People Everyday

Last updated
"People Everyday"
People Everyday (Arrested Development) single coverart.jpg
Single by Arrested Development
from the album 3 Years, 5 Months & 2 Days in the Life Of...
B-side "Children Play with Earth"
ReleasedJuly 20, 1992 (1992-07-20)
Length3:26
Label
Songwriter(s)
Producer(s) Speech
Arrested Development singles chronology
"Tennessee"
(1992)		"People Everyday"
(1992)		"Mr. Wendal"
(1992)
Music video
"People Everyday" on YouTube

"People Everyday" is a song by American hip hop group Arrested Development, released in July 1992 as the second single from their debut album, 3 Years, 5 Months & 2 Days in the Life Of... (1992). The song reached number eight on the US Billboard Hot 100 chart and became the group's biggest hit in the United Kingdom, where it peaked at number two on the UK Singles Chart in November 1992. The song also reached the top 10 on the charts of Australia, France, and New Zealand, peaking at number six in all three countries. NME ranked "People Everyday" number 38 in their list of "Singles of the Year" in December 1992. [1]

Contents

Content

The song uses the chorus and basic structure of Sly & the Family Stone's 1969 hit "Everyday People", with new verses written by lead singer Speech. He also sings the lead, with additional lyrics sung by Dionne Farris, who is not an official member of the group. The single of this song, which was released in 1992, features additional singing vocals by DeAnna Fields, also known as Mawakana Auset, who is an extended family member of the group. DeAnna also appears in the video for this song, in addition to serving as wardrobe assistant for the video as well. It also uses a sample from "Tappan Zee" by Bob James.

The narrator describes an incident in which he is enjoying a day at the park, listening to music and spending time with his girlfriend. The couple's pleasure is interrupted by the arrival of several "niggas" who are drinking heavily, carrying firearms, and behaving disrespectfully toward the woman. The narrator hopes they will leave him in peace, but they instead begin to grope his girlfriend. He eventually flies into a rage and assaults one of the men, requiring the efforts of several police officers to pull him away. The narrator ends the song with a plea for people to treat each other with respect, since there is no way to predict when a verbal dispute might escalate into a fight or a killing.

Critical reception

In an retrospective review, Daryl Easlea of BBC noted that "People Everyday", which updated Sly and the Family Stone's "Everyday People", "showed how they could embrace the past while modernising the message." [2] Upon the release, Larry Flick from Billboard viewed it as a "languid, dancehall-spiced hip-hopper". He added that "uplifting, unity driven rhymes are delivered with laidback finesse. Tradeoff of rapping and singing works extremely well. Destined for hefty (and much deserved) success." [3] Justin Wilson from The Cavalier Daily remarked that the group's "message of harmony and brotherhood" also resonated on songs like "People Everyday". [4] Greg Kot from Chicago Tribune found that here, Speech "forcefully sets himself apart from the young toughs who roam the streets aiming to bring everyone down to their level. At times, he brings to mind the visionary fire of the late reggae legend Bob Marley." [5] A reviewer from Music Week's RM Dance Update declared it as a "great follow-up" to "Tennessee", that "takes us back to its roots. Musically this is a very strong mid-tempo hip hop track with a reggae style bassline — a sure club and radio hit". [6]

Angus Batey from NME felt the music "works best where it's given room to breathe", as on the "reggae-flavoured" "People Everyday". [7] Another editor, John Mulvey, viewed it as "a deceptively laid-back track", complimenting its "beautifully easy-going, strolling groove." He added, "Wise, warm and impeccably right-on". [8] People Magazine noted that here, the band "scolds men who loiter on street corners, holding their crotches and being obscene". [9] Adam Higginbotham from Select said that it "scrambles Sly Stone's anthem into reggae format." [10] Another editor, Rupert Howe, constated that "a track like "People Everyday" contrasts the AD pro-African stance with that of a drug- and violence-addicted 'nigga'. "An African is proud of their culture and lives that pride out", Speech says. "While a nigga is just a social product, and that's nothing to be proud of." [11] Alec Foege from Spin declared it as a "true '90s pop anthem", and "socially progressive and roots-conscious." [12] Matthew Sag from Australian student newspaper Woroni found that the song is covering the issue of "street gangs". [13]

