Nightkill | |
---|---|
Directed by | Ted Post |
Screenplay by | Joan Andre |
Story by | John Case |
Produced by |
|
Starring | |
Cinematography | Anthony B. Richmond |
Edited by |
|
Music by | Günther Fischer |
Production company | Cine Artists GmbH [1] |
Distributed by | Avco Embassy Pictures [2] [3] |
Release date |
|
Running time | 97 minutes |
Countries | |
Language | English |
Budget | $4 million [1] |
Nightkill is a 1980 psychological thriller film directed by Ted Post, and starring Jaclyn Smith, Mike Connors, James Franciscus, Robert Mitchum, Fritz Weaver, and Sybil Danning. [5] It follows the wife of a corrupt Phoenix, Arizona industrialist, who finds herself attempting to cover up his murder after her lover poisons him to death.
The film was produced by the German production company Cine Artists GmbH, in association with American distributor Avco Embassy Pictures. It was filmed on location in Arizona in the spring of 1980, with additional shooting taking place in Berlin. The film marked Jaclyn Smith's first major film role following her lead on the popular television series Charlie's Angels . Mitchum's role is touted in Nightkill's promotion and credits, though his role in the film is minor with minimal screentime. [6]
Avco Embassy intended to release Nightkill theatrically in the United States in the fall of 1980, but its theatrical release never materialized. Instead, it aired on television as an NBC Movie of the Week in December 1980 before it was released on video, marketed as a slasher film. Smith, who met the film's cinematographer, Anthony B. Richmond, while shooting the project, married him the following year. Some critics have cited the film as an example of the neo-noir genre. [7]
Kathy Atwell, a beautiful but unfulfilled Phoenix, Arizona housewife, has been carrying on an affair with Steve Fulton, the assistant of her unscrupulous industrialist husband, Wendell. Unbeknownst to Kathy, her liaisons with Steve at her luxurious hillside home are being surreptitiously audio recorded. Knowing that a million dollars in cash has been stashed by Wendell in an airport locker, Steve plots behind Kathy's back to poison Wendell, then impersonate him on a scheduled flight to Washington, D.C. to make it appear he is still alive. Kathy unwittingly witnesses the poisoning, which effectively kills Wendell.
When Steve reveals his plot, a panicked Kathy contemplates calling the police, but is convinced by Steve to keep Wendell's death a secret. Steve stores Wendell's corpse in a freezer before giving Kathy the key to the locker and departing for the airport to take Wendell's scheduled flight. Later that night, a shaken Kathy attends a charity event where she is honored for her local philanthropic efforts helping troubled adolescents. Herbert Childs, Kathy's attorney and friend, drunkenly visits her at her home after the event, but awkwardly departs when she rebuffs his romantic advances.
The following morning, Kathy is visited by Lt. Donner, who notifies her that Wendell's secretary, Christine, reported him missing after he failed to phone her as planned. Kathy inspects the freezer, and is shocked and horrified to find Steve's dead body inside, and Wendell's inexplicably missing. Moments later, Monika, Herbert's wife who presented Kathy with her award the previous night, arrives, but angrily leaves when she notices evidence that Herbert visited the house, leading her to believe he and Kathy are having an affair.
A fearful and confused Kathy drives to an abandoned mining camp on the outskirts of the city, where she dumps Steve's body down a mine shaft. Donner returns that night and continues to question Kathy about Wendell's disappearance, causing her to become increasingly evasive. Kathy books a flight to Denver late that evening. In the airport, she overhears a page on the intercom for Wendell, and glimpses a man resembling him at a bar, causing her to flee. In the parking lot, she is pursued by the man, driving Wendell's Rolls-Royce. The driver chases Kathy to an isolated cement plant, where Kathy crashes and the assailant pulls her from her car, unconscious, before hiding her vehicle behind several pallets of concrete cinderblocks.
