"Something There" | |
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Song by Paige O'Hara and Robby Benson featuring Jerry Orbach, Angela Lansbury and David Ogden Stiers | |
from the album Beauty and the Beast: Original Motion Picture Soundtrack | |
Released | October 29, 1991 |
Length | 2:18 |
Label | Walt Disney |
Songwriter(s) | |
Producer(s) |
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"Something There" is a song written by lyricist Howard Ashman and composer Alan Menken for Walt Disney Pictures animated film Beauty and the Beast (1991). Sung by the majority of the film's main cast, the song was recorded by American actors Paige O'Hara as Belle and Robby Benson as the Beast via voice over, featuring actors Jerry Orbach, Angela Lansbury and David Ogden Stiers as Lumiere, Mrs. Potts and Cogsworth, respectively. The only song performed by the Beast, "Something There" is heard midway through Beauty and the Beast during a scene in which Belle and the Beast finally begin to acknowledge their feelings for each other.
A last-minute addition to the film, the simple love song was quickly written by Ashman and Menken to replace the more elaborate and ambitious "Human Again" after the latter was cut from Beauty and the Beast. O'Hara based her own vocal performance on that of American singer and actress Barbra Streisand, whom Ashman advised the actress to impersonate, while O'Hara herself convinced the songwriters to have Benson record the song. Critical reception towards "Something There" has been positive, with film and music critics alike praising Ashman's abilities as both a songwriter and a storyteller.
"Something There" was written by lyricist Howard Ashman and composer Alan Menken. [1] According to Menken, "Something There" was written as "a very quick replacement for ... 'Human Again'," the latter of which was ultimately cut from Beauty and the Beast because it was considered "too ambitious" for the film. [2] Eleven minutes in length, producer Don Hahn explained that the song was cut because "We just couldn't figure out how to make it work and not take away from the central story of Belle." [3] Upon learning that "Human Again" was removed from Beauty and the Beast, Ashman and Menken were forced to return "to the drawing board to write something more contained and simple," the ultimate result of which was the love song "Something There," [4] which has been described as "shorter and more direct" than "Human Again". [5] The creative team had originally believed that the Beast saving Belle from the wolves was enough to justify the dance sequence near the end of the film, though later realised they had in fact not yet earned this moment; this quiet song where Beast gives Belle his library was pitched and written by Howard Ashman and "as soon as that was written, we knew the movie was going to work". [6]
In his biography I'm Not Dead... Yet!, actor Robby Benson, voice of the Beast, revealed that it was co-star Paige O'Hara's idea to have Benson's character duet with O'Hara's Belle in "Something There". [7] According to Benson, the actress "explained to Ashman and Menken that [Benson] had made records and sang in Broadway musicals." [8] O'Hara briefly struggled to record one of the song's lines – "a bit alarming" – [9] to which an ailing Ashman, who was forced to communicate with O'Hara and the studio via telephone from his hospital bed in New York due to his illness, simply responded "Streisand." By this, Ashman meant that he wanted O'Hara to impersonate singer and actress Barbra Streisand, and by doing so O'Hara finally recorded the song successfully. [10] "Something There" was recorded by O'Hara and Benson accompanied by a live orchestra. [7]
In the book The Meanings of "Beauty and the Beast": A Handbook, author Jerry Griswold observed that the "Something There" musical sequence is preceded by "the once feisty Belle ... bandaging and nursing [the Beast]" after he rescues her from the wolves. [11] Contextually, the purpose of the song has been identified as "Dramatizing [Belle and the Beasts'] partnership." [12] Leading up to the musical sequence, the Beast first "surprises Belle by showing her his library and then they learn to eat together." [13] Author Robin O. Winter observed that "During the scene they begin to see beneath their outer appearances and start to appreciate each other's inner qualities," [13] while one critic identified this as one of the scenes in "which Belle and the Beast hesitantly slowly open up to one another." [14] Writing for Wesleyan University, Rachel Anne Silverman observed that "Something There" depicts "The first time Belle and the Beast's attraction is introduced," describing the couple's relationship as "a passion that has developed over time." [15] Initially, Belle is alarmed "as she realizes her growing love for the Beast," [16] briefly hiding behind a tree as she sings. [17] According to the Hal Leonard Corporation and Music Theatre International, the castle's staff of enchanted objects also discover "something different between Belle and the Beast." [18] [19] "Something There" concludes with Belle and the Beast retreating to a fireplace and reading. [20] In the original film, "Something There" immediately precedes the film's title song. However, for its special edition re-release, the song is immediately followed by the newly reinstated "Human Again". [21]
