Sarah Morris

For other people named Sarah Morris, see Sarah Morris (disambiguation).

Sarah Morris
Born	20 June 1967 Sevenoaks, Kent, England
Nationality	American, [1] British [2] [3] [4] [5]
Education	Brown University Cambridge University
Known for	painting, film
Awards	Berlin Prize Fellow (1999–2000) Joan Mitchell Foundation Award (2001) Omaggio in Histoire(s) du cinéma at the Locarno Film Festival (2012) [6] Artist in Focus at the Rotterdam International Film Festival [7]

Sarah Morris (born 20 June 1967 in Sevenoaks, Kent, England) is an American and British artist. ^{[2] [3] [4] [5] [a] [8]} She lives in New York City in the United States. ^[9]

Personal life and education

Morris was born in Sevenoaks, Kent, in south-east England, on 20 June 1967. ^[4] She attended Brown University from 1985 to 1989, Cambridge University, ^[10] and the Independent Study Program of the Whitney Museum of American Art in 1989–90. ^[4] She was a Berlin Prize fellow at the American Academy in Berlin in 1999–2000; in 2001 she received a Joan Mitchell Foundation painting award. ^[11] She was married to Liam Gillick. ^[10]

Work

Morris works in both painting and film, and considers the two to be interconnected. ^[12]

Vitasoy (Hong Kong) 207x152 cm

From about 1997 her paintings were geometric Modernist grid designs with flat planes of colour; a related series was of glass-faced skyscrapers with geometric landscape designs reflected in their façades. Among her earlier painting styles were screen-prints reminiscent of Andy Warhol, word-paintings, and paintings of shoes. ^[4]

Robert Towne, 2006. Lever House, Manhattan

Morris's films have been characterized as portraits that focus on the psychology of individuals or cities. Her films about cities, like Midtown, Chicago, Los Angeles, and Rio depict urban scenes, capturing the architecture, politics, industry and leisure which define a specific place. ^[13] Other films describe a place through the viewpoint of an individual, like psychologist Dr. George Sieber describing the terrorist event at the Olympic Stadium in Munich in the film 1972 or the industry politics of Hollywood from the viewpoint of screenwriter and producer in the eponymous film Robert Towne. ^{[13] [14]}

Exhibitions

She has shown internationally, with solo exhibitions at Hamburger Bahnhof in Berlin (2001), ^[15] Palais de Tokyo in Paris (2005), ^[16] Fondation Beyeler in Basel (2008), ^[17] Museum für Moderne Kunst in Frankfurt (2009), ^[18] Museo d’Arte Moderna di Bologna (2009), ^[19] Musée National Fernand Léger in Biot (2012), ^[20] M Museum, Leuven, Belgium (2015), ^[21] Kunsthalle Wein, Vienna, Austria (2016), ^[22] Espoo Museum of Modern Art, Espoo, Finland (2017), ^[23] UCCA, Beijing, China (2018), ^[24] Tai Kwun Contemporary, Hong Kong (2024) ^[25]

Her mid-career retrospective titled "All Systems Fail" traveled to multiple cities and museums in 2023 and 2024 including: Deichtorhallen Hamburg, Germany , Kunstmuseen Krefeld, Germany , Zentrum Paul Klee , Bern, Switzerland and Kunstmuseum Stuttgart, Germany .

She has created site-specific works for various institutions including the Lever House, ^[26] Kunsthalle Bremen in Germany, ^[27] Kunstsammlung Nordrhein-Westfalen Museum, Düsseldorf, Germany, ^[28] the lobby of UBS in New York City, the Gloucester Road tube station in London, ^[29] the Metropolitan Transportation Authority, Dutch Kills / 39th Ave Subway Station, ^[30] Ad-Diriyah Biennale in Riyadh, Saudi Arabia, ^[31] St. Louis Lambert International Airport, ^[32] General Dynamics Headquarters in Reston, Virginia, Tulsa Convention Center, Tulsa, Oklahoma, ^[33] Gateway School for Sciences, Queens, New York, ^[34] and Cleveland Clinic, Cleveland, Ohio, ^[35] Key Biscayne Community Center, Key Biscayne, Florida. ^[36]

Morris's films have been featured at the following:

