The Dream of Scipio (Latin: Somnium Scipionis), written by Cicero, is the sixth book of De re publica , and describes a (postulated fictional or real) dream vision of the Roman general Scipio Aemilianus, set two years before he oversaw the destruction of Carthage in 146 BC.
The Somnium Scipionis is a portion of the sixth and final book from Cicero's De re publica , but because parts of Cicero's whole work are missing, Somnium Scipionis represents nearly all that remains of the sixth book. [1] The main reason that the Somnium Scipionis survived was because in the fifth-century, the Latin writer Macrobius wrote a Neoplatonic commentary on the work, in which he excerpted large portions from Cicero. [2] [3] Additionally, many copies of Macrobius's work were amended with a copy of the Somnium Scipionis at their end. [1] However, during the Middle Ages, the Somnium Scipionis became so popular that its transmission was polluted by multiple copies, and today it has been impossible to establish a stemma for it. [2]
Upon his arrival in Africa, a guest at the court of Massinissa, Scipio Aemilianus is visited by his dead grandfather-by-adoption, Scipio Africanus, hero of the Second Punic War. He finds himself looking down upon Carthage "from a high place full of stars, shining and splendid". His future is foretold by his grandfather, and great stress is placed upon the loyal duty of the Roman soldier, who will as a reward after death "inhabit... that circle that shines forth among the stars which you have learned from the Greeks to call the Milky Way". Nevertheless, Scipio Aemilianus sees that Rome is an insignificant part of the earth, which is itself dwarfed by the stars.
Then, Scipio Aemilianus sees that the universe is made up of nine celestial spheres. The earth is the innermost, whereas the highest is heaven, which "contains all the rest, and is itself the supreme God" (unus est caelestis [...] qui reliquos omnes complectitur, summus ipse deus). In between these two extremes lie the seven spheres of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, and Saturn (which proceed from lowest to highest). [4] [5] As he stares in wonder at the universe, Scipio Aemilianus begins to hear a "so great and so sweet" (tantus et tam dulcis) sound, which Scipio Africanus identifies as the musica universalis : the "music of the spheres". He explains to his grandson that because the planets are set apart at fixed intervals, a sound is produced as they move. The moon, being the lowest sphere and the one closest to Earth, emits the lowest sound of all, whereas the heaven emits the highest. The Earth, on the other hand, does not move, remaining motionless at the center of the universe. [6] [7]
Then the climatic belts of the earth are observed, from the snow fields to the deserts, and there is discussion of the nature of the Divine, the soul and virtue, from the Stoic point of view.
The tale is modelled on the "Myth of Er" in Plato's Republic . [8] Although the story of Er records a near-death experience, while the journey of Scipio's "disembodied soul" takes place in a dream, both give examples of belief in astral projection. [9]
The literary and philosophical influence of the Somnium was great. Macrobius' Commentary upon Scipio's Dream was known to the sixth-century philosopher Boethius, and was later valued throughout the Middle Ages as a primer of cosmology. The work assumed the astrological cosmos formulated by Claudius Ptolemy. Chretien de Troyes referred to Macrobius' work in his first Arthurian romance, Erec and Enide , and it was a model for Dante's account of heaven and hell. Chaucer referred to the work in "The Nun's Priest's Tale" and especially in the Parlement of Foules .
Some critics consider Raphael's painting Vision of a Knight to be a depiction of Scipio's Dream. [10]
The composer Mozart, at the age of fifteen, wrote a short opera entitled Il sogno di Scipione (K. 126), with a libretto by Metastasio, based upon Scipio Aemilianus's 'soul-journey' through the cosmos.
Iain Pears wrote a historical novel called The Dream of Scipio which, though attributed to fictional classical writer Manlius, refers to Cicero's work in various direct and indirect ways.
Bernard Field, in the preface to his History of Science Fiction, cited Scipio's vision of the Earth as seen from a great height as a forerunner of modern science fiction writers describing the experience of flying in orbit — particularly noting the similarity between Scipio's realization that Rome is but a small part of the Earth with similar feeling by characters in Arthur C. Clarke's works.
