Maralou Gray

Last updated
Maralou Gray
Born
Maralou Daralene Beatty

(1931-07-06) July 6, 1931 (age 93)
Occupation(s)Actress, singer, event producer
Years active1939-present
Spouses
  • James De Nicholas (1954-1967)
  • Lance Petri (1969-1985)
Children2

Maralou Gray (born July 6, 1931) is an American film, television, and theater actress, and an operatic lyric coloratura soprano singer, active from the late 1930s through the 1960s.

Contents

Early life

Maralou Daralene Beatty was born in Chicago, Illinois to Dorothy Gray, Orpheum Circuit solo ballet dancer and national dancing schools owner, and Arthur Beatty, restaurateur. Maralou spent a great deal of time in the company of her maternal grandparents, physician and surgeon, Dr. William O. Gray and Margaret Gray of Chicago, Illinois[ citation needed ]. They legally adopted her at the age of 4, officially renamed her Maralou Daralene Gray, and became her legal mother and father.[ citation needed ]

Maralou began singing as a young girl, and her family noticed her vocal ability and musicality. She started taking voice and piano lessons, and at the age of 8, she auditioned for The Morris B. Sachs Amateur Hour, where she was accepted as a contestant. Over the next two years, she appeared on various radio programs and performed at live events, including church concerts and community gatherings. [1]

In the summer of 1941, Dr. Gray retired and moved the family to San Diego, California [ citation needed ]. The following year, her vocal coach began to ease her into operatic arias, learning translations in Italian, Latin, French, and Spanish. At the age of 13, a call was received from Everett Crosby, film talent agent and brother of Bing Crosby in Los Angeles. He indicated that Paramount Studios was searching for a new young Soprano. Mrs. Gray brought her to L.A., and Crosby accompanied her to the studio to audition. A limited contract was offered with the stipulation that she had to be located within 3 hours "call" from the studio. It was decided that she should complete schooling in San Diego as a move to LA was too difficult at that time[ citation needed ].

The next two years, she logged over 80 personal appearances, including The Organ Pavilion in Balboa Park with over 1,400 attendees. [2]

Career

In the summer of 1948, Maralou and family moved to Beverly Hills, after purchasing the historic Johnny "Tarzan" Weissmuller/Lupe Velez estate, "Villa Fontanas", on the corner of Rodeo Drive and Lomitas. Surrounded by the homes of major stars- Gene Kelly, the Iturbis, George Murphy, Rosalind Russell, Jackie Cooper, etc., the home soon became a hangout for many of the "up and coming" (now well known), young actors for home-baked desserts, swimming, games, and volleyball. [3] She entered MGM Studio, studied voice with the esteemed "Vocal Coach to the Stars", Arthur "Rosie" Rosenblum, followed by obtaining the official sponsorship of hit song composer, Jimmy McHugh, which resulted in many notable musical appearances. [4]

Maralou worked on live television, appearing on Armchair Detective , [5] The Betty White Show [6] and many others. At 17, her blonde good looks and magnetic chartreuse eyes brought a group of modeling [7] and beauty titles-"Miss Buick" - she became the national "face" for the ad campaign for Buick for 2 years, [8] with the bonus of a new eye-catching car to drive around town. This was followed by "La Sirena Del Puerto De Los Angeles," (The Mermaid of Los Angeles Harbor), in celebration of the new massive L.A. Port, handling the intros for future Chief Justice Earl Warren (Then – Governor of California), ceremonies, speeches to welcome the first large liners to dock, plus many pictures for the press. [9] Dubbed "Miss Hollywood Star" Gray became the unofficial "Mascot" of the "Hollywood Stars" Baseball Team. [10] During the only year that the New York Yankees trained near Los Angeles, she was tagged to escort team members Rizzuto, DiMaggio, Yogi Berra, etc., for sightseeing around town and relaxation at her home.