Chart performance

"People Everyday" peaked at number one on both the RPM Dance chart in Canada and on the Billboard Hot Rap Singles chart in the United States. On the Billboard Dance Club Play chart, it peaked at number six, while on the Billboard Hot 100, it reached number eight. In Europe, the single entered the top 10 in France and the United Kingdom. In the latter, it reached number two during its third week on the UK Singles Chart, on November 1, 1992. [14] "People Everyday" was a top-20 hit in Ireland and the Netherlands, as well as on the Eurochart Hot 100, where it reached number 12, and it topped the European Dance Radio Chart in October 1992. The song was also a top-30 hit in Sweden. In Australia and New Zealand, it peaked at number six. The single was awarded with a gold record in Australia, New Zealand and the US, as well as a silver record in the UK.

Impact and legacy

NME ranked "People Everyday" number 38 in their list of "Singles of the Year" in December 1992. [1] British DJ and presenter Trevor Nelson picked the song as one of his favourites in 1996, saying, "It's so happy. It's a crowd participation, hope record, it's so cool. It came out it when there were a lot of emerging acts like Jamiroquai. They were light and happy and broke down all the barriers. This record has a feel-good factor of nine and I used to play it every morning before I got up!" [15]

Track listings

Charts

Certifications

RegionCertification Certified units/sales
Australia (ARIA) [43] Gold35,000^
New Zealand (RMNZ) [45] Gold5,000*
United Kingdom (BPI) [46] Silver200,000^
United States (RIAA) [47] Gold500,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Release history

RegionDateFormat(s)Label(s)Ref.
United StatesJuly 20, 1992
  • 12-inch vinyl
  • cassette
 Chrysalis [47]
United KingdomOctober 12, 1992
  • 7-inch vinyl
  • 12-inch vinyl
  • CD
  • cassette
 Cooltempo [48]

Related Research Articles

<span class="mw-page-title-main">What's Up? (4 Non Blondes song)</span> 1993 single by 4 Non Blondes

"What's Up?" is a song by American rock group 4 Non Blondes, released in March 1993 as the second single from their debut album, Bigger, Better, Faster, More! (1992). It has gained popularity in the United States and in several European countries, peaking at number one in Austria, Belgium, Denmark, Germany, Iceland, Ireland, the Netherlands, Norway, Poland, Sweden, and Switzerland. The accompanying music video was directed by American film director Morgan Lawley and was also nominated in the category for Best Alternative Rock Video at the MTV Video Music Awards.

<span class="mw-page-title-main">The Best Things in Life Are Free</span> 1992 single by Luther Vandross and Janet Jackson

"The Best Things in Life Are Free" is a duet between American singers Luther Vandross and Janet Jackson, recorded for the Jimmy Jam and Terry Lewis produced soundtrack to the 1992 American film Mo' Money, starring Damon Wayans. The song was composed by Jam, Lewis, Michael Bivins, Ronnie DeVoe, Harry Wayne Casey and Richard Finch. The song was released as the soundtrack's lead single on May 12, 1992, by Perspective Records and A&M Records. Additionally, the song was remixed by David Morales, Frankie Knuckles, and CJ Mackintosh. The duet became a major hit in several countries, peaking at number two in Australia and the United Kingdom, number six in Ireland and New Zealand, number eight in Canada and Germany, and number 10 in the United States. The song was nominated for the Grammy Award for Best R&B Performance by a Duo or Group with Vocals.

