Sueno's Stone

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Sueno's Stone
Forres sueno.jpg
Sueno's Stone in Forres
MaterialOld Yellow Sandstone
Size6.5 metres (21 ft)
Symbols
  • Celtic cross with interlaced knotwork
  • Battle scene
Createdc.850–950
Present location Forres, Moray
ClassificationClass III
Culture Picto-Scottish

Sueno's Stone is a Picto-Scottish Class III standing stone on the north-easterly edge of Forres in Moray and is the largest surviving Pictish style cross-slab stone of its type in Scotland, standing 6.5 metres (21 feet) in height. [1] [2] [3] It is situated on a raised bank on a now isolated section of the former road to Findhorn. The stone is named after Sweyn Forkbeard, but this association has been challenged [4] and it has also been associated with the killing of King Dubh mac Ailpin in Forres in 966. [5] The stone was erected c.850–950 but by whom and for what, is unknown. [6]

Contents

Possible second pillar

Evidence from Timothy Pont's Mapp of Murray (c.1590), the more modern military maps of Roy and Ainslie (1750 and 1789 respectively) and Robert Campbell's map of 1790 all show Sueno's Stone along with another stone that has now disappeared. The fact that Pont's map shows the standing stones indicates their size as Pont does not show any other obelisks anywhere. Ainslie has inscribed on his map "two curiously carved pillars". [7] The fact that these maps show the pillar(s) in their present (at least approximate) position belies the notion that it was found elsewhere and re-erected at its present location. [8]

James Ray, who fought on the British government side during the Jacobite rising of 1745, describes seeing a single stone as the government army marched past the area, just days prior to the Battle of Culloden. [9]

Hector Boece (c.1465–1536) (not known entirely for his historical accuracy) mentions the stone and attributes it to Sueno. Lady Ann Campbell, the Countess of Moray, is noted in the early 18th century as maintaining the stone in an attempt to stabilise it. This was achieved by constructing stepped plinths around the base and can be seen today. Archaeological excavations carried out in 1990 and 1991 suggest that it may originally have been one of two monumental stones.

Description

Details of base of stone Sueno base.jpg
Details of base of stone

Sueno's Stone is an upright cross-slab with typical Pictish-style interwoven knotwork on the edge panels. It is carved from local yellow sandstone, prevalent in Moray but has suffered considerable weathering in places. The west face has a carved Celtic cross with elaborately interlaced decoration and a poorly preserved figural scene (perhaps a royal inauguration) set in a panel below the cross. The east face has four panels that show a large battle scene. The top panel is quite weathered and shows rows of horsemen. The second panel depicts armed foot soldiers and the third panel shows the decapitated vanquished soldiers, the heads piled up, and soldiers, archers and horsemen surrounding what may be a broch. The base panel depicts the victorious army leaving the battlefield. The sides are also elaborately carved. In the early 1990s, the stone was encased in armoured glass to prevent further erosion. [10]

Interpretations

1861 drawing of the stone Sueno's Stone drawing (1861).png
1861 drawing of the stone
Side panel with sinuous vine patterns Scotland Forres SuenoStone.jpg
Side panel with sinuous vine patterns

Radiocarbon dating at the site produced dates of charcoal fragments between AD 600 and AD 1000. Two similar patterns were discerned and may relate to the second stone. There is general agreement that the stone dates to c.850–890. [11] and greater accuracy is probably not possible. The examination of the carvings has been carried out to compare the style [12] and also to interpret the figurative [13] and historical significance. [14] The Irish crosses of the 10th century are similar with their interweaving patterns and crowded panels of figures. [15] One hypothesis is that the figures depicted in the battle, parade and decapitation scenes is the army of Kenneth MacAlpin (Cináed mac Ailpín), the scene being the representation of Kenneth's demonstration of his military and legal authority over northern Pictland. [16] The two side panels have sinuous vine patterns populated with men as depicted in the Book of Kells. [17] This suggests a date of between AD 800 and AD 900. The traditional interpretation of the battle scene was that it shows a victory by Malcolm II (Máel Coluim mac Cináeda) (reigned 1005–1034) against Danes or Norse led by one Sueno. This appears in Alexander Gordon's Itinerarium Septentrionale of 1726 and is thought to have been ancient then, derived from folklore and the more learned histories of John of Fordun, Hector Boece and George Buchanan. However, this interpretation is no longer supported by historians and archaeologists.