In 1950, the casting director at Hal Roach Studios called Gray for a possible role in one of the first filmed television series, The Stu Erwin Show - Trouble With Father. [11] More filmed television roles followed. With sponsorship by Rod Serling and Gene Barry, she became a long-time member of the Academy of Television Arts and Sciences, serving as a Blue Ribbon Emmy Panel Judge over the years.

Live theater was Maralou's real love and opportunities came along- Goldmarie and Pitchmarie at the Coronet, [12] then signed by Maurice Schwartz (Yiddish Art Theater of New York), for a season at the Civic Playhouse Theater in Hollywood. She was hired as leading lady for "God, Man and Satan" (Faust), [13] along with young actor, Leonard Nimoy.

In the interim, her MCA music agents kept her busy performing at local supper clubs and hotels in Oregon and Washington, where she accompanied herself on the piano for a song or two as part of the show. Gray was then booked into the world-famous "Cocoanut Grove" - the Ambassador Hotel as multi-language "Chanteuse", backed by the renowned "Miguelito Valdes Orchestra." While there, Gray was approached by the symphonic violinist brother of the V.P. of Mexico., suggesting that the hotels and clubs in Mexico City would appreciate her talent, and that bookings could be contracted. In 1951, with her mother as chaperone, the tour was arranged. [14] She appeared at The Astoria Hotel with "Los Churumbeles", The Beachcombers with the great composer/performing artist, Agustin Lara, and a few supper clubs, then to Acapulco at the Casablanca Hotel. [15]

As a result of actor Errol Flynn's interest in hiring Gray for one of his projects, The White Witch of Rose Hall, he became instrumental in arranging a small role for her in his Technicolor film, Against All Flags (1952). [16] More work in the theater followed, as she appeared in "The Barker", and "Fifth Season" Actor's Inc., then chosen by the author, Pierre La Mure, as the lead in the world premiere of his play, Moulin Rouge at the Circle Theater [17] with Gene Reynolds as "Toulouse Lautrec", and Gray as the prostitute, "Marie Charlet" (the artist's real-life nemesis). Attendance and favorable reviews led some motion picture casting directors to promise to look for strong characters in scripts that might suit her talents. [18] Following through on their words, she was cast in Columbia's swashbuckling color film, Pirates of Tripoli (1954), as the tempestuous pirate girlfriend of leading man Paul Henreid, [19] then enacted Jessie Babcock's courageous life in Death Valley Days - Rough and Ready (1957), was the brash dance hall hostess in Seven Ways to Sundown (1960) with Audie Murphy, and the female "crusader" lead in cult favorite Secret File Hollywood (1962)[ citation needed ]. In 1964, legendary drama coach Stella Adler invited Gray to join her exclusive professional workshop for a season, sparking renewed enthusiasm. She continued on with two episodes of The Greatest Show on Earth (1963-1964) and Day of the Nightmare (1965). With the development of new interests, her desire for work in the entertainment field waned [ citation needed ].

Personal life

Gray married James De Nicholas, mortgage banker and vice president of Stalford Mortgage Company of New York/Beverly Hills, on August 29, 1954. [20] "Villa Fontanas", her Rodeo Drive home was maintained as their residence. They had two daughters. During this period, Gray had decided to devote herself mostly to her family, appearing only in a few motion picture/television films. The "creative juices" were still flowing, however, and she became interested in interior design while refurbishing her home. This was later to become a 17-year serious business venture. Only one block from the Beverly Hills Hotel, her estate became a prime location for elegant international entertaining. [21] Gray devoted time to many charitable groups, organizing and producing events for them over the years.

Following an extended separation, the De Nicholas' were divorced in 1967 [ citation needed ].

While working on the initial episode of The Greatest Show on Earth |date=Desilu's new TV series, Gray officially met actor Jack Palance. [22] His lengthy legal marital separation was in force and he had been living in Europe while working in many films there. Having been a nearby Beverly Hills neighbor, and with many mutual good friends in common, Gray and Palance both knew of each other but had never met before. An "on again, off again" love affair ensued, lasting four years [ citation needed ].

