Sharon Olds | |
---|---|
Born | Sharon Stuart Cobb November 19, 1942 San Francisco, California, U.S. |
Education | Stanford University (BA) Columbia University (MA, PhD) |
Occupation | Poet |
Spouse | David Douglas Olds (m. 1969–1997) |
Partner | Carl Wallman |
Children | 2 |
Awards | Pulitzer Prize in Poetry, T. S. Eliot Prize, National Book Critics Circle Award |
Website | www |
Sharon Olds (born November 19, 1942) is an American poet. Olds won the first San Francisco Poetry Center Award in 1980, [1] the 1984 National Book Critics Circle Award, [2] and the 2013 Pulitzer Prize for Poetry. [3] She teaches creative writing at New York University and is a previous director of the Creative Writing Program at NYU. [4]
Sharon Olds was born on November 19, 1942, in San Francisco, California, but was brought up in Berkeley, California, along with her siblings. [5] She was raised as a "hellfire Calvinist," as she describes it. [6] Her father, like his before him, was an alcoholic who was often abusive to his children. In Olds' writing she often refers to the time (or possibly even times) when her father tied her to a chair. [7] Olds' mother was often either unable or too afraid to come to the aid of her children.
The strict religious environment in which Olds was raised had certain rules of censorship and restriction. Olds was not permitted to go to the movies and the family did not own a television, but her reading was not censored. She liked fairy tales, and also read Nancy Drew and Life magazine. [8] By nature "a pagan and a pantheist," she has said that in childhood she was exposed in her church to "both great literary art and bad literary art," with "the great art being psalms and the bad art being hymns. The four-beat was something that was just part of my consciousness from before I was born." Of her Calvinist childhood, she said in 2011 that though she was about 15 when she conceived of herself as an atheist, "I think it was only very recently that I can really tell that there's nobody there with a copybook making marks against your name." [9]
Olds was sent east to Dana Hall School, an all-girls school for grades 6 to 12 in Wellesley, Massachusetts, that boasts an impressive list of alumnae. [10] There she studied mostly English, History, and Creative Writing. Her favorite poets included William Shakespeare, Emily Dickinson, Walt Whitman, and Edna St. Vincent Millay, but it was Allen Ginsberg's Howl and Other Poems that she carried in her purse through 10th grade. [11]
For her bachelor's degree Olds returned to California where she earned her BA at Stanford University in 1964. Following this, Olds once again moved cross country to New York, where she earned her Ph.D. in English in 1972 from Columbia University. [5] She teaches creative writing at New York University. She wrote her doctoral dissertation on "Emerson's Prosody," because she appreciated the way he defied convention. [10]
I want to go up to them and say Stop,
don’t do it—she’s the wrong woman,
he’s the wrong man, you are going to do things
you cannot imagine you would ever do,
you are going to do bad things to children,
you are going to suffer in ways you have not heard of,
you are going to want to die. I want to go
up to them there in the late May sunlight and say it,
her hungry pretty face turning to me,
her pitiful beautiful untouched body,
his arrogant handsome face turning to me,
his pitiful beautiful untouched body,
but I don’t do it. I want to live.
From "I Go Back to May 1937"
Strike Sparks: Selected Poems 1980–2002 (2004) [12]
On March 23, 1968, she married Dr. David Douglas Olds in New York City and, in 1969, gave birth to the first of their two children. In 1997, after 29 years of marriage, they divorced. She lives in the same Upper West Side apartment she has lived in for many years while working as a Professor at New York University. [13] In a review of her 2022 collection Balladz , Tristram Fane Saunders mentions the moving poems she wrote about her longtime partner, the late Carl Wallman of New Hampshire, who died in 2020. [14]
In 2005, First Lady Laura Bush invited Olds to the National Book Festival in Washington, D.C. Olds declined the invitation and responded with an open letter published in The Nation . The editors suggested others follow her example. She concluded her letter by explaining: "So many Americans who had felt pride in our country now feel anguish and shame for the current regime of blood, wounds and fire. I thought of the clean linens at your table, the shining knives and the flames of the candles, and I could not stomach it." [15]
Following her Ph.D., Olds let go of an attachment to what she thought she knew about poetic convention and began to write about her family, abuse, and sex, focusing on the work and not the audience.
