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Nahua Mexica Indigenous people of the Americas |
Netotiliztli, often known as the dance of celebration and worship, was a traditional dance practiced by the Mexica people. [1] As a pre-Hispanic tradition, it was a spiritual dance, deeply associated with the worship of Aztec gods. Each movement had a connection to the four elements (water, fire, wind, and earth) and to the four cardinal points (North, South, East and West).
Netotiliztli was practiced by the Mexica, a Nahuatl-speaking population that resided on an island in Lake Texcoco, in the valley of Mexico. [2] Their capital, Tenochtitlan, wielded immense social and political power, while boasting as many as 200 000 citizens. [3] Tenochtitlan was altepetl, or "city-state", meaning it had its own emperor, territory and jurisdiction. Altepetls were divided into smaller units, called calpulli, that represented certain neighbourhoods within the city. The heart of Tenochtitlan was the sacred precinct, which included the Great Temple, a ball court, a school, libraries and residences for priests. Much of Mexica life revolved around this precinct, as it housed sacrifices, ceremonies and education, which were pillars of Mexica life.
Mexica social organization mirrored that of their city, as it was divided into many segments of varied importance and function. The emperor, known as the Tlatoani, possessed ultimate power; beneath him fell all other nobles, commoners and slaves. His duties included land distribution, and overseeing temples, markets and warfare. Further differentiation occurred between men and women, as Mexica society was androcentric- men held employment as priests, warriors, artisans and farmers, while women led domestic lives as mothers and housekeepers. This gendered divide was emphasized by the education system in Tenochtitlan; boys were taught how to be priests, government administrators and warriors, while girls learned domestic skills from their mothers. That being said, all children learned the art of dance and music, as these were fundamental elements of Mexica culture. [4]
Cosmological beliefs were the ethos of Mexica religion. The Mexica believed their gods sacrificed themselves to create life, by throwing themselves into a pit of fire to birth the sun, or by shedding their celestial blood to create humans. This mythology prompted a theme of reciprocity amongst the Mexica, one woven deep into the cloth of their religion.
To pay the debt owed to their creators, the Mexica honored their gods with lavish temples, where sculptures of each god were housed. Rituals were performed at these temples, such as blood-letting, auto-sacrifice and human sacrifice. These rituals were the pinnacle of Mexica devotion, as they repaid their gods with the greatest gift of all- human blood- the very essence of life. [5]
Before the Nahuas were colonized by the Spaniards, they were free to dance in their ceremonies and summon their gods and ancestors through dances. This included Netotiliztli, which had symbolic, spiritual choreography.
Netotiliztli, which loosely translates to "expressed by dance," was a communicative dance of worship and rejoice practiced by the Mexica. [6] It was performed by dancers, who could be any member of society, as all members of Nahua society were educated in song and dance. Netotiliztli was also not associated with a particular location, and could be practiced in public in temples, or in private settings. [7] The dances could occur at any time, although celebrations often aligned with the agricultural season, as festivals and ceremonies marked the beginning of the agriculture season to ensure a plentiful harvest.
There were certain dances for men and women, though some dances incorporated both genders to symbolize balance, which was a common theme in Aztec religion. Women could have sacred roles as "sahumadora" or "smoke women," who were tasked with burning incense throughout the ceremony. They were centric to the spiritual energy of the dance and enabling contact with the gods. [6]
Netotiliztli reflected the cosmological beliefs intertwined in Mexica religion. Their greatest gift from the gods- the sun- paramount to life and agriculture, oriented their movements. Just as the planets orbit the sun, dancers would position themselves in a circle and dance around a pit of fire. Drums were also placed at the centre of this circle, to emulate the heartbeat of the world. Participants in this dance would shake their body (head, arms, and feet) to show their gods that they were available to serve them. Mexica dancers also routinely imitated animals, or elements of the natural world-such as lightening or rolling clouds- to pray for rain. The gods controlled all aspects of existence, from natural disasters to fertility; therefore, the Mexica danced to appease the gods and assure prosperity and blessings.
During these rituals, dancers wore distinctive regalia, including jewelry, patterned capes, loin-cloths, and feathered headdresses. Their regalia incorporated animal qualities, to mimic their deities and honour animals with symbolic importance within Mexica culture. For example, the Mexica often worshiped Quetzalcoatl, a feathered-serpent god of war and agriculture, by wearing feathers and dancing in snake-like movements. They also believed snakes- who shed their skin- symbolized fertility and rebirth. To continue, Netotiliztli regalia incorporated the colour red, which represented happiness and protection. Dancers donned red sashes around their heads and waists; they believed this would cleanse their thoughts and prayers, and shield unwanted energy from entering their body as they danced.
