This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
UNESCO World Heritage Site | |
---|---|
Official name | Historic Centre of Naples |
Location | Naples, Campania, Italy |
Criteria | Cultural |
Reference | (ii) (iv) 726 (ii) (iv) |
Inscription | 1995 (19th Session) |
Endangered | No |
Coordinates | 40°51′5.004″N14°15′46.008″E / 40.85139000°N 14.26278000°E |
Considering that the site is of exceptional value. It is one of the most ancient cities in Europe, whose contemporary urban fabric preserves the elements of its long and eventful history. Its setting on the Bay of Naples gives it an outstanding universal value which has had a profound influence in many parts of Europe and beyond. — Motivation of UNESCO
Contents
The historic center, or Centro Storico, of Naples , Italy represents the historic nucleus of the city, spanning 27 centuries.
Almost the entirety of the historic center, approximately 1021 hectares, was declared a UNESCO World Heritage Site in 1995, [1] and included in the list of historic assets to be protected; its particular uniqueness lying in the almost total conservation and use of its ancient Greek road layout.
The historic center of Naples bears witness to the historical and artistic evolution of the city, from its first Greek settlement in the 8th century BC along the area overlooking the sea, [2] the re-founding of the same city in a more internal area, constituting the "ancient center (Centro Storico)", up to the Spanish Baroque city that saw the opening towards the west of the urban nucleus and to that center of the nineteenth-century cultural elite, with the flowering in the city of numerous noble and bourgeois villas that characterize the whole area of Posillipo and Vomero.
The area is considered a UNESCO heritage site covering approximately 1021 hectares [3] and contains the following quarters: Avvocata, Montecalvario, San Giuseppe, Porto, Pendino, Mercato (Municipalità I), Stella, San Carlo all'Arena, (Municipalità III), Chiaia, San Ferdinando, San Lorenzo, Vicarìa and part of the Vomero and Posillipo hills.
The Irpinia earthquake of 1980 damaged part of the historical center and brought to light structural and social problems (even ancient ones) to which was decided to remedy also urbanistic with the enactment of the law n. 219 1981, laying down provisions for the planning and control of building activity, sanctioning, recovery and rehabilitation of illegal construction.
Currently, a large part of the historic center of the city is in poor condition and suitable for conservation. Many structures, in addition to the already mentioned churches of art (fountains, palaces, ancient architecture, sacred shrines, etc.) lie in conditions of extreme abandonment: to deal with this emergency, various citizens' organizations and committees are trying to get UNESCO to intervene.
An agreement signed between the Campania region, the municipality and the Ministry of Cultural Heritage, meant that the European Union allocated 100 million euros in June 2012 to carry out restoration work [4] on the monuments of the historic center most at risk. [5] [6]
The city has two original ancient nucleuses: the first is the hill of Pizzofalcone on which the city of Partenope was born, while the second is the zone of the decumanus of Naples where the following Neapolis was born. [2] In this last space, in particular, all the buildings over the centuries have concentrated until the 16th century, with the opening towards the west of the city at the behest of the Spanish viceroy don Pedro de Toledo.
A particularly high number of cultural and artistic resources are on this site: obelisks, monasteries, cloisters, museums, the famous streets of the crib, catacombs, outdoor and underground archaeological excavations with Roman and Greek remains, including the Roman theater, statues and bas-reliefs, monumental friezes, as well as medieval columns supporting ancient historic buildings and much more.
Only the ancient center, which incorporates the districts of San Giuseppe, Porto, Pendino, Mercato, San Lorenzo and Vicarìa which, more specifically, correspond almost to the area of the decumans of Naples, sees the existence of more than 200 historic churches [7] to which the activity of famous exponents of Italian art are linked. Among the main artists there are: Giotto, Caravaggio, Donatello, Giuseppe Sanmartino, Luca Giordano, Cosimo Fanzago, Luigi Vanvitelli, Jusepe de Ribera, Domenichino, Guido Reni, Tino di Camaino, Marco dal Pino, Simone Martini, Mattia Preti and many others.
During the medieval era, the city was divided into seats. These were: Capuana, Montagna, Nido, Porto, Portanova and Forcella. In this context the city was closed by its walls beyond which there was an absolute prohibition of construction. The characteristic that distinguished the ancient center of Naples, in fact, is the almost foreclosure of the development in extension of the city, thus favoring that "in height". The circumstance that the city rests on tufaceous soil has favored practices of raising existing buildings, drawing the material from the underground quarries already used since the first birth of the city.
However, the shift of political power to the Maschio Angioino was a first impulse for the local aristocracy to drag their noble residences towards the western part of the city. [2]
The expansion of the city to the west, which took place in the 16th century with don Pedro de Toledo, entails the birth of the current "historic center". Thus the Spanish Quarters were born, with Via Toledo, Largo di Palazzo, Via Medina up to the Pizzofalcone area and Chiaia. [2]
The royal palace, specifically, was the reason for a real hoarding by the Neapolitan and foreign aristocrats of the empty spaces rising along the road that went directly to the residence of the viceroy, ie via Toledo.
These reforms determined in the city the "reconquest" of the sea which, since the advent of Partenope and until then, was no longer used.
