"Surfin'" | ||||
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Single by the Beach Boys | ||||
from the album Surfin' Safari | ||||
B-side | "Luau" | |||
Written | August–September 1961 [1] | |||
Published | September 15, 1961 [2] | |||
Released | November 27, 1961 [3] | |||
Recorded | November 1961 [4] | |||
Studio | World Pacific Studio | |||
Genre | ||||
Length | 2:12 | |||
Label | Candix | |||
Songwriter(s) | ||||
Producer(s) |
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The Beach Boys singles chronology | ||||
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Licensed audio | ||||
"Surfin'" on YouTube |
"Surfin'" is a song by American rock band the Beach Boys that was written by Brian Wilson and Mike Love. It was released as the debut record by the Beach Boys (with "Luau" on the B-side) in November 1961 on Candix Records and was included on the October 1962 album Surfin' Safari .
The single effectively began the Beach Boys' music career, establishing them at the vanguard of what was later dubbed the "California sound". [9] It peaked at number 75 in the U.S. and was never released in the UK. The Beach Boys later re-recorded the song for their 1992 album Summer in Paradise . Love re-recorded it for his 2019 solo album 12 Sides of Summer .
In his book Becoming the Beach Boys (2015), James Murphy prefaces the chapter concerned with "Surfin'" with a warning to the reader: Murphy writes that accounts of the events surrounding the conception, making, and release of the song are "addled with errors and incongruities" and have "frustrated music historians and writers for more than fifty years". [10]
In 1960, for his final project at his Hawthorne High music class, Brian Wilson had submitted a 32-measure musical composition instead of the 120-measure piano sonata that his teacher Fred Morgan had requested. [11] In Morgan's recollection, "Instead of writing a sonata, he wrote [a melody that later became] the song called 'Surfin''." [12] Thus, Wilson was given a failing grade on the assignment. [11] [nb 1] However, Wilson's mother Audree disputed Morgan's account and contended that the composition had not actually been "Surfin'". [13] Biographer David Leaf writes that the contents of Wilson's submission have since "been lost in time". [14] [nb 2]
All accounts credit Dennis Wilson's interest in surfing with inspiring the choice of subject matter. [16] Brian recalled that his brother had made the suggestion to write a surfing song, after which Brian conceived "Surfin'" while repeatedly singing the title line at his piano. In his recollection, it was within hours that he completed the song and titled it "Surfin'". [17] The Wilson brothers' cousin, Mike Love, is credited with contributing the lyrics and the "bom-dip-di-dip" hook, which had been lifted from Jan and Dean's 1959 hit "Baby Talk". [17] "I wanted it to have a doo-wop sound", Love said. [18]
Early rehearsal tapes include an audible remark, from Brian, in which he credits the song to himself, his brothers Carl and Dennis, and Love. [19] Brian is heard saying, "Dennis and Carl got the great idea. Mike and I just got a few ideas." [19] This was followed by an argument over the writing credits, with Dennis remarking, "We all wrote a tremendous amount of words." [16] In a later interview, Dennis stated that he did not contribute to the writing of the song. [16] Murphy states that Al Jardine's involvement, if any, is unclear. [17]
In August 1961, Al Jardine contacted Wilson to help record a rendition of "The Wreck of the John B" at Hite and Dorinda Morgan's Stereo Masters studio. Carl, Dennis, and Love then accompanied them on the visit. Jardine said, "That was the pretense in which we went down to the studio. I called Brian and suggested to him we record some folk music." [20] Dorinda recalled that the group auditioned with top 10 pop hits, possibly including "Duke of Earl", but the couple were unimpressed and suggested that the group write some originals. Dennis exclaimed that a surf song had never been tried before. [21] [nb 3]
Dorinda said that the group immediately set about writing "Surfin'" and later left the studio with only a rough draft of the song. [21] Love remembered that the group "manufactured an instant surfing song after having spoken to ... Hite Morgan. ... We prevailed upon him saying, 'Give us some time to come up with a song.'" [21] They later returned to Stereo Masters and previewed their new work to the Morgans. They thought the song needed further refinement, but expressed interest in recording it. [22]
Brian's home recordings of the band's rehearsals for "Surfin'" at this juncture were later released on Good Vibrations: Thirty Years of the Beach Boys (1993), Hawthorne, CA (2003), and the unauthorized Garage Tapes (2007). [17] Jardine is not audible on these recordings, and it is possible that Wilson intended the recording group to consist only of himself, his brothers, and cousin to match the same family model as the Four Freshmen. [22]
