Music Has the Right to Children

Last updated

Music Has the Right to Children
Musichastherighttochildren.jpg
Studio album by
Released20 April 1998 (1998-04-20) [1]
Recorded1995–1997
Studio Hexagon Sun (Pentland Hills, Scotland)
Genre
Length63:02
Label
Producer
  • Marcus Eoin
  • Michael Sandison
Boards of Canada chronology
Aquarius
(1998)
Music Has the Right to Children
(1998)
Peel Session
(1999)

Music Has the Right to Children is the debut studio album by Scottish electronic music duo Boards of Canada, released on 20 April 1998 in the United Kingdom by Warp and Skam Records and in the United States by Matador. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, [4] and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, found sounds and samples, and hip hop-inspired rhythms that had been featured on their first two EPs Twoism (1995) and Hi Scores (1996). [6] [2]

Contents

The album received widespread acclaim upon its release, and has since been acknowledged as a landmark work in electronic music, [7] going on to inspire a variety of subsequent artists. [8] It has been included on various best-ever lists by publications such as Pitchfork and Mojo .

Background

The members of Boards of Canada, brothers Michael Sandison and Marcus Eoin, had been creating music together as early as 1981, layering synths over cassette recordings of shortwave radio. Throughout the 1990s, the band were members of the Hexagon Sun artistic collective based in Pentland Hills, Scotland, and released self-produced cassettes produced in small quantities and given to friends and family members. According to Eoin, around 1987 or 1988, they started experimenting with tape demos they later destroyed. He called it the "seed of the project". [4]

In 1996, the band completed their first wide release, the Hi Scores EP, and began sending it out for record labels to hear. Sean Booth of Autechre heard the EP, and suggested that the band get in touch with SKAM Records, whose first release had been Booth's LEGO Feet album in 1991. SKAM released Hi Scores, and invited the band to produce a full-length follow-up. At the same time, the band established a relationship with Warp Records, who also wished to release an album by the band. As a compromise, the album would eventually be jointly released by both labels. [9]

Production and recording

The album was recorded in the duo's studio in Pentland Hills, which had been described as a "bunker" by various media publications. The duo described this as "just an exaggeration on the part of the record label" in an interview around the time of the album's release. [9]

The album features the duo utilizing samplers, intentionally detuned vintage synthesizers, drum machines and reel to reel tape recorders. It also incorporates a wide variety of samples, including several from the children's television program Sesame Street in tracks such as "The Color of the Fire" and "Aquarius". The track "Happy Cycling" samples the sound of the red-legged seriema from Vangelis' score for the 1976 documentary La Fête sauvage . [9]

During the production of the track "Rue the Whirl", the studio's window was left open, and the sound of birds was accidentally recorded into the track. The duo decided that the track was enhanced by the natural sounds, and left it in. [9] "Smokes Quantity" first appeared on Twoism in 1995. [10]

In interviews, the band has identified Devo, Wendy Carlos, DAF, TV and film soundtracks, Jeff Wayne, Julian Cope, My Bloody Valentine, 1980s pop music, and Seefeel as influences of the album's sound. [11] [4] According to Eoin, the band was uninterested in the styles of electronic music that were popular at the time of the album's creation, and that creating dance music was not a priority for them. [4]

According to the band, the songs' titles contain "cryptic references that the listener might understand or might not," many of them personal to the band. For example, the album's title is a reference to the duo's "intention to affect the audience using sound". [11] "Pete Standing Alone" shares its name with the main character of the documentary Circle of the Sun (1960) directed by Colin Low and released by the National Film Board of Canada. Pete is also the Great Uncle of Renowned Blackfoot artist Terrance Houle from Calgary, Alberta, Canada. [4]

Album art and packaging

The album cover is a modified version of a family photo taken at Banff Springs in Alberta, Canada. [4] The original CD was released in a traditional jewel case, while the 2004 re-release was packaged in digipak format. [12] "Happy Cycling" was mistakenly left off 500 copies of the initial North American release of the album despite the artwork indicating that the song was included. The vinyl record was released in a gatefold sleeve with a sticker that wrote the band's name in braille attached to it. [13]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [6]
Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [14]
The Great Rock Discography 9/10 [15]
Muzik 8/10 [16]
NME 8/10 [17]
Pitchfork 10/10 [12]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [18]
Select 4/5 [19]
Slant Magazine Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [20]
Spin 8/10 [21]

The album received widespread acclaim upon release. [6] [20] [12] In 2014, AllMusic called it "a landmark for electronic listening music that was widely copied." Fact called it "an adult meditation on childhood, concerned with play, naïveté and nostalgia, all tinted with rosy pastoralism," but "also devilishly subtle, intricate and emotionally mature." [22] Slant Magazine described the album as "nestled somewhere in between the warm hues of 1970s flocked wallpaper and the sleek electronic sheen of the future." [20] Pitchfork stated that the duo "tapped into the collective unconscious of those who grew up in the English speaking West and were talented enough to transcribe the soundtrack." [12]