Several more recent interpretations have been advanced. Anthony Jackson suggested that the stone displayed the final triumph of the Christian Gaels of Dál Riata over their (erroneously) heathen, Pictish enemies, in which case it would have been erected by Kenneth MacAlpin or his immediate successors. As an alternative, Archie Duncan advances his theory that the stone records the defeat, death and reburial of Dubh mac Ailpin in 966.

A modified form of Jackson's theory, stripped of much of the ingenious interpretation, is probably the present orthodoxy. This holds that Sueno's Stone commemorates an unknown victory by the men of Alba, the Gaelicised Picts of the lands south of the Mounth over the men of Moray, those of the lands north of the Mounth.

Legend

Local legend says this was the crossroads where Macbeth originally met the three witches. In the legend, they were eventually imprisoned inside the stone but should the stone be broken they would be released. However, this tale can date no further back than Shakespeare's play.

Another legend suggests that the stone was erected for King Dubh mac Ailpin. The Annals of Ulster reported "Dub mac Maíl Coluim (mac Ailpin), king of Alba, was killed by the Scots themselves"; the usual way of reporting a death in internal strife, and placing the death in 966. It has been suggested that Sueno's Stone, near Forres, may be a monument to Dub, erected by his brother Kenneth II (Cináed mac Maíl Coluim). It is presumed that Dub was killed or driven out by Cuilén, who became king after Dub's death, or by his supporters.

Notes

  1. HES Statement of Significance (2015) p. 3
  2. Jackson, Anthony (1984), The symbol stones of Scotland: a social anthropological resolution of the problem of the Picts, Orkney Press, p. 165, ISBN   978-0-907618-10-2
  3. Alan Castle (2010). Speyside Way. Cicerone Press Limited. p. 187. ISBN   978-1-85284-606-0.
  4. Michelin Travel & Lifestyle (1 April 2011). Michelin Green Guide Scotland. Michelin Travel & Lifestyle. p. 413. ISBN   978-2-06-718223-3.
  5. HES Statement of Significance (2015) p. 5
  6. HES Statement of Significance (2015) p. 11
  7. HES Statement of Significance (2015) p. 4
  8. McCullagh: Excavations at Sueno's Stone, Forres, Moray, 1995
  9. Ray, James (1747). A Compleat History of the Rebellion: From Its First Rise in 1745, to Its Total Suppression at the Glorious Battle of Culloden, in April 1746. Manchester: Printed for the Author by R. Whitworth. pp. 357–358. OCLC   51037793. Just before we entered this Town on the Right Hand, we were presented with an Obelisk a flat square Pillar of Stone, which rises about 23 Foot above the Ground, and is said to be no less than 12 or 14 Foot below, and its Breadth near five; it is all one entire Stone; great Variety of Figures are carved thereon, some of which are distinct and visible, but the Injury of the Weather has obscured those towards the Upper Part; what the import or Signification of it is, I could not be informed.
  10. HES Statement of Significance (2015) pp. 2
  11. Oram, Richard: Moray & Badenoch, A Historical Guide, Edinburgh, 1996, p. 65
  12. Henderson, I 'Pictish Vine-Scroll Ornament', in O'Connor, 1983
  13. Jackson, 1983; 1993
  14. Sellar, Sueno's Stone pp. 97–116.
  15. Stevenson, R B K 1955 'Pictish Art', in Wainwright, F T (ed) The problem of the Picts, Edinburgh & London, 97–128
  16. Jackson, A 1993 'Further thoughts on Sueno's Stone'.
  17. Henderson, I 1983 'Pictish Vine-Scroll Ornament', in O'Connor, A & Clark, D V (eds), From the Stone Age to the 'Forty-Five, Edinburgh, 243-68.