In early November the Wilsons' parents, Murry and Audree, vacationed in Mexico City for three days. According to Murphy, "Everything about this trip is controversial—when they went, where they went, how long they stayed, and how much money Murry left with the boys while they were gone." [23]
According to most accounts, which sourced this information from Murry, he and Audree left their children with the refrigerator stocked, and, if the children chose to eat out, a sum of cash. Reports of the exact sum range from a likely $80 to an unlikely $800. [23] The day after the parents left, the group went down to a music store and rented instruments with their food money. Jardine said, "The story that we used the grocery money, which is a great story, really sounds great in print, [but] it's not true, cause we all ate the damn grocery money long before we rented the equipment." [23] In reality, the group obtained the funds from Jardine's mother, who loaned them $300. [24]
Brian played guitar, Jardine took standup bass, and Dennis chose drums. Brian said that in order to make a rock and roll sound, he would play bass while Carl played guitar and Mike Love played the saxophone, despite not having any prior experience. [25] [26] David Marks remembered, "I wasn't really in the group then. I was practicing with them, but Al was playing upright bass with the group. I was just their kid friend from across the street going, 'Hey guys, can I play too? Can I, huh, huh?'" [26]
The group set up their music equipment inside the Wilsons' home and held jam sessions while the parents were away. [27] Audree remembered that she and Murry had barely entered the room when the band said they had something to play for the Wilson parents. She recalled, "We saw all this stuff...and they had an act ... and that's when 'Surfin'' was born." [28] The band recorded a demo on Brian's Wollensak tape recorder. [29]
Early sessions for "Surfin'" were held at the Morgans' studio; however, there is no reliable documentation that would confirm the two exact dates. Although September 15 and October 3 were later offered by the Morgans, these dates are specious. [30] Additionally, there exists a manuscript of the lyrics, handwritten by Brian, that was dated October 12. It lists every member of the group, then called "the Pendletones", whose line-up did not include Jardine or Marks. [31]
In early November, "Surfin'" was recorded in eight takes at World Pacific Studios in Los Angeles, with the final take chosen as the master. [4] Carl said, "We didn't know anything about the sounds or how a record was made. We just lucked out. My dad knew a publisher and we went to a studio and we made a record. And the way it sounded was the way it sounded." [32]
After "Surfin'" was completed, Hite announced that he was going to transform the song into a record and release it on local radio. [33] [ page needed ] According to most accounts, label promotion man Russ Regan renamed the group "the Beach Boys" without approval from the band members. [34] Brian recalled being informed of the decision through a phone call with Regan. [35] Conversely, Love recalled that the group did not know that their name had been changed until after the record was issued, but on another occasion, supported that the group were consulted beforehand and had been unable to devise a better alternative. [35]
"Surfin'" was released by Candix Records on November 27, 1961. [36] On December 2, the record premiered on KFWB. [36] By the final weeks of 1961, "Surfin'" had sold more than 40,000 copies. [37]
Per James Murphy. [38]
Some reports incorrectly state that the percussion was played on a pie tin or garbage can lid. [38]
Chart (1962) | Peak position |
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US Billboard Hot 100 [39] | 75 |
US Cash Box Top 100 [40] | 85 |
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Brian Douglas Wilson is an American retired musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and lifelong struggles with mental illness.
Dennis Carl Wilson was an American musician who co-founded the Beach Boys. He was their drummer and the middle brother of bandmates Brian and Carl Wilson. Dennis was the only true surfer in the Beach Boys, and his personal life exemplified the "California Myth" that the band's early songs often celebrated. He was also known for his association with the Manson Family and for co-starring in the 1971 film Two-Lane Blacktop.
David Lee Marks is an American guitarist who was an early member of the Beach Boys. While growing up in Hawthorne, California, Marks was a neighborhood friend of the original band members and was a frequent participant at their family get-togethers. Following his departure from the group, Marks fronted the Marksmen and performed and recorded as a session musician.
Carl Dean Wilson was an American musician who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group's de facto leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death.
