|Company||Friedrich Berlin Verlag / Klett Gruppe|
Opernwelt (Opera World) is a monthly German magazine for opera, operetta and ballet.
Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theater. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
Operetta is a genre of light opera, light in terms both of music and subject matter.
Ballet is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own vocabulary based on French terminology. It has been globally influential and has defined the foundational techniques used in many other dance genres and cultures. Ballet has been taught in various schools around the world, which have historically incorporated their own cultures and as a result, the art has evolved in a number of distinct ways. See glossary of ballet.
The magazine covers news about current performances; it presents portraits of composers and performers, articles about opera houses and performance spaces, and about contemporary and historical subjects from the world of opera and classical music. It reviews recordings and books and publishes monthly schedules of German and international opera houses. The magazine's website offers full text search for past issues. A year book is published every October.
An opera house is a theatre building used for opera performances that consists of a stage, an orchestra pit, audience seating, and backstage facilities for costumes and set building.
Each year since 1994, at the end of the season, the magazine sponsors a jury of 50 critics to select the best in several categories:
They are usually selected from German-speaking countries, Austria, Germany and German-speaking Switzerland. In 2011, La Monnaie received the accolade, the first time it has been given to a non-German speaking house.
The Théâtre Royal de la Monnaie in French, or The Koninklijke Muntschouwburg in Dutch, is an Opera house in Brussels, Belgium. Both of its names translate as Royal Theatre of the Mint.
|1997||Hamburg State Opera|
|2004||Die deutschen Stadttheater|
(the German municipal theatres, collectively)
|2005||Hamburg State Opera|
|2007||Oper Bremen and Komische Oper Berlin|
|2008||Aalto Theatre, Essen|
|2011||La Monnaie, Brussels|
|2013||Komische Oper Berlin|
|2014||Bayerische Staatsoper, Munich|
|2015||National Theatre Mannheim and Oper Frankfurt|
|2017||Opéra de Lyon|
The Hamburg State Opera is a German opera company based in Hamburg. Its theatre is located near the square of Gänsemarkt. Since 2015, the current Intendant of the company is Georges Delnon, and the current Generalmusikdirektor of the company is Kent Nagano.
The Bavarian State Opera is an opera company based in Munich, Germany. Its orchestra is the Bavarian State Orchestra. The company's home base is the National Theatre Munich.
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals.
The Deutsche Oper Berlin is an opera company located in the Charlottenburg district of Berlin, Germany. The resident building is the country's second largest opera house and also home to the Berlin State Ballet.
Harry Kupfer is a German opera director and academic. A long-time director at the Komische Oper Berlin, he has worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he has worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's Der fliegende Holländer in 1978, and Der Ring des Nibelungen in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's Die schwarze Maske in 1986, and Der Rosenkavalier by Richard Strauss in 2014.
The Oper Frankfurt is one of the leading opera houses in Europe, and voted best "Opera house of the year" several times since 1996. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Schreker's Der ferne Klang in 1912, Fennimore und Gerda by Frederick Delius in 1919, and Carl Orff's Carmina Burana in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated.
Alice in Wonderland is a 2007 operatic adaptation of Alice's Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll. It is the first opera of Korean composer Unsuk Chin, who co-wrote the English libretto with the Asian-American playwright David Henry Hwang. It had its world premiere on 30 June 2007. However, the jacket and notice of the DVD of the World Premiere indicates that the recording was made on 27 June at the Bavarian State Opera as part of the 2007 Munich Opera Festival. Conducted by Kent Nagano and featuring Sally Matthews in the title role and Dame Gwyneth Jones as the Queen of Hearts, the production was hailed as "World Premiere of the Year" by the German opera magazine Opernwelt. A DVD was subsequently released by Euroarts.
Julia Mikhaylovna Lezhneva is a Russian soprano opera singer and recitalist, specialising in soprano and coloratura mezzo-soprano material of the 18th and early 19th century. She studied with Tamara Cherkasova, Irina Zhurina, Elena Obraztsova, Dennis O'Neill and Yvonne Kenny.
Theater Bremen is a state theatre in Bremen, Germany, with four divisions for opera, plays, dance, and student programs. Its venues are located in a city block, connected in architecture and seating up to 1,426 spectators. The theatre has drawn international attention since 1962 with innovative play productions in the Bremer Stil. Its opera company was selected as opera house of the year by Opernwelt in 2007.
The Theater des Westens is one of the most famous theatres for musicals and operettas in Berlin, Germany, located at Kantstraße 10–12 in Charlottenburg. It was founded in 1895 for plays. The present house was opened in 1896 and dedicated to opera and operetta. Enrico Caruso made his debut in Berlin here, and the Ballets Russes appeared with Anna Pavlova. In the 1930s it was run as the Volkstheater Berlin. After World War II it served as the temporary opera house of Berlin, the Städtische Oper. In 1961 it became the first theatre in Germany to show musicals. Since then it has become the "German equivalent of Broadway extravaganzas", putting on plays and musical comedies.
The Theater am Goetheplatz, also incorrectly known as the Goethetheater, is the main theatre of the city of Bremen in the north of Germany, the main venue of Theater Bremen. Completed in 1913 in the Neoclassical style, it is located in the cultural district to the east of the old town. After reconstruction with major extensions after the Second World War, it was fully modernized in 2004. Since 2005, it has been a listed building.
Stefan Herheim, is a Norwegian opera director, based in Germany.
Wolf Caspar Klengel, from 1664 von Klengel, was a German architect in Saxony,
Uwe Eric Laufenberg is a German actor, stage director for play and opera, and theatre manager who has directed at international opera houses and festivals, such as Elektra at the Vienna State Opera and Parsifal at the Bayreuth Festival.
Theater Chemnitz is the municipal theatre organization of Chemnitz, Germany. Performances of opera, symphonic concerts, ballet, plays and Figurentheater take place in its three main venues: the Opernhaus Chemnitz, the Stadthalle Chemnitz, and the Schauspielhaus Chemnitz. The award-winning opera company has produced a series of rarely performed works, and several German premieres.
Johannes Martin Kränzle is a German baritone in opera and concert who has made an international career. For years a member of the Oper Frankfurt, he was chosen as Singer of the Year in 2011 after creating the leading role in Wolfgang Rihm's Dionysos at the Salzburg Festival. He made his debut at the Royal Opera House as Don Alfonso in Mozart's Così fan tutte, and at the Bayreuth Festival as Beckmesser in Wagner's Die Meistersinger von Nürnberg in 2017.
Dionysos is an opera by Wolfgang Rihm based on Friedrich Nietzsche's Dionysian-Dithyrambs. The composer wrote the libretto and subtitled his work: "Opernphantasie nach Texten von Friedrich Nietzsche / Szenen und Dithyramben". It premiered at the Salzburg Festival on 27 July 2010.
Christof Loy is a German stage director especially for opera, whose work received several awards. A freelance director, he has staged operas from Baroque to premieres of new works at major European opera houses and festivals. He is known for directing works by Mozart.
Karl-Heinz Thiemann is a German operatic tenor.
Lydia Steier is an American opera director who has made an international career based in Germany. She directed the Swiss premiere of Stockhausen's Donnerstag aus Licht, chosen by critics as "Best Production of the Year" in 2016. In 2018, she became the first woman to stage Mozart's Die Zauberflöte at the Salzburg Festival, for the opening performance in 2018.
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