• Ullens Center for Contemporary Art in Beijing (Entire filmography) ^[37]
• Fondation Louis Vuitton in Paris (Strange Magic) ^[38]
• Museum of Contemporary Art in Chicago (Chicago) ^[39]
• Sotheby's in New York (Points on a Line) ^[40]
• Barbican Centre in London (Beijing, Midtown) ^[41]
• Guggenheim in New York (Midtown, AM/PM, Capital, Miami, Los Angeles) ^[42]
• Centre Pompidou (Midtown, AM/PM, Capital, Miami, Los Angeles) ^[43]
• M+ in Hong Kong (ETC) ^[44]
• Locarno Film Festival, Locarno, Italy (Rio) Tribute ^[45]

Public collections

Kennedy Center (Capital) (2001), National Museum of Women in the Arts, Washington, D.C.

• Albright-Knox Art Gallery, Buffalo ^[46]
• Berardo Collection, Sintra, Portugal ^[47]
• Beyeler Foundation, Riehen, Switzerland ^[48]
• British Council, London ^[49]
• Centre d’Art Contemporain, Le Consortium, Dijon ^[50]
• Centre Pompidou, Paris ^[51]
• Cooper Hewitt Smithsonian Design Museum, New York ^[52]
• Dallas Museum of Art, Dallas ^[53]
• DekaBank, Frankfurt am Main ^[54]
• Fondazione Prada, Milan, Italy
• Fondation Louis Vuitton, Paris ^[55]
• F.R.A.C. Bourgogne, Dijon ^[56]
• F.R.A.C. Poitou-Charentes ^[57]
• Government Art Collection, London ^[58]
• Solomon R. Guggenheim Museum, New York ^[59]
• Hamburger Bahnhof, Museum fur Gegenwart, Berlin
• Jumex Museum, Ciudad de Mexico ^[60]
• Kunsthalle Bremen, Bremen ^[61]
• Kunstmuseum Wolfsburg, Wolfsburg ^[62]
• Städtische Galerie im Lenbachhaus, Munich ^[63]
• Luma Foundation, Arles, France ^[64]
• Miami Art Museum ^[65]
• Musee d’Art Moderne de la Ville de Paris ^[66]
• Museum of Contemporary Art, Los Angeles ^[67]
• Museum of Modern Art, New York ^[5]
• Museum fur Moderne Kunst, Frankfurt ^[68]
• M+, Hong Kong ^[69]
• Nakanoshima Museum of Art, Osaka ^[70]
• National Museum of Women in the Arts, Washington, D.C. ^[71]
• National Gallery of Victoria, Melbourne ^[72]
• Neue Nationalgalerie im Hamburger Bahnhof, Berlin
• Saastamoinen Foundation Art Collection ^[73]
• Sammlung DaimlerChrysler, Berlin ^[74]
• Stedelijk Museum, Amsterdam ^[75]
• Tate Modern, London ^[76]
• Yale Center for British Art, New Haven ^[77]
• Victoria and Albert Museum, London ^[78]
• UBS Art Collection, New York ^[79]

Filmography

• Midtown (1998) ^[80]
• AM/PM (1999) ^[80]
• Capital (2000) ^[80]
• Miami (2002) ^[80]
• Los Angeles (2004) ^[80]
• Robert Towne (2006) ^[80]
• 1972 (2008) ^[80]
• Beijing (2008) ^[81]
• Points on a Line (2010) ^[82]
• Chicago (2011) ^[83]
• Rio (2012) ^[84]
• Strange Magic (2014) ^[85]
• Abu Dhabi (2016) ^[86]
• Finite and Infinite Games (2017) ^[87]
• Sakura (2019)
• ETC (2024) ^[88]

Other activities

• Americans for the Arts, Member of the Artists Committee ^[89]

Origami lawsuit

In 2011 Morris was sued by a group of six origami artists, including American Robert J. Lang. They alleged that in 24 works (eventually discovered to be 33 or more) in her "Origami" series of paintings Morris had without permission or credit copied their original crease patterns, coloured them, and sold them as "found" or "traditional" designs. ^[90] The case was settled out of court early in 2013; under the terms of the settlement, the creators of the crease patterns are to be given credit when the works are displayed. ^{[91] [92]}