Identifying the song as "where the genius of music as storytelling kicks in," Simon Brew of Den of Geek felt that "Something There" is "the track with the heaviest workload." The author observed that "In two minutes and 19 seconds, [the song] gets across just how the position and feelings of the characters have changed." [22] For instance, "At the beginning of 'Something There,' Belle admits that she thought the Beast was mean, coarse, and unrefined. By the end, she’s feeling pretty smitten," according to Oh My Disney. [23] The song also depicts the film's passing of time, [24] while providing audiences with an opportunity "to appreciate Beast and first see the potential for Belle and him." [25] On the song's role in the special edition version of the film, co-director Kirk Wise explained, "There's a ... little suite of music now that starts with 'Something There' ... which segues into 'Human Again' which gives the object perspective on what they hope for when [Belle and the Beast] fall in love and that transitions into 'Beauty and the Beast' the ballad, which is the culmination of their relationship." [26] Dubbing the song "soliloquies of Belle and the Beast," TV Guide drew comparisons between "Something There" and songs from the musical South Pacific . [27]
The "Something There" musical sequence was added towards the end of Beauty and the Beast's filmmaking process. Belle was animated by Mark Henn, while the Beast was animated by Aaron Blaise. Henn described "Something There" as "a great sequence," continuing, "I love to animate songs." [28] [ self-published source ] The Los Angeles Times ' Charles Solomon felt that Belle was drawn inconsistently throughout the film, observing that the character appears "noticeably slimmer" during "Something There". [29]
Written in the key of D-flat major at a quick allegretto tempo of 108 beats per minute in common time, the "playful" [30] "Something There" is a Broadway musical-inspired duet in which Belle and the Beast finally conclude that "there's something there that wasn't there before." [11] The song spans a duration of two minutes and eighteen seconds, making it the third shortest song on the soundtrack behind the reprises of "Belle" and "Gaston", respectively. [31] Describing "Something There" as "a fluffy song," Filmtracks.com observed that the song "shares many instrumental devices with 'Belle';" one of Belle's verses in "Something There" serves as "a reprise of the secondary phrase from ['Belle']". [32] Combined, O'Hara and Benson's vocal ranges span two octaves, from the low note of A♭3 to the high note of E♭5. [33] The song, described as "a poignant character number" [34] performed "Against a background of the easy rhythms of soft, lilting violins," [12] "allowed [O'Hara and Benson] to blend their voices." [35] In addition, Women's Studies in Communication observed that the "tentative bursts of notes symbolize the uncertainties of this new way of relating". [12]
In the song's first verse, "Belle articulates how her attraction to [the Beast] stems from his shut-off demeanor," singing, "There's something sweet/And almost kind/But he was mean/And he was coarse and unrefined/But now he's dear/And so unsure/I wonder why I didn't see it there before." [36] [23] The Beast's verse reads, "when we touched she didn't shudder at my paw." [37] According to Laurence E. MacDonald, author of the book The Invisible Art of Film Music: A Comprehensive History, Benson "shocked many filmgoers with his richly resonant baritone." [35] Finally, Belle sings the song's bridge, which reads, "New and a bit alarming/Who'd have ever thought that this could be?/True, that he's no Prince Charming/But there's something in him that I simply didn't see." According to the Los Angeles Times , by the end of "Something There", "the audience understands what Belle and Beast feel and how disconcerting those emotions seem." [29]