Kathy awakens in confusion the following morning on her living room floor. She calls Herbert, who agrees to visit her the next day. Later that night, Kathy senses she is not alone in the house and becomes frightened. After finding her pet dog's severed head in a cabinet and her pet monkeys dead, she stumbles upon Wendell's corpse which has inexplicably resurfaced, posed in his desk chair. Fleeing outside, she is met by Donner, who informs her that Wendell had hired a private investigator named Kelly Rodriguez to place recording devices in the house in an attempt to document evidence of Kathy and Steve's affair. Donner says he has listened to the tape recordings, which serve as evidence of Kathy's culpability, and that she could be charged as an accessory to murder for her failure to report Wendell's death to authorities.
When Donner asks if Kathy has an attorney, she refers him to Herbert. Donner requests that she provide him the key to the airport locker, which will need to be handed over to the police. At Donner's suggestion, Kathy goes to shower before the two depart to the police station, while he feigns a phone call to the district attorney. It is revealed that Donner is in fact Kelly Rodriguez, and has used the information he has obtained to terrorize Kathy and steal Wendell's fortune for himself.
While Kathy bathes in her spacious shower, Rodriguez barricades her in by tying rope around the doorhandles and tampers with the water heater, causing the water to scald Kathy. After Kathy loses consciousness, Rodriguez removes her from the shower and departs for the airport. Upon retrieving the money from the locker, Rodriguez is questioned by a police officer, and claims to be Steve. The disbelieving officer relents when Rodriguez discretely offers him hush money. While Rodriguez successfully absconds with Wendell's fortune, a severely burned Kathy, clinging to life, manages to phone police for help.
The film was directed by Ted Post, who had previously mainly worked as a television director for the series Peyton Place before directing the western film Hang 'Em High (1968) and the drama The Harrad Experiment (1973). [8]
Jaclyn Smith and Robert Mitchum's casting in the film was announced in February 1980. [1] The film marked Smith's first major feature role outside her leading role on the television series Charlie's Angels . [9] James Franciscus and Mike Conners were subsequently cast the following month. [10] Angus Scrimm was cast in a minor part, having previously starred in Avco Embassy's box-office hit Phantasm (1979), though his scenes were ultimately deleted from the final cut. [11]
Nightkill was originally planned to be shot in Texas, [1] but principal photography instead took place in Phoenix, Arizona, beginning in April 1980. [12] [13] Its production budget was estimated at $4 million. [1] The film was funded by the German company Cine Artists GMBH, and featured a mainly British crew. [4] Anthony B. Richmond, the cinematographer, had previously shot several films for Nicolas Roeg, including Don't Look Now (1973), The Man Who Fell to Earth (1976), and Bad Timing (1980). [14] [15] The film went into production during a major strike by the Screen Actors Guild, and was one of the few films that were permitted to be shot during the time, alongside The Burning (1981), Fade to Black (1980), and The Howling (1981). [16]
A private residence on Camelback Mountain was used as a central filming location for the Atwell residence, [17] which was leased to the production for two months at a cost of $20,000. [18] Additional photography occurred at the Phoenix Zoo, [12] the Salt River Project facility, Sky Harbor International Airport, and rural desert locations in the Tempe area. [19] Some interiors were filmed in Berlin, Germany. [20]
Mitchum was scheduled to shoot his part in the film over a period of ten days. [12] Commenting on his participation in the film, Mitchum said: "I figured we'd spend three weeks in Arizona. It wouldn't tie me up for too long. They'd pay me by the hour." [21]
While making the film, Smith began a relationship with cinematographer Richmond, whom she married the following year. [22] Post recalled that the romance between the two had begun shortly into filming, and that Richmond was often inebriated throughout the shoot, causing him to occasionally fumble shots and camera angles. [23] Smith was originally asked to appear nude in the film during its shower sequence finale, but she refused. [24]
Nightkill was produced by Cine Artists GmbH in association with distributor Avco Embassy Pictures, [1] who intended it for a U.S. theatrical release in the fall of 1980. [2] [25] On December 9, 1980, it was reported that Avco Embassy had instead sold the film's rights for television broadcast on NBC. [2] The film aired ten days later on NBC as the Movie of the Week on December 18, 1980. [26] In Turkey, the film was released theatrically as Gece Katilleri in 1981. [27]
Assessing the film in a retrospective review for its Blu-ray release, Michael Barrett of PopMatters noted stylistic elements of film noir in Nightkill, summarizing: "This deceptively marketed film is no masterpiece, yet some may appreciate its arid atmosphere of downbeat nightmare." [7] Ian Jane of DVD Talk wrote: "Nightkill is by no means a great movie but it has its interesting elements, most of which stem around the cast. If the story is a bit predictable, it is at least reasonably well paced and occasionally tense enough to keep us watching." [28]
The film website Film Frenzy awarded it two out of five stars, deeming it a "lackluster thriller that begins promisingly before repeatedly hitting the “snooze” button." [29]
A pre-certification videocasette of the film was released in the United Kingdom by Vipco in 1981. [30] The film was marketed as a slasher film, [31] featuring artwork showing star Jaclyn Smith screaming in a shower.
