"Shaddap You Face" | ||||
---|---|---|---|---|
Single by Joe Dolce Music Theatre | ||||
B-side | "Ain't in No Hurry" | |||
Released |
| |||
Recorded | 1980 | |||
Genre | ||||
Length | 3:13 | |||
Label |
| |||
Songwriter(s) | Joe Dolce [2] | |||
Producer(s) | Joe Dolce and Ian McKenzie [2] | |||
Joe Dolce singles chronology | ||||
|
"Shaddap You Face" is a novelty song written and performed by Joe Dolce (released under the name Joe Dolce Music Theatre) about a rebellious Italian boy. Released in late 1980, it set a number of sales and longevity records.
It was released by Mike Brady's record label Full Moon Records. [3] By February 1981, the single had sold over 290,000 units in Australia, surpassing Brady's own "Up There Cazaly" to become Australia's best-selling single ever. [4]
Dolce, who is Italian-American, said he wrote "Shaddap You Face" based on memories of his childhood, when his family members would speak in broken English. [5]
"Shaddap You Face" went to number one for eight weeks on the Australia Kent Music Report in 1980. [6] It reached number one on the UK Singles Chart on 21 February 1981 and stayed there for three weeks until 8 March 1981, keeping Ultravox's single "Vienna" out of the top spot throughout. [7] The song became the 15th biggest hit of 1981 in the UK. [8]
"Shaddap You Face" was also number one in 11 other countries. There have been over 50 different foreign language cover versions, and hundreds more published informally on YouTube with new versions of the song being recorded and uploaded every year.
In the US, the song peaked at number 53 in 1981 on the Billboard Hot 100, number 43 on the Cash Box Top 100, [9] and number 24 on Record World . However, it was regularly played on the Dr. Demento show to the point of being number six on the year-end Funny 25 that year. In the Canadian province of Quebec, "Shaddap You Face" reached number one for twelve weeks. [10]
Lou Monte released a cover of the song in 1981. [11] Other notable cover versions have been done by KRS-One (hip-hop), [12] EMF (British), [13] Andrew Sachs (Manuel in the British television sitcom Fawlty Towers ), Werner Böhm, alias: Gottlieb Wendehals (German, title: "Mensch, ärger dich nicht"), [14] Sheila (French, titled: "Et ne la ramène pas"), [15] Dingetje (Dutch, titled: "Houtochdiekop"), [16] De Strangers (dialect from Antwerp, Belgium, titled: "Agget Mor Fret"), [17] Volker Rosin und die Lollypops (German, titled: "Hörst du nicht die Kuh – Muh!"), Franco Franchi with the duo Franco e Ciccio (Italian, title: "Alì Alì Alè"), [18] an Aboriginal language version by Gnarnyarrhe Waitairie, a Papua New Guinean version by the Breeze Band (title: "Pasim Pes Bilong Yu" – Tok Pisin version), [19] and a spoken word interpretation by Samuel L. Jackson. [20]
A Czech interpretation written by Zdeněk Borovec, "Já na bráchu blues", performed by Helena Vondráčková and Jiří Korn, was a hit in Czechoslovakia in 1981. [21]
The National Folk Festival in Canberra featured 'The Inspired Shaddap You Face Contest' in April 2006. Festival artists were invited to perform their interpretations of the classic song. The Cygnet Folk Festival in Tasmania featured the second 'Inspired Shaddap You Face Contest' in the following year. Joe Dolce was invited to be the MC at both events.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [50] | 3× Platinum | 300,000^ |
United Kingdom (BPI) [51] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
"Bite Your Bum", a parody of "Shaddap You Face", was made in 1981 by Australian artists Peter Plus with Bazz and Pilko (Barry Ion and Tony Pilkington). It reached No. 32 in New Zealand. [52]
Another parody was composed in 1990 for a McCain pizza slices television commercial in the United Kingdom.[ citation needed ]
"Crazy Little Thing Called Love" is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979, becoming the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.
"Cruel Summer" is a song by English girl group Bananarama. It was written by Bananarama and Steve Jolley, Tony Swain, and produced by Jolley and Swain. Released in 1983, it was initially a stand-alone single but was subsequently included on their self-titled second album a year later. The song reached number eight on the UK Singles Chart in 1983 and the group performed it live on the BBC's Top of the Pops that summer, and after its inclusion in the 1984 film The Karate Kid, it reached number nine on the US Billboard Hot 100.
Joseph Dolce is an American-Australian singer-songwriter, poet and essayist.
"Vienna" is a song by British new wave band Ultravox from their 1980 fourth studio album of the same name. It was released as the album's third single on 9 January 1981 by Chrysalis Records and features Midge Ure singing the lead vocal.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Upside Down" is a song written and produced by Chic members Nile Rodgers and Bernard Edwards. It was recorded by American singer Diana Ross and issued on June 18, 1980 from Motown as the lead single from her eleventh studio album, Diana (1980). The song hit number one on the Billboard Hot 100 chart on September 6, 1980 and stayed there for four weeks. It also hit number one on the Billboard Disco and Soul charts. The single was released a full four weeks after the album was released.