With the passage from the Spanish viceroyalty to the Bourbon kingdom, there was the definitive cultural leap in the city, which became the extreme destination of the European Grand Tour. [2]
Naples developed its own enlightenment conscience confirming itself as great European capital. [2] [8] Within just twenty years (from 1730 to 1750) impressive buildings were born, symbol of the cultural level reached: the reggia di Capodimonte, the real Albergo dei Poveri and the Teatro di San Carlo. [2]
With the advent of the neoclassicism of the early nineteenth century (and also of the eclecticism of the end of the century), the historical center was also extended to the area of Posillipo and Vomero, exploiting these "new" spaces characterized by landscapes of particular beauty and by a large surrounding natural space. [2] Thus the Villa Floridiana, Villa Rosebery and many other important Neapolitan villas are born.
Naples is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 30 kilometres.
The history of Naples is long and varied, dating to Greek settlements established in the Naples area in the 2nd millennium BC. During the end of the Greek Dark Ages a larger mainland colony – initially known as Parthenope – developed on the Pizzofalcone hill in the 8th century BC, and was refounded as Neapolis in the 6th century BC: it held an important role in Magna Graecia. The Greek culture of Naples was important to later Roman society. When the city became part of the Roman Republic in the central province of the Empire, it was a major cultural centre.
Cosimo Fanzago was an Italian architect and sculptor, generally considered the greatest such artist of the Baroque period in Naples, Italy.
Vomero is a bustling hilltop district of metropolitan Naples, Italy — comprising approximately two square kilometres (0.77 sq mi) and a population of 48,000.
Galleria Umberto I is a public shopping gallery in Naples, southern Italy. It is located directly across from the San Carlo opera house. It was built between 1887 and 1890, and was the cornerstone in the decades-long rebuilding of Naples—called the risanamento —that lasted until World War I. It was designed in the Stile Umbertino by Emanuele Rocco, who employed modern architectural elements reminiscent of the Galleria Vittorio Emanuele II in Milan. The Galleria was named after Umberto I, King of Italy at the time of construction. It was meant to combine businesses, shops, cafés and social life—public space—with private space in the apartments on the third floor.
Lamont Young (1851-1929) was a British architect and urban planner from the late 19th and early 20th century — widely noted for a number of prominent buildings in Naples, Italy, his birthplace; his 1906 founding of the Automobile Club d'Napoli; and an ambitious but unrealized urban plan, The Venice District, he conceived for Naples.
Giacinto Gigante (1806–1876) was an Italian painter, engraver, and teacher. He was known for his landscape and vista paintings, exemplary works of the Neapolitan School of Posillipo.
Pendino is one of the 30 quartieri of Naples, southern Italy.
Vicaria, often known as Il Vasto, is one of the 30 quartieri of Naples, southern Italy, lying immediately to the east of the historical city centre.
Poggioreale is a neighbourhood of Naples, southern Italy. It is at the extreme east end of the downtown Naples and includes the central train station, Centro Direzionale, Poggioreale prison, and the industrial area to the east.
The Chiaia funicular is one of four funiculars in the public transportion system of Naples, Italy. Each system is a true funicular: an inclined railway with two passenger cars connected via cables, operating in concert.
The Mergellina Funicular, is one of four operating funiculars in the public transportion system of Naples, Italy. The system is a true funicular: an inclined railway with two passenger cars, connected via cables, operating in concert.
The Montesanto Funicular, is one of four operating funiculars in the public transportion system of Naples, Italy. The system is a true funicular: an inclined railway with two passenger cars connected via cables, operating in concert.
The districts of Naples are the sectors that, within the city, are identified by particular geographical and topographical, functional and historical features.
Gaiola Island is one of the minor islands of Naples, off the city's Posillipo residential quarter, in the Metropolitan City of Naples and Campania region, southwestern Italy. It is located within the "Parco sommerso di Gaiola".
The Palazzo Zevallos Stigliano is a Baroque palace located on Via Toledo number 185 in the quartiere San Ferdinando of central Naples, Italy. It is also called the Palazzo Zevallos or Palazzo Colonna di Stigliano, and since 2014 serves as a museum of artworks, mainly spanning the 17th through the early 20th centuries, sponsored by the Cultural Project of the bank Intesa Sanpaolo. This museum is linked to the Museum or Gallerie di Piazza Scala in Milan and the Museum at Palazzo Leoni Montanari in Vicenza, also owned by the Bank.
The Colli Aminei are an area of Naples, Italy, that is part of the municipality of Stella-San Carlo at the Arena, specifically of the Stella district. It is bordered to the west and north by the Vallone di San Rocco, to the east by the Capodimonte ascent, to the south by the valleys of the Scudillo and the Fontanelle.
The Petraio is a lineal urban neighborhood and pedestrian road in Naples, Italy. It descends from what was once an expansive upper agricultural area and connects adjacent neighborhoods to downtown Naples — terminating just outside the original perimeter walls of Naples, near the present day Chiaia district.
The Villa Carafa of Belvedere, formerly known as Palazzo Vandeneynden, and also known as Villa Belvedere, is a monumental villa in Naples, located in the hilly Vomero district. The villa was commissioned by the powerful magnate, nobleman and art collector Ferdinando Vandeneynden, also known as Ferdinand van den Eynde, from the Carthusian architect Bonaventura Presti.
The Vico, and Vicoletto, of Zuroli, more commonly called Vicolo dei Zuroli are two historic alleys located in the historic center of the city of Naples, they are located near Via Forcella, near the church of Pio Monte della Misericordia, art museum and historical place of Naples since 2005, between Via dei Tribunali and Via Vicaria Vecchia, in the Pendino district.