Kino Lorber released the film on DVD and Blu-ray in 2017, featuring a new interview with Smith, as well as an audio commentary with film historians Howard S. Berger and Nathaniel Thompson. [32]
Cape Fear is a 1962 American psychological thriller directed by J. Lee Thompson, from a screenplay by James R. Webb, adapting the 1957 novel The Executioners by John D. MacDonald. It stars Gregory Peck as Sam Bowden, an attorney and family man who is stalked by a violent psychopath and ex-con named Max Cady, who is bent on revenge for Bowden's role in his conviction twenty years prior. The film co-stars Polly Bergen and features Lori Martin, Martin Balsam, Jack Kruschen, Telly Savalas, and Barrie Chase in supporting roles.
Jaclyn Smith is an American actress. She is most notable for her role as Kelly Garrett in the television series Charlie's Angels (1976–1981), and was the only original female lead to remain with the series for its complete run. She reprised the role with cameo appearances in the films Charlie's Angels: Full Throttle (2003) and Charlie's Angels (2019). Her other films include Nightkill (1980) and Déjà Vu (1985). Beginning in the 1980s, she began developing and marketing her own brands of clothing and perfume.
Out of the Blue is a 1980 drama film directed by Dennis Hopper, and starring Linda Manz, Hopper, Sharon Farrell, Don Gordon, and Raymond Burr. The film was produced by Leonard Yakir and written by him and Brenda Nielson. Its plot follows a troubled and rebellious teenage girl living in the Pacific Northwest with her dysfunctional mother and alcoholic father. The title is taken from the Neil Young song "My My, Hey Hey ", which is also featured in the film.
Jane Greer was an American film and television actress best known for her role as femme fatale Kathie Moffat in the 1947 film noir Out of the Past. In 2009, The Guardian named her one of the best actors never to have received an Academy Award nomination.
When a Stranger Calls is a 1979 American psychological thriller film written and directed by Fred Walton, co-written by Steve Feke, and starring Charles Durning, Carol Kane, Colleen Dewhurst and Tony Beckley. Its plot follows Jill Johnson, a young woman being terrorized by a psychopathic killer while babysitting, the killer's stalking of another woman, his returning to torment Jill years later, and a detective's trying to find him. Rachel Roberts, Ron O'Neal, Carmen Argenziano, and Rutanya Alda appear in supporting roles. The film derives its story from the folk legend of "the babysitter and the man upstairs".
Losin' It is a 1983 comedy film directed by Curtis Hanson, and starring Tom Cruise, Shelley Long, Jackie Earle Haley and John Stockwell. The film follows four teenagers trying to lose their virginity. It was filmed largely in Calexico, California.
Too Late for Tears is a 1949 American film noir starring Lizabeth Scott, Don DeFore, and Dan Duryea. Directed by Byron Haskin, its plot follows a ruthless woman who resorts to multiple murders in an attempt to retain a suitcase containing US$60,000 that does not belong to her. The screenplay was written by Roy Huggins, developed from a serial he wrote for The Saturday Evening Post. Arthur Kennedy, Kristine Miller, and Barry Kelley appear in support.
Prom Night is a 1980 slasher film directed by Paul Lynch and written by William Gray. Jamie Lee Curtis and Leslie Nielsen star. The film's plot follows a group of high school seniors who are targeted at their prom by a masked killer, seeking vengeance for the accidental death of a young girl six years earlier. The film features supporting performances from Casey Stevens, Eddie Benton, Mary Beth Rubens and Michael Tough.