<span class="mw-page-title-main">Jump Around</span> 1992 single by House of Pain

"Jump Around" is a song by American hip hop group House of Pain, produced by DJ Muggs of Cypress Hill, who has also covered the song, and was released in May 1992 as the first single from their debut album, House of Pain (1992). The song became a hit, reaching number three in the United States. A 1993 re-release of the song in the United Kingdom, where the initial release had been a minor hit, peaked at number eight. It was featured at position 580 on Q Magazine's "1001 Best Songs Ever", number 24 on VH1's "100 Greatest Songs of the 90s", number 66 on VH1's "100 Greatest Songs of Hip Hop", number 325 on Blender's "500 Greatest Songs Since You Were Born" and number 47 on NME's "100 Best Songs Of The 1990s". The song is popular among dancehall DJs and is widely regarded in the United Kingdom as a club classic.

<span class="mw-page-title-main">I Will Always Love You</span> 1974 single by Dolly Parton

"I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of Billboard Hot Country Songs: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack.

<span class="mw-page-title-main">No Diggity</span> 1996 single by Blackstreet

"No Diggity" is a song by American R&B group Blackstreet as the first single for their second studio album, Another Level (1996), featuring Dr. Dre and Queen Pen. Released on July 29, 1996, the song reached number one on the US Billboard Hot 100 and in Iceland and New Zealand. "No Diggity" ended "Macarena"'s 14-week reign atop the Billboard Hot 100. In the United Kingdom, the song peaked at number nine. "No Diggity" was the final number-one single of Cash Box magazine. The track sold 1.6 million copies in 1996 and won the 1998 Grammy Award for Best R&B Performance by a Duo or Group with Vocals. It uses samples from Bill Withers's "Grandma's Hands".

<span class="mw-page-title-main">Bailamos</span> 1999 single by Enrique Iglesias

"Bailamos" is a single by Spanish singer Enrique Iglesias sung in Spanglish. The song was released in 1999 as part of the soundtrack to the film Wild Wild West (1999) and later included on Iglesias's fourth and debut English-language album, Enrique (1999). "Bailamos" reached number one on the Spanish Singles Chart and on the US Billboard Hot 100, and it became a top-three hit in Canada, Hungary, New Zealand, Norway, and Sweden. In both New Zealand and Spain, it was the second-most-successful single of 1999.

<span class="mw-page-title-main">No Scrubs</span> 1999 single by TLC

"No Scrubs" is a song recorded by American girl group TLC as the lead single from their third studio album, FanMail, released on February 2, 1999, by LaFace Records and Arista Records. The song was written by producer Kevin "She'kspere" Briggs, former Xscape members Kandi Burruss and Tameka "Tiny" Cottle, and TLC member Lisa "Left Eye" Lopes. The song lyrics describe the role of a man in a relationship. Rozonda "Chilli" Thomas sings the lead vocals for the first time on a TLC single.

<span class="mw-page-title-main">Too Funky</span> 1992 single by George Michael

"Too Funky" is a song written and performed by English singer and songwriter George Michael and released by Columbia Records in the United States and Epic Records elsewhere in 1992. The song was Michael's final single for his recording contract with Sony Music before he started legal action to extricate himself from it.

<span class="mw-page-title-main">I'd Die Without You</span> 1992 single by P.M. Dawn

"I'd Die Without You" is a song by American R&B duo P.M. Dawn, first appearing on the soundtrack of the 1992 film Boomerang, starring Eddie Murphy, and was one of several songs to chart from the album. Later, the song was released on the duo's second album, The Bliss Album...? (1993), as well as on their 2000 greatest hits collection, The Best of P.M. Dawn.

<span class="mw-page-title-main">Everyday Is a Winding Road</span> 1996 single by Sheryl Crow

"Everyday Is a Winding Road" is the second single from American singer and songwriter Sheryl Crow's 1996 eponymous album. Neil Finn, lead singer of Crowded House, provides backing vocals. Paul Hester, another member of Crowded House, was the inspiration for the song. The song was released in the United Kingdom in November 1996 and was released in the United States the following year.

