Open Door Policy | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 19, 2021 | |||
Recorded | December 2019 | |||
Studio |
| |||
Genre | Rock [1] | |||
Length | 40:30 | |||
Label | Positive Jams | |||
Producer | Josh Kaufman | |||
The Hold Steady chronology | ||||
|
Open Door Policy is the eighth studio album by the American rock band the Hold Steady, released on February 19, 2021, through the band's own label Positive Jams. [2] The album was produced by Josh Kaufman, who has previously worked with the band on their seventh studio album, Thrashing Thru the Passion (2019), and was preceded by the singles "Family Farm", "Heavy Covenant" and "Spices".
Released to critical acclaim, the album debuted at number 6 on Billboard's Top Album Sales chart and number 48 on their Top Rock Albums chart. [3] At the end of 2021, the album received accolades from AllMusic, Uncut , Double J and God is in the TV, appearing on their end-of-year lists.
The album was recorded in December 2019 at the Clubhouse Studio and The Isokon Studio in New York, with producer Josh Kaufman. [4] [5] [6] Lead vocalist Craig Finn said in a press release: "Open Door Policy was very much approached as an album vs. a collection of individual songs, and it feels like our most musically expansive record. This album was written and almost entirely recorded before the pandemic started, but the songs and stories explore power, wealth, mental health, technology, capitalism, consumerism, and survival – issues which have compounded in 2020." [7]
Musicians Stuart Bogie, Jordan McLean, Cassandra Jenkins, Annie Nero and The Walkmen's Matt Barrick appear on the album. [8]
On December 1, 2020, the Hold Steady announced they were releasing their eighth studio album. [4] The album's first single, "Family Farm" was released that same day.
On January 8, 2021, the Hold Steady release the second single "Heavy Covenant". [9] The band explained the single "is a song about travel, technology, and human connection. The song came out of two different music pieces that THS piano/keyboardist Franz Nicolay brought in, and with the help of producer Josh Kaufman, we combined them. It came together quickly, and when our friends Stuart and Jordan came in and added the horns to the chorus it really seemed to bring it together. To us, this song is a great indication of where the band’s sound is at in 2021." [10] [6]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.6/10 [11] |
Metacritic | 78/100 [12] |
Review scores | |
Source | Rating |
AllMusic | [13] |
American Songwriter | [14] |
Beats Per Minute | 76% [15] |
Clash | 8/10 [16] |
DIY | [17] |
Exclaim! | 8/10 [18] |
MusicOMH | [19] |
Paste | 8.1/10 [20] |
Pitchfork | 7.6/10 [1] |
PopMatters | 6/10 [21] |
Open Door Policy was met with "generally favorable" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 78 based on 20 reviews. [12] AnyDecentMusic? gave the release a 7.6 out of 10 based on a critical consensus of 20 reviews. [11]
In a review for Pitchfork, Daniel Felsenthal wrote: "Their rejuvenated second act continues with Open Door Policy, an ornate record that incorporates Nicolay’s ambitious compositions as an integral part of the band’s songwriting. Passion had them recognizing, to quote a lyric, 'It doesn’t have to be perfect/Just sort of has to be worth it.' On Open Door Policy, they reach for something larger: if not perfection, then music with a baroqueness we haven’t quite heard from them before....Big moments appear in surprising places on Open Door Policy." In a review for AllMusic, Stephen Thomas Erlewine wrote: "Written and recorded as a cohesive album, Open Door Policy feels like the Cinemascope cousin to Thrashing Thru the Passion: the Hold Steady take full advantage of their larger canvass. Finn's words deserve concentration, but the key to Open Door Policy is how it plays as an operatic rock & roll record, where the emphasis lies more on the melodrama than the grit. Perhaps this slowing pace is the inevitable side effect of middle age." [13] Lee Zimmerman of American Songwriter