Ellis' art business has sold over 1.75million fine art products, and he works with a number of prominent corporations. He is also known for his community work, especially advancing arts in children's education.
Personal life and early career
Ted Ellis creating art.
Born and raised in New Orleans, Louisiana, to a professional musician-father and a housewife-mother,[5][6] Ted Ellis' earliest hints of artistic talent began to show at five-years-old.[2][7] Ellis' first attempt at art was a third-grade freehand sketch of a dog from Archie Comics, which he drew so accurately that friends and family believed it had been traced.[5] Growing up, one of his favorite characters to draw was Wile E. Coyote, and as an adult he continues to enjoy comic books as "refreshing".[5][8]
When he was old enough, Ted would ride the bus alone to downtown New Orleans so as to be exposed to and spend time with the area artists.[4] He and his friends would in their spare time compete with one another to see who could draw the best designs, and Ted continued developing his art skills throughout primary school despite only receiving "satisfactory" marks in art class. In elementary school he attended a summer program at the New Orleans Center for Creative Arts, and later attended an after-school program at Lawless High School.[5] Ellis says that he knew he wanted to be an artist in the seventh grade,[2] and credits his teacher in that class for keeping him focused.[4]
Ted worked for a time with charcoal and pastel before settling on oil and acrylic.[2] He took art classes during high school and enrolled in four months of private art lessons, but is otherwise self-taught.[4] Ellis followed advice from Anna Torregano, his mentor, friend and high school art teacher, and his parents, all of whom advised him to pursue an academic career so as not to become a "starving artist". [1][5][9][10] His mother especially stressed university and earning a professional degree.[5][11]
Chaney is an aspiring rap artist and has produced a positive, parent-friendly CD about school and drugs titled Off the Chain.[9]
Art career
Thee Baptism, Ted Ellis' first widely sold art.
Ted Ellis maintained a passion for art that preceded his professional art career; he painted throughout his time in the Army and as an environmental chemist, generally working out of a studio in his garage.[5] His first commissions were produced for two co-workers at Rollins. They had wanted to purchase the piece that he was then working on, but he refused and instead offered to paint them two similar pieces, which they purchased for $40.[9]
When he first got started, Ellis passed on an opportunity to do work for the J. C. Penney catalog because he was too busy, but ultimately found success in a similar publication.[6]
Ellis published his first prints through Market Arts' Dan Rose in Houston,[5] but his art career took off when he noticed that his wife's Avon boutique magazine, targeted at African-Americans, lacked any art. He sent Avon a proposal which they accepted, and through the magazine he sold 42,610 signed prints of Thee Baptism. Since he was still working as an engineer at the time, he autographed the tens-of-thousands of prints during his lunch-break.[5][9][12]
After quitting his job as an engineer in 1996,[6] Ellis competed against 500 others for, and won, a 1998 Walt Disney Studios commission for art in honor of Black History Month. The piece was used in the 1999 celebration at Epcot Center and appeared on T-shirts, souvenir-mugs, and posters.[4][11][12]
Art Business
Prayers Heal depicts a surgeon who later bought it.
An entrepreneurial-minded Ted Ellis has marketed and sold his art throughout his career.[4] He was already monetizing his creative talents in high school when his classmates and he sold their custom designed T-shirts, first to their school's juniors and seniors, and then throughout the school district.[10]
In building his art business over two decades, Ellis engaged in fact-finding missions in search of financial patrons and customers at art festivals, conventions, reunions and libraries, as well as local businesses. Ellis incorporated his business in 1991.[10] He credits his time at Rollins for teaching him that "if you have a quality product and a good form of distribution, you'll succeed".[5]
When he first got started, Ellis quickly realized that talent was not alone enough after he had to approach 30–40 galleries until he was picked up by two, one of which closed down. He says that "it's a lot of marketing, planning, exhibiting and a lot of rejection".[6]
Ted's wife Erenia, a loan officer, manages his business, "T. Ellis Art, Incorporated", out of a League City, Texas studio.[5] Ellis has sold more than 1.75million fine art products across the country through direct sales, art galleries, catalog outlets, fine art dealers, and licensing, and has marketed community partnership opportunities meant to educate and empower communities by offering maximum returns on minimal investments.[4][8][10] In 2005 he signed for representation with art licensing agency "Alaska Momma" with the intent of opening new merchandising avenues in home décor, furnishings, calendars, apparel and stationery.[13]
Ellis' works have been sold through Army and Air Force Exchange Service catalogs and were available exclusively both through Avon's African American Boutique as well as their core brochures.[5]
One of his first major sales was of an original depicting a God-like surgeon in an operating-room, sold to the surgeon.[5] Ellis' art has sold for prices ranging from $750 to $30,000.[9][14]
Despite his success, while Ellis initially had hoped to build his business up to Fortune 500 stature, he now finds satisfaction in "helping others through art".[9]
Hurricane Katrina
Surviving Katrina, inspired by the hope he saw in a lone man rebuilding in New Orleans in the days after Hurricane Katrina/whose flag represents the need for the nation to unite behind those rebuilding.