List of affected paintings/models

Painting title	Year painted	Square painting edge sizes	Model title	Model composer
Angel	2009	214 cm	Harpy	Jason Ku
Bat	2007	214 cm	Bat	Noboru Miyajima
Black Ant	2009	214 cm	Harvestman (Phalangium)	Manuel Sirgo
Calypte Anna	2007	214 cm	Ruby-throated Hummingbird, opus 389	Robert J. Lang
	2008	289 cm
Cat	2007	53.5 cm	Cat	Noboru Miyajima
		214 cm
Chaser	2008	214 cm	Dragonfly, opus 369	Robert J. Lang
Clerid Beetle	2009	214 cm	Scorpion (Buthus)	Manuel Sirgo
Crane	2008	214 cm	Dancing Crane, opus 460	Robert J. Lang
Cuttlefish	2009	214 cm	Sepia	Manuel Sirgo
Dragon	2007	214 cm	KNL Dragon, opus 132	Robert J. Lang
Falcon	2007	214 cm	Cooper’s Hawk, opus 464	Robert J. Lang
	2008	53.5 cm
Goatfish	2007	152.5 cm	Goatfish, opus 202	Robert J. Lang
Grasshopper	2007	76.6 cm	Grasshopper, opus 83	Robert J. Lang
		289 cm
Hercules Beetle	2007	214 cm	Hercules Beetle, opus 271	Robert J. Lang
June Beetle	2009	214 cm	Cyclommatus metallifer	Nicola Bandoni
Kawasaki Cube	2008	53.5 cm	Kawasaki Cube #1	Toshikazu Kawasaki
		53.5 cm
		214 cm
	2009	289 cm
Leaf Mantis	2009	214 cm	Leaf Mantis	Manuel Sirgo
Lion	2007	214 cm	Lion	Noboru Miyajima
Mommoth	2007	53.5 cm	Mommoth	Noboru Miyajima
		214 cm
Mouse	2007	122 cm	Rat, opus 159	Robert J. Lang
Night Hawk	2008	214 cm	Stealth Fighter, opus 324	Robert J. Lang
Night Hunter	2007	214 cm	Night Hunter, opus 469	Robert J. Lang
Orchis	2008	214 cm	Orchid, opus 392	Robert J. Lang
Parrot	2009	214 cm	Macaw	Manuel Sirgo
Pegasus	2007	53.5 cm	Pegasus, opus 325	Robert J. Lang
		214 cm
Praying Mantis	2007	214 cm	Praying Mantis, opus 246	Robert J. Lang
Rabbit	2007	122 cm	Rabbit, opus 186	Robert J. Lang
Raccoon Dog	2007	122 cm	Raccoon Dog	Noboru Miyajima
Rhino Beetle	2008	214 cm	Eupatorus gracilicornus, opus 476	Robert J. Lang
Rockhopper	2007	20.8 cm	Penguin	Noboru Miyajima
		122 cm
	2009	289 cm
Swan	2007	122 cm	Swan	Noboru Miyajima
		214 cm
		289 cm
	2008	53.5 cm
Tarantula	2008	53.5 cm	Tarantula	Robert J. Lang
		214 cm
Weasel	2007	76.6 cm	Weasel	Noboru Miyajima
		214 cm
	2008	122 cm
		289 cm
Wolf	2007	289 cm	Wolf	Noboru Miyajima

Notes

1. Sources are mixed in reporting her nationality ^{[9] [90]} ; Grove Art says that she is "American ... of English birth". ^[4]

