This article needs additional citations for verification .(June 2016) |
Summer Love Songs | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | May 19, 2009 | |||
Recorded | 1963–1970 | |||
Genre | Rock, pop | |||
Label | Capitol | |||
Producer | The Beach Boys | |||
The Beach Boys chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Summer Love Songs is a 2009 compilation of music by the Beach Boys released through Capitol Records. The compilation, as the title suggests, is themed around love songs and contains 20 songs recorded from 1963 to 1970 that fit this theme. Included are new stereo mixes of "Don't Worry Baby", "Why Do Fools Fall in Love" (featuring a never before heard intro), "Hushabye", "I'm So Young", "Good to My Baby" and "Time to Get Alone". Making its CD debut in a revised mix is the song "Fallin' in Love" by Dennis Wilson that was released as the b-side of his "Sound of Free" single in 1970.
The stereo mixes of "Don't Worry Baby" and "Why Do Fools Fall in Love" were made possible by Beach Boys historian Jon Stebbins' discovery of the original multi-track session tapes in the mid-2000s.
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical response in the United States, although it peaked at number 10 on the Billboard Top LPs chart. In the United Kingdom, however, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.
Bruce & Terry was an American rock music duo from Los Angeles that was active from 1963 to 1965. Consisting of Columbia Records staff producers Bruce Johnston and Terry Melcher, the pair recorded under a variety of names, and most notably with the band the Rip Chords. After 1965, Johnston and Melcher reduced their collaborations together, but both producers continued to occasionally contribute to tracks by the Beach Boys, including on the albums Pet Sounds (1966), Still Cruisin' (1989), and Summer in Paradise (1992).
Shut Down Volume 2 is the fifth album by the American rock band the Beach Boys, released March 2, 1964 on Capitol Records. Produced by Brian Wilson, it is the follow-up to the band's Little Deuce Coupe, released the previous October, and to Shut Down, a Capitol compilation album. Shut Down Volume 2 was the first of three studio albums that the band released in 1964, and the first recorded without guitarist David Marks, who departed from the band following disagreements with manager Murry Wilson. The album reached number 13 in the US during a chart stay of 38 weeks.
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965, by Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record established the group as album artists rather than just a singles band.
All Summer Long is the sixth album by the American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
Classics selected by Brian Wilson is a compilation of songs by The Beach Boys and released through Capitol Records in mid-2002. It was compiled by Brian Wilson himself that February. It includes a new recording of an unreleased 1970s track, "California Feelin'" not by The Beach Boys but Wilson and his live band.
Live at the Roxy Theatre is a live album released by Brian Wilson in 2000. After a successful period of touring following the release of Imagination, Wilson decided to record his first-ever live solo album. Accompanied by his supporting band, Wilson recorded the album during a pair of shows at the Roxy Theatre in West Hollywood.
"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop.
"Caroline, No" is a song by the American musician Brian Wilson that was released as his first solo record on March 7, 1966 and, two months later, reissued as the closing track on the Beach Boys' album Pet Sounds. Written with Tony Asher, the lyrics describe a disillusioned man who reflects on his former love interest and the loss of her innocence. Musically, it is distinguished for its jazz chords and unusual combination of instruments, including bass flutes, 12-string electric guitar, and muted harpsichord.
"Don't Worry Baby" is a song by American rock band the Beach Boys from their March 1964 album Shut Down Volume 2. Written by Brian Wilson and Roger Christian, Wilson's lead vocal on the track is considered one of his defining performances, and he later referred to "Don't Worry Baby" as perhaps the Beach Boys' finest record. It was issued in May 1964 as the B-side of "I Get Around", and charted separately at number 24.
"Here Today" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically, the song features an uncommon formal structure, the use of electric bass guitar as a lead instrument, and a 20-bar length instrumental break.
Good Vibrations is a Broadway jukebox musical conceived and directed by John Carrafa featuring the music of Brian Wilson and The Beach Boys. It opened February 2, 2005, at the Eugene O'Neill Theatre and ran for 94 performances before closing on April 24, 2005. The musical follows the tale of three high school friends who want to escape their small New England town and drive to California. However, none of them own a car, so they invite the unpopular valedictorian girl who has a crush on one of the guys to use her for her car, and drama and romance ensue. The cast on opening night starred Kate Reinders as Caroline, David Larsen as Bobby, Tituss Burgess as Eddie, Brandon Wardell as Dave, Jessica-Snow Wilson as Marcella, David Reiser as Dean and Sebastian Arcelus as Jan. Janet Dacal, Sarah Glendening and Krysta Rodriguez made their Broadway debuts in the show.
The Very Best of the Beach Boys is a compilation album released by the American rock and roll band the Beach Boys. The album was released by EMI in 2001 and features 30 of their greatest hits digitally remastered. It is the first compilation of the Beach Boys that makes a full retrospective of their career. Other compilations had already been released throughout the years, but only focusing on certain time periods of the band, or focusing on their complete career, but with several volumes.
The Capitol Years is a 4-CD box set which documents The Beach Boys' career with the Capitol Records label. It was originally released in 1980 through Reader's Digest as a 7-LP boxed set, which included a bonus LP of Brian Wilson's non-Beach Boys productions for Capitol. In 1988, EMI Records Australia released 4-CD and 6-cassette versions that excluded the bonus LP.
The Original US Singles Collection The Capitol Years 1962–1965 is a boxset released in 2008 from Capitol, which features the original singles from The Beach Boys from 1962–1965.
Live – The 50th Anniversary Tour is a live album by the Beach Boys released on May 21, 2013. The album was recorded during the band's 50th anniversary reunion tour.
The California sound is a popular music aesthetic that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth, an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs. Later, the sound was expanded outside its initial geography and subject matter and was developed to be more sophisticated, often featuring studio experimentation.
Many recordings and performances by the Beach Boys have attained some level of public circulation without being available as a legal release, and several albums by the band or its members were fully assembled or near completion, before being shelved, rejected, or revised as an entirely new project. Since the early 1980s, numerous rarities compilations and album reissues have been released with studio outtakes included as bonus tracks.
Live in Sacramento 1964 is a live album by The Beach Boys, released on December 2, 2014, exclusively through the iTunes Store. It was recorded in 1964, with some performances appearing on the band's first live album, Beach Boys Concert, in 1964.