"Cantares Mexicanos" , a book that describes all standard dances and songs, asserts that Netotiliztli was not composed only of movements, but it was accompanied by a large bass drum and ghost songs . [8] [9] The dance was also accompanied by earthly sounds that emulated rain, birds, or whirling wind, allowing the dancers to shake and incorporate all the senses of their body. [10] [11] Common examples of instruments used to replicate these natural sounds are huēhuētls (drums), teponaztli (a marimba-type drum), flutes, and seed pods worn around dancers’ ankles, known as ayoyotes. [6]
Some believe that this dance was the representation of elder's sacred advice combined with ritual spells allowing the spirits to incarnate the bodies of the people who were dancing. Thus, this dance became an important representation for both Indigenous and Mestizo communities. [12]
During the Spanish Conquest, Christianity was imposed on the Nahua people, which prohibited many traditions and celebrations linked to Aztec gods, including Netotiliztli.
Netotiliztli survived because the Nahua shifted the dance's meaning from a spiritual tradition of celebration and worship, to a dance solely for pleasure. They also incorporated Christian rituals; allowing anyone- including both the Nahua and Spaniards- to participate. This blending of rituals elucidates the religious syncretism that existed between the Nahua and Spaniards after the Spanish Conquest, which allowed traditions like Netotiliztli to continue. [13]
While Netotiliztli evolved to survive the integration of Spanish and Christian beliefs into Nahua society, it is no longer celebrated in the realm of Mexica dance traditions. With that being said, many Aztec dances are still central to communities in Mexico, and are incorporated into various festivals throughout the year.
Dances:
Motecuhzoma Xocoyotzin, variant spellings include Moctezuma, Motewksomah, Motecuhzomatzin, Montezuma, Moteuczoma, Motecuhzoma, Motēuczōmah, Muteczuma, and referred to retroactively in European sources as Moctezuma II, was the ninth Emperor of the Aztec Empire, reigning from 1502 or 1503 to 1520. Through his marriage with Queen Tlapalizquixochtzin of Ecatepec, one of his two wives, he was also king consort of that altepetl.
Tenochtitlan, also known as Mexico-Tenochtitlan, was a large Mexican altepetl in what is now the historic center of Mexico City. The exact date of the founding of the city is unclear, but the date 13 March 1325 was chosen in 1925 to celebrate the 600th anniversary of the city. The city was built on an island in what was then Lake Texcoco in the Valley of Mexico. The city was the capital of the expanding Aztec Empire in the 15th century until it was captured by the Spanish in 1521.
Tláloc is the god of rain in Aztec religion. He was also a deity of earthly fertility and water, worshipped as a giver of life and sustenance. This came to be due to many rituals, and sacrifices that were held in his name. He was feared, but not maliciously, for his power over hail, thunder, lightning, and even rain. He is also associated with caves, springs, and mountains, most specifically the sacred mountain where he was believed to reside. Cerro Tláloc is very important in understanding how rituals surrounding this deity played out. His followers were one of the oldest and most universal in ancient Mexico.
The Aztecs were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (altepetl), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca, Texcoco, and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs have long been the topic of scholarly discussion ever since German scientist Alexander von Humboldt established its common usage in the early 19th century.
Huitzilopochtli is the solar and war deity of sacrifice in Aztec religion. He was also the patron god of the Aztecs and their capital city, Tenochtitlan. He wielded Xiuhcoatl, the fire serpent, as a weapon, thus also associating Huitzilopochtli with fire.
In Aztec mythology, Xipe Totec or Xipetotec was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, and the earth. The female equivalent of Xipe Totec was the goddess Xilonen-Chicomecoatl.
Nezahualcoyotl was a scholar, philosopher (tlamatini), warrior, architect, poet and ruler (tlatoani) of the city-state of Texcoco in pre-Columbian era Mexico. Unlike other high-profile Mexican figures from the century preceding Spanish conquest of the Aztec Empire, Nezahualcoyotl was not fully Mexica; his father's people were the Acolhua, another Nahuan people settled in the eastern part of the Valley of Mexico, on the coast of Lake Texcoco. His mother, however, was the sister of Chimalpopoca, the Mexica king of Tenochtitlan.
The Massacre in the Great Temple, also called the Alvarado Massacre, was an event on May 22, 1520, in the Aztec capital Tenochtitlan during the Spanish conquest of the Aztec Empire, in which the celebration of the Feast of Toxcatl ended in a massacre of Aztec elites. While Hernán Cortés was in Tenochtitlan, he heard about other Spaniards arriving on the coast – Pánfilo de Narváez had come from Cuba with orders to arrest him – and Cortés was forced to leave the city to fight them. During his absence, Moctezuma asked deputy governor Pedro de Alvarado for permission to celebrate Toxcatl. But after the festivities had started, Alvarado interrupted the celebration, killing all the warriors and noblemen who were celebrating inside the Great Temple. The few who managed to escape the massacre by climbing over the walls informed the community of the Spaniards' atrocity.
The Templo Mayor was the main temple of the Mexica people in their capital city of Tenochtitlan, which is now Mexico City. Its architectural style belongs to the late Postclassic period of Mesoamerica. The temple was called Huēyi Teōcalli in the Nahuatl language. It was dedicated simultaneously to Huitzilopochtli, god of war, and Tlaloc, god of rain and agriculture, each of which had a shrine at the top of the pyramid with separate staircases. The central spire was devoted to Quetzalcoatl in his form as the wind god, Ehecatl. The Great Temple devoted to Huitzilopochtli and Tlaloc, measuring approximately 100 by 80 m at its base, dominated the Sacred Precinct. Construction of the first temple began sometime after 1325, and it was rebuilt six times. The temple was destroyed by the Spanish in 1521, and the Mexico City cathedral was built in its place.