References

1. "Sarah Morris". The Museum of Modern Art. Retrieved 15 April 2021.
2. Getty. "Union List of Artist Names". Getty Research. Retrieved 14 January 2016.
3. Benezit. "Benezit Dictionary of Artists". Oxford Art Online. Retrieved 14 January 2016.
4. Francis Summers (2001–14). Morris, Sarah. Grove Art Online. Oxford Art Online. Oxford: Oxford University Press. Accessed May 2015. (subscription required)
5. "MoMA". MoMA.org. Retrieved 26 March 2015.
6. "When the Painting Ends, the Film Begins". Locarno Film Festival. Retrieved 15 April 2021.
7. "Sarah Morris Artist in Focus". Rotterdam International Film Festival. Retrieved 15 April 2021.
8. "College of Fine Arts at the University of Texas". Landmarks. Retrieved 15 April 2021.
9. Alison Cuddy (17 December 2013). City Self exhibition attempts a portrait of Chicago. WBEZ91.5. Accessed April 2015.
10. Gaby Wood (23 May 2004). "Cinéma vérité". The Observer . Accessed March 2014.
11. Werner Miester (27 March 2010). Best Works by Sarah Morris on View at Gallery Meyer Kainer. Art Knowledge News. Archived 30 March 2010.
12. Holzwarth, Hans W. (2009). 100 Contemporary Artists A-Z (Taschen's 25th anniversary special ed.). Köln: Taschen. pp. 392–397. ISBN   978-3-8365-1490-3.
13. Rabinowitz, Cay Sophie (25 February 2009). "Interview: Sarah Morris". Art In America. Retrieved 14 January 2016.
14. Erskine Design. "Frieze Magazine - Archive - Archive - Sarah Morris". frieze.com. Archived from the original on 18 December 2008. Retrieved 26 March 2015.
15. "DNB, Katalog der Deutschen Nationalbibliothek". Katalog der Deutschen Nationalbibliothek. Retrieved 26 March 2015.
16. "Tokyonews 76". palaisdetokyo.com. Retrieved 26 March 2015.
17. "Sarah Morris: Black Beetle; June 1 - September 7, 2008" (PDF).
18. Erhard Metz (3 June 2009). Sarah Morris: Gemini Dressage Archived 17 January 2016 at the Wayback Machine . Feuilleton Frankfurt. Accessed May 2015.
19. D-sign.it. "Sarah Morris "China 9, Liberty 37"". mambo-bologna.org. Retrieved 26 March 2015.
20. "Sarah Morris: Mechanical Ballet; November 17, 2012 - March 4, 2013" (PDF). Archived from the original (PDF) on 29 April 2014.
21. "Sarah Morris | M Leuven". www.mleuven.be. Retrieved 12 August 2025.
22. "Sarah Morris. Falls Never Breaks – Kunsthalle Wien". kunsthallewien.at. Retrieved 12 August 2025.
23. "Sarah Morris - EMMA". emmamuseum.fi. Retrieved 12 August 2025.
24. "Sarah Morris: Odysseus Factor | UCCA Center for Contemporary Art". ucca.org.cn. Retrieved 12 August 2025.
25. "Sarah Morris: Who is Who | Tai Kwun". www.taikwun.hk. Retrieved 12 August 2025.
26. Schlesinger, Toni (18 September 2006). "Wonderful Towne! Lever House Hosts Homage to Screenwriter". observer.com. The Observer. Retrieved 6 May 2015.
27. "Kunsthalle Bremen - Current exhibitions - Exhibitions". kunsthalle-bremen.de. Retrieved 26 March 2015.
28. "Sarah Morris". Capitain Petzel.
29. Coline Milliard (12 June 2012). Sarah Morris On Taking Big Ben Underground at London's Gloucester Road Tube Station. ArtInfo. Archived 18 December 2014.
30. "Hellion Equilibrium". MTA.
31. "Courtship, Ad Diriyah Biennale, Riyadh, 2021".
32. "Permanent Exhibits". Art of Travel.
33. Writer, BRIAN BARBER World Staff (26 December 2012). "Public artwork dresses up city". Tulsa World.
34. "SARAH MORRIS- Gateway".
35. "Power of art: Cleveland clinic collection" (PDF). www.clevelandclinic.org.
36. "Village of Key Biscayne, FL". keybiscayne.fl.gov. Retrieved 12 August 2025.
37. "Sarah Morris: Odysseus Factor". ucca.org.cn. Retrieved 26 June 2018.
38. "La collection Sarah Morris". fondationlouisvuitton.fr. Retrieved 26 March 2015.
39. Museum of Contemporary Art Chicago. "CITY SELF - MCA Chicago". mcachicago.org. Retrieved 26 March 2015.
40. "A Project to Benefit The Farnsworth House and Glass House". art-agenda.com. Retrieved 26 March 2015.
41. "Barbican - Beijing (U*) (UK Premiere) + Sarah Morris". barbican.org.uk. Retrieved 26 March 2015.
42. "Guggenheim Museum - Exhibitions - The Shapes of Space". guggenheim.org. 1 April 2007. Retrieved 26 March 2015.
43. "L'évènement Sarah Morris - Centre Pompidou". centrepompidou.fr. Retrieved 26 March 2015.
44. "'A new view of the city': US artist's film of Hong Kong, star of M+ facade". South China Morning Post. 25 February 2024. Retrieved 28 January 2025.
45. "LOCARNO 65 - Lo Schermo del Mondo - SentieriSelvaggi". www.sentieriselvaggi.it. 16 July 2012. Retrieved 12 August 2025.
46. "Albright Knox Collection". Albright Knox Art Gallery. Retrieved 14 January 2016.