Related Research Articles

Kenneth MacAlpin or Kenneth I was King of Dál Riada (841–850), and King of the Picts (848–858), of likely Gaelic origin. According to the traditional account, he inherited the throne of Dál Riada from his father Alpín mac Echdach, founder of the Alpínid dynasty. Kenneth I conquered the kingdom of the Picts in 843–850 and began a campaign to seize all of Scotland and assimilate the Picts, for which he was posthumously nicknamed An Ferbasach. He fought the Britons of the Kingdom of Strathclyde and the invading Vikings from Scandinavia. Forteviot became the capital of his kingdom and Kenneth relocated relics, including the Stone of Scone from an abandoned abbey on Iona, to his new domain.

<span class="mw-page-title-main">Picts</span> Medieval tribal confederation in northern Britain

The Picts were a group of peoples in what is now Scotland north of the Firth of Forth, in the Early Middle Ages. Where they lived and details of their culture can be gleaned from early medieval texts and Pictish stones. The name Picti appears in written records as an exonym from the late third century AD. They are assumed to have been descendants of the Caledonii and other northern Iron Age tribes. Their territory is referred to as "Pictland" by modern historians. Initially made up of several chiefdoms, it came to be dominated by the Pictish kingdom of Fortriu from the seventh century. During this Verturian hegemony, Picti was adopted as an endonym. This lasted around 160 years until the Pictish kingdom merged with that of Dál Riata to form the Kingdom of Alba, ruled by the House of Alpin. The concept of "Pictish kingship" continued for a few decades until it was abandoned during the reign of Caustantín mac Áeda.

<span class="mw-page-title-main">Dub, King of Scotland</span> King of Alba from 962 to 967

Dub mac Maíl Coluim, Dub mac Maíl Coluim is the Mediaeval Gaelic form. The modern form, Dubh, has the sense of "dark" or "black", especially in reference to hair colour. Sometimes anglicised as Duff MacMalcolm, this form was used in older histories, but is not commonly used today called Dén, "the Vehement" Duan Albanach, and "the Black" a direct translation of his name to modern English is Black Malcolmson was king of Alba. He was son of Malcolm I and succeeded to the throne when Indulf was killed in 962.

<span class="mw-page-title-main">Cuilén</span> King of Alba from 967 to 971

Cuilén was an early King of Alba (Scotland). He was a son of Illulb mac Custantín, King of Alba, after whom he is known by the patronymic mac Illuilb of Clann Áeda meic Cináeda, a branch of the Alpínid dynasty.

Óengus mac Fergusa was king of the Picts from 820 until 834. In Scottish historiography, he is associated with the veneration of Saint Andrew, the patron saint of Scotland, although this has not been proven.

<span class="mw-page-title-main">Causantín mac Fergusa</span> King of the Picts from 789 to 820

Causantín or Constantín mac Fergusa (789–820) was king of the Picts, in modern Scotland, from 789 until 820. He was until the Victorian era sometimes counted as Constantine I of Scotland; the title is now generally given to Causantín mac Cináeda. He is credited with having founded the church at Dunkeld which later received relics of St Columba from Iona.

<span class="mw-page-title-main">Forres</span> Town in Scotland

Forres is a town and former royal burgh in the north of Scotland on the Moray coast, approximately 25 miles (40 km) northeast of Inverness and 12 miles (19 km) west of Elgin. Forres has been a winner of the Scotland in Bloom award on several occasions. There are many geographical and historical attractions nearby such as the River Findhorn, and there are also classical, historical artifacts and monuments within the town itself, such as Forres Tolbooth and Nelson's Tower. Brodie Castle, the home of the Brodie Clan, lies to the west of the town, close to the A96.

