Hua Mulan is a legendary Chinese folk heroine from the Northern and Southern dynasties era of Chinese history. Scholars generally consider Mulan to be a fictional character. Hua Mulan is depicted in the Wu Shuang Pu by Jin Guliang.
Chaozhou, alternatively Chiuchow, Chaochow or Teochew, is a city in the eastern Guangdong province of China. It borders Shantou to the south, Jieyang to the southwest, Meizhou to the northwest, the province of Fujian to the east, and the South China Sea to the southeast. It is administered as a prefecture-level city with a jurisdiction area of 3,110 km2 (1,200 sq mi) and a total population of 2,568,387. Its built-up area encompassing most of Shantou and Jieyang cities was home to 12,543,024 inhabitants on 13 local administrative areas. Along with Shantou and Jieyang, Chaozhou is a cultural center of the Chaoshan region.
The music of China consists of many distinct traditions, often specifically originating with one of the country's various ethnic groups. It is produced within and without the country, involving either people of Chinese origin, the use of traditional Chinese instruments, Chinese music theory, or the languages of China. It includes traditional classical forms and indigenous folk music, as well as recorded popular music and forms inspired by Western culture.
Chinese Opera is a form of theatre in China that combines singing, acting, and elaborate costumes. Topics are based on Chinese history, mythology, and literature. Over its historical evolution, it has incorporated various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, and literature. It has highly formalized roles, performed by professional actors each trained for specific roles. Exaggerated features and colors make the roles easily identifiable.
Korea has produced music from thousands of years, until the modern day. After the division of Korea in 1945, both North and South Korea have produced their own styles of music.
Shaanxi History Museum, which is located to the northwest of the Giant Wild Goose Pagoda in the ancient city Xi'an, in the Shaanxi province of China, is one of the first huge state museums with modern facilities in China and one of the largest. The museum houses over 370,000 items, including murals, paintings, pottery, coins, as well as bronze, gold, and silver objects. The modern museum was built between 1983 and 2001 and its appearance recalls the architectural style of the Tang dynasty.
Qinqiang is a genre of folk Chinese opera originated in Shaanxi Province of Qing China in 1807 and soon took over other genres to be the representative genre of the province. Historically, there were two separate genres both referring themselves as Qinqiang, the one with a longer history was later renamed as Handiao Erhuang (汉调二簧), while the newer genre is the topic of this article.
Kunqu, also known as Kunju (崑劇), K'un-ch'ü, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. It evolved from a music style local to Kunshan, part of the Wu cultural area, and later came to dominate Chinese theater from the 16th to the 18th centuries. It has been listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO. Wei Liangfu refined the musical style of kunqu, and it gained widespread popularity when Liang Chenyu used the style in his drama Huansha ji. In 2006, it was listed on the first national intangible cultural heritage list. In 2008, it was included in the List of Representative Works of Intangible Cultural Heritage of Humanity. In December 2018, the General Office of the Ministry of Education announced that Peking University is the base for inheriting excellent traditional Chinese culture in Kunqu.
Music of Northeast China is tied closely to the region's history. Musical traditions of the Bang Zi Theatre and folk instruments such as the Dizi, Xiao and Baijiao Gu originate in the region. Folk songs from the north east are noted for their contributions toward nationalistic music the popular communist-era song “The East is Red” based upon a traditional Northern Shaanxi melody. The popularity of western musical traditions in the Harbin province are internationally recognised with the northern city being named a ‘music city’ in 2010 by the United Nations. Contemporary folk as well as modern pop music continue to contribute to the diverse musical traditions of the region. Prominent performers from the Northeast include the mid-20th-century film composer Lei Zhenbang and pop stars Xiao Ke and Na Ying.
The music of the southern China has many features that are distinct from the rest of the country. For instance, many folk songs only use three notes. The region is home to significant populations of ethnic minorities, such as the Zhuang, Miao, She and Tai peoples.