This story is the basis for Chris McCully's poem "Scipio's Dream" from his collection Not Only I, published in 1996.
Images from a 12th-century manuscript of Macrobius' Commentarii in Somnium Scipionis (Parchment, 50 ff.; 23.9 × 14 cm; Southern France). Date: ca. 1150. Source: Copenhagen, Det Kongelige Bibliotek, ms. NKS 218 4°.
Macrobius Ambrosius Theodosius, usually referred to as Macrobius, was a Roman provincial who lived during the early fifth century, during late antiquity, the period of time corresponding to the Later Roman Empire, and when Latin was as widespread as Greek among the elite. He is primarily known for his writings, which include the widely copied and read Commentarii in Somnium Scipionis about Somnium Scipionis, which was one of the most important sources for Neoplatonism in the Latin West during the Middle Ages; the Saturnalia, a compendium of ancient Roman religious and antiquarian lore; and De differentiis et societatibus graeci latinique verbi, which is now lost. He is the basis for the protagonist Manlius in Iain Pears' book The Dream of Scipio.
Scipio may refer to:
Publius Cornelius Scipio Africanus Aemilianus, known as Scipio Aemilianus or Scipio Africanus the Younger, was a Roman general and statesman noted for his military exploits in the Third Punic War against Carthage and during the Numantine War in Spain. He oversaw the final defeat and destruction of the city of Carthage. He was a prominent patron of writers and philosophers, the most famous of whom was the Greek historian Polybius. In politics, he opposed the populist reform program of his murdered brother-in-law, Tiberius Gracchus.
The celestial spheres, or celestial orbs, were the fundamental entities of the cosmological models developed by Plato, Eudoxus, Aristotle, Ptolemy, Copernicus, and others. In these celestial models, the apparent motions of the fixed stars and planets are accounted for by treating them as embedded in rotating spheres made of an aetherial, transparent fifth element (quintessence), like gems set in orbs. Since it was believed that the fixed stars did not change their positions relative to one another, it was argued that they must be on the surface of a single starry sphere.
A mappa mundi is any medieval European map of the world. Such maps range in size and complexity from simple schematic maps 25 millimetres or less across to elaborate wall maps, the largest of which to survive to modern times, the Ebstorf map, was around 3.5 m in diameter. The term derives from the Medieval Latin words mappa and mundus (world).
Timaeus is one of Plato's dialogues, mostly in the form of long monologues given by Critias and Timaeus, written c. 360 BC. The work puts forward reasoning on the possible nature of the physical world and human beings and is followed by the dialogue Critias.
The term Great Year has more than one major meaning. It is defined by scientific astronomy as "The period of one complete cycle of the equinoxes around the ecliptic, or about 25,800 years". Ptolemy reported that his teacher Hipparchus, by comparing the position of the vernal equinox against the fixed stars in his time and in earlier observations, discovered that it shifts westward approximately one degree every 72 years. Thus the time it would take the equinox to make a complete revolution through all the zodiac constellations and return to its original position would be approximately 25,920 years. In the heliocentric model, the precession can be pictured as the axis of the Earth's rotation making a slow revolution around the normal to the plane of the ecliptic. The position of the Earth's axis in the northern night sky currently almost aligns with the star Polaris, the North Star. But as the direction of the axis is changing, this is a passing coincidence which was not always so and will not be so again until a Great Year has passed.
Panaetius of Rhodes was an ancient Greek Stoic philosopher. He was a pupil of Diogenes of Babylon and Antipater of Tarsus in Athens, before moving to Rome where he did much to introduce Stoic doctrines to the city, thanks to the patronage of Scipio Aemilianus. After the death of Scipio in 129 BC, he returned to the Stoic school in Athens, and was its last undisputed scholarch. With Panaetius, Stoicism became much more eclectic. His most famous work was his On Duties, the principal source used by Cicero in his own work of the same name.
De re publica is a dialogue on Roman politics by Cicero, written in six books between 54 and 51 BC. The work does not survive in a complete state, and large parts are missing. The surviving sections derive from excerpts preserved in later works and from an incomplete palimpsest uncovered in 1819. Cicero uses the work to explain Roman constitutional theory. Written in imitation of Plato's Republic, it takes the form of a Socratic dialogue in which Scipio Aemilianus takes the role of a wise old man.