Olds has said that she is more informed by the work of poets such as Galway Kinnell, Muriel Rukeyser and Gwendolyn Brooks than by confessional poets like Anne Sexton or Sylvia Plath. Plath, she comments "was a great genius, with an IQ of at least double mine" and while these women charted well the way of women in the world she says "their steps were not steps I wanted to put my feet in." [9]
When Olds first sent her poetry to a literary magazine she received a reply saying, "This is a literary magazine. If you wish to write about this sort of subject, may we suggest the Ladies' Home Journal . The true subjects of poetry are … male subjects, not your children." [16]
Olds eventually published her first collection, Satan Says, in 1980, at the age of 37. Satan Says sets up the sexual and bodily candour that would run through much of her work. In "The Sisters of Sexual Treasure" she writes, "As soon as my sister and I got out of our/ mother's house, all we wanted to/do was fuck, obliterate/her tiny sparrow body and narrow/grasshopper legs." [17]
The collection is divided into four sections: "Daughter," "Woman," "Mother," "Journeys." These titles echo the familial influence that is prevalent in much of Olds' work.
The Dead and the Living was published in February 1984. This collection is divided into two sections: "Poems for the Dead" and "Poems for the Living." The first section begins with poems about global injustices. These injustices include the Armenian genocide during WWI, the 1921 Tulsa Race Riot, the reign of Mohammad Reza Shah Pahlavi, and even the death of Marilyn Monroe.
Olds' book The Wellspring (1996), shares with her previous work the use of raw language and startling images to convey truths about domestic and political violence and family relationships. [18] In a New York Times review, Lucy McDiarmid hailed her poetry for its vision: "like Whitman, Ms. Olds sings the body in celebration of a power stronger than political oppression." [19] Alicia Ostriker noted Olds traces the "erotics of family love and pain." Ostriker continues: "In later collections, [Olds] writes of an abusive childhood, in which miserably married parents bully and punish and silence her. She writes, too, of her mother's apology "after 37 years," a moment when "The sky seemed to be splintering, like a window/someone is bursting into or out of." [17] Olds' work is anthologized in over 100 collections, ranging from literary/poetry textbooks to special collections. Her poetry has been translated into seven languages for international publications. She has been published in Beloit Poetry Journal. She was the New York State Poet Laureate for 1998–2000. [18]
Stag's Leap was published in 2013. The poems were written in 1997, following the divorce from her husband of 29 years. The poems focus on her husband, and even sometimes his mistress. The collection won the T. S. Eliot Prize for Poetry. [20] She is the first American woman to win this award. [20] It also won the Pulitzer Prize for Poetry. [21]
Olds did not participate in the Women's Movement at first, but she says, "My first child was born in 1969. In 1968 the Women's Movement in New York City—especially among a lot of women I knew—was very alive. I had these strong ambitions to enter the bourgeoisie if I could. I wasn't a radical at all. But I do remember understanding that I had never questioned that men had all the important jobs. And that was shocking—well, I was 20 years old! I'd never thought, "Oh, where's the woman bus driver?" So there's another subject—which was what it felt like to be a woman in the world." [22]
Anne Patricia Carson is a Canadian poet, essayist, translator, classicist, and professor.
John Lawrence Ashbery was an American poet and art critic.
Louise Elisabeth Glück was an American poet and essayist. She won the 2020 Nobel Prize in Literature, whose judges praised "her unmistakable poetic voice that with austere beauty makes individual existence universal". Her other awards include the Pulitzer Prize, National Humanities Medal, National Book Award, National Book Critics Circle Award, and Bollingen Prize. From 2003 to 2004, she was Poet Laureate of the United States.
Dušan Simić, known as Charles Simic, was a Serbian American poet and co-poetry editor of the Paris Review. He received the Pulitzer Prize for Poetry in 1990 for The World Doesn't End and was a finalist of the Pulitzer Prize in 1986 for Selected Poems, 1963–1983 and in 1987 for Unending Blues. He was appointed the fifteenth Poet Laureate Consultant in Poetry to the Library of Congress in 2007.
Philip Levine was an American poet best known for his poems about working-class Detroit. He taught for more than thirty years in the English department of California State University, Fresno and held teaching positions at other universities as well. He served on the Board of Chancellors of the Academy of American Poets from 2000 to 2006, and was appointed Poet Laureate of the United States for 2011–2012.
