Mountain Fountain | |
---|---|
Artist | Terry Stringer |
Completion date | April 1981 , re-sited 12 September 2010 |
Medium | Bronze, plywood, steel, concrete |
Dimensions | 5 m× 6.3 m× 7.7 m(16 ft× 21 ft× 25 ft) |
Location | Auckland, New Zealand |
36°51′32.8″S174°47′00″E / 36.859111°S 174.78333°E | |
Owner | Auckland Council Art Collection |
Website | Auckland Public Art page |
Mountain Fountain is a public sculpture located in the Parnell suburb of Auckland, New Zealand. It was designed by Terry Stringer and depicts a bronze Cubist volcano thrusting up from a concrete base, with streams of water falling from three of the sculpture's four faces. It was erected in its original location in Aotea Square in 1981. In 2008, it was decommissioned and placed in storage during redevelopment of the square. It was relocated to its current site in the forecourt of Holy Trinity Cathedral in 2010.
In 1978, the Auckland Savings Bank donated $75,000 to sponsor the construction of a sculpture featuring moving water in Aotea Square. The Auckland City Council voted to hold the Aotea Square Water Sculpture competition to select a work for the site. In December 1979, a panel consisting of Sir Dove-Myer Robinson, Dame Catherine Tizard, Colin Brenton-Rule, Peter Bartlett and Greer Twiss selected Terry Stringer's design as the winner from 42 entries and a shortlist of six finalists. [1] [2] The jury praised Stringer's entry for dealing "potently with a recognizable element of New Zealand—the land's vigorous geological formation." [3] Stringer, who was 34 years old and working as a lecturer at the Auckland Society of Arts and part-time office cleaner at the time, [3] was awarded $6000 in prize money. [2]
Two other finalists were subsequently made into public sculptures, Tanya Ashken's Albatross (1986) in Whairepo Lagoon, Wellington, and Chris Booth's Te Whiringa o Manoko (1978–2009) in Kerikeri. [4] [5]
Mountain Fountain took a year to build [6] and was unveiled by Mayor Colin Kay in April 1981 [7] with the title The Aotea Square Water Feature. [8] Stringer called the work "Mountain Fountain" [9] and by the time of its re-siting in 2010 this had become its official name. [10] The sculpture is a Cubist landscape made of 1.5 tonnes of bronze sheets fastened to a concrete and plywood framework. [3] It measures 5 metres (16 ft) tall, 7.7 metres (25 ft) long and 6.3 metres (21 ft) wide. [11] It depicts a volcano erupting through the earth, alluding to the volcanic field upon which Auckland is built. Stringer envisioned the sculpture as bringing a piece of the wild nature of New Zealand's landscape into the city. [3] Streams of water added to the sense of movement. [10]
Stringer wanted the sculpture to suggest "another of Auckland's volcanoes pushing up through Aotea Square" to offer "all the delights of hills and mountains" including "waterfalls, pools and streams and the pleasant sound of falling water". [11] The triangular geometric rockiness of the sculpture's shape was intended to relate to the "canyon of buildings" encircling the square, in the tradition of the Trevi Fountain growing out of its building backdrop, [3] while also differentiating it from Auckland's existing sculptural fountains. [1] Stringer's original design included a bronze figure of a girl in modern clothes lying in a pool, representing "the spectator falling into a river and the spirit of falling water itself." [2] [12] The feature was removed because it was deemed too frivolous [7] and Stringer realised after the sculpture was set out on the square that there was insufficient space to accommodate it. [6]
The Auckland Star called Mountain Fountain a "diverting, and different ... craggy contribution." [2] Tizard said the rock bursting up through the square and creating a water source "renders a deeply meaningful idea with great power." [2] Allen Curnow expressed optimism about the proposed design, hoping that the city might see "a sculpture which truly reflects the public taste." [13] The New Zealand Herald art critic T.J. McNamara praised it as "a grand piece of sculpture", calling it "an addition to the splendid hills of Auckland" and likening the sculpture's large forms to "big lava flows". [7] Art historian Robin Woodward identified Mountain Fountain as what he saw as one of the top sculptures that "[integrated] the urban and the sculptural" in New Zealand, alongside Paratene Matchitt's City to Sea Bridge (1993) and Greer Twiss' Karangahape Rocks (1969). [14]
Art historian Michael Dunn felt that the piece was uncharacteristic of Stringer, notably the "plain, bland surface" of the piece, and how Stringer typically focused on creating artworks for domestic settings, instead of public. Dunn felt that the surfaces of Mountain Fountain have a "robust quality that is necessary in a public situation". [15]
Mountain Fountain was designed to accommodate the possibility that people might climb on it. [3] Over time, its angled planes and banks made it a favourite location for skateboarders, and by the late 1980s Aotea Square had become a central hub for skateboarding culture in Auckland. [9] [16] With the decline in popularity of skateboarding after the 1970s, most of Auckland's best skateboard bowls disappeared, making Aotea Square a popular destination for skateboarders. [9] New Zealand skateboarders Levi Hawken [17] [18] and Chey Ataria [16] have commented on the sculpture's iconic status and formative influence within Auckland's skateboarding community. Alex Dyer in New Zealand Skateboarder Annual called Aotea Square "the most iconic New Zealand skate spot." [19]
