Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.
Fujian is a province on the southeastern coast of China. Fujian is bordered by Zhejiang to the north, Jiangxi to the west, Guangdong to the south, and the Taiwan Strait to the east. Its capital is Fuzhou and its largest city by population is Quanzhou, other notable cities include the port city of Xiamen and Zhangzhou. Fujian is located on the west coast of the Taiwan Strait as the closest geographically and culturally to Taiwan. Certain islands such as Kinmen are only approximately 10 km (6.2 mi) east of Xiamen in Fujian.
The music of China consists of many distinct traditions, often specifically originating with one of the country's various ethnic groups. It is produced within and without the country, involving either people of Chinese origin, the use of traditional Chinese instruments, Chinese music theory, or the languages of China. It includes traditional classical forms and indigenous folk music, as well as recorded popular music and forms inspired by Western culture.
The music of Ecuador is a diverse aspect of Ecuadorian culture. Ecuadorian music ranges from indigenous styles such as pasillo to Afro-Ecuadorian styles like bomba to modern indie rock like "Cambio de Tonalidad" by Da Pawn.
The music of Thailand reflects its geographic position at the intersection of China and India, as well as historical trade routes including with Africa, Greece and Rome.
Northwest Iberian folk music is a traditional highly distinctive folk style, located along Spain's north-west Atlantic coast, mostly Galicia and Asturias, that has some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.
Gagaku is a type of Japanese classical music that was historically used for imperial court music and dances. Gagaku was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794–1185) around the 10th century. Today, it is performed by the Board of Ceremonies in the Tokyo Imperial Palace.
Quanzhou, alternatively known as Chinchew, is a prefecture-level port city on the north bank of the Jin River, beside the Taiwan Strait in southern Fujian, People's Republic of China. It is Fujian's largest most populous metropolitan region, with an area of 11,245 square kilometers (4,342 sq mi) and a population of 8,782,285 as of the 2020 census. Its built-up area is home to 6,669,711 inhabitants, encompassing the Licheng, Fengze, and Luojiang urban districts; Jinjiang, Nan'an, and Shishi cities; Hui'an County; and the Quanzhou District for Taiwanese Investment. Quanzhou was China's 12th-largest extended metropolitan area in 2010.
The music of Saint Lucia is home to many vibrant oral and folk traditions and is based on elements derived from the music of Africa, especially rhythmically, and Western Europe, dances like the quadrille, polka and waltz. The banjo and cuatro are iconic Lucian folk instruments, especially a four-stringed banjo called the bwa poye. Celebratory songs called jwé show lyricism, and rhythmic complexity. The most important of the Afro-Lucian Creole folk dances is the kwadril. Music is an integral part of Lucian folk holidays and celebrations, as well as the good-natured rivalry between the La Rose and La Marguerite societies. There is little Western classical music on Saint Lucia, and the country's popular music industry is only nascent. There are few recording opportunities, though live music and radio remain a vital part of Lucian culture. Popular music from abroad, especially Trinidadian styles like calypso and soca, is widespread.
Music of Northeast China is tied closely to the region's history. Musical traditions of the Bang Zi Theatre and folk instruments such as the Dizi, Xiao and Baijiao Gu originate in the region. Folk songs from the north east are noted for their contributions toward nationalistic music the popular communist-era song “The East is Red” based upon a traditional Northern Shaanxi melody. The popularity of western musical traditions in the Harbin province are internationally recognised with the northern city being named a ‘music city’ in 2010 by the United Nations. Contemporary folk as well as modern pop music continue to contribute to the diverse musical traditions of the region. Prominent performers from the Northeast include the mid-20th-century film composer Lei Zhenbang and pop stars Xiao Ke and Na Ying.
The term Chinese orchestra is most commonly used to refer to the modern Chinese orchestra that is found in China and various overseas Chinese communities. This modern Chinese orchestra first developed out of Jiangnan sizhu ensemble in the 1920s into a form that is based on the structure and principles of a Western symphony orchestra but using Chinese instruments. The orchestra is divided into four sections – wind, plucked strings, bowed strings, and percussion, and usually performs modernized traditional music called guoyue. The orchestra may be referred to as Minzu Yuetuan or Minyuetuan in mainland China, Chung Ngok Tuen in Hong Kong, Huayuetuan in Southeast Asia, or Guoyuetuan in Taiwan.
The music of the southern China has many features that are distinct from the rest of the country. For instance, many folk songs only use three notes. The region is home to significant populations of ethnic minorities, such as the Zhuang, Miao, She and Tai peoples.
Music of Guangdong is a synthesis of a number of local Guangdong folk music styles.
Chen Yi is a Chinese-American composer of contemporary classical music and violinist. She was the first Chinese woman to receive a Master of Arts (M.A.) in music composition from the Central Conservatory of Music in Beijing. Chen was a finalist for the 2006 Pulitzer Prize for Music for her composition Si Ji, and has received awards from the Koussevistky Music Foundation and American Academy of Arts and Letters, as well as fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2010, she was awarded an Honorary Doctorate from The New School and in 2012, she was awarded the Brock Commission from the American Choral Directors Association. She was elected to the American Academy of Arts and Letters in 2019.
Nanguan is a style of Chinese classical music from the southern Chinese province of Fujian. It is also popular in Taiwan, particularly Lukang on west coast, as well as among Overseas Chinese in Southeast Asia.
Ukrainian folk music includes a number of varieties of traditional, folkloric, folk-inspired popular music, and folk-inspired European classical music traditions.
Teochew string music or Chaozhou xianshi is classed as a type of sizhu music although it typically uses stringed instruments only. It is found in northeastern Guangdong and parts of Fujian and also in regions with overseas Teochew populations, such as Malaysia, Singapore, Thailand, and the United States. The Chaoshan region of Guangdong, bordering on Fujian and comprising the cities of Chaozhou, Shantou and Jieyang, forms its own cultural sphere. Teahouses often accompany with Chaozhou music.
Wang Xin-xin is a Nanyin musician from China and the founder of Xin-xin Nanguan Ensemble (心心南管樂坊). Along with her ensemble, Wang is known to promote traditional music to younger audience. She is also known in the west as one of the Asian musicians who frequently invited and collaborated with traditional and contemporary musicians.
Siong Leng was established in 1941 and owes its success to the late chairman, Mr. Teng Mah Seng. Under his guidance, Siong Leng has become an arts company that preserves and promotes Nanyin. Mr. Teng received the Cultural Medallion in 1987 due to his passion and love for Nanyin. As Siong Leng’s chairman, he continuously worked to reform and revive Nanyin. He revitalised Nanyin by writing new lyrics and music that were livelier and more relatable. With his hard work and perseverance, Nanyin was given a new life.
