Melophobia | ||||
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Studio album by | ||||
Released | October 8, 2013 | |||
Recorded | 2012–2013 at St. Charles, Nashville, Tennessee | |||
Genre | ||||
Length | 37:23 | |||
Label | RCA | |||
Producer | Jay Joyce | |||
Cage the Elephant chronology | ||||
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Singles from Melophobia | ||||
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Melophobia is the third studio album by American rock band Cage the Elephant. Recorded at St. Charles in Nashville, Tennessee and produced by Jay Joyce, the album was released on October 8, 2013, through RCA Records. It is also the final album that features lead guitarist Lincoln Parish.
For Melophobia, Cage the Elephant attempted to distance themselves from comparisons of the sound that influenced them, shutting themselves off from as much recorded music as possible. [1] Melophobia means "fear of music;" the band did not view the term literally, but rather thought of the term as "a fear of creating music to project premeditated images of self, like catering to cool, or making music to project an image of being intellectual or artistic or poetic, rather than just trying to be an honest communicator." [2] [3]
Frontman Matthew Shultz viewed the record as a battle "to remain transparent and to remain honest." Isaac Brock (frontman of Modest Mouse) once told his friend Tiger Merritt (of Morning Teleportation) that "if you're not slightly embarrassed to sing the lyrics, you're probably not writing a good song," and encouraged him to refrain from attempting to write poetically but rather naturally. Shultz said this made sense to him. [1] [3] When writing new tracks, Shultz would often doodle an image alongside his lyrics for visual reference. [3]
"Come a Little Closer" was inspired by a morning in which Shultz woke up in a São Paulo hotel and opened his window to watch the sunrise over the favelas. Finding the makeshift housing comparable to an anthill, he soon found himself wondering what each soul inside each borough felt, whether it be heartache, love, loss or joy. [3] Shultz viewed "Telescope" as the breakthrough song in writing honestly; he based it on his loneliness. During a bout of seasonal depression, he spent time in his new home for the first time after nonstop touring and found himself "doing life's meaningless tasks to fill the void to pass the time", including obsessively decorating and feeling obligated to spend time in each room. [1] "Black Widow" features the usage of brass horns which Brad had been anxious to use for a while, however Matt was against the inclusion of such instrumentation which would eventually lead to a "big argument". [4]
Aggregate scores | |
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Source | Rating |
Metacritic | 73/100 [5] |
Review scores | |
Source | Rating |
AllMusic | [6] |
Alternative Press | [7] |
Consequence of Sound | C+ [8] |
Los Angeles Times | [9] |
Paste | 8.0/10 [10] |
Rolling Stone | [11] |
USA Today | [12] |
Melophobia has received positive reviews from contemporary music critics. Brian Mansfield of USA Today designated it "Album of the Week," summarizing that "Melophobia may mean 'fear of music,' but there's nothing to be afraid of: Its glorious chaos makes for thrilling listening." [12] While August Brown of the Los Angeles Times viewed Melophobia as "a bit more stoned and mellow" than its predecessor, "they're in a class of their own [...] Let's just be glad to have such imagination on our drive time rock radio again." [9] Holly Gleason of Paste described the album as "post-modern glam revival," praising Jay Joyce's production and opining that "Melophobia is united in both the urgency of the performances and the seemingly toxic love affairs that populate these songs." [10] Rolling Stone 's Jon Dolan considered the record a combination of "Sixties garage rock, Seventies punk and Eighties alt-rock into excellently weird new shapes." [11] Doug McCausland of Alternative Nation said Melophobia was Cage's strongest record at the time. [13]
Alternative Press 's Jason Schreurs wrote that Melophobia "is, at its best, ambitious and teeming with ideas and, at worst, one heck of a mish-mash of sounds." [7]
The album debuted at No. 15 on the Billboard 200 albums chart on its first week of release, [14] with around 18,000 copies sold in the United States. It also debuted at No. 6 on both the Top Rock Albums [15] and the Alternative Albums charts. [16] As of October 2015, the album has sold 174,000 copies in the US. [17]
All tracks are written by Cage the Elephant
No. | Title | Length |
---|---|---|
1. | "Spiderhead" | 3:42 |
2. | "Come a Little Closer" | 3:49 |
3. | "Telescope" | 3:48 |
4. | "It's Just Forever" (featuring Alison Mosshart) | 3:30 |
5. | "Take It or Leave It" | 3:27 |
6. | "Halo" | 2:57 |