Stringer didn't envision this role for the sculpture but later expressed happiness at the development, saying, "I'm very happy they have adapted it to their own use, that it's found that sense of life." [20] In 1988, the sculpture had to be reinforced with steel due to the unforeseen wear and tear from skateboarders; [8] stress from skateboarding had broken off chunks of stone from the sculpture. Stringer opposed alternate solutions proposed at the time to install a bar or move the sculpture to prevent skateboarding, favoring reinforcement because he was happy to see his sculpture used as a skateboarding ramp. [9]
In 2005, the Auckland City Council planned to tear down the Mountain Fountain sculpture as part of a redesign of Aotea Square, but backed down after outcry from the public [7] and members of New Zealand's arts community. [21] The sculpture was causing structural problems to the roof of the Civic Theatre underground car park located beneath the square, [21] and did not fit with the square's planned upgrade and renovation as a wide open space for performances, [8] concerts, and public meetings. [7] The Auckland City Council removed the sculpture and placed it in storage in 2008 after assessing structural issues and public space considerations as part of an $80 million restoration project to Aotea Square [22] and the underground car park. [6]
In June 2009, an Auckland City Council advisory panel for public art voted unanimously to move Mountain Fountain to a new location, citing "the impact of the structure on the event space" and the need to ensure the car park roof's waterproofing. From an art perspective, the panel felt Mountain Fountain was out of scale and dwarfed by the large, open square, and "would do more work in a smaller site." [23] From an engineering perspective, the sculpture couldn't be returned to the square because its water system couldn't be embedded in the new car park roof. [4] Stringer was open to the move but objected to the council's process, calling their reasons "spurious" and noting that they had not discussed their issues with his engineer. [23]
The advisory panel suggested three new locations for Mountain Fountain, at Parliament Reserve, Victoria Park, and Mission Bay's Selwyn Reserve, and recommended public consultation to decide the new location. [23] When Holy Trinity Cathedral council member John Wilson discovered the sculpture was being relocated he approached Stringer, who then approached the Auckland City Council. After consultation with Stringer, the public, and council art advisors, [22] Mountain Fountain was relocated to the forecourt of Holy Trinity Cathedral. It was dedicated in its new location on 12 September 2010. [10]
Stringer and Wilson noted the complementary synergy between the sculpture's zigzag shapes and the three peaks of the cathedral's roofline. [4] [10] The cathedral's architect Richard Toy intended to have an artwork situated next to the cathedral and the fountain's relocation fulfilled his original vision. [22] The New Zealand Herald arts writer Janet McAllister thought the sculpture looked good at its new site, but had misgivings that some non-Christian ratepayers might "feel uncomfortable visiting it on diocese land." [24] Stringer commented on the appropriateness of the sculpture's "resurrection" at the cathedral, and related it to a personal resurrection; while building the sculpture in 1980 he would visit his terminally ill father at Auckland City Hospital, and seeing Mountain Fountain rebuilt renewed his memories of his father. [10]
Great Barrier Island lies in the outer Hauraki Gulf, New Zealand, 100 kilometres (62 mi) north-east of central Auckland. With an area of 285 square kilometres (110 sq mi) it is the sixth-largest island of New Zealand and fourth-largest in the main chain. Its highest point, Mount Hobson, is 627 metres (2,057 ft) above sea level. The local authority is the Auckland Council.
Queen Street is the major commercial thoroughfare in the Auckland CBD, Auckland, New Zealand's main population centre. The northern end is at Queens Wharf on the Auckland waterfront, adjacent to the Britomart Transport Centre and the Downtown Ferry Terminal. The road is close to straight, the southern end being almost three kilometres away in a south-southwesterly direction on the Karangahape Road ridge, close to the residential suburbs in the interior of the Auckland isthmus.
Cathedral Square, locally known simply as the Square, is the geographical centre and heart of Christchurch, New Zealand, where the city's Anglican cathedral, ChristChurch Cathedral is located. The square stands at the theoretical crossing of the city's two main orthogonal streets, Colombo Street and Worcester Street, though in practice both have been either blocked off or detoured around the square itself. The square was badly damaged in the February 2011 Christchurch earthquake.
Aotea Square is a large paved public area in the CBD of Auckland, New Zealand. Officially opened in 1979 by Sir Dove-Myer Robinson next to Queen Street, it is used for open-air concerts and gatherings, markets, and political rallies. In November 2010, a major redevelopment of Aotea Square was completed. The square was redesigned to make it appropriate for use by crowds of up to 20,000 people.
Holy Trinity Cathedral is an Anglican cathedral situated in Parnell, a residential suburb of Auckland, New Zealand. It is the 'mother church' of the Anglican Diocese of Auckland and the seat of the Bishop of Auckland. The current main church building was consecrated in 1973.
