Sangeet Natak Akademi Tagore Ratna & Tagore Puruskar | |
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Award for contributions to Performing arts | |
Awarded for | Award for performing arts in India |
Sponsored by | Sangeet Natak Akademi |
First awarded | 2011 (One Time) |
Website | sangeetnatak |
Music of India | ||||||
Genres | ||||||
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Traditional
Modern | ||||||
Media and performance | ||||||
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Nationalistic and patriotic songs | ||||||
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Regional music | ||||||
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Sangeet Natak Akademi Tagore Ratna and Sangeet Natak Akademi Tagore Puraskar were performing arts awards given at special events organised by Sangeet Natak Akademi in
Sangeet Natak Akademi Tagore Ratna is equivalent to Sangeet Natak Akademi Fellowship and Sangeet Natak Akademi Tagore Puruskar is equivalent to Sangeet Natak Akademi Award. These were one time awards conferred on the occasion to commemorate 150 birthday of Rabindranath Tagore
Gangubai Hangal was an Indian singer of the khayal genre of Hindustani classical music from Karnataka, who was known for her deep and powerful voice. Hangal belonged to the Kirana gharana.
Sangeet Natak Akademi is the national level academy for performing arts set up by the Government of India.
Sangeet Natak Akademi Award, also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama. It is the highest Indian recognition given to people in the field of performing arts.
Zia Fariduddin Dagar was an Indian classical vocalist belonging to the Dhrupad tradition, the oldest existing form of north Indian classical music. He was part of the Dagar family of musicians.
Adyar K. Lakshman was a noted Indian Bharatnatyam dancer, choreographer and guru.
The Sangeet Natak Akademi Fellowship, also known as Akademi Ratna Sadasyata, is an Indian honour for the performing arts presented by Sangeet Natak Akademi. It is "the most prestigious and rare honour" conferred by the Akademi and is "restricted to 40 individuals at any given time".
Sumati Mutatkar was an Indian classical music vocalist and musicologist from the Agra gharana of Hindustani classical music, and a Professor of Department of Music in University of Delhi.
Abdul Halim Jaffer Khan was an Indian sitar player. Khan received the national awards Padma Shri (1970) and Padma Bhushan (2006) and was awarded the Sangeet Natak Akademi Award for 1987.
Kalanidhi Narayanan was an Indian dancer and teacher of Indian classical dance form of Bharatnatyam, who was the early non-devadasi girl to learn the dance form and perform it on stage in the 1930s and 1940s. After a brief career in the 1940s, she returned to dance in 1973 and became a notable teacher of abhinaya.
Rahim Fahimuddin Dagar was an exponent of Dagar vani Dhrupad of Indian classical music. He represented the 19th generation of Dagar Tradition. His cousins Nasir Moinuddin Dagar and Nasir Aminuddin Dagar were known as the Senior Dagar Brothers. Similarly, Nasir Zahiruddin and Nasir Faiyazuddin Dagar were known as the Junior Dagar Brothers. His other cousins were Zia Mohiuddin Dagar, Fariduddin Dagar, and H. Sayeeduddin Dagar.
Guru Mayadhar Raut is an Indian classical Odissi dancer, choreographer and Guru.
Ashutosh Bhattacharya was a noted Indian classical musician of Hindustani classical music from Varanasi, who was Tabla player and music educator, besides a practicing Ayurvedic doctor.
Vellore G. Ramabhadran was a Mridangam artiste from Tamil Nadu, India. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 2004.
Shanta Rao was a notable dancer from India. She studied and performed Kathakali, Bharatanatyam and Kuchipudi. She was a recipient of the Padma Shri, Sangeet Natak Akademi Award and Kalidas Samman for Classical Dance. She was born in 1925 in Bombay, and lived in Mumbai and Bangalore. She hailed from Mangalore. She died on 28 December 2007 at her home at Malleswaram, Bangalore.
Maya Rao was an Indian classical dancer, choreographer and educator, in Kathak dance. She is known for her pioneering work in Kathak choreography, especially in dance ballets, and is credited for bringing Kathak, a North Indian-dance style to South India, when she opened her dance school, Natya Institute of Kathak and Choreography (NIKC) in Malleswaram, Bangalore in 1987. She was also the founder director of her dance company, "Natya and Stem Dance Kampni", an amalgam of NIKC and the STEM Dance Kampni based in Bangalore. After her early training under Guru Sohanlal of Jaipur Gharana, followed by Guru Sunder Prasad also of the Jaipur Gharana, and went to train under Guru Shambhu Maharaj of Lucknow Gharana at National Institute of Kathak Dance in Delhi.
Vidushi Sumitra Guha is an Indian classical vocalist, known for her expertise in the Carnatic and Hindustani schools of classical music. The Government of India honored her in 2010, with the fourth highest civilian award of Padma Shri and in 2020 with a Sangeet Natak Akademi award.
Kalamandalam Gangadhran was a Kathakali musician from Kerala. His unique tenor and accent has earned him a large audience both within and outside Kerala. He was the most prominent disciple of Kalamandalam Neelakandan Nambeesan, and the Master of the many later generations of Kathakali Musicians. He was a visiting professor at Margi, an organization dedicated to the revival of Kathakali and Kutiyattom, two classical art forms of Kerala. In 2006, he was honoured by the Sangeet Natak Akademi Award. Aasan is a documentary film made on the musical life of the Kathakali of Kalamandalam Gangadhran directed by Ratheesh.
Pandit Prabhakar Karekar is a Hindustani classical vocalist, born in Goa, India. He was awarded Tansen Samman in 2014 and Sangeet Natak Akademi Award in the year 2016.
Ustad Bismillah Khan Yuva Puraskar is an annual Indian award given by the Sangeet Natak Akademi to outstanding artists under 40 who have demonstrated talent in the fields of music, dance and drama. The award is intended to provide national recognition to the artists in the early years of their careers. Every year up to 33 artists are selected. Award winners receive a prize of ₹25,000 (US$300). The award has been conferred since 2006.
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