Sign | ||||
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Studio album by | ||||
Released | 8 October 2020 | |||
Recorded | 2018 – 2020 [1] | |||
Genre | ||||
Length | 65:33 (Standard) 71:47 (Japanese Edition) | |||
Label | Warp | |||
Producer |
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Autechre chronology | ||||
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Sign (often stylized as SIGN) is the fourteenth studio album by British electronic music duo Autechre. It was announced on 2 September 2020 and was released on 16 October 2020 through Warp Records on 2xLP, CD and digital services. Sign was recorded between 2018 and 2019, with production finishing in February 2020. The artwork for the release was created by The Designers Republic. The title of Sign is an acronym, however the duo have never explained its meaning.
Critics responded positively to the album, noting the album's more accessible direction compared to the duo's previous works. Plus , a companion album to Sign, was released without announcement twelve days later. As of January 2025, Sign and Plus have been the duo's last studio albums in 4 years.
Autechre are a British electronic music duo consisting of Rob Brown and Sean Booth. [2] The duo released their first record, Cavity Job , in 1991. [3] Their first album, Incunabula , was released in 1993 and became a surprise success. [4] The duo gradually moved into less melodic and more experimental music, notably with the release of albums like Confield , Quaristice , and Exai . [5] The duo also moved away from composing music with traditional synthesisers, opting for programs and generative algorithms such as Max. [6] Critics have described their newer sound as cold, distant and complex. [7] [8]
Autechre recorded the tracks that ended up on Sign between 2018 and 2019, [9] finishing production in February 2020. [1] Booth described how he would write pieces of software, send them to Brown and receive "weird tracks" in return. [9]
Brown and Booth have stated in interviews their newer music is primarily composed with something named "the system"; it has been described as a large network of synthesisers and digital processes built in Max. [10] While Autechre make use of Max, and more specifically "the system", Booth stated the music wasn't entirely generative; it instead requires human input to change and guide tracks. [9]
Brown stated in an interview that the album's title was an acronym, but that they "don't want to tell anybody what it stands for." [9] Booth stated that much of the album's creation was "all over the place" and that the duo usually work better with "as little direction as possible". [9] Booth also stated that the duo did not share tracks with each other for almost a year. [9]
Sign has been described as experimental, [11] IDM, [12] and electronic. [13] Critics wrote that the composition of Sign was a lot more accessible in comparison to the duo's previous projects such as NTS Sessions 1–4 and elseq 1–5 . [14] Philip Sherburne of Pitchfork commented that the track "Esc Desc" was "slow and stately" and that the track contained "layered synths slipping between consonance and dissonance". [15] Sherburne also stated that tracks such as "Psin AM" contained "sullen synths" that call back to Boards of Canada's Hi Scores EP. He also pointed out "Metaz form8", calling it an "ambient centerpiece" of the album. In a review for AllMusic, Paul Simpson called "F7" a track with light beats that resembled "smeared, melted neon". [16] "Si00" is a track that Simpson called an "enchanting sequence of bubbles" that gradually emerge from the unsteady beat. [16] Simpson said that "Au14" was a sharper track, containing sharp pulses and a "swirl of particles". [16] Andrew Ryce's review of Sign for Resident Advisor called "F7" one of Autechre's most "gorgeous" tracks, and that it was similar in composition to "known(1)" from Oversteps . [11] "Esc Desc" was also noted for its "silvery synths". [11]
Daryl Keating of Exclaim! wrote that Sign featured a more "stripped back" structure, more so than their previous projects. [14] Keating also commented that the duo "largely jettisoned the beats on Sign," but noted that they "haven't gone fully ambient either". Writing for The Guardian , Tayyab Amin wrote that the melodies on Sign took prominence during the album, and that it was a "dense and viscous record with synthetic textures that hold great depth". [13] Ollie Rankine of Loud and Quiet also noted Sign's more melodic approach, commenting that the duo had "[attached] a rare melodic depth to their expansive sound". [17] Charlie Frame, writing for The Quietus commented that "Gr4" was "perhaps the prettiest track" and that it "showcases see-sawing synths that keen like a string quartet". He wrote that "Si007" featured a dry kick that "always seems a micro-step ahead of itself, like feet tripping over themselves". [18]
In early 2020, Sign and its companion album Plus were teased through a series of live mix sessions. [19] [20] The album's release date and cover art were announced on 2 September 2020. [21] [22]
Sign was officially released on 16 October 2020 through Warp Records on CD, 2xLP, and digital services. The artwork for the release was created by The Designers Republic, who have handled artwork for previous Autechre albums such as Oversteps or NTS Sessions 1–4 . [23] [24] [25] The release of Sign marked the duo's first standard length album since the release of Exai. [26] A companion album to Sign, titled Plus (stylised as PLUS) was released without announcement twelve days after the release of Sign. [27]
