Plot
Tom Sharky, a narcotics sergeant for the Atlanta Police Department, is working on a transaction with drug dealer Highball. Smiley, another member of the force, shows up unexpectedly during the sting, causing the drug dealer to run and Sharky to give chase, ultimately shooting the suspect on a MARTA bus, after wounding of the bus driver and a passenger. In the aftermath, Sharky is demoted to the vice squad, which is considered the least desirable assignment in the police department.
In the depths of the vice-squad division, led by Friscoe, the arrest of small-time hooker Mabel results in the accidental discovery of a high-class prostitution ring that includes a beautiful escort named Dominoe, who charges $1,000 a night. Sharky and his new partners begin a surveillance of her apartment and discover that Dominoe is having a relationship with Donald Hotchkins, a candidate running for the position of the governor of Georgia.
With a team of downtrodden fellow investigators that includes veteran Papa, Arch, and surveillance man Nosh, referred to by Friscoe sarcastically as Sharky's "machine", he sets out to find where the trail leads. During one stakeout Dominoe is seen having a romantic rendezvous with Hotchkins, who promises her a house to live in after he gets elected. During one of the other stakeouts, a mysterious crime kingpin known as Victor comes to the apartment. He has been controlling her life since she was a young girl, but now with lasting happiness in her future, she wants out. Victor seemingly agrees, but forces her to have sex with him one last time.
Sharky watches the affair from the rented apartment and is disgusted with what he sees, as he has privately been developing feelings for her while viewing her and listening to the bugged conversations. He begins to dream of a fantasy relationship with her. The next day, Sharky witnesses Dominoe being killed by a shotgun blast through her front door, disfiguring her face beyond recognition. The assassin, known as Billy Score, is a drug addict and the younger brother of Victor. He answers to Victor, as does Hotchkins, who himself is a powerless political stooge under Victor's rule.
When Sharky walks around Dominoe's apartment, to his surprise she suddenly turns up there alive, and when asked where her friend Tiffany is, who Dominoe would lend her apartment from time to time, Sharky comes to the realization that Billy has shot the wrong woman. Meanwhile, Nosh telephones Sharky telling him that most of the surveillance tapes have disappeared from the police station, leaving the pair wondering if the investigation has been compromised. Nosh is then confronted by Billy Score, who kills him off-screen. Realizing it is a matter of time before they both end up dead, Sharky takes a reluctant Dominoe to his childhood home in the West End neighborhood. Sharky attempts to obtain information about Victor from Dominoe even going as far as assaulting her in frustration when she resists, but he becomes disgusted with himself and lets her be as before.
Still in hiding, Dominoe finds photos of herself from the stakeouts and confronts Sharky about it. His sexual obsession now exposed, the two begin to talk and learn about each other, from Sharky buying his family home several years prior and fixing it up, to Dominoe finally giving Sharky the story about her background, how she was "discovered" by Victor when she was 12 and, been a sexual pawn of his ever since. Sharky confronts Victor at his penthouse apartment in the Westin Peachtree Plaza and vows to bring him to justice. Victor smugly tells him that Dominoe is dead and cannot testify against him and is stunned to be told by Sharky that she is still alive.
While attempting to find Nosh at his home, two men spring an attack on Sharky, and he is knocked out cold. He awakens on a boat, and is shocked to see Detective Smiley who is determined about Dominoe's location. Smiley, it turns out, is working for Victor. He tells Sharky how he ordered the murders of his old narcotics division superior Joe "JoJo" Tipps and Nosh. Billy Score's henchmen killed Tipps when he threatned to give the District Attorney certain facts of Sharky's latest moves. When Sharky still refuses to squeal, Smiley orders the hitmen from the earlier ambush to cut off two of his fingers. Sharky then manages to escape after killing Smiley and the hitmen. Later Hotchkins, at a political rally celebrating his electoral win, catches glimpses of both Dominoe and Sharky, to the candidate's considerable shock. Hotchkins is arrested and taken into custody, and Victor finds out about it on the evening newscasts.