Marjean Holden is an American actress, stuntwoman, martial artist, author and director.
Terror Train is a 1980 slasher film directed by Roger Spottiswoode — in his directorial debut — written by Thomas Y. Drake, and starring Jamie Lee Curtis, Ben Johnson, and Hart Bochner. The film follows a group of pre-medical school students holding a New Year's Eve costume party on a moving train who are targeted by a killer who dons their costumes. It features supporting performances from Sandee Currie, Anthony Sherwood, and David Copperfield.
Holiday Affair is a 1949 American romantic comedy film directed and produced by Don Hartman and starring Robert Mitchum, Janet Leigh and Wendell Corey. It was based on the story Christmas Gift by John D. Weaver, which was also the film's working title. The film allowed Mitchum to briefly depart from his typical roles in film noir, Western films and war films, and his casting was intended to help rehabilitate his image following a notorious marijuana bust.
Not as a Stranger is a 1955 American film noir drama film produced and directed by Stanley Kramer, starring Olivia de Havilland, Robert Mitchum, Frank Sinatra and Gloria Grahame. It is based on the 1954 novel of the same name by Morton Thompson, which topped that year's list of bestselling novels in the United States. The film's supporting cast features Broderick Crawford, Charles Bickford, Lon Chaney Jr., Lee Marvin, Harry Morgan and Mae Clarke.
Happy Birthday to Me is a 1981 slasher film directed by J. Lee Thompson and starring Melissa Sue Anderson and Glenn Ford. Its plot revolves around six brutal murders occurring around a popular high school senior's birthday.
Misery is a 1990 American psychological thriller film directed by Rob Reiner, based on Stephen King's 1987 novel of the same name, starring James Caan, Kathy Bates, Lauren Bacall, Richard Farnsworth, and Frances Sternhagen. The plot centers around an author who is held captive by an obsessive fan who forces him to rewrite the finale to his novel series.
Nightmare is a 1981 American psychological slasher film written and directed by Romano Scavolini, and starring Baird Stafford and Sharon Smith. Its plot follows a deranged man who, after undergoing an experimental medical procedure, is released from a New York City psychiatric hospital and embarks on a road trip to Florida with the intent of murdering his ex-wife and child.
Savage Weekend is a 1979 American slasher film directed by David Paulsen and starring Christopher Allport, David Gale, William Sanderson, and Caitlin O'Heaney. The film follows a woman who retreats to upstate New York with her wealthy boyfriend, her sister, and friend, only to be stalked by a killer in a disfigured mask.
Night School is a 1981 American slasher film directed by Ken Hughes and starring Rachel Ward, in her film debut, Leonard Mann, and Drew Snyder. The plot revolves around a series of brutal murders in Boston, Massachusetts. Alfred Sole was the film's original director, but he passed on the project. Hughes was ultimately brought in to direct, and Night School was his final film.
Picture Mommy Dead is a 1966 American psychological horror film directed by Bert I. Gordon and starring Don Ameche, Martha Hyer, Susan Gordon, and Zsa Zsa Gabor. It follows a young girl who, after being released from a psychiatric hospital following her mother's death, begins to experience strange events in the family's mansion.
Desert Fury is a 1947 American film noir crime film directed by Lewis Allen, and starring Lizabeth Scott, John Hodiak and Burt Lancaster. Its plot follows the daughter of a casino owner in a small Nevada town who becomes involved with a racketeer who was once suspected of murdering his wife. The screenplay was written by Robert Rossen and A. I. Bezzerides (uncredited), adapted from the 1947 novel of the same name by Ramona Stewart. The picture was produced by Hal Wallis, with music by Miklós Rózsa and cinematography in Technicolor by Edward Cronjager and Charles Lang.
Her Kind of Man is a 1946 American crime film noir directed by Frederick De Cordova, and starring Dane Clark, Janis Paige and Zachary Scott. The film is not to be confused with His Kind of Woman (1951) starring Robert Mitchum and Jane Russell.