In a 2024 interview with the duo for Metal, Booth and Brown showed their disinterest in future studio albums. [28] Booth noted how the concept of a studio album seemed "outdated", while Brown noted the difficulties in album promotion. [28] The duo highlighted their preference towards live recordings, noting AE_2022– as an example. [28]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 82/100 [29] |
Review scores | |
Source | Rating |
AllMusic | [16] |
Clash | 9/10 [30] |
Exclaim! | 8/10 [14] |
The Guardian | [13] |
Mojo | [31] |
Pitchfork | 8.1/10 [15] |
Record Collector | [32] |
Uncut | 8/10 [33] |
Under the Radar | 7/10 [34] |
Beats Per Minute | 79% [35] |
Sign was received positively by critics. At Metacritic, which aggregates scores from mainstream critics, Sign has an average score of 82 based on 12 reviews, indicating "critical acclaim". [29]
Reviewing Sign for AllMusic, Paul Simpson commented that some tracks lacked form and were not unique and distinctive enough to be memorable for listeners. [16] However, he also concluded that Sign was a more approachable Autechre release and a good starting point for new listeners. [16] Nick Roseblade of Clash gave a positive review, noting the album's more melodic nature compared to past projects by the duo. [30] Daryl Keating of Exclaim! noted the quality of the music seen throughout the album, and commented on its accessibility towards newer listeners. [14] Writing for The Quietus, Charlie Frame called the album a "welcome detour" and felt it proved Autechre were "in tune with their audience". [18] The Quietus also ranked Sign at number 13 on their list of albums of the year in 2020; Frame stated it was a "emotionally direct" album. [36]
In a review for The Guardian, Tayyab Amin said that the album failed to stand out in the modern day music scene. However, he also wrote about how there were times when Sign "truly soars". [13] Philip Sherburne of Pitchfork concluded that "Autechre have managed to do something that machines can't do nearly as well as humans: surprise us." [15] Joey Arnone of Under the Radar commented on the duo's ability to create confusing atmospheres and soundscapes, and said that the tracks on Sign were "chaotic and ethereal, harsh and euphoric, mechanical and biological" all at the same time. [34] In a piece for Beats Per Minute , Jeremy Fisette described how the compositions seen throughout the album were as experimental and difficult as previous albums from the duo. He also stated how Autechre "continue to beguile and confound" and called Sign the duo's "most flat-out gorgeous album in ages". [35] Mike Goldsmith of Record Collector gave Sign three stars and discussed how the album took a more ambient and melodic approach compared to their previous albums. [32] Goldsmith also noted how the album showed a less technical side of Autechre. [32]
All tracks are written by Sean Booth and Rob Brown
No. | Title | Length |
---|---|---|
1. | "M4 Lema" | 8:49 |
2. | "F7" | 5:56 |
3. | "Si00" | 5:51 |
4. | "Esc Desc" | 4:55 |
5. | "Au14" | 5:03 |
6. | "Metaz form8" | 6:00 |
7. | "Sch.Mefd 2" | 5:25 |
8. | "Gr4" | 3:21 |
9. | "Th Red A" | 6:35 |
10. | "Psin AM" | 6:20 |
11. | "R Cazt" | 7:12 |
Total length: | 65:33 |
No. | Title | Length |
---|---|---|
12. | "N Cur" | 6:14 |
Total length: | 71:47 |
Chart (2020) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [38] | 10 |
Belgian Albums (Ultratop Wallonia) [39] | 56 |
Dutch Albums (Album Top 100) [40] | 51 |
German Albums (Offizielle Top 100) [41] | 53 |
Scottish Albums (OCC) [42] | 16 |
UK Albums (OCC) [43] | 41 |
Autechre are an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut Incunabula. They gained initial recognition when they were featured on Warp's 1992 compilation Artificial Intelligence.
Boards of Canada are a Scottish electronic music duo consisting of the brothers Mike Sandison and Marcus Eoin, formed initially as a trio in 1986 before becoming a duo in the 1990s. Signing first to Skam followed by Warp Records in the 1990s, the duo received recognition following the release of their debut album Music Has the Right to Children on Warp in 1998. They followed with the critically acclaimed albums Geogaddi (2002), The Campfire Headphase (2005) and Tomorrow's Harvest (2013).
Selected Ambient Works Volume II is the second studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 7 March 1994 through Warp Records. Following James's ambient techno debut Selected Ambient Works 85–92, Volume II features purely ambient music. James was inspired through lucid dreaming and likened the album to "standing in a power station on acid."
Tri Repetae is the third studio album by English electronic music duo Autechre, released on 6 November 1995 by Warp in the United Kingdom. In contrast to the duo's previous albums, Incunabula (1993) and Amber (1994), Tri Repetae features a distinct style that incorporates more minimal rhythms and spacious melodies.
The untitled fifth studio album by English electronic music duo Autechre, commonly known as LP5, was released on 13 July 1998 on Warp. No title was printed anywhere within the artwork, so it became known as LP5 in line with the later EP EP7; it has also been called Autechre, as well as Album, as listed on promotional copies.