Theatre of China has a long and complex history. Traditional Chinese theatre, generally in the form of Chinese opera, is musical in nature. Chinese theatre can trace its origin back a few millennia to ancient China, but the Chinese opera started to develop in the 12th century. Western forms like the spoken drama, western-style opera, and ballet did not arrive in China until the 20th century.
Huangmei Opera or Huangmei tone is a form of Chinese opera originating from Anhui province as a form of rural folk song and dance. It's also called Anhui Opera. It has been in existence for the last 200 years and possibly longer. Huangmei opera is one of the most famous and mainstream opera in China, and is a class of the typical Anhui opera. The original Huangmei opera was sung by women in Anhui mountain areas when they were picking tea, and the opera was called the Picking Tea Song. In the late Qing dynasty, the songs were popular in Anhui Huaining County adjacent regions, combined with the local folk art, Anqing dialect with singing and chants, and gradually developed into a newborn's operas. The music is performed with a pitch that hits high and stays high for the duration of the song. It is unique in the sense that it does not sound like the typical rhythmic Chinese opera. In the 1960s Hong Kong counted the style as much as an opera as it was a music genre. Today it is more of a traditional performance art with efforts of revival in mainland China, Hong Kong, and Taiwan, and mostly sung in Mandarin. In 2006, Huangmei Opera was selected for the first batch of China's national intangible cultural heritage.
The arts of China have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers, religious figures and even political leaders. The arrival of Buddhism and modern Western influence produced especially large changes. Chinese art encompasses fine arts, folk arts and performance arts.
A yiji or Geji is a female sing and dance performer in ancient China, which means a woman whose profession is sing and dance, and is a female performer. The term "Yiji (艺妓)" is not used in ancient Chinese words, but the word "Geji(歌妓)" is mostly used in ancient Chinese words.
Sichuan opera is a type of Chinese opera originating in China's Sichuan province around 1700. Today's Sichuan opera is a relatively recent synthesis of 5 historic melodic styles. Regionally Chengdu remains to be the main home of Sichuan opera, while other influential locales include Chongqing, Guizhou, Yunnan, Hubei and Taiwan. Sichuan Opera was listed in the first batch of 518 national intangible cultural heritage list announced on May 20, 2006.
Dance in China is a highly varied art form, consisting of many modern and traditional dance genres. The dances cover a wide range, from folk dances to performances in opera and ballet, and may be used in public celebrations, rituals, and ceremonies. There are also 56 officially recognized ethnic groups in China, and each ethnic minority group in China also has its own folk dances. Outside of China, the best-known Chinese dances today are the dragon dance and the lion dance.
Xintianyou is a folk music style from Shaanxi province. The name literally means "rambling in the sky." The style was originally sung and developed by porters carrying goods to far off regions. One of the most famous songs in this style is lan(2) hua(1)hua(1) (藍花花).
Chinese contemporary classical opera is a musical art form drawing on western opera traditions - distinct from modern developments of traditional Chinese opera.
Dance in China has a long recorded history. Depictions of dancing in China appeared over 4,000 years ago. The early dances may be folk dances or ritual dances, some of which developed into court dances. The most important of the early dances served important ritual and ceremonial roles and are known as yayue which continued to be performed at the imperial court until the Qing dynasty. A profusion of dances in popular and court entertainment as well as folk dances have been recorded in ancient texts. The art of dance in China reached a peak during the Tang dynasty when numerous dances were recorded. Dancing as an individual art form declined in the later eras when dances become incorporated into operas and female dancing also declined when footbinding became more prevalent. In more recent times dance has enjoyed a resurgence, and it is widely performed by the public and professionals alike.
The three Persian religions, as a medieval Chinese concept, referred to a group of Iranian religions that spread to Tang China. They were recognized and protected under Tang rule, helping them to prosper in China at a time when Sassanid Iran was falling to the early Muslim conquests. The three religious movements identified by the term were Zoroastrianism, the Persian Church, and Manichaeism.