Jorie Graham is an American poet. The Poetry Foundation called Graham "one of the most celebrated poets of the American post-war generation." She replaced poet Seamus Heaney as Boylston Professor of Rhetoric and Oratory at Harvard University, becoming the first woman to be appointed to this position. She won the Pulitzer Prize for Poetry (1996) for The Dream of the Unified Field: Selected Poems 1974-1994 and was chancellor of the Academy of American Poets from 1997 to 2003. She won the 2013 International Nonino Prize in Italy.
Kevin Young is an American poet and the director of the Smithsonian Institution National Museum of African American History and Culture since 2021. Author of 11 books and editor of eight others, Young previously served as Director of the Schomburg Center for Research in Black Culture at the New York Public Library. A winner of a Guggenheim Fellowship as well as a finalist for the National Book Award for his 2003 collection Jelly Roll: A Blues, Young was Atticus Haygood Professor of English and Creative Writing at Emory University and curator of Emory's Raymond Danowski Poetry Library. In March 2017, Young was named poetry editor of The New Yorker.
Jack Gilbert was an American poet. Gilbert was acquainted with Jack Spicer and Allen Ginsberg, both prominent figureheads of the Beat Movement, but is not considered a Beat Poet; he described himself as a "serious romantic." Over his five-decade-long career, he published five full collections of poetry.
William Morris Meredith Jr. was an American poet and educator. He was Poet Laureate Consultant in Poetry to the Library of Congress from 1978 to 1980, and the recipient of the 1988 Pulitzer Prize for Poetry.
Alicia Elsbeth Stallings is an American poet, translator, and essayist.
Tracy K. Smith is an American poet and educator. She served as the 22nd Poet Laureate of the United States from 2017 to 2019. She has published five collections of poetry, winning the Pulitzer Prize for her 2011 volume Life on Mars. Her memoir, Ordinary Light, was published in 2015.
Kay Ryan is an American poet and educator. She has published seven volumes of poetry and an anthology of selected and new poems. From 2008 to 2010 she was the sixteenth United States Poet Laureate. In 2011 she was named a MacArthur Fellow and she won the Pulitzer Prize.
Jane Hirshfield is an American poet, essayist, and translator, known as 'one of American poetry's central spokespersons for the biosphere' and recognized as 'among the modern masters,' 'writing some of the most important poetry in the world today.' A 2019 elected member of the American Academy of Arts & Sciences, her books include numerous award-winning collections of her own poems, collections of essays, and edited and co-translated volumes of world writers from the deep past. Widely published in global newspapers and literary journals, her work has been translated into over fifteen languages.
Ellen Bryant Voigt is an American poet. She served as the Poet Laureate of Vermont.
Natasha Trethewey is an American poet who served as United States Poet Laureate from 2012 to 2014. She won the 2007 Pulitzer Prize in Poetry for her 2006 collection Native Guard, and is a former Poet Laureate of Mississippi.
Heather McHugh is an American poet notable for Dangers, To the Quick, Eyeshot and Muddy Matterhorn. McHugh was awarded a MacArthur Fellowship in the US and a Griffin Poetry Prize in Canada, and was elected to the American Academy of Arts and Sciences. She taught for thirty years at the University of Washington in Seattle and held visiting chairs at Berkeley, Stanford, Columbia, Syracuse, UCLA and elsewhere.
Brenda Shaughnessy is an Asian American poet most known for her poetry books Our Andromeda and So Much Synth. Her book, Our Andromeda, was named a Library Journal "Book of the Year," one of The New York Times's "100 Best Books of 2013." Additionally, The New York Times and Publishers Weekly named So Much Synth as one of the best poetry collections of 2016. Shaughnessy works as an Associate Professor of English in the MFA Creative Writing program at Rutgers University–Newark.
Natalie Diaz is a Pulitzer Prize-winning Mojave American poet, language activist, former professional basketball player, and educator. She is enrolled in the Gila River Indian Community and identifies as Akimel O'odham. She is currently an Associate Professor at Arizona State University.
Stag's Leap is a book of poetry written by Sharon Olds and published in 2012. It follows the events leading up to and following the poet's divorce, after a thirty-year marriage. The book won the T. S. Eliot Prize in 2012, and the Pulitzer Prize for Poetry in 2013.
Balladz is a 2022 poetry collection by Sharon Olds, published by Knopf. The book was a finalist for the 2022 National Book Award for Poetry and the Griffin Poetry Prize. It was also shortlisted for the T. S. Eliot Prize.
This article's use of external links may not follow Wikipedia's policies or guidelines.(October 2020) |