Sunflower is the 16th studio album by the American rock band the Beach Boys, released on August 31, 1970 by Reprise Records, their first for the label. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29.
Alan Charles Jardine is an American musician who co-founded the Beach Boys. He is best known as the band's rhythm guitarist, background vocalist, and for occasionally singing lead vocals on singles such as number-one hit "Help Me, Rhonda" (1965), "Then I Kissed Her" (1965), "Cottonfields" (1970), and a cover of the Del-Vikings’ "Come Go with Me" (1981). His song "Lady Lynda" was also a UK top 10 hit for the group in 1979. Other Beach Boys songs that feature Jardine on lead include "I Know There's an Answer" (1966), “Vegetables" (1967), a cover of Buddy Holly’s “Peggy Sue” (1978), and "From There to Back Again" (2012).
Surfin' Safari is the debut studio album by the American rock band the Beach Boys, released October 1, 1962 on Capitol Records. The official production credit went to Nick Venet, though it was Brian Wilson with his father Murry who contributed substantially to the album's production; Brian also wrote or co-wrote nine of its 12 tracks. The album reached number 32 in the US during a chart stay of 37 weeks.
Surfer Girl is the third studio album by the American rock band the Beach Boys, released September 16, 1963 on Capitol Records. It is largely a collection of surf songs. The LP reached number 7 in the U.S. and number 13 in the UK. Lead single "Surfer Girl", backed with "Little Deuce Coupe", was also a top 10 hit.
Friends is the fourteenth studio album by the American rock band the Beach Boys, released on June 24, 1968, through Capitol Records. The album is characterized by its calm and peaceful atmosphere, which contrasted the prevailing music trends of the time, and by its brevity, with five of its 12 tracks running less than two minutes long. It sold poorly, peaking at number 126 on the Billboard charts, the group's lowest U.S. chart performance to date, although it reached number 13 in the UK. Fans generally came to regard the album as one of the band's finest.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
Murry Gage Wilson was an American songwriter, talent manager, record producer, and music publisher, best known as the father of the Beach Boys' Brian, Dennis, and Carl Wilson. After the band's formation in 1961, Murry became their first manager, and in 1962, he founded their publishing company, Sea of Tunes, with Brian. Later in his life, Wilson was accused of physically and verbally abusing his children, charges which he denied.
All Summer Long is the sixth album by the American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
Lost & Found (1961–62) is a Beach Boys compilation album which was released in 1991 under DCC Compact Classics record company. The album contains all of the early recordings of the band before they were signed to their first major record label, Capitol Records. This release is notable to collectors as it uses the original master tapes, whereas many countless gray market issues of the same material use inferior sources. This release was compiled and mastered by Steve Hoffman. Original recordings were produced by Hite Morgan in 1961 & 1962.
"Help Me, Rhonda" is a song by American rock band the Beach Boys, appearing first on their 1965 album The Beach Boys Today! and subsequently in re-recorded form on the following 1965 album Summer Days . It was written by Brian Wilson, with additional lyrics by Mike Love. Band member Al Jardine sings the lead vocal, a rarity for this era in the Beach Boys.
"Surfin' Safari" is a song by American rock band the Beach Boys, written by Brian Wilson and Mike Love. Released as a single with "409" in June 1962, it peaked at number 14 on the Billboard Hot 100. The song also appeared on the 1962 album of the same name.
"In My Room" is a song written by Brian Wilson and Gary Usher for the American rock band the Beach Boys. It was released on their 1963 album Surfer Girl. It was also released as the B-side of the "Be True to Your School" single. The single peaked at number 23 in the U.S. and was eventually inducted into the Grammy Hall of Fame in 1999. "In My Room" was ranked number 212 on Rolling Stone's list of The 500 Greatest Songs of All Time.
The Many Moods of Murry Wilson is the only studio album by American songwriter and talent manager Murry Wilson. The album was released on Capitol Records in October 1967, the same record label that the Beach Boys were contracted to at the time.
Summer Days is the ninth studio album by the American rock band the Beach Boys, released on July 5, 1965, by Capitol Records. The band's previous album, The Beach Boys Today!, represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling.
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. Since then, the band has undergone many variations in composition, with representation by fill-ins onstage. As of 2021, the only principal members included in the Beach Boys' touring band are co-founder Mike Love and 1965 addition Bruce Johnston.