In 1969, Monica Henreid (daughter of Paul), introduced Gray to Lance Petri, commercial real estate broker, and son of Hungarian Impresario Lazlo and Marica Petri, foremost Prima Donna of Hungarian Light Opera[ citation needed ]. They were married a few months later. They divorced in 1985, although he continued on as business manager for her corporate enterprises for many years[ citation needed ]

Later life

Pursuing her interest in residential/commercial interior design, Gray founded Magnetic Interiors, Inc. in 1970. Photographs of several of her projects were displayed in various publications. [23] After extensive exams of her projects by the Board, she was inducted into The American Society of Interior Designers (ASID), as a full professional member.

In the meantime, requests for special social functions at the Rodeo Drive home were becoming more frequent. Gray hosted a star-studded UNICEF benefit; [24] celebrities such as Quincy Jones piloted their events, along with other major music, movie, and sports stars. [25] Chris Evert Lloyd was honored there at the inaugural televised "Woman of the Year Hall of Fame" by Peggy Fleming and Dorothy Hamill [ citation needed ].

Maralou then set up "National Special Event Locations, INC." (NSEL), an innovative entity that handled large privately owned estate locations around the country, and also could produce the entire event. [26] As the original business of its kind in the U.S., the number of calls for work from around the country soon proved overwhelming. She decided to phase out the design work and go forward with NSEL. After a short time, a separate division was added, "National Film Locations" (NFL), a photo library service for film location scouts and managers, featuring the exclusive estates & other properties represented by NSEL. [27]

The hundreds of event clients throughout the years represent the "Who's Who" of the U.S., international, and film corporate worlds, including some of the most innovative people of all time. [28] Gray continues her creative endeavors today with an occasional event and as a designer of "one of a kind" gemstone necklaces.

Filmography

Television

YearShowRoleNotes
1950 The Stu Erwin Show Gertie MullinsEpisode: "The Ugly Duckling"
1951The Stu Erwin ShowGertrude MullinsEpisode: "Cafe Society"
1951 Front Page Detective Miss KastorEpisode: "The Lonely One"
1954 Adventures of The Falcon MarieEpisode: "Double Indemnity"
1957 Official Detective BeverlyEpisode: "The Night It Rained Bullets"
1957 Death Valley Days Jessie BabcockEpisode: "Rough And Ready"
1963 The Greatest Show on Earth Chimp HandlerEpisode: "Lion On Fire"
1964The Greatest Show on EarthShow PerformerEpisode: "The Glorious Days Of Used To Be"

Film

YearShowRole
1952 Against All Flags Reena
1955 Pirates of Tripoli Rhea
1960 Seven Ways From Sundown Dance Hall Girl
1962 Secret File Hollywood Gay Shelton
1965 Day of the Nightmare Alice