Confield is the sixth studio album by British electronic music duo Autechre. It was released on 30 April 2001 through Warp Records on 2xLP, CD and digital services. The album marked a significant shift in sound for the duo, moving towards abstract and experimental tracks instead of the previous warm, ambient sounds of Amber and Tri Repetae. Confield was the first Autechre studio album to utilise generative programs such as Max. The album received mixed reviews; some critics enjoyed its experimental nature, while others thought it was overly robotic and unapproachable.
Draft 7.30 is the seventh album by English electronic music duo Autechre, released on 7 April 2003 by Warp Records.
Skam Records is an independent electronic music record label based in Manchester, England, founded by Andy Maddocks around 1990. Skam also runs a smaller sub-label called 33.
Untilted is the eighth studio album by the British IDM duo Autechre. The record was released 18 April 2005 in Europe and 19 April 2005 in North America by Warp Records, while Beat Records released it in Japan on 9 April 2005. The album charted at #199 in the UK. The cover art for the album was created by Alex Rutterford.
Quaristice is the ninth studio album by British electronic music duo Autechre, initially released on 29 January 2008 by Warp Records. It was made available for download via bleep.com in FLAC and MP3 format on 29 January 2008 and then received a physical release on 3 March 2008.
Oversteps is the tenth studio album by British electronic music duo Autechre, released on Warp Records in 2010. The album was made available for official download on bleep.com and the Japanese iTunes Store on 22 February 2010; the CD and deluxe vinyl editions were released on 22 March 2010. Critics were generally quite positive about Oversteps, with many considering it more focused and accessible than previous albums. Four months after its release, Oversteps was followed by a companion EP entitled Move of Ten.
Mount Kimbie is an English electronic music group consisting of Dominic Maker, Kai Campos, Andrea Balency-Béarn and Marc Pell. Mount Kimbie was formed in 2008 by Maker and Campos. The duo expanded on the musical template of the UK dubstep scene, releasing early EPs Maybes and Sketch on Glass to critical praise the following year. Their debut album Crooks & Lovers in 2010 received further acclaim and was listed as one of the defining albums of the decade by DJ Mag.
Exai is the eleventh studio album by British electronic music duo Autechre. It was released on 7 February 2013 through Warp Records, with physical versions arriving on 5 March 2013. Before the release of NTS Sessions 1–4, Exai was Autechre's longest album to date. Critics responded positively to the album, noting its complexity and its use of sounds from previous albums. Some critics also criticised the length of the album and the tracks selected for inclusion. Exai was followed by a companion EP named L-event which released on 28 October 2013.
L-event is an EP by electronic music duo Autechre, released on Warp Records on 28 October 2013. The EP is a companion to Autechre's double album Exai, which was released earlier in the same year.
AE_LIVE is a series of live recordings by British electronic music duo Autechre, initially released on 29 October 2015 by Warp Records. As of 2019, it consists of 28 soundboard recordings, each roughly an hour long, made during their 2014-2015 live tour. Said tour had its inception at Warp Records' 25th anniversary Warp25 celebration in Kraków, Poland on 20 September 2014, the duo's first live show since 2011. The recordings are accompanied by individualized abstract geometric artwork produced by The Designers Republic.
elseq 1–5 is the twelfth studio album by British electronic music duo Autechre. It was released by Warp Records on 19 May 2016. The album consists of five segments, each roughly 50 minutes in length. All five were made available for individual or group purchase as a digital download only, making it Autechre's first album without a physical release.
NTS Sessions 1–4 is the thirteenth studio album by British electronic music duo Autechre. It was released by Warp Records on 26 April 2018. The album was announced on 9 April, and consists of original music comprising Autechre's residency for NTS Radio on 3 April. The album was released digitally as well as 8xCD and 12xLP. Containing exactly eight hours of music, NTS Sessions 1–4 is the longest Autechre studio album. The album was met with critical acclaim.
AE_LIVE 2016/2018 is a series of live recordings by British electronic music duo Autechre, released on 7 April 2020 by Warp Records. It consists of 7 soundboard recordings made during their live tours in 2016 and 2018. The 2016 dates were recorded during Autechre's European "onesix" tour, and the 2018 dates were recorded during a short tour of Australia, Japan and Ireland. Autechre has said some dates from these tours were not recorded due to technical difficulties. Both tours feature variations of the same set.
Plus is the fifteenth studio album by British electronic music duo Autechre. It was released digitally with no prior announcement on 28 October 2020 through Warp Records. Plus was released twelve days after Sign, the band's previous album. The album was released on physical formats on 20 November 2020. Critics noted that Plus took a more percussive approach compared to the duo's previous album. The cover and packaging artwork for the release was created by The Designers Republic.
AE_2022– is a collection of live recordings by British electronic music duo Autechre. While initially released on 10 August 2023 through Warp Records, a set of brand new recordings were added on 4 November 2024. Currently, it consists of 19 soundboard recordings made during their live tours in 2022–2024. The recordings are accompanied by individualized artwork produced by The Designers Republic.