<span class="mw-page-title-main">Be with You (Enrique Iglesias song)</span> 2000 single by Enrique Iglesias

"Be with You" is a song by Spanish singer-songwriter Enrique Iglesias, released on 29 February 2000 through Interscope Records as the third single from Iglesias's debut English-language studio album, Enrique (1999). It was co-written by Iglesias and produced by Mark Taylor and Brian Rawling, the team responsible for Cher's hit song "Believe". Iglesias once stated that he initially came up with the lyrics of the song while taking a break from recording in London's Hyde Park. He also recorded a Spanish version of the song titled "Sólo me importas tú".

<span class="mw-page-title-main">Hold on My Heart</span> 1992 single by Genesis

"Hold on My Heart" is a song by English rock band Genesis from their 14th studio album, We Can't Dance (1991). The ballad was released as the album's third single on 6 April 1992. The song reached number one on the Canadian RPM Top Singles chart, the RPM Adult Contemporary chart, and the US Billboard Adult Contemporary chart, as well as number 12 on the Billboard Hot 100. In the band's home country, the song peaked at number 16 on the UK Singles Chart.

<span class="mw-page-title-main">Dreams (Gabrielle song)</span> 1993 single by Gabrielle

"Dreams" is a song by British singer and songwriter Gabrielle. It was written by Gabrielle and Tim Laws and produced by Richie Fermie for her debut studio album, Find Your Way (1993). Originally, the song included a sample of the song "Fast Car" by Tracy Chapman, but because of copyright reasons the sample had to be removed. Released as Gabrielle's debut single, "Dreams" entered the UK Singles Chart at number two, which was the highest chart entry a debut act had scored in the United Kingdom at that time, before reaching number one for three weeks in June 1993. In the United States, the song peaked at number 26 on the Billboard Hot 100 chart, becoming Gabrielle's highest-charting song there, and at number-one on the Billboard Hot Dance Club Play chart. The song's music video was directed by Kate Garner.

<span class="mw-page-title-main">Deeply Dippy</span> 1992 single by Right Said Fred

"Deeply Dippy" is a song by British trio Right Said Fred from their debut album, Up (1992). Written by Right Said Fred and produced by Tommy D, "Deeply Dippy" was the third single by Right Said Fred. It bested the number-two chart peak of "I'm Too Sexy" in the United Kingdom by peaking atop the UK Singles Chart for three weeks in April 1992, replacing Shakespears Sister's two month chart-topping single, "Stay".

<span class="mw-page-title-main">Ooh Aah... Just a Little Bit</span> 1996 single by Gina G

"Ooh Aah... Just a Little Bit" is the debut solo single of Australian singer Gina G. The song was written by British songwriters Simon Caldwell and Steve Rodway, and released on 25 March 1996 as the first single from her debut album, Fresh! (1997). It reached No. 1 on the UK Singles Chart almost two months later and was also a number-one hit in Israel. In the US, the song peaked at No. 12 on the Billboard Hot 100. The song was the United Kingdom's entry in the Eurovision Song Contest 1996, held in Oslo, Norway, where it finished in eighth place. It was successful on the charts in Europe, Australia and the US, and was nominated for the Grammy Award for Best Dance Recording.

<span class="mw-page-title-main">Mr. Wendal</span> 1992 single by Arrested Development

"Mr. Wendal" is a song by American rap group Arrested Development from their debut album, 3 Years, 5 Months and 2 Days in the Life Of... (1992). In Europe and Australia, it was issued as a double A-side with their following single, "Revolution." In the United States, the song peaked at number six on the Billboard Hot 100, selling 500,000 copies and earning a gold certification. Worldwide, it reached the top 10 in Australia, Ireland, New Zealand, and the United Kingdom. The song's music video was directed by Keith Ward and received a nomination at the 1994 Soul Train Music Awards.

