Mystery plays and miracle plays are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They told of subjects such as the Creation, Adam and Eve, the murder of Abel, and the Last Judgment. Often they were performed together in cycles which could last for days. The name derives from mystery used in its sense of miracle, but an occasionally quoted derivation is from ministerium, meaning craft, and so the 'mysteries' or plays performed by the craft guilds.
Pontius Pilate was the fifth governor of the Roman province of Judaea, serving under Emperor Tiberius from 26/27 to 36/37 AD. He is best known for being the official who presided over the trial of Jesus and ultimately ordered his crucifixion. Pilate's importance in Christianity is underscored by his prominent place in both the Apostles' and Nicene Creeds. Because the gospels portray Pilate as reluctant to execute Jesus, the Ethiopian Orthodox Tewahedo Church believes that Pilate became a Christian and venerates him as both a martyr and a saint, a belief which is historically shared by the Coptic Church, with a feast day on 19 or 25 June, respectively.
The Passion is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week.
The Oberammergau Passion Play is a passion play that has been performed every 10 years from 1634 to 1674 and each decadal year since 1680 by the inhabitants of the village of Oberammergau, Bavaria, Germany. It was written by Othmar Weis, J A Daisenberger, Otto Huber, Christian Stuckl, Rochus Dedler, Eugen Papst, Marcus Zwink, Ingrid H Shafer, and the inhabitants of Oberammergau, with music by Dedler. Since its first production it has been performed on open-air stages in the village. The text of the play is a composite of four distinct manuscripts dating from the 15th and 16th centuries.
The St Augustine Gospels is an illuminated Gospel Book which dates from the 6th century and has been in the Parker Library in Corpus Christi College, Cambridge since 1575. It was made in Italy and has been in England since fairly soon after its creation; by the 16th century it had probably already been at Canterbury for almost a thousand years. It has 265 leaves measuring about 252 x 196 mm, and is not entirely complete, in particular missing pages with miniatures.
The unnamed wife of Pontius Pilate appears only once in the Gospel of Matthew (27:19), where she intercedes with Pilate on Jesus' behalf. It is uncertain whether Pilate was actually married, although it is likely. In later tradition, she becomes known as Procula or Procla and plays a role in various New Testament Apocrypha. At a later date, she acquires the name Claudia Procula in Western tradition, as well as other names and variants of these names. She is venerated as a saint by the Eastern Orthodox Church, the Eastern Catholic Church, the Coptic Church, and the Ethiopian Church. She has also frequently been featured in literature and film.
The Chester Mystery Plays is a cycle of mystery plays originating in the city of Chester, England and dating back to at least the early part of the 15th century.
The Misterio de Elche, in English the Mystery Play of Elche or Elche Mystery Play and in Catalan Misteri d'Elx, is a liturgical drama from the Middle Ages that reenacts the Dormition and Assumption of the Blessed Virgin Mary.
Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as Everyman. One of the first surviving secular plays in English is The Interlude of the Student and the Girl.
The Wakefield or Towneley Mystery Plays are a series of thirty-two mystery plays based on the Bible most likely performed around the Feast of Corpus Christi probably in the town of Wakefield, England during the Late Middle Ages until 1576. It is one of only four surviving English mystery play cycles. Some scholars argue that the Wakefield cycle is not a cycle at all, but a mid-sixteenth-century compilation, formed by a scribe bringing together three separate groups of plays.
The York Mystery Plays, more properly the York Corpus Christi Plays, are a Middle English cycle of 48 mystery plays or pageants covering sacred history from the creation to the Last Judgment. They were traditionally presented on the feast day of Corpus Christi and were performed in the city of York, from the mid-fourteenth century until their suppression in 1569. The plays are one of four virtually complete surviving English mystery play cycles, along with the Chester Mystery Plays, the Towneley/Wakefield plays and the N-Town plays. Two long, composite, and late mystery pageants have survived from the Coventry cycle and there are records and fragments from other similar productions that took place elsewhere. A manuscript of the plays, probably dating from between 1463 and 1477, is still intact and stored at the British Library.