47. "Berado Collection". The Berado Collection. Retrieved 14 January 2016.
48. "Artists at Fondation Beyeler". www.fondationbeyeler.ch. Retrieved 12 August 2025.
49. "British Council Collection". British Council: Visual Arts. Retrieved 14 January 2016.
50. "Le Consortium Collection". Le Consortium. Retrieved 14 January 2016.
51. "Centre Pompidou Collection". Centre Pompidou. Retrieved 14 January 2016.
52. "Cooper Hewitt Collection". Cooper Hewitt. Retrieved 14 January 2016.
53. "Dallas Museum of Art Collection". Dallas Museum of Art. Retrieved 14 January 2016.
54. "Unser Engagement für die Kunst". Archived from the original on 18 April 2021. Retrieved 12 August 2025.
55. "Fondation Louis Vuitton Collection". Fondation Louis Vuitton. Retrieved 14 January 2016.
56. "FRAC Bourgogne Collection". FRAC Bourgone. Retrieved 14 January 2016.
57. "FRAC Poitou-Charentes Collection". FRAC Poitou-Charentes. Retrieved 14 January 2016.
58. "Government Art Collection". Government Art Collection. Retrieved 14 January 2016.
59. "Guggenheim Museum Collection". Guggenheim Museum. Retrieved 14 January 2016.
60. "Rio (Las Vegas) - Museo Jumex". www.fundacionjumex.org. Retrieved 12 August 2025.
61. "Kunsthalle Bremen Online Katalog". Kunsthalle Bremen. Retrieved 14 January 2016.
62. "Kunstmuseum Wolfsburg Collection". Kunstmuseum Wolfsburg. Retrieved 14 January 2016.
63. "Lenbachhaus Collection". Lenbachhaus. Retrieved 14 January 2016.
64. "LUMA Arles | LUMA Arles". www.luma.org. Retrieved 12 August 2025.
65. "Art Gift to Pérez Art Museum Miami by Mimi and Bud Floback Grows to Nearly 30 Major Works". Pérez Art Museum Miami. Retrieved 14 January 2016.
66. "Musee d'Art Moderne de la Ville de Paris Collection". Musee d'Art Moderne de la Ville de Paris. Archived from the original on 31 July 2014. Retrieved 14 January 2016.
67. "Museum of Contemporary Art Los Angeles Collection". Museum of Contemporary Art Los Angeles. Retrieved 14 January 2016.
68. "MMK Collection". MMK Museum Für Moderne Kunst. Retrieved 14 January 2016.
69. "ETC | M+". www.mplus.org.hk. Retrieved 28 January 2025.
70. "［ID:12923］ Society is Abstract, Culture is Concrete [Sound Graph] ： Detail | Collection Database | Nakanoshima Museum of Art, Osaka". Nakanoshima Museum of Art, Osaka - Collection Database. Retrieved 28 January 2025.
71. "Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation". National Museum of Women in the Arts. Retrieved 11 November 2023.
72. "Works | NGV | View Work". www.ngv.vic.gov.au.
73. "Saastamoinen Foundation". saastamoinenfoundation.fi. Retrieved 12 August 2025.
74. "Daimler Art Collection". Daimler Art Collection. Retrieved 14 January 2016.
75. "Steelijk Museum Amsterdam Collection". Steelijk Museum Amsterdam. Retrieved 14 January 2016.
76. "Tate Modern Collection". Tate Modern. Retrieved 14 January 2016.
77. "Yale Center for British Art Collection". Yale Center for British Art. Retrieved 14 January 2016.
78. "Victoria and Albert Museum Collection". Victoria and Albert Museum. Retrieved 14 January 2016.
79. "Sarah Morris | UBS Global". www.ubs.com. Retrieved 12 August 2025.
80. Rabinowitz, Cay Sophie (25 February 2009). "Interview: Sarah Morris". Art in America. Retrieved 20 April 2015.
81. Sherwin, Skye (3 November 2010). "Artist Sarah Morris's Latest Film Beijing". Wallpaper. Retrieved 20 April 2015.
82. Moshayedi, Aram. "Looking Glass". Artforum. Retrieved 20 April 2015.
83. Cuddy, Alison. "City Self exhibition attempts a portrait of Chicago". WBEZ91.5. Retrieved 20 April 2015.
84. Johnson, Paddy; Leifheit, Matthew (29 November 2013). "Orange: Sarah Morris at Petzel Gallery". Artfcity. Retrieved 20 April 2015.
85. Kawahito, Wakana. "Fondation Louis Vuitton". SHIFT. Retrieved 20 April 2015.
86. "Sarah Morris". Interview Magazine. Retrieved 24 March 2017.
87. Briegleb, Till. "Wo Gretel herrscht". sueddeutsche.de (in German). ISSN   0174-4917 . Retrieved 24 March 2017.
88. McHugh, Fionnuala (25 February 2024). "'A new view of the city': US artist's film of Hong Kong, star of M+ facade". South China Morning Post. Retrieved 28 January 2025.
89. Artists Committee Americans for the Arts.
90. Dalya Alberge (5 June 2011). Tate artist Sarah Morris 'unfolded' our works, claim leading origami designers. The Observer. Accessed March 2018.
91. Dan Duray (28 May 2013). Beneath the Fold: The Twisted Tale of Origami v. Sarah Morris. New York: Observer. Accessed March 2018.
92. Sarah Morris Works Attribution. Robert J. Lang origami. Accessed March 2018.

