Secular Hymns | ||||
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Studio album by | ||||
Released | September 16, 2016 | |||
Recorded | January 12–13, 2016 | |||
Studio | Parish Church of Saint Mary the Virgin, Great Milton, England, UK | |||
Genre | Vocal jazz | |||
Length | 33:31 | |||
Language | English | |||
Label | Impulse! | |||
Producer | Madeleine Peyroux | |||
Madeleine Peyroux chronology | ||||
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Secular Hymns is a 2014 studio album by American vocal jazz singer Madeleine Peyroux. It has received positive reviews by critics.
Editors at AnyDecentMusic? rated this album a 7.2 out of 10, aggregating six scores. [1] According to the review aggregator Metacritic , Secular Hymns received "generally favorable reviews" based on a weighted average score of 79 out of 100 from six critic scores. [2]
Editors at AllMusic rated this album 4 out of 5 stars, with critic Matt Collar writing that this album "finds the vocalist/guitarist delivering a stripped-down, largely acoustic set of warm, eclectic cover tunes... that's a 180-degree turn from her previous effort, 2013's ambitious homage to Ray Charles, The Blue Room. [3] At The Arts Desk , Mark Kidel rated this album 3 out of 5 stars and characterized Peyroux as a "sultry cabaret chanteuse with shades of late-night jazz and the endemic melancholy of the blues" but complains that "this is blues lite, too clean for comfort". [4] DownBeat 's J. Poet gave 5 out of 5 stars to Secular Hymns and praised the ensemble on this recording: "Herington’s guitar adds blue, sliding, sustained notes that echo the crying tone of a steel guitar to support Peyroux’s somber vocal". [5] John Fordham of The Guardian praised the combination of "intimate exuberance and classic songs" captured in the live-in-studio setting and rated this release 4 of 5 stars. [6]
In The Irish Times Cormac Larkin rated Secular Hymns 3 out of 5 stars, ending "they’re the sort of songs that can sound hollow and insincere in the wrong hands, but Peyroux delivers every word like her life depends on it". [7] Christopher Loudon of JazzTimes called the blending of blues music, Gospel music, and jazz "a marvelous mélange". [8] The Observer 's Dave Gelly scored this release 4 of 5 stars for "the warm intimacy of her voice and the incisive clarity of the arrangements". [9] Writing for PopMatters , Steve Horowitz a 7 out of 10, summing up that "Peyroux offers fine performances, but they are hers and not the originals" and these songs are "mostly well-known classics from the past—they aren’t records meant to be broken but to be replayed again for their own merits". [10]
Additional musicians
Technical personnel
Chart (2016) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [11] | 137 |
Belgian Albums (Ultratop Wallonia) [12] | 53 |
French Albums (SNEP) [13] | 32 |
German Albums (Offizielle Top 100) [14] | 93 |
Portuguese Albums (AFP) [15] | 22 |
Scottish Albums (OCC) [16] | 77 |
Spanish Albums (PROMUSICAE) [17] | 70 |
Swiss Albums (Schweizer Hitparade) [18] | 64 |
UK Albums (OCC) [19] | 96 |
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