The Auckland Domain, also known as Pukekawa / Auckland Domain, is a large park in Auckland, New Zealand. Consisting of 75 hectares of land, Auckland Domain is the oldest park in the city. Located in the central suburb of Grafton, the parkland is the remains of the explosion crater and most of the surrounding tuff ring of the Pukekawa volcano.
Paratene Temokopuorongo Matchitt was a New Zealand sculptor and painter, known for combining traditional Māori art forms with those of modernist art. His work also references events from New Zealand history, particularly the Māori prophetic movements of the nineteenth century and most specifically Te Kooti.
The Auckland Central Business District (CBD), or Auckland city centre, is the geographical and economic heart of the Auckland metropolitan area. It is the area in which Auckland was established in 1840, by William Hobson on land gifted by mana whenuahapū Ngāti Whātua Ōrākei. It is New Zealand's leading financial hub, and the centre of the country's economy; the GDP of the Auckland Region was NZD$139 billion in the year ending September 2023.
The Aotea Centre is a performing arts and events centre in Auckland, New Zealand. Located at the western edge of Aotea Square, off Queen Street, the centre provides a cultural, entertainment and conventions venue space in the heart of the city, and is managed by Auckland Unlimited. The origin of its name is Motu Aotea, the Māori name for Great Barrier Island, which is the largest offshore island of New Zealand and approximately 90 km from downtown Auckland.
The City to Sea Bridge is a pedestrian bridge and public artwork located in Wellington City, New Zealand. Opened on 31 October 1993, the wedge-shaped bridge crosses arterial road Jervois Quay, connecting the public spaces of Civic Square to the Wellington waterfront precinct at Whairepo Lagoon. Around the square are the Michael Fowler Centre, Wellington Town Hall, Wellington City Art Gallery and Wellington Central Library.
Francis Neil Dawson is a New Zealand artist best known for his large-scale civic sculptures.
Terry Robin George Stringer is a sculptor from New Zealand.
The City Rail Link (CRL) is a rail project currently under construction in Auckland, New Zealand. The project consists of a 3.5 km (2.2 mi) long double-track rail tunnel underneath Auckland's city centre, between Waitematā (Britomart) and Maungawhau railway stations. Two new underground stations will be constructed to serve the city centre: Te Waihorotiu near Aotea Square and Karanga-a-Hape near Karangahape Road. Waitematā will be converted from a terminus station into a through station, and Mount Eden station will be replaced by Maungawhau station, a new station with four platforms to serve as an interchange between the new CRL line and the existing Western Line.
Nek minnit is an Internet meme made popular by New Zealand skateboarder Levi Hawken. Hawken appeared in a viral video which shows a scooter, apparently destroyed outside a dairy. The "nek minnit" video spawned many parodies and has become a popular slang term among the people of New Zealand.
Tanya Ashken is a New Zealand silversmith and sculptor. She was one of a number of European-trained jewellers who came to New Zealand in the 1960s and transformed contemporary jewellery in that country, including Jens Hoyer Hansen, Kobi Bosshard and Gunter Taemmler.
Karanga-a-Hape railway station is an underground railway station under construction in Auckland, New Zealand. It is scheduled to open in late 2025 as part of the City Rail Link project. It will serve the Karangahape Road area with entrances on Beresford Square and Mercury Lane. When it opens, Karanga-a-hape will be the deepest train station in New Zealand, reaching 33 metres down and featuring 150 metre long platforms. Auckland Council estimates up to 1,400 people an hour will use the station at peak times.
Greer Lascelles Twiss is a New Zealand sculptor, and in 2011 was the recipient of an Icon Award from the Arts Foundation of New Zealand, limited to 20 living art-makers.
There have been several COVID-19 protests in New Zealand held since 2020, where people protested the government's response to the COVID-19 pandemic in New Zealand, in particular the lockdown measures in place in March–May 2020, August 2020, and August–November 2021 and the later vaccine mandates. The protests have been largely condemned by members of parliament, as well as local city and regional councils. Fears were also raised about the protests increasing the spread of the virus.
Waharoa, also known as Te Waharoa o Aotea, is a public sculpture located in Aotea Square, the city centre of Auckland, New Zealand. The expressionist piece was designed by Selwyn Muru and depicts a waharoa, a traditional Māori gateway in front of a marae ātea; the open meeting courtyard at a marae. Muru took elements from traditional Māori and Pacific art forms, as well as contemporary elements. The work was erected at Aotea Square in 1990 and relocated to its current position in 2010. Artist Mei Hill has described Waharoa as "probably the defining Māori artwork of scale in Auckland".
Karangahape Rocks, also known as the Karangahape Road Fountain is a public sculpture located in Pigeon Park on Karangahape Road in Auckland, New Zealand, created by New Zealand sculptor Greer Twiss as his first large-scale public commission. The sculpture, formerly a working fountain, depicts three bronze spherical shapes and two seated figures. Unveiled in 1969, the piece is one of the earliest contemporary public sculptures in Auckland.