Description
The palace, whose designer is unknown, differs from the buildings on Strada Nuova. The lower part of the façade is decorated with diamond-pointed ashlar, while the upper floors were originally relieved by a series of open loggias, later closed by glazing and walled up in the early Ocento, as can be seen from Rubens' engravings in the 1652 edition of Palazzi di Genova. [2]
Also on the façade is the portal supported by two telamons with mozzi noses, the work of Taddeo Carlone, who here evokes the atrocious legend of Megollo Lercari, ancestor of the commissioner, took revenge on his enemies by mutilating their noses and ears. [3]
First floor
Going up to the first of the two piani nobili, in the loggia, within two nicchie, there are the busts of Franco Lercari and his wife Antonia De Marini by Taddeo Carlone, the Emperor Charles V of Habsburg and the King of Spain Filippo II. The fresco decoration, from the end of the 16th century, is due to Lazzaro Calvi, assisted by his brother Pantaleo, with airy landscapes on the walls and, on the Vault, military scenes inspired by Roman historyː The Sfida tra Orazi e Curiazi , Curzio Rufo, Orazio Coclite. Other parlours on the first floor are frescoed by Calvi with Biblical Episodes. The most valuable room on the first floor is frescoed by Luca Cambiaso with Stories of Niobe on the vault. [1]
Second floor
In the loggia, only the Gigantomachia by Ottavio Semino, author also of the Biblical Stories of King David, survives of the original decoration, while the Biblical Stories of the Sala del Moltiplico Lercari are by Calvi.
In the vault of the hall on the second piano nobile is a famous masterpiece of Genoese Mannerism: the fresco by Luca Cambiaso depicting Megollo Lercari's enterprise of building the Genoese's warehouse in Trebizond , i.e. the constructions needed to conduct trade in the Genoese colony on the Black Sea. The fresco, surrounded by Illustrious Ancestors of the Lercari, is at the same time intended to recall the construction of the Lercari palace in Strada Nuova, thus providing an idea of the appearance of the street in the years of its opening.
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