The Barber of Seville, or The Useless Precaution is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy The Barber of Seville (1775). The première of Rossini's opera took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
Maria Felicia Malibran was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary.
Diana Damrau is a German soprano who has achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradually proceeded into heavier roles of the 19th-century Italian bel canto repertoire. Her signature roles include the Queen of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta in La traviata.
Three New York City playhouses named Wallack's Theatre played an important part in the history of American theater as the successive homes of the stock company managed by actors James W. Wallack and his son, Lester Wallack. During its 35-year lifetime, from 1852 to 1887, that company developed and held a reputation as the best theater company in the country.
Melbourne Opera was founded in 2002 as a charitable not-for-profit company dedicated to producing opera and associated art forms in Melbourne, Australia. With philanthropic assistance it has also toured to outer-suburban and regional Victorian theatres, as well as to Canberra and Hobart interstate. Despite receiving no government funding since its foundation, the company mounts between three and five main stage productions each year. Its principal rehearsal and performance home is the Athenaeum Theatre.
Grange Park Opera is a professional opera company and charity whose base is West Horsley Place in Surrey, England. Founded in 1998, the company staged an annual opera festival at The Grange, in Hampshire and in 2016–7, built a new opera house, the 'Theatre in the Woods', at West Horsley Place – the 350-acre estate inherited by author and broadcaster Bamber Gascoigne in 2014.
The Théâtre d'Orléans was the most important opera house in New Orleans in the first half of the 19th century. The company performed in French and gave the American premieres of many French operas. It was located on Orleans Street between Royal and Bourbon. The plans for the theatre were drawn up by Louis Tabary, a refugee from the French colony of Saint-Domingue (Haiti). Construction began in 1806, but the opening was delayed until October 1815. After a fire, it was rebuilt and reopened in 1819, led by another émigré from Saint-Domingue, John Davis. Davis became one of the major figures in French theatre in New Orleans. The theatre was destroyed by fire in 1866, but the ballroom is still used.
Eugenia Tadolini was an Italian operatic soprano. Admired for the beauty of her voice and stage presence, she was one of Donizetti's favourite singers. During her career she created over 20 leading roles, including the title roles in Donizetti's Linda di Chamounix and Maria di Rohan and Verdi's Alzira. She was born in Forlì and studied music there and in Bologna before making her debut in Florence in 1828. She sang in all of Italy's leading opera houses, as well as in Paris, Vienna, and London before retiring from the stage in 1852. She spent her remaining years first in Naples, where she had been the Teatro San Carlo's reigning prima donna for many years, and then in Paris, where she died of typhoid fever at the age of 63. From 1827 to 1834, she was married to the Italian composer and singing teacher, Giovanni Tadolini.
Maria Spezia-Aldighieri (1828–1907) was an Italian operatic soprano who had an active international career from 1849 up into the 1870s. She excelled in the coloratura soprano repertoire and was particularly admired for her portrayals in the operas of Giuseppe Verdi. Her performance of Violetta in Verdi's La traviata at the Teatro San Benedetto in Venice in 1854 is credited with popularizing the opera after it had initially flopped at its premiere in 1853. She was married to baritone Gottardo Aldighieri and is the great grandmother of singer George Aaron.
Marietta Sacchi was an Italian operatic soprano who had an active career during the 1820s and 1830s.
Raffaele Scalese (1800–1884) was an Italian operatic bass who specialized in the opera buffa repertoire. He was active in Italy's major opera houses from the mid-1820s up into the 1860s. He also appeared internationally in opera houses in Austria, Portugal, and France. The last years of his career were spent performing in Paris in the late 1860s where he remained after his retirement from the stage.
Dolores Mae Wilson was an American coloratura soprano who had an active international opera career from the late 1940s through the early 1960s. Beginning her career with major theatres in Europe, she performed in six seasons at the Metropolitan Opera in New York City during the 1950s. She is perhaps best known for originating the title role in the world premiere of Douglas Moore's The Ballad of Baby Doe at the Central City Opera in 1956. After abandoning her opera career, she embarked on a second career as a musical theatre actress; making several appearances on Broadway in the following decades.
The Astor Opera House, also known as the Astor Place Opera House and later the Astor Place Theatre, was an opera house in Lower Manhattan, New York City, on Lafayette Street between Astor Place and East 8th Street. Designed by Isaiah Rogers (1800–1869), in the Classical Revival style of architecture, inspired by the temples of Ancient Greece and Rome of two thousand years earlier. The theater was conceived by impresario Edward Fry, the brother of composer William Henry Fry (1813–1864), who managed the famed opera house during its entire history.
Stanford Olsen is an American tenor who has had an active international career in operas and concerts since 1983. He has sung with several of the world's leading opera companies, including the Deutsche Oper Berlin, La Scala and the Royal Opera, London. He was a regular performer at the Metropolitan Opera from 1986 until 1997 where he gave more than 160 performances. A specialist in light lyric tenor roles, he excelled in the operas of Mozart, Bellini, Donizetti, and Gioachino Rossini. After retiring from full-time performance in the late 1990s he became a faculty member at the Florida State University's College of Music, where he was Professor of Voice and Lucille P. and Elbert B. Shelfer Eminent Scholar. He joined the faculty at the University of Michigan School of Music, Theatre & Dance in 2012. In 2015 he was appointed Director of the Castleton Festival's Artist Training Seminar. He continues to perform on the concert platform in addition to his teaching and coaching.
Anahit Mekhitarian is an Armenian operatic soprano. A leading soloist of the National Theater of Opera and Ballet of Armenia, she was conferred the title of Honored Artist of Armenia in 2003. In 2013 on the occasion of Republic day, she was awarded medal for Merit to the Fatherland. She has won first prize at three international singing competitions: the Francesc Viñas International Singing Competition, the Vincenzo Bellini International Competition, and the Julián Gayarre International Singing Competition.
The Max Maretzek Italian Opera Company was a touring American opera company that performed throughout the United States from 1849 to 1878. The first major opera company in Manhattan and one of the first important companies in the United States, it had a long association with the Academy of Music in New York City where it presented an annual season of opera from 1854 until the company's demise in 1878. There the company performed the United States premieres of Rigoletto, Il trovatore, and La traviata among other works.
Delores Ziegler is an American mezzo-soprano who has had an active international performance career since the late 1970s. A former resident artist at the Cologne Opera, she has performed leading roles with many of the world's best opera houses, including La Scala, the Lyric Opera of Chicago, the Metropolitan Opera, the San Francisco Opera, and the Vienna State Opera. She is currently a professor of voice at the University of Maryland. While she has performed a broad repertoire, she is widely admired for her performances in operas by Wolfgang Amadeus Mozart and Richard Strauss; particularly Cherubino in The Marriage of Figaro, Dorabella in Così fan tutte, Idamante in Idomeneo, and Octavian in Der Rosenkavalier.
Abbey, Schoeffel and Grau was a US theatre management and production firm, active from 1880 until 1896. The partners were Henry E. Abbey, John B. Schoeffel and Maurice Grau. Abbey and Schoeffel had been in partnership since 1876, and joined forces with Grau in 1882. They managed and ran a number of theatres in New York and Boston, including the Metropolitan Opera House in 1883-4 and from 1891 to 1896, when Abbey died. Schoeffel and Grau remained at the Met until 1903.
Edyta Piasecka, also known by her married name Edyta Piasecka-Chudzikiewicz, is a Polish soprano. She has been a resident artist at Opera Krakowska since 2002; a position she remains in as of 2024.
Johann Baptist Pischek was a Czech-Austrian operatic baritone. He appeared in opera houses and concert halls in Austria, Germany and England.