<span class="mw-page-title-main">Pictish stone</span> Monuments erected by early Scottish tribes

A Pictish stone is a type of monumental stele, generally carved or incised with symbols or designs. A few have ogham inscriptions. Located in Scotland, mostly north of the Clyde-Forth line and on the Eastern side of the country, these stones are the most visible remaining evidence of the Picts and are thought to date from the 6th to 9th century, a period during which the Picts became Christianized. The earlier stones have no parallels from the rest of the British Isles, but the later forms are variations within a wider Insular tradition of monumental stones such as high crosses. About 350 objects classified as Pictish stones have survived, the earlier examples of which holding by far the greatest number of surviving examples of the mysterious symbols, which have long intrigued scholars.

Moray was a province within the area of modern-day Scotland, that may at times up to the 12th century have operated as an independent kingdom or as a power base for competing claimants to the Kingdom of Alba. It covered a much larger territory than the modern council area of Moray, extending approximately from the River Spey in the east to the River Beauly in the north, and encompassing Badenoch, Lochaber and Lochalsh in the south and west.

<span class="mw-page-title-main">Fortriu</span> Pictish kingdom in Scotland, 4th-10th centuries

Fortriu was a Pictish kingdom recorded between the 4th and 10th centuries. It was traditionally believed to be located in and around Strathearn in central Scotland, but is more likely to have been based in the north, in the Moray and Easter Ross area. Fortriu is a term used by historians as it is not known what name its people used to refer to their polity. Historians also sometimes use the name synonymously with Pictland in general.

The Chronicle of the Kings of Alba, or Scottish Chronicle, is a short written chronicle covering the period from the time of Kenneth MacAlpin until the reign of Kenneth II. W.F. Skene called it the Chronicle of the Kings of Scots, and some have called it the Older Scottish Chronicle, but Chronicle of the Kings of Alba is emerging as the standard scholarly name.

The Poppleton manuscript is the name given to the fourteenth-century codex probably compiled by Robert of Poppleton, a Carmelite friar who was the Prior of Hulne, near Alnwick. The manuscript contains numerous works, such as a map of the world, and works by Orosius, Geoffrey of Monmouth and Gerald of Wales. It is now in the Bibliothèque Nationale, Paris.


Drest was king of the Picts from 845 to 848, a rival of Kenneth MacAlpin. According to the Pictish Chronicle, he was the son of Uurad.

Bridei was king of the Picts, in modern Scotland, from 843 to 845, contesting with Kenneth MacAlpin. According to the Pictish Chronicle, he was the son of Uuthoi.

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<span class="mw-page-title-main">Origins of the Kingdom of Alba</span>

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<span class="mw-page-title-main">River Findhorn</span> River in Scotland

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<span class="mw-page-title-main">Hilton of Cadboll Stone</span> Class II Pictish stone in Scotland

The Hilton of Cadboll Stone is a Class II Pictish stone discovered at Hilton of Cadboll, on the East coast of the Tarbat Peninsula in Easter Ross, Scotland and now in the National Museum of Scotland. It is one of the most magnificent of all Pictish cross-slabs. Until its felling in a storm in 1674, it faced East - West in a natural amphitheatre about 100m from the shore, which runs NE - SW. Like other similar stones, it can be dated to about AD 800.

<span class="mw-page-title-main">Kinneddar</span> Castle in Scotland, United Kingdom

Kinneddar is a small settlement on the outskirts of Lossiemouth in Moray, Scotland, near the main entrance to RAF Lossiemouth. Long predating the modern town of Lossiemouth, Kinneddar was a major monastic centre for the Pictish kingdom of Fortriu from the 6th or 7th centuries, and the source of the important collection of Pictish stones called the Drainie Carved Stones. The Kirk of Kinneddar was the cathedral of the Diocese of Moray between 1187 and 1208, and remained an important centre of diocesan administration and residence of the Bishop of Moray through the 13th and 14th centuries.

References

Commons-logo.svg Media related to Sueno's Stone at Wikimedia Commons

57°36′57″N3°35′52″W / 57.6157°N 3.5977°W / 57.6157; -3.5977