarily recorded the album in Los Angeles, California, at Wonderland Studios, which he had recently acquired. The album peaked at number three on the Billboard Top LPs & Tapes chart and was certified Platinum by the Recording Industry Association of America (RIAA) on February 3, 1981. It was Wonder's most successful album in the UK, where it peaked at number two on the UK Albums Chart and produced four top-10 singles. Music videos were produced for the album's first, third, and fourth singles.
Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
Anthology was originally released as a triple-album greatest hits set by legendary Motown family unit, The Jackson 5, in 1976. It was the group's second greatest hits compilation, after Greatest Hits (1971). It was at this point that most of the Jackson brothers had left the Motown label to join CBS Records. Motown president Berry Gordy once said that the Jackson 5 were "the last superstars to come off the Motown assembly line"; after the group left the label, Motown would not have another act to equal its success until Boyz II Men in the 1990s.
Sky's the Limit is the fourteenth studio album by the Temptations, released in 1971 through Gordy Records. The album includes the #1 hit "Just My Imagination ", the Top 40 hit "Ungena Za Ulimwengu ", and the original version of "Smiling Faces Sometimes", later a Top 5 hit for The Undisputed Truth.
1990 is a 1973 album by The Temptations for the Gordy (Motown) label, their final LP written and produced by Norman Whitfield.
Masterpiece is a 1973 album by The Temptations for the Gordy (Motown) label, produced and written by Norman Whitfield.
Solid Rock is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. The LP was the first made primarily without founding members and original lead singers Eddie Kendricks and Paul Williams. Frustrated by conflicts and fights with Temptations Otis Williams and Melvin Franklin, and producer Whitfield's steadfast insistence on producing psychedelic soul for the group when they really wanted to sing ballads, Kendricks had quit the act and negotiated a solo deal with Motown's Tamla label.
"For Once in My Life" is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965.
For Once in My Life is the tenth studio album by American singer-songwriter Stevie Wonder on Motown Records, released in November 1968. Then 18 years old, Wonder had established himself as one of Motown's consistent hit-makers. This album continued Wonder's growth as a vocalist and songwriter, and is the first album where he shares credit as producer. It featured four songs that hit the Hot 100 charts: "For Once in My Life", "Shoo-Be-Doo-Be-Doo-Da-Day" and the modest hits "I Don't Know Why" and "You Met Your Match". It also marked the debut of the Hohner Clavinet on a Stevie Wonder album, which would become a mainstay on albums to come.
Signed, Sealed & Delivered is the 12th studio album by American recording artist Stevie Wonder, released on August 7, 1970, by Tamla Records. The album featured four hits that hit the Billboard Hot 100: "Signed, Sealed, Delivered I'm Yours", "Heaven Help Us All", "Never Had a Dream Come True" and Wonder's cover of The Beatles' "We Can Work It Out". The album hit No. 25 on the Billboard Pop Albums chart as well as No. 7 on the R&B Albums chart.
Jungle Fever is a soundtrack album by American R&B singer-songwriter, producer, and multi-instrumentalist Stevie Wonder, recorded for the film Jungle Fever. It was released by the Motown label on May 28, 1991.
Together Again is an album by the American R&B vocal group the Temptations, released on Motown Records in 1987. It is the group's thirty-fourth studio album, and the first released under the Motown imprint. All of Motown Records' previous Temptations releases were made on the Gordy label, which was discontinued and whose artist roster and back catalog was consolidated into the main Motown label in 1987.
One Dozen Roses is a 1971 album by Smokey Robinson & The Miracles, issued on Motown Records' Tamla label. The penultimate album before lead singer Smokey Robinson departed the group for a solo career, One Dozen Roses features the Top 20 Billboard Hot 100 hit single "I Don't Blame You at All". Also included is the group's number-one smash hit "The Tears of a Clown", which was also made available through the reissue of the 1967 Miracles LP Make It Happen as The Tears of a Clown. Both of these songs were also huge hits in the UK, reaching #11 and #1 respectively.
Rags To Rufus is the gold-selling second studio album by funk band Rufus, released on the ABC Records label in 1974. It reached number 4 on both the Pop and Black Albums charts. It is notable for the hit singles "Tell Me Something Good", written by Stevie Wonder, and "You Got the Love", written by lead vocalist Chaka Khan and Ray Parker Jr. In 1975, "Tell Me Something Good" earned the band its first Grammy Award for Best R&B Performance by a Duo or Group with Vocals.
Anthology, also known as Anthology: The Best of Diana Ross and the Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at No. 24 on Billboard's "Black Albums" and No. 66 on "Pop Albums".
Flying High Together is an album by Smokey Robinson and the Miracles on Motown Records' Tamla label, released in 1972. It is noted as The Miracles' last studio album with original lead singer Smokey Robinson, who retired from the act to concentrate on his duties as vice president of Motown. The album charted at #46 on the Billboard Pop Album chart, and featured two singles: the appropriately named "We've Come Too Far to End It Now", which matched the parent album's chart position on the Billboard singles chart, charting at #46, and reached the Top 10 of the Billboard R&B singles chart, charting at #9, and "I Can't Stand to See You Cry", which charted at #45 Pop, and #21 R&B.