Billy Score, in a drugged and agitated state, shoots and kills Victor after the two bicker. Almost immediately Sharky and other police officers arrive at the penthouse apartment in an attempt to catch Billy. He is pursued through the upper floors of the Westin, where like a ghostly apparition he appears and disappears, killing Papa and seriously wounding Arch in a dual shootout in which Billy is seriously wounded but is able to get back up again. Billy flees to a section of the building that is under construction where Sharky ultimately finds him. Vowing to kill himself rather than give the police the satisfaction Billy is ultimately gunned down by Sharky, crashes through a window and plummets to his death on the street. In the end Sharky is seen pushing Dominoe on a tire swing at his childhood home, where the two look very happy together.
Production
Development
Film rights were bought prior to publication by the newly formed Orion Pictures in 1978 for $400,000. [10] Burt Reynolds was to star and possibly direct. [11] [12]
"Sidney Sheldon sent me the novel, and I found it highly cinematic," said Reynolds. [13]
Reynolds said he was attracted to the film because it was similar to the classic 1944 film noir Laura , his favorite movie. He talked to John Boorman about directing, but Boorman was too busy on Excalibur and suggested Reynolds direct himself. [14]
"I figured it was time to get away from Smokey," Reynolds said. "I'd been doing a lot of comedy in recent years, and people had forgotten about Deliverance." [13]
Casting
Reynolds says the "key" to the cast was getting Brian Keith to play a role. "After that it was easy to get actors." [13]
Fashion model Rachel Ward was cast in the female lead after being spotted in Time magazine as "the face of the 80s". [15] She was cast six days before filming. Reynolds:
That was like starting King Kong' without the gorilla. I kept saying, She'll turn up, she'll turn up.' Then I saw Time magazine... I wanted an actress who could speak Italian and French, and since she was English, I thought she might have the kind of foreign attitude that I was seeking. When she came in my office and I heard her voice, deep like Bacall's, I thought she would be ideal. But Catherine Deneuve once told me that to judge how a beautiful woman will appear on the screen you must look through the camera and see if it has a love affair with her. I picked up a viewfinder and looked at Rachel. I damn near fell over. [13]
"She's going to be a big star," said Reynolds. "She just jumps off the screen. She has the kind of sensuous appeal that Ava Gardner had." [16]
Shooting
Filming took place in Atlanta from January to March 1981. "I liked the idea of working in Atlanta, where I've spent a lot of time," said Reynolds. "I made Deliverance, Smokey, The Longest Yard and Gator, my first film as a director, all in Georgia." [13]
At 220 feet, the stunt from Atlanta's Hyatt Regency Hotel (doubling for the Westin Peachtree Plaza) still stands as the highest free-fall stunt ever performed from a building for a commercially released film. The stuntman was Dar Robinson. Despite it being a record-setting fall, only the beginning of the stunt, as he goes through the window, was used in the film. A dummy was used for the outside wide shot of the fall beside the skyscraper. [17]
Diehl, who was 50 when he wrote the novel, saw the movie shot on location in and around his hometown of Atlanta. El Mongol played the part of the limo driver in the film.
Reynolds talked about his directing:
Most directors cast actors on the basis of what they've seen before, and they don't want surprises; they want the actor to give another version of what he's already done. I try to do the opposite. I tell the actors, 'You've done that before, so let's go for something else.' On this picture I did with my actors what I always wanted other directors to do with me, which is to say, 'O.K., I have what I want, now you do what you want.' Sometimes magical things happen that way. I had lots of ideas, but I was open to any ideas the actors had. There really was a wonderful feeling of camaraderie. [14]
"In my picture the good guys win and the bad guys, the dopers, lose," said Reynolds. "That's important to me: I don't like dopers. I get mad as hell when I hear that studios are coddling actors who are always high on cocaine." [13] Reynolds himself battled addiction to painkillers through the 80's and 90's. [18]
Music
The opening credits use the 1979 hit song "Street Life", originally performed by The Crusaders with vocalist Randy Crawford. The recording in the film is a newer version (song length ~4:17) orchestrated by Doc Severinsen, inviting Crawford to reprise her vocal and who composed the original score, as well. This version is a much more powerful and faster-paced version with a full orchestra, and it was the one that Quentin Tarantino included in Jackie Brown (1997) (Crawford is given the only credit on the song title).
As was standard for the time, little of Severinsen's score is included on the album, with many of his contributions being edited for the album tracks and several, like his version of "My Funny Valentine", being omitted altogether.
The soundtrack album has been re-released after more than 30 years on the Varèse Sarabande label. [19]