"Something There" has garnered mostly positive reviews from film and music critics. Writing for Den of Geek, Simon Brew felt that "Something There" is "where the genius of music as storytelling kicks in." In Brew's opinion, the "utterly convincing and un-mawkish" song works "because the two characters aren't on screen singing directly at each other." Brew concluded, "Everyone who makes an animated film that has a love story at the heart should watch this." [22] Filmtracks.com described "Something There" as an "affable" song. [32] Particularly praising Ashman's songwriting, Charles Solomon of the Los Angeles Times wrote that "Ashman's songs advance the plot by exploring the characters' emotions and making story points more concisely than conventional exposition." Solomon concluded, "By the end of the deceptively simple-sounding 'Something There,' the audience understands what Belle and Beast feel and how disconcerting those emotions seem." [29] O'Hara continues to cite "Something There" as her favorite of the film's songs, [38] [39] elaborating, "Every time I see the Beast with that grin on his face and the bird in his hand, my heart just melts." [40]
For the studio's pending live-action adaptation of Beauty and the Beast, Julia Emmanuele of Hollywood.com suggested that the filmmakers "feel free to drop 'Something There' if there’s no room for it" because "it won't be missed." [41] However, when English actress Emma Watson confirmed in January 2015 that she will be portraying Belle via Facebook, she cited "Something There" as one of her favorite songs from her childhood. [42] Irving Tan of Sputnikmusic jokingly called "Something There" "the closest the movie comes to admitting its horrendously inappropriate stance on human-animal sexual relations." [37]
Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is based on the 1756 fairy tale by Jeanne-Marie Leprince de Beaumont, in turn an abridged version of the 1740 story by Gabrielle-Suzanne Barbot de Villeneuve. The film also incorporates ideas from the 1946 French film directed by Jean Cocteau. The film was directed by Gary Trousdale and Kirk Wise, and produced by Don Hahn, from a screenplay by Linda Woolverton.
Howard Elliott Ashman was an American playwright, lyricist and stage director. He is most widely known for his work on feature films for Walt Disney Animation Studios, for which Ashman wrote the lyrics and Alan Menken composed the music. Ashman has been credited as being a main driving force behind the Disney Renaissance. His work included songs for Little Shop of Horrors, The Little Mermaid, Beauty and the Beast, and Aladdin. Tim Rice took over to write the rest of the songs for the latter film after Ashman's death in 1991.
Alan Irwin Menken is an American composer and conductor, best known for his scores and songs for films produced by Walt Disney Animation Studios and Skydance Animation. Menken's music for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) has each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1986), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), and Disenchanted (2022), among others. His accolades include winning eight Academy Awards — becoming the second most prolific Oscar winner in the music categories after Alfred Newman, a Tony Award, eleven Grammy Awards, seven Golden Globe Awards, and a Daytime Emmy Award. Menken is one of nineteen people to have won an Emmy, a Grammy, an Oscar and a Tony.
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Paige O'Hara is an American actress, singer, and painter. O'Hara began her career as a Broadway actress in 1975 when she portrayed Della in The Gift of the Magi. In 1991, she made her motion picture debut in Disney's Beauty and the Beast, in which she voiced the film's heroine, Belle. Following the critical and commercial success of Beauty and the Beast, O'Hara reprised her role as Belle in the film's three direct-to-video follow-ups, Beauty and the Beast: The Enchanted Christmas (1997), Belle's Magical World (1998), Belle's Tales of Friendship (1999), and for cameo appearances in Ralph Breaks the Internet (2018) and Once Upon a Studio (2023).
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"Beauty and the Beast" is a song written by lyricist Howard Ashman and composer Alan Menken for the Disney animated feature film Beauty and the Beast (1991). The film's theme song, the Broadway-inspired ballad was first recorded by British-American actress Angela Lansbury in her role as the voice of the character Mrs. Potts, and essentially describes the relationship between its two main characters Belle and the Beast, specifically how the couple has learned to accept their differences and in turn change each other for the better. Additionally, the song's lyrics imply that the feeling of love is as timeless and ageless as a "tale as old as time". Lansbury's rendition is heard during the famous ballroom sequence between Belle and the Beast, while a shortened chorale version plays in the closing scenes of the film, and the song's motif features frequently in other pieces of Menken's film score. Lansbury was initially hesitant to record "Beauty and the Beast" because she felt that it was not suitable for her aging singing voice, but ultimately completed the song in one take.
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something there beauty and the beast.