Ted Ellis and his wife are both natives of New Orleans, and much of his art along with his passion for art are inspired by the vibrant city. As a young man, he would search the colorful French Quarter for subjects to paint.[8] In the aftermath of Hurricane Katrina and the devastation of parts of the city, the city's role in his art drastically changed so as to reflect the story of hope and rebirth that he saw in the disaster.[13]
On the night before the storm hit Louisiana, the Ellis home in Texas was a refuge for 10 New Orleans families, 50 people in all. After the storm, Ellis helped fly home friends stranded outside New Orleans, and he organized colleagues in the art community behind the relief effort.[16]
Ellis was allowed to enter the city two weeks after the flood waters subsided in order to survey the damage to his mother's home in the Lower Ninth Ward and salvage her possessions.[11][13] While travelling among the destroyed houses and deserted city, Ellis witnessed a lone man repairing his home's roof. The contrast resonated with Ellis, and he memorialized the hope he saw in the man's actions through his piece Surviving Katrina.[11] The scene is of rising floodwater that traps a family on their house's roof while the father holds up the Flag of the United States, a flag that to Ellis symbolizes the need for the nation to come together to aid those affected by the storm.[8][13]
In Life Begins Anew, a father holds a baby above floodwaters while another man reaches out to take the child. Ellis describes the scene as symbolizing the promise of a new beginning for those who survived Katrina and its aftermath.[11][13]
As its title indicates, the Katrina: The Hope, Healing and Rebirth of New Orleans collection was for Ellis about showing the power of art to assist the healing process: "The largest piece I did is about how life begins anew and how a person can find hope even after such devastation. I want this work to be uplifting, to be a fresh breath of life for the community."[16]
Obama Portrait
The many colors represent the unity that Ellis saw in the inauguration of Obama, the 44th President.
One of Ted Ellis' more famous works is an abstract depiction of Barack Obama's signature 'hope' pose. Ellis painted the portrait in honor of Obama's 2008 Presidential inauguration. In Obama, the 44th President, Ellis uses red, blue, yellow, and green acrylic paint to portray Obama as someone who unites people across lines of color, ethnicity, and religion.
In 2009, Ted Ellis produced an exhibit focusing on the theme of African-American history in light of slavery and emancipation. The exhibit, American Slavery: The Reason Why We're Here, tied into the Juneteenth commemoration of slavery's abolition in the State of Texas. It was located at and included tours of the historic residence of horticulturist Henry Stringfellow, an innovator in organic gardening who was enlightened in how he employed of freedmen. Ellis began the series of works at a 2006 exhibition at the same house.[20][21]
The exhibit's more than 20 paintings were painted with brush and fingers, and Ellis sometimes added a collage of documents. The exhibit included images of the transportation of slaves, the industry of slavery in crop production, and the abolition of slavery.[20]
The painting Free At Last includes depictions of Buffalo soldiers, Harriet Tubman, the year "1865", a mighty oak, and in the background, their heads bowed in prayer, the figures of the current owner and restorer of the house, Sam Collins III, and his wife and children. The exhibit also displayed Ellis' famous depiction of Barack Obama, Obama, the 44th President.[20]
T. Ellis has been pictorially documenting African-American lifestyle, history and culture for thirty years. Ellis paintings are in the permanent collection of the DuSable museum, Charles Wright museum, the McKenna museum, Free People of Color Museum, and the Amistad Research Center. The City of Selma, Alabama, commissioned T. Ellis as the official artist for the 50th anniversary for the civil rights march, known as "Bloody Sunday".[23] The City and County of Galveston, Texas, recognized T. Ellis for the 150th anniversary of Juneteenth. The Juneteenth Freedom Project was exhibited at the State Capitol in Washington, DC at the U.S. Senate Rotunda and House of Representatives Rayburn Building.[24] President Barack Obama and the First Lady, Michelle Obama of the White House has thanked T. Ellis for his art and giving.
T.Ellis painting of the Tuskegee airmen, "The Lonely Angels" was signed by all the Tuskegge Airmen who were in attendance to receive their Congressional Medal of Honor from the President.[25] President George W. Bush and Speaker of the House of Representatives Nancy Pelosi stand amidst 300 Tuskegee Airmen during a photo opportunity Thursday, March 29, 2007, in Statuary Hall at the U.S. Capitol. White House.
