Nina Kraus is a professor at Northwestern University, investigating the neural encoding of speech and music and its plasticity where she is the Hugh S. Knowles Chair. [1]
Her Auditory Neuroscience Lab, also known as Brainvolts, examines the biological processing of sound throughout the life span, how it is disrupted in clinical populations (language disorders; concussion), and how it reacts to differing levels of expertise (music; bilingualism). Her work has shown that the hearing brain is vast—engaging our cognitive, sensory, motor, and reward networks. This perspective is illustrated in her book Of Sound Mind: How Our Brain Constructs a Meaningful Sonic World. [2] Investigations are aimed at improving human communication. Kraus’ work is rooted in a desire to bring scientific understanding into educational and clinical settings.
Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries.
The mind is the set of faculties responsible for all mental phenomena. Often the term is also identified with the phenomena themselves. These faculties include thought, imagination, memory, will, and sensation. They are responsible for various mental phenomena, like perception, pain experience, belief, desire, intention, and emotion. Various overlapping classifications of mental phenomena have been proposed. Important distinctions group them according to whether they are sensory, propositional, intentional, conscious, or occurrent. Minds were traditionally understood as substances but it is more common in the contemporary perspective to conceive them as properties or capacities possessed by humans and higher animals. Various competing definitions of the exact nature of the mind or mentality have been proposed. Epistemic definitions focus on the privileged epistemic access the subject has to these states. Consciousness-based approaches give primacy to the conscious mind and allow unconscious mental phenomena as part of the mind only to the extent that they stand in the right relation to the conscious mind. According to intentionality-based approaches, the power to refer to objects and to represent the world is the mark of the mental. For behaviorism, whether an entity has a mind only depends on how it behaves in response to external stimuli while functionalism defines mental states in terms of the causal roles they play. Central questions for the study of mind, like whether other entities besides humans have minds or how the relation between body and mind is to be conceived, are strongly influenced by the choice of one's definition.
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world. Any explicit account of perception requires a commitment to one of a variety of ontological or metaphysical views. Philosophers distinguish internalist accounts, which assume that perceptions of objects, and knowledge or beliefs about them, are aspects of an individual's mind, and externalist accounts, which state that they constitute real aspects of the world external to the individual. The position of naïve realism—the 'everyday' impression of physical objects constituting what is perceived—is to some extent contradicted by the occurrence of perceptual illusions and hallucinations and the relativity of perceptual experience as well as certain insights in science. Realist conceptions include phenomenalism and direct and indirect realism. Anti-realist conceptions include idealism and skepticism. Recent philosophical work have expanded on the philosophical features of perception by going beyond the single paradigm of vision.
An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people.
An earworm, sometimes referred to as a brainworm, sticky music, stuck song syndrome, or, most commonly after earworms, Involuntary Musical Imagery (INMI), is a catchy and/or memorable piece of music or saying that continuously occupies a person's mind even after it is no longer being played or spoken about. Involuntary musical imagery as a label is not solely restricted to earworms; musical hallucinations also fall into this category, although they are not the same thing. Earworms are considered to be a common type of involuntary cognition. Some of the phrases often used to describe earworms include "musical imagery repetition" and "involuntary musical imagery".
Patricia Smith Churchland is a Canadian-American analytic philosopher noted for her contributions to neurophilosophy and the philosophy of mind. She is UC President's Professor of Philosophy Emerita at the University of California, San Diego (UCSD), where she has taught since 1984. She has also held an adjunct professorship at the Salk Institute for Biological Studies since 1989. She is a member of the Board of Trustees Moscow Center for Consciousness Studies of Philosophy Department, Moscow State University. In 2015, she was elected a Fellow of the American Academy of Arts & Sciences. Educated at the University of British Columbia, the University of Pittsburgh, and Somerville College, Oxford, she taught philosophy at the University of Manitoba from 1969 to 1984 and is married to the philosopher Paul Churchland. Larissa MacFarquhar, writing for The New Yorker, observed of the philosophical couple that: "Their work is so similar that they are sometimes discussed, in journals and books, as one person."
Sonic and ultrasonic weapons (USW) are weapons of various types that use sound to injure or incapacitate an opponent. Some sonic weapons make a focused beam of sound or of ultrasound; others produce an area field of sound. As of 2021 military and police forces make some limited use of sonic weapons.
