A loincloth is a one-piece garment, either wrapped around itself or kept in place by a belt. It covers the genitals and sometimes the buttocks. Loincloths which are held up by belts or strings are specifically known as breechcloth or breechclout. Often, the flaps hang down in front and back.
A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards.
A sari is a women's garment from the Indian subcontinent, that consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole (shawl), sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is form of ethnic wear in India, Sri Lanka, Nepal, Bangladesh and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
A blouse is a loose-fitting upper garment that may be worn by workmen, peasants, artists, women, and children. It is typically gathered at the waist or hips so that it hangs loosely ("blouses") over the wearer's body. Today, the word most commonly refers to a girl's or woman's dress shirt, although there is considerable confusion between a true blouse and a women's shirt. It can also refer to a man's shirt if it is a loose-fitting style, though it rarely is. Traditionally, the term has been used to refer to a shirt which blouses out or has an unmistakably feminine appearance, although even many "standard" shirts today have a somewhat blousy fit, and the numbers of men wearing such shirts may match that of women wearing actual blouses.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
The lungi is a type of sarong that originated in the Indian subcontinent. The lungi, which usually multicoloured, is a men's skirt usually tied around the lower waist below the navel. It can be worn as casual wear and night wear. It is favoured in hot and humid climates where the airflow it allows makes it more comfortable than alternatives.
The mundu is a garment worn around the waist in the Indian states of Kerala, Tamil Nadu, the Lakshadweep archipelago, and the Indian Ocean island nation of Maldives. It is closely related to sarongs like dhotis and lungis. It is normally woven in cotton and coloured white or cream. The colour is dependent on whether the cotton is bleached or unbleached. A khadaṟ muṇṭŭ is made using handlooms. When unbleached, the mundu is called nēriyatu. In modern times, two types of mundu are prevalent—the single and the double. A single mundu is wrapped only once around the waist, while the double one is folded in half before wearing. A mundu is usually starched before use.
A longyi is a sheet of cloth widely worn in Myanmar (Burma). It is approximately 2 metres (6.6 ft) long and 80 centimetres (2.6 ft) wide. The cloth is often sewn into a cylindrical shape. It is worn around the waist, running to the feet, and held in place by folding fabric over without a knot. In ancient times, Lethwei fighters would hitch it up to compete. This folding technique is still being used in modern days when people play chinlone.
The Khamyang (Tai-Khamyangs or Shyam), is a subgroup of the Tai peoples of Southeast Asia. They are numerically a small indigenous group found in Tinsukia, Jorhat, Sivasagar and Golaghat districts of Assam, and adjacent parts of Arunachal Pradesh. Their population totals about 7,000, of which only a small minority speak the native Tai Khamyang language while the vast majority speak the Assamese language. The Khamyang are followers of Theravada Buddhism and are closely related to the Khamti. They maintain good relations with other Tai Buddhist tribes of Assam.
The Tai Dam are an ethnic minority predominantly from China, northwest Vietnam, Laos, Thailand. They are part of the Tai peoples and ethnically similar to the Thai from Thailand, the Lao from Laos and the Shan from Shan State, Myanmar. Tai Dam means "Black Tai". This name comes from the black clothing worn by the group, especially females. In Vietnam they are called Thái Đen and are included in the group of the Thái people, together with the Thái Đỏ, Thái Trắng, Phu Thai, Tày Thanh and Thái Hàng Tổng. The group of the Thái people is the third largest of the 54 ethnic groups recognized by the Vietnamese government. The Tai Dam's language is similar to Lao, but Tai Dam use their own unique writing system and traditionally rejected Buddhism. According to the Tai Dam's creation story, the Lo Cam family is to be the ruling class and the Luong the priests.
The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were utilized by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
A sampot, a long, rectangular cloth worn around the lower body, is a traditional dress in Cambodia. It can be draped and folded in several different ways. The traditional dress is similar to the dhoti of Southern Asia. It is also worn in the neighboring countries of Laos and Thailand where it is known as pha nung.
In the context of clothing, a wrap can refer to a shawl or stole or other fabric wrapped about the upper body, or a simple skirt-type garment made by wrapping a piece of material round the lower body. Many people of all genders throughout the world wear wraps in everyday life, although in the West they are largely worn by women. They are sometimes sewn at the edges to form a tube which keeps the required size. A wrap may be secured by a corner being tucked beneath the wrapped material, by making a knot, or using ties, buttons or velcro.
Attire of Mangalorean Catholics refers to the traditional clothing of the Mangalorean Catholics from the Mangalore Diocese on the southwestern coast of India.
The Wob Dwiyet, also called the Wob or Gwan Wob, is the national dress of the countries of Dominica, Saint Lucia, and French West Indies. A traditional four-piece costume. The Wob Dwyiet, a grand robe worn by the earlier French settlers. The madras is the traditional pattern of the women and girls of Dominica and St. Lucia, and its name is derived from the madras cloth, a fabric used in the costume.
Kusumba is a small village in the state of Maharashtra, India. It is located in the Dhule taluka of Dhule District in Maharashtra at dhule- sakri road on Gujarat-Nagpur highway.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
The Sangken festival is celebrated in Arunachal Pradesh and parts of Assam, India, as the traditional New Year's Day from 14 to 16 April by the Theravada Buddhist Communities. It coincides with the New Year of many calendars. The Sangken festival is celebrated by the Khamti, Singpho, Khamyang, Tangsa tribes of Arunachal Pradesh, and Tai Phake, Tai Aiton, and Tai Turung communities of Assam. Sangken generally falls in the month of 'Nuean Ha', the fifth month of the year of the Tai lunisolar calendar coinciding with the month of April. It is celebrated in the last days of the old year and the New Year begins on the day just after the end of the festival.
Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.
History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
India 