<span class="mw-page-title-main">Stay (Glenn Jones song)</span> 1993 single by Eternal

"Stay" is a song written by Bob Khozouri and Mark Stevens, originally recorded by American singer Glenn Jones and released in 1990. It reached number six on the US Billboard Hot Black Singles chart. The song became a worldwide hit for British girl group Eternal in 1993 and 1994.

<span class="mw-page-title-main">Everyday (Phil Collins song)</span> 1994 single by Phil Collins

"Everyday" is a song by English musician Phil Collins, released as the second single of his fifth studio album, Both Sides (1993). The single achieved success mostly in North America in early 1994. In 2004, it was included as the seventh track on Collins' compilation album Love Songs: A Compilation... Old and New.

<span class="mw-page-title-main">In Walked Love</span> 1994 single by Exposé

"In Walked Love" is a song by the American girl group Exposé. Written by Diane Warren and produced by Steve Thompson and Michael Barbiero, the song can be found on the group's 1992 album Exposé, their third studio album. Lead vocals on the pop ballad were performed by Ann Curless. The song features Al Pitrelli as guest guitarist. In 1996, British singer Louise covered the song and reached number 17 on the UK Singles Chart with her rendition.

<span class="mw-page-title-main">Live and Learn (Joe Public song)</span> 1992 single by Joe Public

"Live and Learn" is a song by American new jack swing group Joe Public, released in March 1992 as the second single from their self-titled debut album. It was a success, peaking at number four on the US Billboard Hot 100, number three in the Netherlands and New Zealand, and number 10 in Belgium. It was ranked number 16 on Complex magazine's list of the "25 Best New Jack Swing Songs of All Time".