The Aztec Empire or the Triple Alliance was an alliance of three Nahua city-states: Mexico-Tenochtitlan, Tetzcoco, and Tlacopan. These three city-states ruled that area in and around the Valley of Mexico from 1428 until the combined forces of the Spanish conquistadores and their native allies who ruled under Hernán Cortés defeated them in 1521.
The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. The popular religion tended to embrace the mythological and polytheistic aspects, and the Aztec Empire's state religion sponsored both the monism of the upper classes and the popular heterodoxies.
The Aztecs were a Pre-Columbian Mesoamerican people of central Mexico in the 14th, 15th, and 16th centuries. They called themselves Mēxihcah.
Human sacrifice was common in many parts of Mesoamerica, so the rite was nothing new to the Aztecs when they arrived at the Valley of Mexico, nor was it something unique to pre-Columbian Mexico. Other Mesoamerican cultures, such as the Purépechas and Toltecs, and the Maya performed sacrifices as well and from archaeological evidence, it probably existed since the time of the Olmecs, and perhaps even throughout the early farming cultures of the region. However, the extent of human sacrifice is unknown among several Mesoamerican civilizations. What distinguished Aztec practice from Maya human sacrifice was the way in which it was embedded in everyday life. These cultures also notably sacrificed elements of their own population to the gods.
The altepetl was the local, ethnically-based political entity, usually translated into English as "city-state," of pre-Columbian Nahuatl-speaking societies in the Americas. The altepetl was constituted of smaller units known as calpolli and was typically led by a single dynastic ruler known as a tlatoani, although examples of shared rule between up to five rulers are known. Each altepetl had its own jurisdiction, origin story, and served as the center of Indigenous identity. Residents referred to themselves by the name of their altepetl rather than, for instance, as "Mexicas." "Altepetl" was a polyvalent term rooting the social and political order in the creative powers of a sacred mountain that contained the ancestors, seeds and life-giving forces of the community. The word is a combination of the Nahuatl words ātl and tepētl. A characteristic Nahua mode was to imagine the totality of the people of a region or of the world as a collection of altepetl units and to speak of them on those terms. The concept is comparable to Maya cah and Mixtec ñuu. Altepeme formed a vast complex network which predated and outlasted larger empires, such as the Aztec and Tarascan state.
The Spanish conquest of the Aztec Empire, also known as the Conquest of Mexico, the Spanish-Aztec War (1519–1521), or the Conquest of Tenochtitlan was one of the primary events in the Spanish colonization of the Americas. There are multiple 16th-century narratives of the events by Spanish conquistadors, their indigenous allies, and the defeated Aztecs. It was not solely a small contingent of Spaniards defeating the Aztec Empire but a coalition of Spanish invaders with tributaries to the Aztecs, and most especially the Aztecs' indigenous enemies and rivals. They combined forces to defeat the Mexica of Tenochtitlan over a two-year period. For the Spanish, Mexico was part of a project of Spanish colonization of the New World after 25 years of permanent Spanish settlement and further exploration in the Caribbean.
Xicotencatl I or Xicotencatl the Elder was a long-lived tlatoani (king) of Tizatlan, a Nahua altepetl within the pre-Columbian confederacy of Tlaxcala, in what is now Mexico.
The Mexica were a Nahuatl-speaking people of the Valley of Mexico who were the rulers of the Mexica Empire. The Mexica established Tenochtitlan, a settlement on an island in Lake Texcoco, in 1325. A dissident group in Tenochtitlan separated and founded the settlement of Tlatelolco with its own dynastic lineage. In 1521, they were conquered by an alliance of Spanish conquistadors and indigenous people including the Tlaxcaltecs led by Hernán Cortés.
Tlatelolco was a pre-Columbian altepetl, or city-state, in the Valley of Mexico. Its inhabitants, known as the Tlatelolca, were part of the Mexica, a Nahuatl-speaking people who arrived in what is now central Mexico in the 13th century. The Mexica settled on an island in Lake Texcoco and founded the altepetl of Mexico-Tenochtitlan on the southern portion of the island. In 1337, a group of dissident Mexica broke away from the Tenochca leadership in Tenochtitlan and founded Mexico-Tlatelolco on the northern portion of the island. Tenochtitlan was closely tied with its sister city, which was largely dependent on the market of Tlatelolco, the most important site of commerce in the area.
Xochimilco was the most important city of the Xochimilca people, one of the Nahua tribes that migrated to the Mesoamerica region. At the same time it was the name of the altepetl of this group and historically referred to both interchangebly. The city was founded around 900 AD. It grew to become an important city in the Valley of Mexico, until in 1430, the Mexica of Tenochtitlan succeeded in conquering the city.
Quecholcohuatl was a Chalcan musician. He was known for making peace between his native altepetl of Chalco and Tenochtitlan by serenading its Tlatoani, Axayacatl, in 1479.