Oneness: Silver Dreams - Golden Reality | ||||
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Studio album / Live album by | ||||
Released | March 1979 | |||
Recorded | December 1977–1978 (A1–A6 recorded live at Osaka Kōsei Nenkin Kaikan in Osaka, Japan; A7–B6 recorded at The Automatt in San Francisco, California) | |||
Genre | ||||
Length | 45:55 | |||
Label | Columbia | |||
Producer | Devadip Carlos Santana | |||
Devadip Carlos Santana chronology | ||||
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Oneness: Silver Dreams - Golden Reality is a 1979 album by Carlos Santana. It was his second of three albums (the others being Illuminations and The Swing of Delight ) to be released under his temporary Sanskrit name Devadip Carlos Santana, given to him by Sri Chinmoy. The album, which consists mostly of instrumental songs and ballads, features members of the band Santana, as well as Carlos Santana's first wife Deborah and father-in-law Saunders King. [1] According to Santana, Oneness was influenced by Weather Report's album Mysterious Traveller . [2] The track "Transformation Day" is an adaptation of part of Alan Hovhaness's symphonic work Mysterious Mountain . [1]
Review scores | |
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Source | Rating |
AllMusic | [3] |
Christgau's Record Guide | B− [4] |
The Encyclopedia of Popular Music | [5] |
The Rolling Stone Album Guide | [6] |
A writer for Billboard noted Santana's "extraordinary guitar work," and called the album "a musical excursion into various moods and feelings." [7] Critic Robert Christgau described the album as "frustrating," calling it "spiritual program music that mixes genuinely celestial rock with the usual goop." [4] The Bay State Banner opined that, "at this point, Santana would be well-advised to rid himself of Greg Walker's vocals, which are empty and corny." [8] The New York Times noted that "too much of the time is spent wallowing in benign platitudes." [9]
In a review for AllMusic, William Ruhlmann noted that "the difference between a group effort and a solo work seems to be primarily in the musical approach, which is more esoteric, and more varied than on a regular band album." [3] Rob Caldwell of All About Jazz stated that "though this was essentially [Santana's] first solo record, it marked the work as a definite remove from any 'Santana sound'." He wrote: "Oneness is much more accessible than Illuminations and more likely to appeal to fans of the band. Gone are the lengthy and often meandering tracks..., and Santana explores many avenues of expression." [10]
Musicologist Melinda Latour described the title track as "a particularly clear example of Santana's attempt to transcend to another plane through tone," in which he "builds a sense of spatial transcendence," leading to "an explosion of upper partials that carry the end of a note upward into a new dimension." [11]
All tracks written by Carlos Santana, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Chosen Hour" | 0:36 | |
2. | "Arise Awake" | 2:05 | |
3. | "Light Versus Darkness" | 0:48 | |
4. | "Jim Jeannie" | Chico Hamilton | 3:30 |
5. | "Transformation Day" | Alan Hovhaness, Santana | 3:45 |
6. | "Victory" | 1:10 | |
7. | "Silver Dreams Golden Smiles" | Tom Coster, Santana, Greg Walker | 4:09 |
8. | "Cry of the Wilderness" | 3:11 | |
9. | "Guru's Song" | Sri Chinmoy | 3:06 |
Total length: | 22:15 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Oneness" | 6:21 | |
2. | "Life Is Just a Passing Parade" | 5:15 | |
3. | "Golden Dawn" | 2:17 | |
4. | "Free as the Morning Sun" | 3:16 | |
5. | "I Am Free" | Sri Chinmoy, Santana | 1:27 |
6. | "Song for Devadip" | Narada Michael Walden | 5:03 |
Total length: | 23:37 |
Chart (1979) | Peak position |
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Australian Albums (Kent Music Report) [12] | 39 |
Finnish Albums (The Official Finnish Charts) [13] | 25 |
UK Albums (OCC) [14] | 55 |
US Billboard 200 [15] | 87 |
Carlos Humberto Santana Barragán is an American guitarist, best known as a founding member of the rock band Santana. Born and raised in Mexico where he developed his musical background, he rose to fame in the late 1960s and early 1970s in the United States with Santana, which pioneered a fusion of rock and roll and Latin American jazz. Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s.
Santana is the debut studio album by American Latin rock band Santana. It was released on August 22, 1969. Over half of the album's length is composed of instrumental music, recorded by what was originally a purely free-form jam band. At the suggestion of manager Bill Graham, the band took to writing more conventional songs for more impact, but managed to retain the essence of improvisation in the music.
Supernatural is the eighteenth studio album by American rock band Santana, released on June 15, 1999, on Arista Records. After Santana found themselves without a label in the mid-1990s, founding member and guitarist Carlos Santana began talks with Arista president Clive Davis, who had originally signed the group to Columbia Records in 1969. Santana and Davis worked with A&R man Pete Ganbarg, as Santana wanted to focus on pop and radio-friendly material. The album features collaborations with several contemporary guest artists, including Rob Thomas, Eric Clapton, Eagle-Eye Cherry, Lauryn Hill, Dave Matthews, Maná, and CeeLo Green.