References

  1. 1 2 "NME Singles of the Year". NME . December 19, 1992. p. 21. Retrieved March 29, 2023.
  2. ↑ Easlea, Daryl. "Arrested Development 3 Years, 5 Months & 2 Days in the Life of... Review". BBC . Retrieved March 1, 2020.
  3. ↑ Flick, Larry (August 15, 1992). "Single Reviews" (PDF). Billboard . p. 78. Retrieved January 25, 2018.
  4. ↑ Wilson, Justin (January 21, 1993). "'Lucky Town' tops list of year's best". The Cavalier Daily . Retrieved March 15, 2020.
  5. ↑ Kot, Greg (April 9, 1992). "Recordings". Chicago Tribune .
  6. ↑ "Hot Vinyl: Buzzing On Promo & Import" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). September 5, 1992. p. 9. Retrieved October 2, 2020.
  7. ↑ Batey, Angus (May 30, 1992). "Long Play". NME . p. 32. Retrieved February 22, 2023.
  8. ↑ Mulvey, John (October 17, 1992). "Singles". NME . p. 22. Retrieved February 6, 2023.
  9. ↑ "Picks and Pans Review: 3 Years, 5 Months and 2 Days in the Life Of..." People . August 17, 1992. Retrieved November 13, 2020.
  10. ↑ Higginbotham, Adam (June 1, 1992). "Reviews: New Albums". Select . p. 69. Retrieved March 3, 2020.
  11. ↑ Howe, Rupert (June 1, 1992). "Arrested Development School 'em". Select . p. 33. Retrieved March 3, 2020.
  12. ↑ Foege, Alec (December 1992). "20 Best Albums Of The Year". Spin . p. 67. Retrieved January 25, 2023.
  13. ↑ Sag, Matthew (March 1, 1993). "Arrested Development 3 years, 5 months and 2 days in the life of..." Woroni . p. 30. Retrieved April 24, 2020.
  14. 1 2 "Official Singles Chart Top 100". Official Charts Company. Retrieved September 30, 2019.
  15. ↑ "Jock On His Box" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). April 13, 1996. p. 5. Retrieved August 15, 2021.
  16. ↑ People Everyday (UK 7-inch vinyl sleeve). Arrested Development. Cooltempo Records. 1992. COOL 265.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  17. ↑ People Everyday (US 12-inch single sleeve). Arrested Development. Chrysalis Records. 1992. Y-19756.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  18. ↑ People Everyday (US & Canadian cassette single sleeve). Arrested Development. Chrysalis Records. 1992. 4KM-50397.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  19. ↑ People Everyday (European maxi-CD single liner notes). Arrested Development. Cooltempo Records. 1992. cdcool265, 0946 3 23901 2 7.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  20. ↑ "Arrested Development – People Everyday". ARIA Top 50 Singles.
  21. ↑ "Top RPM Singles: Issue 1863." RPM . Library and Archives Canada. Retrieved September 30, 2019.
  22. ↑ "Top RPM Dance/Urban: Issue 1875." RPM . Library and Archives Canada. Retrieved September 30, 2019.
  23. ↑ "Hits of the World: Canada". Billboard . Vol. 104, no. 43. 24 October 1992. p. 52. Retrieved January 1, 2019.
  24. ↑ "Eurochart Hot 100 Singles" (PDF). Music & Media . Vol. 9, no. 47. November 21, 1992. p. 23. Retrieved May 5, 2020.
  25. ↑ "European Dance Radio" (PDF). Music & Media . Vol. 9, no. 50. December 12, 1992. p. 24. Retrieved October 24, 2021.
  26. ↑ "Arrested Development – People Everyday" (in French). Les classement single.
  27. ↑ "The Irish Charts – Search Results – People Everyday". Irish Singles Chart. Retrieved September 30, 2019.
  28. ↑ "Nederlandse Top 40 – week 4, 1993" (in Dutch). Dutch Top 40. Retrieved September 30, 2019.
  29. ↑ "Arrested Development – People Everyday" (in Dutch). Single Top 100. Retrieved September 30, 2019.
  30. ↑ "Arrested Development – People Everyday". Top 40 Singles.
  31. ↑ "Arrested Development – People Everyday". Singles Top 100.
  32. ↑ "Top 60 Dance Singles" (PDF). Music Week . October 24, 1992. p. 22. Retrieved September 29, 2020.
  33. ↑ "Arrested Development Chart History (Hot 100)". Billboard. Retrieved September 30, 2019.
  34. ↑ "Arrested Development Chart History (Dance Club Songs)". Billboard. Retrieved September 30, 2019.
  35. ↑ "Arrested Development Chart History (Dance Singles Sales)". Billboard. Retrieved November 24, 2021.
  36. ↑ "Arrested Development Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved September 30, 2019.
  37. ↑ "Arrested Development Chart History (Hot Rap Songs)". Billboard. Retrieved September 30, 2019.
  38. ↑ "Arrested Development Chart History (Rhythmic)". Billboard. Retrieved September 30, 2019.
  39. ↑ "The RPM Top 50 Dance Tracks of 1992" (PDF). RPM . Vol. 56, no. 25. December 19, 1992. p. 25. Retrieved September 30, 2019.
  40. ↑ "Year End Charts: Top Singles". Music Week . January 16, 1993. p. 8.
  41. ↑ "Billboard Top 100 – 1992" . Retrieved July 30, 2010.
  42. ↑ "Hot R&B/Hip-Hop Songs – Year-End 1992". Billboard. Retrieved March 29, 2021.
  43. 1 2 "ARIA Top 50 Singles for 1993". ARIA . Retrieved September 30, 2019.
  44. ↑ "End of Year Charts 1993". Recorded Music NZ . Retrieved September 30, 2019.
  45. ↑ "New Zealand single certifications – Arrested Development – People Everyday". Recorded Music NZ . Retrieved September 30, 2019.
  46. ↑ "British single certifications – Arrested Development – People Everyday". British Phonographic Industry . Retrieved May 5, 2020.
  47. 1 2 "American single certifications – Arrested Development – People Everyday". Recording Industry Association of America . Retrieved May 7, 2018.
  48. ↑ "New Releases: Singles". Music Week . October 10, 1992. p. 23.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.