wrote: "Expressed from a first person point of view, the music comes across with a sense of unease, urgency and uncertainty, which, in turn, boosts both interest and intrigue. Clearly, The Hold Steady are intent on burrowing below the surface in their pursuit of principle and propriety." [14] Tim Sentz of Beats Per Minute praised lead vocalist Craig Finn's vocals, noting: "Finn’s vocals are less nasally slurred, and lyrically he’s telling a slightly grander story instead of just writing individual songs." [15] Jamie Wilde of Clash explained: "The album’s upbeat energy is feverish. It allows space for comical and witty intervention among its deeper subjects. This record exposes a band who, after almost two decades in the game, are still enjoying what they’re doing and their close-knit chemistry befits their band name. Finn's lyrical observations once more take centre stage in Open Door Policy. Producer Josh Kauffman's vocal mix is throat grabbing as Finn’s Beat style delivery flows like Kerouac or Ginsberg." [16]
Writing for Exclaim! , Oliver Crook gave the album an eight out of 10, explaining "Open Door Policy carries all the trademarks of a Hold Steady record: Craig Finn's distinctive vocals are supported by an effortlessly distorted sound that is equally as complex. Finn's lyrics are scattered with shady characters and messed-up souls, but there's more of an edge on Open Door Policy. Recorded in 2019, its themes of mental health, income inequality and isolation feels all the more relevant today." [18]
Publication | List | Rank | Ref. |
---|---|---|---|
AllMusic | AllMusic's Best of 2021 | N/A | |
Double J | The 50 Best albums of 2021 | 25 | |
God is in the TV | Albums of the Year 2021 | 9 | |
Uncut | Uncut's 75 Best Albums of 2021 | 32 |
No. | Title | Music | Length |
---|---|---|---|
1. | "The Feelers" | 4:45 | |
2. | "Spices" |
| 3:45 |
3. | "Lanyards" |
| 3:54 |
4. | "Family Farm" |
| 3:42 |
5. | "Unpleasant Breakfast" |
| 4:59 |
6. | "Heavy Covenant" |
| 4:39 |
7. | "The Prior Procedure" |
| 3:38 |
8. | "Riptown" |
| 3:22 |
9. | "Me & Magdalena" |
| 3:48 |
10. | "Hanover Camera" |
| 3:58 |
11. | "Parade Days" (Bonus track) |
| 3:16 |
Chart (2021) | Peak position |
---|---|
Scottish Albums (OCC) [26] | 9 |
UK Independent Albums (OCC) [27] | 7 |
US Top Rock Albums (Billboard) [3] | 48 |
US Top Album Sales (Billboard) [28] | 6 |
US Top Tastemaker Albums (Billboard) [29] | 5 |
Covenant is a Swedish electronic band formed in Helsingborg in 1986. The band is currently composed of Eskil Simonsson and Joakim Montelius in the studio, while live shows consist of Simonsson along with touring members Chad Hauger, Daniel Jonasson, Andreas Catjar and Daniel Myer of Haujobb.
Arctic Monkeys are an English rock band formed in Sheffield in 2002. The group consists of lead singer Alex Turner, drummer Matt Helders, guitarist Jamie Cook and bassist Nick O'Malley; bassist and co-founder Andy Nicholson left the band in 2006.
The Hold Steady is an American rock band formed in Brooklyn, New York in 2003. The band consists of Craig Finn, Tad Kubler (guitar), Galen Polivka (bass), Bobby Drake (drums), Franz Nicolay (keyboards) and Steve Selvidge (guitar). Noted for their "lyrically dense storytelling," and classic rock influences, the band's narrative-based songs frequently address themes such as drug addiction, religion and redemption, and often feature recurring characters based within the city of Minneapolis.
A Beard of Stars is the fourth studio album by English psychedelic folk band Tyrannosaurus Rex, and their last before changing their name to T. Rex. It was released in March 1970 by record label Regal Zonophone.
Franz Nicolay is an American musician and writer. He is best known for playing the accordion and piano in The World/Inferno Friendship Society and keyboards in The Hold Steady from 2005 to 2010 and again from 2016 onwards. He is also notable for founding Anti-Social Music, a composer/performer collective based in New York City, and for performing in the Balkan jazz quartet Guignol.
