Tally Brown, New York | |
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Directed by | Rosa von Praunheim |
Produced by | Rosa von Praunheim Joachim von Mengershausen |
Starring | Tally Brown Holly Woodlawn Divine Taylor Mead Ching Ho Cheng Edward Caton |
Cinematography | Edvard Lieber Michael Oblowitz Rosa von Praunheim Juliana Wang Lloyd Williams |
Edited by | Mike Shephard Rosa von Praunheim, Rosa von Praunheim |
Music by | Tally Brown Holly Woodlawn |
Release date |
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Running time | 97 minutes |
Countries | United States Germany |
Language | English |
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim, centring around the career of Tally Brown.
The film received international attention and was shown, for example, at the Museum of Modern Art in New York City in 1979. [1]
The film follows the singing and acting career of Tally Brown, a classically trained opera and blues singer who became a star of the New York underground scene in the late 1960s. In this documentary, von Praunheim draws on extensive interviews with Brown, in which she shares her collaborations with Andy Warhol, Taylor Mead and other artists, and friendships with Ching Ho Cheng, Holly Woodlawn and Divine. Brown opens the film with a cover of David Bowie's Heroes and closes with Rock 'n' Roll Suicide. The film not only captures Tally Brown's career, but also a certain New York milieu of the 1970s. [2]
The documentary is also notable for being the first of Praunheim's many portraits of women, mostly aging performers, who have become iconic figures in the LGBT community.
The Village Voice wrote: "In its way, Tally Brown, New York is the best documentary about New York since Chantal Akerman's News From Home ", [4] and "a must-see for all those interested in performance and the cultural history of New York in the ’70s." [5]
Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, producer, professor of directing and one of the most influential and famous queer activists in the German-speaking world. A pioneer of Queer Cinema and gay activist from the very beginning, von Praunheim was a key co-founder of the modern lesbian and gay movement in Germany and Switzerland. He was an early advocate of AIDS awareness and safer sex. His films center on queer-related themes and strong female characters, are characterized by excess and employ a campy style. They have featured such personalities as Keith Haring, Larry Kramer, Diamanda Galás, William S. Burroughs, Allen Ginsberg, Judith Malina, Jeff Stryker, Jayne County, Divine, Charlotte von Mahlsdorf and a row of Warhol superstars. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ movements worldwide.
Taylor Mead was an American writer, actor and performer. Mead appeared in several of Andy Warhol's underground films filmed at Warhol's Factory, including Tarzan and Jane Regained... Sort of (1963) and Taylor Mead's Ass (1964).
Tally Brown was an American singer and actress who was part of the New York underground performance scene, particularly Andy Warhol's "Factory" and who appeared in or was the subject of films by Andy Warhol and Rosa von Praunheim. She was born and died in New York City.
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives is a 1971 German avant-garde film directed by Rosa von Praunheim.
Robert Thalheim is a German stage and film director and screenwriter.
Neurosia: 50 Years of Perversity is a 1995 German film directed by Rosa von Praunheim.
Jeff Preiss is an American filmmaker, cinematographer, director and producer known for the documentaries Let's Get Lost (1988) and Broken Noses (1987).
Positive is a 1990 documentary film directed, written and produced by Rosa von Praunheim. The film received international resonance.
Silence = Death is a 1990 documentary film directed, written, and produced by Rosa von Praunheim. The film received international resonance.
City of Lost Souls is a 1983 German musical film directed by Rosa von Praunheim and performed by drag queens, travesty artists and transgender people. The film received international attention and became a cult movie beyond the LGBT community.
A Virus Knows No Morals is a 1986 German film directed, written and produced by Rosa von Praunheim. It was one of the first feature films about AIDS worldwide.
Fassbinder's Women is a 2000 German documentary film directed by Rosa von Praunheim. The film was shown at the Locarno Festival in 2000 and at the Outfest in Los Angeles in 2001.
Army of Lovers or Revolt of the Perverts is a 1979 German documentary film directed by Rosa von Praunheim.
Horror Vacui (German: Horror Vacui - Die Angst vor der Leere) is a 1984 German avant-garde film directed by Rosa von Praunheim.
Rent Boys is a 2011 German documentary film directed, written and produced by Rosa von Praunheim. The film was shown at the Berlin International Film Festival and the Queer Lisboa International Film Festival in 2011, for example.
Dolly, Lotte and Maria is a 1987 German documentary film directed by Rosa von Praunheim. The film recounts the lives of Lotte Goslar, Dolly Haas and Maria Ley-Piscator, three German women performers who achieved success in Berlin in the 1930s. All left Nazi Germany for reasons of conscience, and eventually settled in the United States. After the war, all three remained in America and continued actively pursuing their careers, with mixed success. Each discusses her beginnings as a performer, her achievements in Europe, the reasons that motivated her to leave Germany, her decision to move to the U.S., and her current activities.
Red Love is a 1982 German film directed by Rosa von Praunheim.
Two Mothers is a 2007 German documentary film directed by Rosa von Praunheim. The film was shown at the Gothenburg Film Festival and at the Buenos Aires International Festival of Independent Cinema in 2008, among others.
Joaquín La Habana is a queer singer, dancer, actor and drag artist.
The Bed Sausage is a 1971 German camp film directed by Rosa von Praunheim. Became a cult film and was followed in 1975 by the sequel Berlin Bed Sausage.