Remment Lucas Koolhaas is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of Delirious New York: A Retroactive Manifesto for Manhattan.
The Wexner Center for the Arts is the Ohio State University's "multidisciplinary, international laboratory for the exploration and advancement of contemporary art."
The year 1989 in architecture involved some significant architectural events and new buildings.
Giuseppe Terragni was an Italian architect who worked primarily under the fascist regime of Benito Mussolini and pioneered the Italian modern movement under the rubric of Rationalism. His most famous work is the Casa del Fascio built in Como, northern Italy, which was begun in 1932 and completed in 1936; it was built in accordance with the International Style of architecture and frescoed by abstract artist Mario Radice. In 1938, at the behest of Mussolini's fascist government, Terragni designed the Danteum, an unbuilt monument to the Italian poet Dante Alighieri structured around the formal divisions of his greatest work, the Divine Comedy.
Graduate School of Architecture, Planning and Preservation (GSAPP) is the architecture school of Columbia University, a private research university in New York City. It is regarded as an important and prestigious architecture school. It is also home to the Masters of Science program in Advanced Architectural Design, Historic Preservation, Real Estate Development, Urban Design, and Urban Planning.
Greg Lynn is an American architect, founder and owner of the Greg Lynn FORM office, an o. University Professor in the Institute of Architecture at the University of Applied Arts Vienna and a professor at the UCLA School of the Arts and Architecture. He is CEO and co-founder of the Boston based robotics company Piaggio Fast Forward. He won a Golden Lion at the 2008 Venice Biennale of Architecture. In 2010 Lynn was named a fellow by United States Artists. He is a member of the board of trustees of the Canadian Centre for Architecture.
Coop Himmelb(l)au is an architecture, urban planning, design, and art firm founded by Wolf D. Prix, Helmut Swiczinsky, and Michael Holzer in Vienna, Austria in 1968.
The year 1904 in architecture involved some significant architectural events and new buildings.
Visionary architecture is a design that only exists on paper or displays idealistic or impractical qualities. The term originated from an exhibit at the Museum of Modern Art in 1960. Visionary architects are also known as paper architects because their improbable works exist only as drawings, collages, or models. Their designs show unique, creative concepts that are unrealistic or impossible except in the design environment.
Preston Scott Cohen is a professor of Harvard Graduate School of Design (GSD). In 2004, he established a partnership with two registered architects, Amit Nemlich and Gilles Quintal, and became the Design Principal of Preston Scott Cohen, Inc. based in Central Square Cambridge, Massachusetts. Preston Scott Cohen, Inc. is renowned for the design of cultural, educational, commercial buildings and urban design projects around the world. Projects include the Sarmiento Performing Arts Center in Bogota, Colombia; a new building for Taubman College at the University of Michigan; the Taiyuan Museum of Art in Taiyuan, China; the Datong City Library; the Amir Building, Tel Aviv Museum of Art; and the Goldman Sachs Canopy in New York. The firm is also well known for non-profit projects including the Cape Rep Theater, Temple Beth El in Springfield, MA, and the Detroit Chabad. Cohen has received numerous honors including induction as an academician at the National Academy of Art, five Progressive Architecture Awards, first prizes for seven international competitions and an Academy Award from the American Academy of Arts and Letters. Cohen is the author of Lightfall, The Return of Nature (2015), Contested Symmetries (2001), and numerous theoretical essays on architecture. His work has been widely exhibited and is held in numerous museum collections.
Mark Antony Wigley is a New Zealand-born architect and author based in the United States. From 2004 to 2014, he was the Dean of Columbia University's Graduate School of Architecture, Planning and Preservation.
Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
Jeffrey Kipnis is an American architectural critic, theorist, designer, film-maker, curator, and educator.
Jaquelin Taylor Robertson, FAIA, FAICP, informally known as "Jaque," was an American architect and urban designer, working at Cooper Robertson. He was a representative of New Urbanism and New Classical Architecture.
Wesley Jones is an American architect, educator and author. Founding partner of Holt Hinshaw Pfau Jones, in 1987 and then Jones, Partners: Architecture in 1993, Jones is a leading architectural voice of his generation, advocating for a continuing appreciation of the physical side of technology within a world increasingly enamored of the virtual. For most of his career this has taken the form of an overt fascination with mechanical expression, both static and moving, and his designs have been celebrated for their "engaging operability” and humor. In his early writings he focused on making the case for the appropriateness of mechanical form in architecture, but his later essays have also taken on more fundamental disciplinary questions, particularly with respect to the growing hegemony of digital design.
Bahram Shirdel is an Iranian architect internationally known as one of the most influential architects dealing with the interdisciplinary field of architecture and science as well as Fold/Folding Architecture. Jeffrey Kipnis, Greg Lynn, Peter Eisenman and Bahram Shirdel are among the architect-theoricians who accept topology as a cultural and scientific resource of folded, curved, undulated and twisted architectures. They are concerned with the dynamic aspects of topological geometry - that is, with the more general processes of continuous transformation.
David Mohney FAIA is an American architect, urbanist, writer, and dean at Kean University and Wenzhou-Kean University.
Lateness is a 2020 book written by the architect and theorist, Peter Eisenman in collaboration with Elisa Iturbe, who is a professor of architecture at Yale School of Architecture. The book is edited by Sarah Whiting, the professor of architecture at Harvard University, and was published by Princeton University Press. In it, Eisenman focuses on three figures to explain the quality of lateness: Adolf Loos, Aldo Rossi and John Hejduk, each selected from a period of architecture in the 20th century. Along with this, Eisenman and Iturbe discuss the origins of the critical theory illustrated in Critical theory of Frankfurt School.
Wolf Dieter Prix is an Austrian architect. In 1968 he co-founded the architects' cooperative Coop Himmelb(l)au, which has an international reputation as an important representative of deconstructivism.
Jonathan Green is an American writer, historian of photography, curator, teacher, museum administrator, photographer, filmmaker and the founding Project Director of the Wexner Center for the Arts. A recognized authority on the history of American photography, Green’s books Camera Work: A Critical Anthology (1973) and American Photography: A Critical History 1945–1980 (1984) are two notable commentaries and frequently referenced and republished accounts in the field of photography. At the same time Green’s acquisitions, exhibitions and publications consistently drew from the edges of established photographic practice rather than from its traditional center. He supported acquisitions by socially activist artists like Adrian Piper and graffiti artist Furtura 2000, and hosted exhibitions on Rape, AIDS, new feminist art, and the work of photographer, choreographer and dancer Arnie Zane, the Diana camera images of Nancy Rexroth, the Polaroids and imitation biplanes of folk artist Leslie Payne, and the digital photographic work of Mexican photographer Pedro Meyer. This alternative focus help prime Green and the competition jury to choose an unconventional, deconstructive architect, Peter Eisenman, previously known primarily as a teacher and theorist, as the architect for the Wexner Center for the Arts. Green has held professorial and directorial positions at Massachusetts Institute of Technology, Ohio State University, and University of California, Riverside.