Legacy and influence

Since its release, the album has been included in several lists of greatest albums of all time. Music Has the Right to Children featured at number 26 on Pitchfork 's "The 150 Best Albums of the 1990s" list, [23] as well as number 2 on its "50 Best IDM Albums of All Time" list released in 2017. [24] It was ranked number 91 in Mojo magazine's "100 Modern Classics" list. The album was also included in the book 1001 Albums You Must Hear Before You Die . [25]

The album has been noted as a major influence on the electronic music genre. Fact magazine identified Lone, Gold Panda, Lapalux, Tim Hecker, Leyland Kirby, Bibio, Four Tet, and Ulrich Schnauss as musicians directly influenced by the album, calling it not "just a classic album or many people's personal favourite," but also "an artifact in its own lifetime, a present-day relic that recalls an innocent time in more ways than one." [22]

Track listing

All tracks are written by Marcus Eoin and Michael Sandison

No.TitleLength
1."Wildlife Analysis"1:15
2."An Eagle in Your Mind"6:25
3."The Color of the Fire"1:45
4."Telephasic Workshop"6:35
5."Triangles & Rhombuses"1:50
6."Sixtyten"5:48
7."Turquoise Hexagon Sun"5:07
8."Kaini Industries"0:59
9."Bocuma"1:35
10."Roygbiv"2:31
11."Rue the Whirl"6:39
12."Aquarius"5:58
13."Olson"1:31
14."Pete Standing Alone"6:07
15."Smokes Quantity"3:07
16."Open the Light"4:25
17."One Very Important Thought"1:25
Total length:63:02
Bonus track on 1998 US Matador release and 2004 Warp re-release
No.TitleLength
18."Happy Cycling"7:51
Total length:70:42

Charts

Chart performance for Music Has the Right to Children
Chart (1998)Peak
position
UK Albums (OCC) [26] 193
UK Independent Albums (OCC) [27] 24

Certifications

Certifications for Music Has the Right to Children
RegionCertification Certified units/sales
United Kingdom (BPI) [28] Silver60,000*

* Sales figures based on certification alone.

Related Research Articles

Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists in the style include Aphex Twin, Autechre, Squarepusher, μ-Ziq, the Black Dog and the later duo Plaid, as well as earlier acts such as the Future Sound of London and Orbital.

<span class="mw-page-title-main">Boards of Canada</span> Scottish electronic music duo

Boards of Canada are a Scottish electronic music duo consisting of the brothers Michael Sandison and Marcus Eoin, formed initially as a trio in 1986 before becoming a duo in the 1990s. Signing first to Skam followed by Warp Records in the 1990s, the duo received recognition following the release of their debut album Music Has the Right to Children on Warp in 1998. They followed with the critically acclaimed albums Geogaddi (2002), The Campfire Headphase (2005) and Tomorrow's Harvest (2013).

<span class="mw-page-title-main">Warp Records</span> British record label

Warp Records is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon. It is currently based in London.

<i>Geogaddi</i> 2002 studio album by Boards of Canada

Geogaddi is the second studio album by Scottish electronic music duo Boards of Canada, released on 18 February 2002 by Warp Records. It was recorded between 1999 and 2001 at Hexagon Sun, their Pentland Hills studio. The album was intended to be—and has been described as—darker in tone than their debut studio album Music Has the Right to Children, released in 1998.

<span class="mw-page-title-main">Broadcast (band)</span> British electronic rock music group

Broadcast were an English band formed in Birmingham in 1995 by Trish Keenan and James Cargill (bass). Their musical style blended elements of 1960s psychedelia with early electronic music and samples from esoteric sources; it earned the band a cult following.

<i>Amber</i> (Autechre album) 1994 studio album by Autechre

Amber is the second studio album by English electronic music duo Autechre, released on 7 November 1994 by Warp. It was the first Autechre album to be composed entirely of new material, as their debut album Incunabula (1993) was a compilation of older tracks.

<i>Tri Repetae</i> 1995 studio album by Autechre

Tri Repetae is the third studio album by English electronic music duo Autechre, released on 6 November 1995 by Warp in the United Kingdom. In contrast to the duo's previous albums, Incunabula (1993) and Amber (1994), Tri Repetae features a distinct style that incorporates more minimal rhythms and spacious melodies.

<i>In a Beautiful Place Out in the Country</i> 2000 EP by Boards of Canada

In a Beautiful Place Out in the Country is an EP by Scottish electronic music duo Boards of Canada. It was released by Warp and music70 on 27 November 2000, in the period between the duo's albums Music Has the Right to Children and Geogaddi. Like those albums, it was well received by critics. It peaked at number 15 on the UK Independent Albums Chart. Originally pressed on blue vinyl, the vinyl version of the EP was reissued on black vinyl in 2013.