Further reading

• Modern Worlds, 1999 ISBN   1-901-352-05-6
• Capital, 2001 ISBN   3-89611-098-5
• Sarah Morris: Bar Nothing, 2004 ISBN   0-9546501-1-5
• Los Angeles, 2005 ISBN   3-00-016363-8
• 1972, 2008 ISBN   978-3-86560-460-6
• Sarah Morris: Lesser Panda, 2008 ISBN   978-1-906072-16-2
• Beijing, 2009 ISBN   978-3-86560-646-4
• Sarah Morris: Clips, Knots, and 1972, 2010 ISBN   978-89-92819-55-8
• You Cannot Trust A Surface, 2011 ISBN   978-3-86984-054-3
• An Open System Meets an Open System: Sarah Morris and Hans Ulrich Obrist in Conversation, 2013 ISBN   978-3-7091-1031-7
• Sarah Morris: Bye Bye Brazil, 2013 ISBN   978-1-906072-82-7
• Sarah Morris: Mechanical Ballet, 2014 ISBN   978-2-36380-065-7
• Frédéric Paul, Sarah Morris: Capital Letters Rear Better for Initials. S.l.: Verlag der Buchhandlung Walther Konig. 5 November 2015. ISBN   978-3-941360-46-4.
• Morris, Sarah (2015). Crease Folds. Sarah Morris (ed.). Ivorypress LiberArs. ISBN   978-84-942820-7-2.
• Two Erasing Principles, 2016 ISBN   6055815370
• Sarah Morris, 2018 ISBN   978-952-5509-58-8
• Michael Archer. "Sarah Morris", Artforum, May 2009, p. 170
• Nick Haymes, "Sarah Morris", Art Review, May 2009, pp. 70–7
• Hans Ulrich Obrist, "Sarah Morris", Adam & Eve, March/April/May 2009, pp. 78–91
• Eric Banks, "Seeing Red", Men's Vogue, August 2008, pp. 114–119
• Adrian Searle, "Dazzled by the Rings", The Guardian, 30 July 2008
• Christopher Turner, "Beijing City Symphony", Modern Painters, July/August 2008, pp. 56–59
• Marcus Verhagen, "Nomadism", Art Monthly October 2006
• Tanja Widmann, "To Offer You Something", Texte Zur Kunst, September 2006, pp. 248–251
• Ezra Petronio and Stephanie Moisdon, "Bar Nothing by Sarah Morris", Self Service, Issue No.21, Fall/Winter 2004, pp. 302–315
• Grosenick, Uta; Riemschneider, Burkhard, eds. (2005). Art Now (25th anniversary ed.). Köln: Taschen. pp. 196–199. ISBN   9783822840931. OCLC   191239335.