7. | "Black Widow" | 3:07 |
8. | "Hypocrite" | 4:08 |
9. | "Teeth" | 5:27 |
10. | "Cigarette Daydreams" | 3:28 |
Total length: | 37:23 |
No. | Title | Length |
---|---|---|
1. | "Baby Blue" | 3:41 |
2. | "Jesse James" | 2:53 |
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Chart (2013) | Peak position |
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Australia (ARIA Hitseekers) [18] | 4 |
Canadian Albums (Billboard) [19] | 21 |
US Billboard 200 [20] | 15 |
US Top Alternative Albums (Billboard) [21] | 6 |
US Top Hard Rock Albums (Billboard) [22] | 3 |
US Top Rock Albums (Billboard) [23] | 6 |
US Top Tastemaker Albums (Billboard) [24] | 5 |
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil) [25] | Gold | 20,000‡ |
United States (RIAA) [26] | Platinum | 1,000,000‡ |
‡ Sales+streaming figures based on certification alone. |
Alternative Airplay is a music chart published in the American magazine Billboard since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart, and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream, alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genres became more fully differentiated with only limited crossover. The Alternative Airplay chart features more alternative rock, indie pop, and pop punk artists while the Mainstream Rock chart leans towards more guitar-tinged blues rock, hard rock, and heavy metal.
Sawdust is a compilation album by American rock band the Killers, released on November 9, 2007, by Island Records. The album consists mostly of B-sides, but also includes a number of previously unreleased tracks. The songs on the album were recorded between 2002 and 2007.
Cage the Elephant is an American rock band formed in 2006 in Bowling Green, Kentucky. They moved to England and settled in London in 2008, shortly before their self-titled first album was released. The band currently consists of Matt Shultz (vocals), his older brother Brad Shultz, Nick Bockrath, Matthan Minster, Daniel Tichenor (bass), and Jared Champion (drums). The band's first album was released to much success, spawning several successful radio singles and gaining the band a large following in both the United States and the United Kingdom. It was influenced by classic rock, '90s alternative, blues, punk rock, and funk music. Lincoln Parish served as the band's lead guitarist from their formation in 2006 until 2013, when he left on good terms to pursue a career in producing.
Cage the Elephant is the debut studio album by American rock band Cage the Elephant. The album was produced by Jay Joyce and released on 23 June 2008, in Europe by Relentless Records, and on 24 March 2009, in the United States by RCA/Jive Label Group. It was certified platinum by the RIAA and spawned four singles.
"Ain't No Rest for the Wicked" is the third single by the American rock band Cage the Elephant. It was released as a CD single on June 16, 2008, by Relentless Records and became the first Top 40 hit for the band in the UK. A music video was filmed for this song which was directed by D.A.R.Y.L of Pulse Films. A later re-release in North America the following year reached number 92 on the Billboard Hot 100, reached number 3 on the Alternative Songs chart and number 8 on the Mainstream Rock Tracks chart.
"Back Against the Wall" is a song by American rock band Cage the Elephant. It was released as the fourth single from the band's 2008 self-titled debut album. In the issue dated March 6, 2010, the single peaked at number one on the Billboard Alternative Songs chart. This is the band's first number one single.
Matthew Ray Shultz is an American musician, best known as the lead singer and primary songwriter for the rock band Cage the Elephant.
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The discography of American rock band Cage the Elephant consists of six studio albums, two live albums, 17 singles and 18 music videos. The band released their self-titled debut album in June 2008. It peaked at number 59 on the United States Billboard 200 and at number 18 on the Billboard Top Alternative Albums chart. The album has been certified platinum by the Recording Industry Association of America (RIAA). "Ain't No Rest for the Wicked", the album's third single, peaked at number 83 on the Billboard Hot 100 and became a top 50 hit in Canada and the United Kingdom. The singles "In One Ear" and "Back Against the Wall" both topped the Billboard Alternative Songs chart.
"Come a Little Closer" is a song by American rock band Cage the Elephant. Written by lead singer Matthew Shultz and produced by Jay Joyce, it was released as the lead single from the band's third studio album Melophobia on August 13, 2013. It topped the Billboard Alternative Songs chart in the United States, giving the band their fourth number-one hit on the chart.
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