"9 to 5" (or "Morning Train") is a popular song written by British songwriter Florrie Palmer and recorded by Scottish singer Sheena Easton in 1980, becoming her biggest hit. It peaked at number three in the United Kingdom in August 1980 and was certified gold. In February 1981, it was released in the United States and Canada under the title "Morning Train (Nine to Five)" to avoid confusion with Dolly Parton's recent hit "9 to 5". It reached number one in both countries, becoming Easton's only chart-topper in those nations.
"You Better You Bet" is a song by British rock band the Who, appearing as the first track on their 1981 album Face Dances. It is sung by frontman Roger Daltrey with backing vocals from Pete Townshend and bassist John Entwistle.
"Return of the Mack" is a song written and recorded by British R&B singer Mark Morrison, released by WEA and Atlantic as the third single from his debut album by the same name (1996). The song topped the UK Singles Chart a month after its release, then became a European and Australian hit. In the United States, it reached number two on the Billboard Hot 100 and went platinum. The music video for the song, directed by Jake Nava, was released in the United Kingdom in March 1996 and in the United States in February 1997. Billboard magazine featured "Return of the Mack" in their lists of "Billboard's Top Songs of the '90s" in 2019 and "500 Best Pop Songs of All Time" in 2023.
"You Got It" is a song from American singer Roy Orbison's 22nd studio album, Mystery Girl (1989). The song was released posthumously on January 3, 1989, after Orbison's death from a heart attack on December 6, 1988. The song was issued with "The Only One" as the B-side and was later released with "Crying". The single reached number nine on the US Billboard Hot 100 and number one on the Adult Contemporary chart, returning Orbison to the top 10 for the first time in 25 years. "You Got It" also reached number three on the UK Singles Chart and entered the top five in 10 other countries. Although it is an Orbison solo single, Orbison's fellow Traveling Wilburys bandmates, Tom Petty and Jeff Lynne, co-wrote the song and played instruments on the record.
"The First Time Ever I Saw Your Face" is a 1957 folk song written by British political singer-songwriter Ewan MacColl for Peggy Seeger, who later became his wife. At the time, the couple were lovers, although MacColl was still married to his second wife, Jean Newlove. Seeger sang the song when the duo performed in folk clubs around Britain. During the 1960s, it was recorded by various folk singers and became a major international hit for Roberta Flack in 1972, winning Grammy Awards for Record of the Year and Song of the Year. Billboard ranked it as the number-one Hot 100 single of the year for 1972.
"Star Wars Theme/Cantina Band" is a song recorded by Meco, taken from the album Star Wars and Other Galactic Funk. It hit number one on the Billboard Hot 100 on October 1, 1977, holding on to the spot for two weeks and peaked at no. 7 on the UK Singles Chart, remaining in the charts for nine weeks. The single was certified Platinum by the Recording Industry Association of America, having sold a million units.
"Games People Play" is a song written, composed, and performed by American singer-songwriter Joe South, released in August 1968. It entered the Billboard Hot 100 in January 1969 and won the 1970 Grammy Awards for both Best Contemporary Song and the Song of the Year.
"Woman in Love" is a song performed by Barbra Streisand and taken from her 1980 album Guilty. The song was written by Barry and Robin Gibb of the Bee Gees, who received the 1980 Ivor Novello award for Best Song Musically and Lyrically. It is her fourth of four Platinum records, and is considered her greatest international hit.
"Tell It Like It Is" is a song written by George Davis and Lee Diamond and originally recorded and released in 1966 by Aaron Neville. In 2010, the song was ranked No. 391 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
"Make a Move on Me" is a song recorded by singer Olivia Newton-John for her eleventh studio album. Physical (1981). It was written by John Farrar and Tom Snow, and produced by the former. The follow-up single to the number-one hit "Physical", it was released in January 1982 and peaked at number five on the US Billboard Hot 100 that April. It also became her twelfth and final single to be certified Gold by the Recording Industry Association of America (RIAA).
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, Hotter Than July. It reached number four on the Billboard R&B singles chart and number 11 on the Hot 100. It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001.
"Lady (You Bring Me Up)" is a 1981 hit single by the Commodores. In the United States, it peaked at No. 8 on the Billboard Hot 100 and No. 5 on the Billboard R&B singles chart. It reached No. 56 on the UK Singles Chart.
"Daddy's Home" is a famous song by American doo-wop group Shep and the Limelites. The song was written by the three members of the band, James "Shep" Sheppard (1935–1970), Clarence Bassett (1936–2005) and Charles Baskerville. The group recorded the original version of "Daddy's Home" on February 1, 1961, and it was released on Hull Records in March 1961 with the B-side being "This I Know".
This page lists albums, singles, and compilations by the musician Joe Jackson. Jackson's recording career as a solo artist began in 1979, with the release of his debut album Look Sharp!. The album was recorded with the Joe Jackson Band, with whom he would release two more albums, I'm the Man and Beat Crazy, the latter of which was credited to the full band rather than simply Jackson.