Maiden Voyage is the fifth album led by jazz musician Herbie Hancock, and was recorded by Rudy Van Gelder on March 17, 1965, for Blue Note Records. It was issued as BLP 4195 and BST 84195. Featuring Hancock with tenor saxophonist George Coleman, trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams, it is a concept album aimed at creating an oceanic atmosphere. As such, many of the track titles refer to marine biology or the sea, and the musicians develop the concept through their use of space. The album was presented with the Grammy Hall of Fame Award in 1999.
E.S.P. is an album by Miles Davis, recorded on January 20–22, 1965 and released on August 16 of that year by Columbia Records. It is the first release from what is known as Davis's second great quintet: Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. The album was named after a tune by Shorter, and was inspired by the fact that, "since Wayne Shorter's arrival, the five members of the quintet seemed to communicate by mental telepathy."
Miles Smiles is an album by jazz musician Miles Davis, released on February 16, 1967 on Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis' second great quintet, which featured tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Sorcerer is an album recorded in May 1967 by the Miles Davis quintet. It is the third of six albums that this quintet recorded. It also includes one track from a 1962 session with vocalist Bob Dorough, which was the first time Wayne Shorter recorded with Davis. Davis does not play on the second track, "Pee Wee". The album's cover is a profile photo of actress Cicely Tyson, who at the time was Davis's girlfriend.
Nefertiti is a studio album by American jazz musician Miles Davis, released in March 1968. Recorded at Columbia's 30th Street Studio over four dates between June 7 and July 19, 1967, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions- three were written by tenor saxophonist Wayne Shorter, two by pianist Herbie Hancock and one by drummer Tony Williams.
Miles in the Sky is a studio album by American trumpeter and composer Miles Davis, released on July 22, 1968, by Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track “Stuff”. Additionally, electric guitarist George Benson features on “Paraphernalia”.
Components is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1966. The first side of the LP features compositions by Hutcherson, in a hard bop style, whilst the second side features Joe Chambers' compositions, more in the avant-garde style.
Speak No Evil is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz, and features Shorter on tenor saxophone, trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter and drummer Elvin Jones. The cover photo is of Shorter's first wife, Teruko (Irene) Nakagami, whom he met in 1961.
Adam's Apple is the tenth album by post-bop jazz artist Wayne Shorter. Recorded in 1966 and released in 1967, it included the first recording of his composition "Footprints", later recorded by the Miles Davis Quintet for the album Miles Smiles (1967). Shorter is featured with pianist Herbie Hancock, bassist Reggie Workman and drummer Joe Chambers. The CD release includes the Hancock composition "The Collector" as a bonus track.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
The All Seeing Eye is the ninth jazz album by saxophonist Wayne Shorter, recorded on October 15, 1965, and released on the Blue Note label as BLP 4219 and BST 84219 in 1966. The album features performances by Shorter with trumpeter Freddie Hubbard, trombonist Grachan Moncur III, alto saxophonist James Spaulding, pianist Herbie Hancock, bassist Ron Carter and drummer Joe Chambers. Shorter's brother, Alan composed and plays fluegelhorn on the final track, “Mephistopheles”. The AllMusic review by Scott Yanow states: "it is clear from the start that the music on this CD reissue is not basic bop and blues... the dramatic selections, and their brand of controlled freedom has plenty of subtle surprises. This is stimulating music that still sounds fresh over three decades later".
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the V.S.O.P. group. According to concert attendees, on the night of the show a handwritten sign was posted on the lobby door announcing that Davis would not be playing, but that Hubbard would be appearing instead.
The Soothsayer is the seventh album by Wayne Shorter, recorded in 1965, but not released on Blue Note until 1979. The album features five originals by Shorter and an arrangement of Jean Sibelius' "Valse Triste". The featured musicians are trumpeter Freddie Hubbard, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Ron Carter and drummer Tony Williams.
Standards is an album by the jazz trumpeter Lee Morgan, released on the Blue Note label. It was recorded on January 13, 1967, but not released until 1998; it contains performances by Morgan, Wayne Shorter, Herbie Hancock, Ron Carter, Billy Higgins, James Spaulding, Pepper Adams and Mickey Roker, with arrangements by Duke Pearson.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Tender Moments is the eighth album by jazz pianist McCoy Tyner and his second released on the Blue Note label. It was recorded in December 1967 and features performances by Tyner with an expanded group featuring trumpeter Lee Morgan, trombonist Julian Priester, French horn player Bob Northern, tuba player Howard Johnson, alto saxophonist James Spaulding, tenor saxophonist Bennie Maupin, bassist Herbie Lewis and drummer Joe Chambers.
Expansions is the tenth album by jazz pianist McCoy Tyner and his fourth released on the Blue Note label. It was recorded in August 1968 and features performances by Tyner with trumpeter Woody Shaw, alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, bassist Herbie Lewis and drummer Freddie Waits.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