<i>Twoism</i> 1995 EP by Boards of Canada

Twoism is the debut EP by Scottish electronic duo Boards of Canada, self-financed and released through their own Music70 record label in August 1995. Initially limited to 100 copies and released privately, the EP was reissued by Warp Records on November 25, 2002.

Skam Records is an independent electronic music record label based in Manchester, England, founded by Andy Maddocks around 1990. Skam also runs a smaller sub-label called 33.

<i>Hi Scores</i> 1996 EP by Boards of Canada

Hi Scores is an EP by Scottish electronic music duo Boards of Canada. It was released by Skam Records in 1996. It peaked at number 34 on the UK Dance Albums Chart in 2006. "Turquoise Hexagon Sun" would later appear on the duo's 1998 debut studio album, Music Has the Right to Children.

<i>Vocal Studies + Uprock Narratives</i> 2001 studio album by Prefuse 73

Vocal Studies + Uprock Narratives is a 2001 studio album by Guillermo Scott Herren, the first released under the name Prefuse 73. The album was released on June 11, 2001, on Warp. The music was created by Herren alone, with some tracks featuring guest vocals from MCs Mikah 9, MF Doom and Aesop Rock as well as vocalist Sam Prekop from The Sea and Cake. Inspired by Miami bass and early 90s hip hop, Herren had been recording music with his Music Production Center (MPC) for Schematic Records, a label known primarily for intelligent dance music (IDM). After working with various local hip hop artists making what he described as "very boring rap beats", Herren was inspired to take his music in a more left-field direction.

<i>The Campfire Headphase</i> 2005 studio album by Boards of Canada

The Campfire Headphase is the third studio album by Scottish electronic music duo Boards of Canada, released on 17 October 2005 by Warp Records. The album features the addition of more organic musical elements, including heavily treated acoustic guitars and more conventional song structures. It received generally positive reviews from critics, and reached number 41 on the UK albums chart.

<i>Live @ Warp10</i> 1999 live album by Boards of Canada

Live @ Warp10 is a collection of songs recorded during the performance of Scottish electronic music duo Boards of Canada at the Warp Records 10th anniversary party. The performance took place at the Chainstore, Trinity Buoy Wharf, London. The WARP 10th birthday live performances were broadcast live on the internet by Gaia Live (gaialive.com) and produced on location by Tim Read.

<i>Trans Canada Highway</i> (EP) 2006 EP by Boards of Canada

Trans Canada Highway is an EP by Scottish electronic music duo Boards of Canada. Originally scheduled for release on 6 June 2006, it was published by Warp on 29 May 2006. The album peaked at number 4 on the UK Independent Albums Chart, number 8 on the UK Dance Albums Chart, and number 12 on Billboard's Top Dance/Electronic Albums chart.

<i>Spokes</i> (album) 2003 studio album by Plaid

Spokes is the fifth studio album by British electronic music duo Plaid. It was released on Warp in 2003.

Andy Maddocks is an English entrepreneur and musician. He also went on to found Skam Records, a Manchester-based independent electronic label, in the early 1990s. He is also a member of the collaborative project Gescom with Darrell Fitton, Russell Haswell, and Rob Hall.

<span class="mw-page-title-main">Mount Kimbie</span> English electronic music group

Mount Kimbie is an English electronic music group consisting of Dominic Maker, Kai Campos, Andrea Balency-Béarn and Marc Pell. Mount Kimbie was formed in 2008 by Maker and Campos. The duo expanded on the musical template of the UK dubstep scene, releasing early EPs Maybes and Sketch on Glass to critical praise the following year. Their debut album Crooks & Lovers in 2010 received further acclaim and was listed as one of the defining albums of the decade by DJ Mag.

<i>Tomorrows Harvest</i> 2013 studio album by Boards of Canada

Tomorrow's Harvest is the fourth studio album by Scottish electronic music duo Boards of Canada, released on 4 June 2013 by Warp. The duo began composing and recording following the release of The Campfire Headphase in 2005 and the expansion of their studio at Hexagon Sun near the Pentland Hills. They continued recording intermittently until late 2012, when large parts of the album were recorded. Influenced by film soundtracks from the 1970s and 1980s, Tomorrow's Harvest features a more menacing and foreboding tone, with themes of isolation and decay.

<span class="mw-page-title-main">Reach for the Dead</span> 2013 single by Boards of Canada

"Reach for the Dead" is a song by the Scottish electronic music duo Boards of Canada. It is the second track and lead single from the duo's fourth studio album, Tomorrow's Harvest (2013). "Reach for the Dead" was premiered on Zane Lowe's programme on BBC Radio 1 on 23 May 2013 and released later the same day on Warp Records' official SoundCloud.