Critolaus of Phaselis was a Greek philosopher of the Peripatetic school. He was one of three philosophers sent to Rome in 155 BC, where their doctrines fascinated the citizens, but frightened the more conservative statesmen. None of his writings survive. He was interested in rhetoric and ethics, and considered pleasure to be an evil. He maintained the Aristotelian doctrine of the eternity of the world, and of the human race in general, directing his arguments against the Stoics.
The Vision of a Knight, also called The Dream of Scipio or Allegory, is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1503–1504. It is in the National Gallery in London. It probably formed a pair with the Three Graces panel, also 17 cm square, now in the Château de Chantilly museum.
Il sogno di Scipione, K. 126, is a dramatic serenade in one act composed by Wolfgang Amadeus Mozart to a libretto by Pietro Metastasio, which is based on the book Somnium Scipionis by Cicero; Metastasio's libretto has been set to music several times. Mozart had originally composed the work at the age of 15 for his patron, Prince-Archbishop Sigismund von Schrattenbach. After the bishop's death before it could be performed, Mozart dedicated it to Schrattenbach's successor, Count Colloredo. It was given a private performance in the Archbishop's Palace in Salzburg on 1 May 1772, although not in its entirety. Only one aria, the final chorus and the recitative dedicating it to the new Prince-Archbishop were performed. It is highly unlikely that it was ever performed in its entirety in Mozart's lifetime.
The Dream of Scipio is a novel by Iain Pears. It is set in Provence at three different critical moments of Western civilization—the collapse of the Roman Empire in the fifth century, the Black Death in the fourteenth, the Second World War in the twentieth—through which the fortunes of three men are followed:
Publius Cornelius Scipio Nasica Corculum was a politician of the Roman Republic. Born into the illustrious family of the Cornelii Scipiones, he was one of the most important Roman statesmen of the second century BC, being consul two times in 162 and 155 BC, censor in 159 BC, pontifex maximus in 150 BC, and finally princeps senatus in 147 BC.
The Vision of Delight was a Jacobean era masque written by Ben Jonson. It was most likely performed on Twelfth Night, 6 January 1617 in the Banqueting House at Whitehall Palace, and repeated on 19 January that year.
The Discarded Image: An Introduction to Medieval and Renaissance Literature is a non-fiction book by C. S. Lewis. It was his last book and deals with medieval cosmology and the Ptolemaic universe. It portrays the medieval conception of a "model" of the world, which Lewis described as "the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe."
Cosmographia ("Cosmography"), also known as De mundi universitate, is a Latin philosophical allegory, dealing with the creation of the universe, by the twelfth-century author Bernardus Silvestris. In form, it is a prosimetrum, in which passages of prose alternate with verse passages in various classical meters. The philosophical basis of the work is the Platonism of contemporary philosophers associated with the cathedral school of Chartres—one of whom, Thierry of Chartres, is the dedicatee of the work. According to a marginal note in one early manuscript, the Cosmographia was recited before Pope Eugene III when he was traveling in France (1147–48).
Pascalis Romanus was a 12th-century priest, medical expert, and dream theorist, noted especially for his Latin translations of Greek texts on theology, oneirocritics, and related subjects. An Italian working in Constantinople, he served as a Latin interpreter for Emperor Manuel I Komnenos.
The Scipionic Circle, or the Circle of Scipio, was a group of philosophers, poets, and politicians patronized by their namesake, Scipio Aemilianus. Together they would discuss Greek culture, literature, and humanism. Alongside their philhellenic disposition, the group also had a more humane Roman foreign policy. The term was first derived during the 19th century and ubiquitously adopted by scholars of the early 20th century. The collection of members varied during its existence, from 15 names of the early period, to 27 in its middle to 10 in its final.
Commentary on Cicero's Dream of Scipio is a philosophical treatise of Macrobius based on the famous dream narrated in On the republic of Cicero.
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