The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
Porky in Wackyland is a 1938 Warner Bros. Looney Tunes animated short film, directed by Bob Clampett. The short was released on September 24, 1938, and stars Porky Pig venturing out to find the last do-do bird, which he finds in Wackyland, a land that makes no sense located in Darkest Africa.
The Jolson Story is a 1946 American biographical musical film, a highly fictionalized account of the life of singer Al Jolson. It stars Larry Parks as Jolson, Evelyn Keyes as Julie Benson, William Demarest as his performing partner and manager, Ludwig Donath and Tamara Shayne as his parents, and Scotty Beckett as the young Jolson. Some of the film's episodes are based on fact but the story is extremely simplified, with people disguised or combined into single characters.
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre. The film entered the public domain on January 1, 2024.
I Love to Singa is a 1936 Warner Bros. Merrie Melodies animated cartoon directed by Tex Avery. The short was released on July 18, 1936.
Sunday Go to Meetin' Time is a 1936 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. The short was released on August 8, 1936. The name of the short comes from the colloquial adjective "sunday-go-to-meeting", describing something appropriate for church or otherwise presentable.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Rose of Washington Square is a 1939 American musical drama film, featuring the already well-known popular song with the same title. Set in 1920s New York City, the film focuses on singer Rose Sargent and her turbulent relationship with con artist Barton DeWitt Clinton, whose criminal activities threaten her professional success in the Ziegfeld Follies.
Sit Tight is a 1931 American Pre-Code musical comedy film, directed by Lloyd Bacon, written by Rex Taylor, edited by James Gibbon, and produced and distributed by Warner Bros. It was originally intended as a full musical, but due to the backlash against musicals, all the songs were cut from the film except for one – sung by Winnie Lightner – in all release prints in the United States.
Manhattan Parade is a 1931 American pre-Code musical comedy film photographed entirely in Technicolor. It was originally intended to be released, in the United States, early in 1931, but was shelved due to public apathy towards musicals. Despite waiting a number of months, the public proved obstinate and the Warner Bros. reluctantly released the film in December 1931 after removing all the music. Since there was no such reaction to musicals outside the United States, the film was released there as a full musical comedy in 1931.
No, No, Nanette is a 1930 American pre-Code musical comedy film with Technicolor sequences that was directed by Clarence G. Badger and released by First National Pictures. It was adapted from the play of the same title by Otto A. Harbach and Frank Mandel. No, No, Nanette was a popular show on Broadway, running for 321 performances, and was produced and directed by Harry Frazee.
General Crack is a 1929 American pre-Code sound all-talking historical costume melodrama with Technicolor sequences which was directed by Alan Crosland and produced and distributed by Warner Bros. It was filmed and premiered in 1929, and released early in 1930. It stars John Barrymore in his first full-length talking feature. The film would prove to be Crosland and Barrymore's last historical epic together. It was based on the 1928 novel General Crack by the British writer Marjorie Bowen, published under the name George Preedy, one of her several pen names.
Say It with Songs is a 1929 American pre-Code musical drama film, directed by Lloyd Bacon and released by Warner Bros. The film stars Al Jolson and Davey Lee and was a follow-up to their previous film, The Singing Fool (1928).
"My Mammy" is an American popular song with music by Walter Donaldson and lyrics by Joe Young and Sam M. Lewis.
Al Jolson was a Lithuanian-born American singer, actor, and vaudevillian.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Natural color was a term used in the beginning of film and later on in the 1920s, and early 1930s as a color film process that actually filmed color images, rather than a color tinted or colorized movie. The first natural color processes were in the 1900s and 1910s and were two color additive color processes or red and green missing primary color blue, one additive process of time was Kinemacolor. By the 1920s, subtractive color was mostly in use with such processes as Technicolor, Prizma and Multicolor, but Multicolor was mostly never in use in the late 1920s, Technicolor was mostly in use. The only one who cared to mess with Multicolor was William Fox, probably because Multicolor was more cheaper of a process and at the time in 1929 William Fox was in debt. The difference between additive color and subtractive color were that an additive color film required a special projector that could project two components of film at the same time, a green record and a red record. But additive color didn't required a special projector, the two pieces of film were chemically formed together and was projected in one strip of film.
Big Boy is a 1930 American Pre-Code musical comedy film produced by Warner Bros. The film was directed by Alan Crosland and stars Al Jolson, Claudia Dell, Louise Closser Hale, and Noah Beery. The film is based on the 1925 Broadway hit show of the same name in which Jolson also starred.
