Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
Harry for the Holidays is American artist Harry Connick Jr.'s second Christmas album, released in 2003. The album features Connick and his 16 piece Big Band and a full section of chordophones.
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
The Individualism of Gil Evans is an album by pianist, conductor, arranger and composer Gil Evans originally released on the Verve label in 1964. It features Evans' big band arrangements of five original compositions and compositions by Kurt Weill, Bob Dorough, John Lewis and Willie Dixon. Tracks 1, 6, 7, 8 and 9 first appeared on the CD version of the album.
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography, "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters (Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it, the owners of Black Swan, the opera singer for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.
Cootie Williams and His Orchestra 1941–1944 is a compilation album of recordings from 1941, 1942 and 1944 that jazz trumpeter Cootie Williams made with his orchestra and in smaller groups, released on Classics in 1995. The 1942–44 musicians' strike explains the lack of sessions from 1943.
Otis! The Definitive Otis Redding is a 1993 four compact disc compilation album by American soul singer-songwriter Otis Redding. The first three discs focus on studio material recorded for Stax records. These recordings are all original mono single or LP mixes. Three pre-Stax recordings and a demo recorded at Muscle Shoals are also included. The fourth disc, labeled "The Ultimate Live Otis Redding Show" was compiled from various live sources in an attempt to gather "the best version" of every song Otis ever recorded live and is mixed in stereo. The 100-page booklet includes testimonials from musicians and individuals from Redding's life, essays, a photo album, track listings, discographies, personnel and recording information.
Earl Bud Powell, Vol. 1: Early Years of a Genius, 44–48 is the first of eleven albums of Bud Powell material released by Francis Paudras on his Mythic Sound label. It features a selection of Powell's early work from 1944 to 1948.
New York Big Band is a live album by George Russell released on the Italian Soul Note label in 1982, featuring performances by Russell with his New York Big Band recorded in 1978 and one track with The Swedish Radio Jazz Orchestra recorded in 1977 at the same concert that produced Vertical Form VI.
Stick It is a 1972 studio album by Buddy Rich, with his big band. The album was his third for RCA Records as well as his last album for the label prior to his 1976 album Speak No Evil.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
Rich in London a.k.a. Very Alive at Ronnie Scotts is a live album by Buddy Rich and his big band, recorded in 1971 at Ronnie Scott's Jazz Club in London. Not to be confused with the 1980 DRG Buddy Rich Big Band recording, Live at Ronnie Scott's.
This article lists Charlie Parker's Savoy and Dial sessions as leader, which were recorded between 1945 and 1948.
Billie Holiday at Jazz at the Philharmonic is a live album by jazz singer Billie Holiday, originally recorded on February 12, 1945 and October 3, 1946 at the Jazz at the Philharmonic concert at the Shrine Auditorium in Los Angeles, and at Carnegie Hall on June 3, 1946.
Easin' It is a studio album by Count Basie and his orchestra recorded between 1960 and 1962. The album contains a collaboration by Frank Foster, a well known member from Basie's big band. All tracks were composed, arranged and conducted by Foster and is a mixture of jazz and blues.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
Mosaic Select 16: Andrew Hill is a compilation album by American pianist Andrew Hill. Except for six tracks, issued on One for One in 1975, it features previously unreleased pieces originally recorded for Blue Note Records.
James Theodore Powell was an American jazz saxophonist who played alto sax.
Tullio Mobiglia was an Italian jazz saxophonist and bandleader. He was born in Carezzano, and died, aged 80, in Helsinki.
The Chocolate Dandies was the name of several American jazz combos from 1928 through the 1940s. The name was an outgrowth of the Broadway production, The Chocolate Dandies, that debuted in 1924.