Sound studies is an interdisciplinary field that to date has focused largely on the emergence of the concept of "sound" in Western modernity, with an emphasis on the development of sound reproduction technologies. The field first emerged in venues like the journal Social Studies of Science by scholars working in science and technology studies and communication studies; it has however greatly expanded and now includes a broad array of scholars working in music, anthropology, sound art, deaf studies, architecture, and many other fields besides. Important studies have focused on the idea of a "soundscape", architectural acoustics, nature sounds, the history of aurality in Western philosophy and nineteenth-century Colombia, Islamic approaches to listening, the voice, studies of deafness, loudness, and related topics. A foundational text is Jonathan Sterne's 2003 book "The Audible Past", though the field has retroactively taken as foundational two texts, Jacques Attali's Noise: The Political Economy of Music (1985) and R. Murray Schafer's The Tuning of the World (1977).
Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern music psychology is primarily empirical; its knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. Music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human attitude, skill, performance, intelligence, creativity, and social behavior.
Nancy Gail Kanwisher FBA is the Ellen Swallow Richards Professor in the Department of Brain and Cognitive Sciences at the Massachusetts Institute of Technology and an investigator at the McGovern Institute for Brain Research. She studies the neural and cognitive mechanisms underlying human visual perception and cognition.
Cornelia Isabella "Cori" Bargmann is an American neurobiologist. She is known for her work on the genetic and neural circuit mechanisms of behavior using C. elegans, particularly the mechanisms of olfaction in the worm. She has been elected to the National Academy of Sciences and had been a Howard Hughes Medical Institute investigator at UCSF and then Rockefeller University from 1995 to 2016. She was the Head of Science at the Chan Zuckerberg Initiative from 2016 to 2022. In 2012 she was awarded the $1 million Kavli Prize, and in 2013 the $3 million Breakthrough Prize in Life Sciences.
In philosophy of mind, qualia are defined as individual instances of subjective, conscious experience. The term qualia derives from the Latin neuter plural form (qualia) of the Latin adjective quālis meaning "of what sort" or "of what kind" in a specific instance, such as "what it is like to taste a specific apple — this particular apple now".
Cognitive musicology is a branch of cognitive science concerned with computationally modeling musical knowledge with the goal of understanding both music and cognition.
Psychoacoustics is the branch of psychophysics involving the scientific study of sound perception and audiology—how humans perceive various sounds. More specifically, it is the branch of science studying the psychological responses associated with sound. Psychoacoustics is an interdisciplinary field of many areas, including psychology, acoustics, electronic engineering, physics, biology, physiology, and computer science.
Berit Oskar Brogaard is a Danish–American philosopher specializing in the areas of cognitive neuroscience, philosophy of mind, and philosophy of language. Her recent work concerns synesthesia, savant syndrome, blindsight and perceptual reports. She is professor of philosophy and runs a perception lab at the University of Miami in Coral Gables, Florida. She was also co-editor of the Philosophical Gourmet Report until 2021.
The Harmony Project is a registered 501(c)(3) nonprofit organization based in Los Angeles, California, that provides free music instruction and instruments to youth in underserved communities in LA and around the country. Programming consists of year-round music lessons, orchestra and ensemble participation, and a peer mentorship program influenced by El Sistema, Venezuela's highly successful music education program. Harmony Project currently serves over 2,000 students in the Los Angeles area, and expanded in 2011 with its first affiliate program, Harmony Project of Ventura County.
Christine Sun Kim is an American sound artist based in Berlin. Working predominantly in drawing, performance, and video, Kim's practice considers how sound operates in society. Musical notation, written language, American Sign Language (ASL), and the use of the body are all recurring elements in her work. Her work has been exhibited in major cultural institutions internationally, including in the Museum of Modern Art's first exhibition about sound in 2013 and the Whitney Biennial in 2019. She was named a TED Fellow in both 2013 and 2015, a Director's Fellow at MIT Media Lab in 2015, and a Ford Foundation Disability Futures Fellow in 2020.
Laura E. Schulz is a professor of cognitive science in the Brain and Cognitive Sciences department at the Massachusetts Institute of Technology (MIT). She is the Principal Investigator of the Early Childhood Cognition Lab at MIT. Schulz is known for her work on early childhood development of cognition, causal inference, discovery, and learning.
Margaret Martin is the founder of the Harmony Project and was awarded the Presidential Citizens Medal in 2011 by the President Barack Obama for her work on the project.
Sonic philosophy or the philosophy of sound is a philosophical theory that proposes thinking sonically instead of thinking about sound. It is applied in the investigation of being and the determination of what exists. The materialist sonic philosophy is considered part of aesthetic philosophy and traces the effect of sound on philosophy and draws from the notion that sound is a flux, event, and effect.