Dream Police is the fourth studio album by American rock band Cheap Trick. It was released in 1979, and was their third release in a row produced by Tom Werman. It is the band's most commercially successful studio album, going to No. 6 on the Billboard 200 chart and being certified platinum within a few months of its release.
Welcome is the fifth studio album by Santana, released in 1973. It followed the jazz-fusion formula that the preceding Caravanserai had inaugurated, but with an expanded and different lineup this time. Gregg Rolie had left the band along with Neal Schon to form Journey, and they were replaced by Tom Coster, Richard Kermode and Leon Thomas, along with guest John McLaughlin, who had collaborated with Carlos Santana on Love Devotion Surrender. Welcome also featured John Coltrane's widow, Alice, as a pianist on the album's opening track, "Going Home" and Flora Purim on vocals. This album was far more experimental than the first four albums, and Welcome did not produce any hit singles.
Shangó is the thirteenth studio album by Santana. The album reached #22 on the Billboard 200 album charts. The single "Hold On" from the album reached number 15 in the U.S. Billboard Hot 100 singles chart and number 17 on Billboard's Top Tracks chart. A second single from the album, "Nowhere to Run", peaked at number 66 on the Hot 100 chart and number thirteen on the Mainstream Rock chart and a third single reached number 34 in the Mainstream Rock chart.
Love Devotion Surrender is an album released in 1973 by guitarists Carlos Santana and John McLaughlin, with the backing of their respective bands, Santana and The Mahavishnu Orchestra. The album was inspired by the teachings of Sri Chinmoy and intended as a tribute to John Coltrane. It contains two Coltrane compositions, two McLaughlin songs, and a traditional gospel song arranged by Santana and McLaughlin. It was certified Gold in 1973.
Carlos Santana & Buddy Miles! Live! is a live album by Carlos Santana and Buddy Miles, released in 1972.
Illuminations is a 1974 collaboration between Alice Coltrane and Carlos Santana. Saxophonist/flautist Jules Broussard, keyboardist Tom Coster, drummer Jack DeJohnette, percussionist Armando Peraza and bassist Dave Holland also contributed to the album.
Borboletta is the sixth studio album by the American Latin rock band Santana. It is one of their jazz-funk-fusion oriented albums, along with Caravanserai (1972), and Welcome (1973). Non-band albums by Carlos Santana in this style also include Love Devotion Surrender (1973) with John McLaughlin and Illuminations (1974) with Alice Coltrane, Jack DeJohnette and Jules Broussard. The guitarist leaves much room to percussion, saxophone and keyboards to set moods, as well as lengthy solos by himself and vocals. The record was released in a metallic blue sleeve displaying a butterfly, an allusion to the album Butterfly Dreams (1973) by Brazilian musician Flora Purim and her husband Airto Moreira, whose contributions deeply influenced the sound of Borboletta. In Portuguese, borboleta means "butterfly".
Festivál is the eighth studio album by Santana, released in January 1977. It peaked number twenty seven in the Billboard 200 chart and number twenty nine in the R&B Albums chart.
Moonflower is a double album released in 1977 by Santana. The recording features both studio and live tracks, which are interspersed with one another throughout the album. It is perhaps the group's most popular live album, because the 1974 album Lotus did not receive a U.S. domestic release until 1991. It displays a mix between the fusion of Latin and blues rock styles of the late 1960s and early 1970s, and the much more experimental and spiritual jazz fusion sound that characterized the band's mid-1970s work. The live material was recorded during the supporting tour for the Amigos album. This is the first of 5 albums with drummer Graham Lear.
Inner Secrets is the tenth studio album by Santana. It was released in 1978 and, unlike the fusion of Latin, jazz, rock, and spirituality that characterized previous records, it was considered a rock album.
Marathon is the eleventh studio album by Santana. This marked the beginning of the group's commercial slide, in spite of having the Top 40 hit "You Know That I Love You".
The Swing of Delight is a 1980 double album by Carlos Santana. It was released under his temporary Sanskrit name Devadip Carlos Santana, given to him by Sri Chinmoy. It peaked at #65 on the charts.
Havana Moon is a solo album by Carlos Santana, released in 1983.
Beyond Appearances is the fourteenth studio album by Santana, released in 1985.
Sacred Fire: Live in South America is an album by Santana, released in 1993. This album is dedicated to the life of Cesar Chavez. The title, "Live in South America", is not correct, as the location of the concert production, Mexico City, is not located on the continent of South America.
There's One in Every Crowd is the third solo studio album by Eric Clapton. Recorded shortly after 461 Ocean Boulevard, the album features a style similar to its predecessor but did not enjoy similar commercial success.
Where There's Smoke... is a 1979 album by Smokey Robinson, released on Motown Records' Tamla label. It contains his Billboard Top ten pop hit single "Cruisin'".