Educational work
Ted Ellis views education as one of his primary missions, and he is involved with several educational initiatives.[8][9] He has a run a number of art workshops with children, including drawing and touching up the school mural which local sixth-graders paint every year,[26] and joining with his wife Erania to illustrate while she reads aloud to children from books about topics like the Buffalo Soldiers. When working with children with autism, he employs a strategy of engaging the children's creativity in a non-judgemental setting where there is no wrong way for them to express themselves; he hopes to put their art on display at the Houston Children's Museum.[12]
He has partnered with the Tom Joyner Foundation to fund-raise for students, while "Art with a Purpose", his own nonprofit program, was awarded a federal grant to help disadvantaged students.[19]
He has also worked with other arts education programs like the Peoria Public Schools' "Artreach", in the framework of which he donated five original pieces to the schools and District 150 Foundation.[29]
Style
Sunday Worship is Ellis' most popular work and personal favorite.
Ted Ellis has over his career created art in a number of styles and has incorporated several primary influences.
Ellis has also coined the term "Tedism" to describe his style. "Tedism" blends impressionism, soul, and folk stories to create representational pieces.[10][19]
Ted Ellis considers himself to be a social, political and spiritual artist as well as educator and "creative historian". "I paint subjects that are representative of the many facets of American life as I know it" says Ellis. "I like to think of myself as a creative historian. I was put here to record history...all aspects of American culture and heritage. My sole purpose has always been to educate through my art".[1][10] He draws inspiration from people's memories of family or from history, and says that he's "a history buff at heart. I read a lot, and I have more books than paint."[19]
As an artist who focuses on African American history, Ellis intentionally does not approach its difficult chapters from a position of pain: "I have to be careful what I do [...] there's a power to art. I don't want to be from an angry position. That's out there, and maybe they do that to shake you up and make you think. I want to be one step ahead. When you're talking about healing, you're in the right zone." As such, his images of slavery and historical Southern life focus on positive values such as family, character, and church.[11]
Ellis attributes a love for and influence in his art to New Orleans and its rich culture of creativity. He compared the city to an incubator for young talent. The city offered Ted art clubs and opportunities to design murals for school and create signs for special events. New Orleans gave him access to art classes, summer art programs, and the vibrant Jackson Square, somewhere he could talk with and get to know many artists.[10]
Ellis was selected to creation of Walt Disney World 1998 commemorative Black History Poster. Other than that, he was official artist for the 50th anniversary of Bloody Sunday for the city of Selma, Alabama. Ted was Art ambassador for the City and County of Galveston,[23] TX celebrating 150th anniversary of Juneteenth showcasing at the U.S. Capitol in Washington DC.[24]
The Ivory Coast II was featured on children's television show Barney & Friends. In 1997 his African-Americans in Law was unveiled and displayed in New Orleans City Hall.[4]
Amistad Research Center at Tulane University in 2005 recognized Ted Ellis as a historical artist[15][27] and mounted a week-long exhibition of his paintings in the Audubon Zoo's Tropical Bird House. The exhibit, Reflections of African American Culture: Paintings by Ted Ellis, was co-hosted by the Audubon Nature Institute. A reception held in Uptown New Orleans' Audubon Tea Room included an exhibition of Ted Ellis' works entitled A Celebration of African American Art and Culture: Paintings by Ted Ellis. Ellis donated two of the exhibition's pieces to the center: We Are Americans (2002) and The Struggle Continues (2003). He also chose the center to be the repository for his papers including the yearly donation of a piece of art to his collection there.[15][32]
A "Ted Ellis Day" was declared for February 21, 2009, by W. Wesley Perry, the mayor of Midland, Texas. In 2009, Houston Citizens Chamber of Commerce awarded Ted Ellis one of four 15th Annual African-American Business Achievement Pinnacle Awards for his success in his art business.[34]
Louisiana State Senate resolution number 88, brought by Senator Karen Carter Peterson in 2012, also commends and recognizes Ellis for his accomplishments and contributions.
In a column published in Images Magazine, Ted Ellis calls on the younger generations of black artists to recognize the hardship faced by and the effort put in by the previous generation of black artists in order to pave the way for the newer generation to be able to succeed, and to do so with far less difficulty.[4][38]
He says African-American are still not within the mainstream, and despite being the most financially minded black artists yet, that the current generation still earns less than it should. Ellis further assigns partial responsibility on an academic world that he sees as not paying sufficient attention to the genre.[10]
He believes strongly that African-Americans should value their art on their terms, looking past aesthetics, and that only thus will the genre grow and be better appreciated.[4][10]
Featured as Cover Art
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