References

  1. 1 2 3 Diver, Mike (1 February 2013). "Boards of Canada Music Has the Right to Children Review". BBC Music . Archived from the original on 13 February 2013. Retrieved 1 June 2017.
  2. 1 2 "Boards of Canada". The Skinny . Archived from the original on 22 March 2016. Retrieved 3 May 2016.
  3. "The 50 Best IDM Albums of All Time". Pitchfork . 24 January 2017. p. 5. Archived from the original on 18 January 2022. Retrieved 22 May 2018.
  4. 1 2 3 4 5 6 7 Reynolds, Simon (3 April 2018). "Why Boards of Canada's 'Music Has the Right to Children' is the Best Psychedelic Album of the 90s". Pitchfork . Archived from the original on 26 September 2018. Retrieved 23 August 2019.
  5. Doran, John (4 November 2011). "Album Review: Oneohtrix Point Never – 'Replica'". NME . Archived from the original on 17 November 2015. Retrieved 26 October 2014.
  6. 1 2 3 Bush, John. "Music Has the Right to Children – Boards of Canada". AllMusic . Archived from the original on 18 October 2014. Retrieved 28 October 2014.
  7. Cooper, Sean. "Boards of Canada – Biography". AllMusic . Rovi Corporation. Archived from the original on 4 May 2014. Retrieved 31 January 2014.
  8. Morpurgo, Joseph (20 May 2012). "The genius of Boards Of Canada in 10 essential tracks". Fact . Archived from the original on 25 May 2012. Retrieved 31 May 2017.
  9. 1 2 3 4 Kyrou, Ariel; Leloup, Jean-Yves (June 1998). "Two Aesthetes of Electronic Music". Virgin Megaweb Magazine. Archived from the original on 19 May 2018. Retrieved 18 May 2018.
  10. "Boards of Canada - Twoism Album Reviews, Songs & More | AllMusic". AllMusic . Retrieved 2 January 2024.
  11. 1 2 Passett, René (14 April 1998). "A Bunker Full of Memories". Forcefield. Archived from the original on 19 May 2018. Retrieved 19 May 2018.
  12. 1 2 3 4 Richardson, Mark (26 April 2004). "Boards of Canada: Music Has the Right to Children". Pitchfork . Archived from the original on 18 October 2014. Retrieved 28 October 2014.
  13. "Boards Of Canada – Music Has The Right To Children (2xLP – Gatefold +". Fat Beats. Archived from the original on 22 May 2018. Retrieved 22 May 2018.
  14. Larkin, Colin (2011). "Boards of Canada". The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN   978-0-85712-595-8.
  15. Strong, Martin C. (2004). "Boards of Canada". The Great Rock Discography (7th ed.). Canongate U.S. ISBN   1-84195-615-5.
  16. Peggs, Tobias (June 1998). "Boards of Canada: Music Has the Right to Children (Warp/Skam)". Muzik . No. 37. p. 86.
  17. Crysell, Andy (23 May 1998). "Boards Of Canada – Music Has The Right To Children". NME . Archived from the original on 17 August 2000. Retrieved 1 February 2016.
  18. Romano, Tricia (2004). "Boards of Canada". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p.  90. ISBN   0-7432-0169-8.
  19. Grundy, Gareth (June 1998). "Boards of Canada: Music Has the Right to Children". Select . No. 96. p. 78.
  20. 1 2 3 Cinquemani, Sal (2 November 2002). "Boards of Canada: Music Has the Right to Children". Slant Magazine . Archived from the original on 26 December 2023. Retrieved 28 October 2014.
  21. Taraska, Julie (November 1998). "Boards of Canada: Music Has the Right to Children". Spin . Vol. 14, no. 11. p. 138. Archived from the original on 26 December 2023. Retrieved 1 February 2016.
  22. 1 2 Kalev, Maya (6 June 2013). "One very important thought: Boards Of Canada's Music Has The Right To Children at 15". Fact . Archived from the original on 26 December 2023. Retrieved 21 December 2017.
  23. "The 150 Best Albums of the 1990s". Pitchfork . 28 September 2022. Archived from the original on 2 October 2022. Retrieved 29 September 2022.
  24. "The 50 Best IDM Albums of All Time". Pitchfork . 24 January 2017. p. 5. Archived from the original on 18 January 2022. Retrieved 22 May 2018.
  25. Dimery, Robert (2010). 1001 Albums You Must Hear Before You Die (revised and updated ed.). Universe. ISBN   978-0-7893-2074-2.
  26. "Chart Log UK: Darren B – David Byrne". Zobbel.de. Retrieved 19 January 2019.
  27. "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved 19 January 2019.
  28. "British album certifications – Board of Canada – Music Has the Right to Children". British Phonographic Industry.