Organizations/Clubs

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References

  1. "San Diego Parent Teacher Assn". The Tribune-Sun . March 15, 1942. p. 15.
  2. "Songbird". San Diego Journal . June 20, 1947. p. 4.
  3. "Birthdays Noted at Party (Young Stars at Rodeo Drive Home for Party)". Beverly Hills Bulletin . August 8, 1949. p. Section B.
  4. Schallert, Edwin (August 28, 1950). "Drama". Los Angeles Times . p. 17. Part I. Worth watching will be the career of Marylou [ sic ] Gray, unique song stylist heard Saturday night at the Hollywood Athletic Club. She is a discovery of Song Writer Jimmy McHugh.
  5. Callin, Owen. "Television Used as Detector in Smog Battle". Los Angeles Herald and Express, August 3, 1950. p. A-18.
  6. Connolly, Mike (June 26, 1953). "Ramblin Reporter". The Hollywood Reporter .
  7. "Proof Read". Los Angeles Times . May 6, 1950. p. 4. Part III. [Photo caption:] Maralou Gray shows Patchen Axworthy where it says right in the program that he's one of the leading contenders for $50,000 Pomona Pace, feature of the nine-race Western Harness Racing Association card at Santa Anita this afternoon.
  8. "Buick Campaign". Los Angeles Examiner . June 18, 1950. p. 13.
  9. "Fleet Blessing to Climax Fishermen's Festivities". Los Angeles Times . September 24, 1950. p. 14. Part I. [Photo caption:] "Maralou Gray, La Sirena del Puerto de Los Angeles, christens new municipal fish market with spheres of water from Adriatic and Pacific Oceans as J. B. Chadwick, Harbor Commission prexy, watches ... [Article:] The new building was christened by waters of the Adriatic Sea and the Pacific Ocean hurled by Miss Maralou Gray in the role of La Sirena del Puerto de Los Angeles.
  10. "Whew!". Los Angeles Times . June 5, 1952. p. 2. Part IV. [Photo caption:] Bachelors are always a little wont to be shy and Tom Saffell, Twink center fielder, is no different. Surrounding him are Starlet Maralou Gray, left, and Catherine Copitas, grand opera student—both are avid fans, both single. It's a leap year, too!
  11. "Maralou Gray Signed by Producer Hal Roach, Jr. for Trouble With Father". The Hollywood Reporter . January 18, 1951.
  12. "Play Opens at Coronet". Beverly Hills Bulletin . March 1, 1950.
  13. "Maralou Gray Featured God, Man and Satan". Los Angeles Examiner . June 21, 1953. p. 8.
  14. Parsons, Louella (October 22, 1951). "Maralou Signed". The News. p. 4-B.
  15. Gomez, Barrios. "Blumenthal-Beachcomber". Novedades, November 12, 1951.
  16. Schallert, Edwin (January 24, 1952). "Drama". Los Angeles Times . p. 11. Part III. Maralou Gray, known for her night club singing and recently on a tour of Mexico, will have the part of a captured noblewoman in 'Against All Flags,' starring Errol Flynn and Maureen O'Hara; at Universal-International.
  17. Schallert, Edwin (January 29, 1953). ""Drama"". Los Angeles Times . p. 7. Part II. Maralou Gray the singer known on radio and TV, will alternate with Constance Dowling in the play 'Montmartre' at the Circle Theater.
  18. Ames, Walter (February 18, 1953). "Heart Fund 'Big Giveaway' Set for Marathon Feb. 28; Chef Milani Will Switch to KTTV". Los Angeles Times . p. 30. Part I. Maralou Gray says she firmly believes that TV will help many actors and actresses stay out of the unemployment lines in the future. She points out that video tends to sharpen a performer's movements, voice control, and, most importantly, memory. 'In films, you know you'll always get that second chance,' Miralou [sic], who opens next week in the Circle Theater's 'Montmartre' declared. 'In TV you don't. Television producers working on a tight budget and schedule hire only the performers they know can come up with flawless jobs.'
  19. Schallert, Edwin (March 4, 1954). "Maralou Gray Signed For Pirates". The Los Angeles Times . p. 9.
  20. "Now Honeymooning". The Mirror . September 6, 1954. p. 9.
  21. "Maralou Gray De Nicholas Offers A Brilliant Party". Sol De España . January 25, 1968.
  22. Freeman, Alex (February 1967). "Jack Palance-Maralou DeNicholas". Silver Screen Magazine . p. 17.
  23. "California Living, Decorating Section". Los Angeles Herald Examiner . March 4, 1973. pp. 20–21.
  24. McDougal, Dennis (October 31, 1984). "A Choice of Horrors for Halloween". Los Angeles Times .
  25. Osborne, Robert (December 4, 1984). "The Rambling Reporter". The Hollywood Reporter .
  26. Baird, Barbara (August 29, 1985). "Lavish Private Homes Are 'In' Places to Party". Los Angeles Times. Retrieved July 22, 2015.
  27. Sussman, Barnett (January 24, 1988). "Picture Your Perfect Home: It Could Star as Film, Television Location". Los Angeles Times. Retrieved January 3, 2022. Former screen actress Maralou Gray specializes in representing mansion owners, here and overseas, who rent their estates as locations for filming or for parties...
  28. Conlin, Joseph (May 1986). "A Night in Hollywood". Successful Meetings Magazine . p. 36.