The Coventry Mystery Plays, or Coventry Corpus Christi Pageants, are a cycle of medieval mystery plays from Coventry, West Midlands, England, and are perhaps best known as the source of the "Coventry Carol". Two plays from the original cycle are extant having been copied from the now lost original manuscript in the early 19th century. Another, separate manuscript was initially titled the Ludus Coventriae by a 17th-century librarian who erroneously assumed it was copy of the Coventry mystery plays. The collection within this manuscript are now more commonly known as the N-Town Plays and are thought to have originated in East Anglia.
The Ordinalia are three medieval mystery plays dating to the late fourteenth century, written primarily in Middle Cornish, with stage directions in Latin. The three plays are Origo Mundi, Passio Christi and Resurrexio Domini. The metres of these plays are various arrangements of seven- and four-syllabled lines. Ordinalia means "prompt" or "service book".
The Digby Conversion of Saint Paul is a Middle English miracle play of the late fifteenth century. Written in rhyme royal, it is about the conversion of Paul the Apostle. It is part of a collection of mystery plays that was bequeathed to the Bodleian Library by Sir Kenelm Digby in 1634.
Scenes from the Passion of Christ is an oil painting on a panel of Baltic oak, painted c.1470 by German-born Early Netherlandish painter Hans Memling. The painting shows 23 vignettes of the Life of Christ combined in one narrative composition without a central dominating scene: 19 episodes from the Passion of Christ, the Resurrection, and three later appearances of the risen Christ. The painting was commissioned by Tommaso Portinari, an Italian banker based in Bruges, who is depicted in a donor portrait kneeling and praying in the lower left corner, with his wife, Maria Baroncelli, in a similar attitude in the lower right corner.
Le Jeu d'Adam is a twelfth-century liturgical drama written in the Anglo Norman dialect of Medieval French. While choral texts and stage directions are in Latin, the spoken text of the play is in the vernacular, which makes the Adam the oldest extant play written in any old French dialect. It is a dramatic representation of the temptation and fall of Adam and Eve, the story of Cain and Abel, and a series of prophets including Isaiah and Daniel. The latter part of the play is largely taken from the Latin Sermo Contra Judaeos, Paganos et Arianos, attributed to pseudo-Augustine. It is part of the medieval tradition of mystery plays, which developed from dramatic elements in the celebration of Mass, and includes choral music.
The Second Shepherds' Play is a famous medieval mystery play which is contained in the manuscript HM1, the unique manuscript of the Wakefield Cycle. These plays are also referred to as the Towneley Plays, on account of the manuscript residing at Towneley Hall. The plays within the manuscript roughly follow the chronology of the Bible and so were believed to be a cycle, which is now considered not to be the case. This play gained its name because in the manuscript it immediately follows another nativity play involving the shepherds. In fact, it has been hypothesized that the second play is a revision of the first. It appears that the two shepherd plays were not intended to be performed together since many of the themes and ideas of the first play carry over to the second one. In both plays it becomes clear that Christ is coming to Earth to redeem the world from its sins. Although the underlying tone of The Second Shepherd's Play is serious, many of the antics that occur among the shepherds are extremely farcical in nature.
The Vaux Passional is an illuminated manuscript from the late fifteenth to early sixteenth century. With thirty-four large miniatures in the style of the Flemish School, it is one of the most elaborately decorated manuscripts in the collection of the National Library of Wales in Aberystwyth. It retains an original binding of wooden boards covered in velvet from the early sixteenth century. The volume contains the book plate of Watkin Williams of Penbedw.
Peter Meredith was, prior to retirement, a lecturer in medieval and early modern English language and literature. He was editor of the journal Leeds Studies in English from around 1978 to 1981 and chaired its editorial board from 1985 until his retirement. He was also an editor of Medieval English Theatre. He is particularly noted for his contributions, through editing, research, and performance, to the study of medieval English theatre.
Passion Plays in the United Kingdom have had a long and complex history involving faith and devotion, civic pageantry, antisemitism, religious and political censorship, large-scale revival and historical re-enactments. The origin and history of Passion Play in the UK differs substantially from Passion Plays in Europe, South and North America, Australia and other parts of the world.
