| Moses Leaving for Egypt | |
|---|---|
 | |
| Artist | Pietro Perugino and his workshop |
| Year | c. 1660 |
| Type | Fresco |
| Dimensions | 350 cm× 572 cm(140 in× 225 in) |
| Location | Sistine Chapel, Rome |
Moses Leaving for Egypt is a fresco by the Italian Renaissance painter Pietro Perugino and his workshop, executed around 1482 and located in the Sistine Chapel, Rome. It depicts a journey by the prophet Moses.
The commission of the work originated in 1480, when Perugino was decorating a chapel in the Old St. Peter's Basilica in Rome. Pope Sixtus IV was pleased by his work, and decided to commission him also the decoration of the new Chapel he had built in the Vatican Palace. Due to the size of the work, Perugino was later joined by a group of painters from Florence, including Botticelli, Ghirlandaio and others.
Perugino's assistants in the Sistine Chapel included Pinturicchio. Some figures in the fresco were traditionally attributed to him, but this has been disputed by 20th-century art historians. [1] They were painted by Andrea d'Assisi, Rocco Zoppo or, less likely, Lo Spagna or Bartolomeo della Gatta, other Perugino's collaborators of the time.
The fresco depicting the voyage of Moses is the first on the wall right to the altar, and faces the Baptism of Christ on the opposite wall.
The painting shows Moses (dressing in yellow and green as in the other frescoes of the cycle) leaving for Egypt, after he had been exiled from Midian, with Zipporah to his right. In the center, an angel asks him to circumcise his son Eliezer (scene on the right), as a sign of the alliance between Yahweh and the Israelites. The baptism, depicted on the opposite fresco, was in fact considered by several early Christian writers, including Augustine, as a kind of "spiritual circumcision". The ceremony is on the right, and includes Zipporah. [2]
In the right background Moses and Zipporah are greeting Jethro before leaving. Natural elements include the hill landscape in the background, characterized by thin trees (including a palm, a symbol of Christian sacrifice), and the birds: two of them are mating, an allusion to the renovations cycles of the nature. On the left background is a group of shepherds. The dames with flying dresses were a common element of Florentine early Renaissance painting, used also by Ghirlandaio and Botticelli.
The Sistine Chapel is a chapel in the Apostolic Palace, the pope's official residence in Vatican City. Originally known as the Cappella Magna, it takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, it has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The chapel's fame lies mainly in the frescoes that decorate its interior, most particularly the Sistine Chapel ceiling and The Last Judgment, both by Michelangelo.
Domenico di Tommaso Curradi di Doffo Bigordi, professionally known as Domenico Ghirlandaio, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Cosimo Rosselli was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls.
Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio.
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas.
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo's Last Judgement of the 1530s.
The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.
The Bufalini Chapel is a side chapel of the church of Santa Maria in Aracoeli, Rome, Italy. The first chapel on the right after the entrance, it houses a cycle of frescoes executed c. 1484-1486 by Pinturicchio depicting the life of the Franciscan friar St. Bernardino of Siena, sainted in 1450.
The Delivery of the Keys, or Christ Giving the Keys to Saint Peter is a fresco by the Italian Renaissance painter Pietro Perugino which was produced in 1481–1482 and is located in the Sistine Chapel, Rome.
The Punishment of the Sons of Korah or Punishment of the Rebels is a fresco by the Italian Renaissance painter Sandro Botticelli, executed in 1480–1482 in the Sistine Chapel, Rome.
The Youth of Moses or The Trials of Moses is a fresco by the Italian Renaissance painter Sandro Botticelli and his workshop, executed in 1481–1482 in the Sistine Chapel, Rome.
The Last Supper is a fresco by the Italian Renaissance painters Cosimo Rosselli and Biagio d'Antonio. Created during the years 1481–1482, it is located in the Sistine Chapel in Rome.
The Crossing of the Red Sea is a fresco executed in 1481–1482 and located in the Sistine Chapel, Vatican City. Of uncertain attribution, it has been assigned to Cosimo Rosselli. It depicts the crossing of the Red Sea by the Israelites, from chapter 14 of the book of Exodus.
The Testament and Death of Moses is a fresco attributed to the Italian Renaissance painters Luca Signorelli and Bartolomeo della Gatta, executed in around 1482 and located in the Sistine Chapel, Rome.
The Temptations of Christ is a fresco by the Italian Renaissance painter Sandro Botticelli, executed in 1480–1482 and located in the Sistine Chapel, Rome.
The Descent from Mount Sinai is a fresco by the Italian Renaissance painter Cosimo Rosselli and his assistants, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the prophet Moses in the process of receiving and introducing the Ten Commandments.
The Baptism of Christ is a fresco by the Italian Renaissance painter Pietro Perugino and his workshop, executed around 1482 and located in the Sistine Chapel, Rome.
The Vocation of the Apostles is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the Gospel narrative of Jesus Christ calling Peter and Andrew to become his disciples.
Art of the Sistine Chapel | |||||||
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| Life of Moses |  | ||||||
| Life of Christ | |||||||
| Ceiling 9 (Gallery) |
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| Altar wall | |||||||
| Tapestries | |||||||
| Related | |||||||