Craig A. Finn is an American singer-songwriter and musician. He is best known as the frontman of the American indie rock band The Hold Steady, with whom he has recorded nine studio albums. Prior to forming The Hold Steady, Finn was the frontman of Lifter Puller.
Stay Positive is the fourth studio album by the Hold Steady, released on July 15, 2008, through Vagrant Records. Vocalist/guitarist Craig Finn notes that the album is about "the idea of ageing gracefully [...] keeping going, perseverance [and] how to stay true to the ideals and ideas you had when you were younger." Keyboard player Franz Nicolay notes that the album is his favorite, stating that it features an "integrated, nuanced, less hectic distillation of [their earlier] sound." Stay Positive was the last studio album to feature Nicolay until 2019's Thrashing Thru the Passion, who departed from the band in early 2010 but returned in 2016.
Heaven Is Whenever is the fifth studio album by the Hold Steady. It was released May 4, 2010, on Vagrant Records in the U.S. and May 3, 2010, on Rough Trade in Europe. The album's first single, "Hurricane J", premiered on Pitchfork Media on March 22, 2010. Regarding the album's lyrical content, vocalist and guitarist Craig Finn states that: "I kept saying Stay Positive was a record about trying to age gracefully. This record, I think actually was us aging gracefully. Some of the lyrics come from a place of a little more wisdom, being 38 and at this point having a lifetime in rock'n'roll."
Intriguer is the sixth studio album by rock group Crowded House, released on 11 June 2010. It is the band's follow-up to the group's 2007 reunion album Time on Earth. The first single for the album, "Saturday Sun", was released to radio and the video clip released to the internet in April 2010.
Teeth Dreams is the sixth studio album by American indie rock band the Hold Steady, released March 25, 2014, on Washington Square/Razor & Tie. Produced by Nick Raskulinecz, the album is the first to feature guitarist Steve Selvidge, who joined the band in 2010 to tour in support of the band's previous album, Heaven Is Whenever (2010).
We All Want the Same Things is the third studio album by Craig Finn. It was released on Partisan Records on March 24, 2017.
Black Honey are a British four-piece indie rock band formed in Brighton, England in 2014. The band is composed of lead singer and guitarist Izzy Baxter Phillips, guitarist Chris Ostler, bassist Tommy Taylor, and drummer Alex Woodward, who joined the group after the departure of Tom Dewhurst.
Atlas Vending is the fourth studio album by Canadian punk rock band METZ. It was released on October 9, 2020, via Sub Pop Records. The album was produced by Ben Greenberg and METZ.
Welfare Jazz is the second studio album by Swedish post-punk band Viagra Boys. It was released on 8 January 2021, through YEAR0001.
"Heavy Covenant" is a song by American indie rock band the Hold Steady. It was released on January 8, 2021, as the second single from their upcoming eighth studio album, Open Door Policy by Positive Jams and Thirty Tigers. The song was written by Craig Finn and Franz Nicolay, with Josh Kaufman handling production.
Cooler Returns is the second studio album by Canadian indie rock band Kiwi Jr. It was released on January 22, 2021, through Sub Pop worldwide and the band's own label Kiwi Club in Canada.
Songs of Love and Revolution is the twelfth studio album by English noise rock band The Telescopes. It was released on February 5, 2021, by Tapete Records.
The Witness is a 2021 album by Canadian rock band Suuns, released on September 3, 2021, by Joyful Noise Recordings and Secret City Records. The album was recorded from December 2019 through September 2020 at Breakglass Studios, with additional tracking at Studio Toute Garnie, both in Montreal.
Labyrinthitis is the thirteenth studio album by Canadian indie rock band Destroyer, released on March 25, 2022, by Merge Records and Bella Union.
You Belong There is the debut studio album by American singer-songwriter Daniel Rossen, released on April 8, 2022, by Warp Records. The album was announced on January 20, 2022 and was supported by two singles.