The Gospel According to the Meninblack | ||||
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Studio album by | ||||
Released | 9 February 1981 | |||
Recorded | January–August 1980 ("Two Sunspots", May 1979) [1] | |||
Studio |
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Genre | ||||
Length | 40:28 | |||
Label | Liberty | |||
Producer | The Stranglers | |||
The Stranglers chronology | ||||
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Singles from The Gospel According to the Meninblack | ||||
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Review scores | |
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Source | Rating |
AllMusic | [7] |
Encyclopedia of Popular Music | [8] |
The Great Rock Discography | 5/10 [9] |
The Gospel According to the Meninblack (sometimes referred to as just The Meninblack) is the fifth album by English rock band the Stranglers, an esoteric concept album released 9 February 1981 [10] [11] on the Liberty label. The album deals with conspiratorial ideas surrounding alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier The Raven album and subsequent 1980 single-release "Who Wants the World?" had also explored it.
The album is an elaboration of concepts first introduced by the band on the aforementioned track from their preceding album, The Raven. Hugh Cornwell, former singer-songwriter and guitarist with the group, has stated his belief that the album is the pinnacle of the Stranglers' artistic and creative output, and he cites it as his favourite album by the band. [12] In a 2022 interview promoting his solo release Moments of Madness Cornwell reiterated this position saying "I think that we were all at the top of our game when we made ‘Men in Black’ and it comes through." [13] The Stranglers' bassist, Jean-Jacques Burnel, shares this opinion, stating in a 2014 interview "It was a bit of a low point when The Meninblack came out and it wasn’t regarded as the masterpiece that I thought it was." [14] Burnel regards the album as often techno in essence, [5] though The Meninblack predates the emergence of that genre by some years.
The single releases from the album were "Thrown Away", which reached UK chart position 42 [15] and "Just Like Nothing on Earth", their first single to miss the top 50. [10]
The opening instrumental "Waltzinblack" was originally intended to be the second single release from the album, but was withdrawn by Liberty, which deemed it "unrepresentative". [10] It was later used as the theme music for Keith Floyd's BBC TV series. The band developed a tradition of using the track to open their live performances.
The album initially sold around 50,000 copies, their worst-selling UK album to date, [10] peaking at number eight on the UK Albums Chart; it spent five weeks in the listings. [15]
In a 2015 interview on British TV, Burnel stated that the band experimented with heroin to help their creative process, and this album was the result. [16]
Chris Roberts of Classic Rock writes that the Stranglers "retained full artistic freedom, and in The Gospel According to the Meninblack made what some have described as the first goth album, and others as the first techno album." [17] Rob Hughes, also of Classic Rock, believes it to be "[t]he closest The Stranglers ever got to a full-on prog album," adding: "In the almost total absence of guitars, synths and electronic effects dominate, be it on the very strange 'Manna Machine' or the fairground-like 'Waltzinblack'." [18]
Burnel remains fond of the album for being "completely off-the-wall." He believes that while the album is now sonically "quite modern", at the time the album was viewed negatively because it was by the Stranglers, adding: "It was never regarded as an art album, because people just didn't see us in that light, apart from Billboard 's reviewer who said it was a work of genius. If you're going out having punch-ups, being physical savages, you're not allowed to have intellectual pretensions. But we had a foot in both camps, really." [17] Hugh Cornwell considers it "probably" his favourite Stranglers album, "Because I like the underdog. It underachieved. And I love the spaceships landing." [17]
All tracks written and arranged by the Stranglers.
No. | Title | Lead vocals | Length |
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1. | "Waltzinblack" | (instrumental) | 3:38 |
2. | "Just Like Nothing on Earth" | Hugh Cornwell | 3:55 |
3. | "Second Coming" | Cornwell | 4:22 |
4. | "Waiting for the Meninblack" | Cornwell | 3:44 |
5. | "Turn the Centuries, Turn" | (instrumental) | 4:35 |
No. | Title | Lead vocals | Length |
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6. | "Two Sunspots" | Cornwell | 2:32 |
7. | "Four Horsemen" | Dave Greenfield | 3:40 |
8. | "Thrown Away" | Jean-Jacques Burnel | 3:30 |
9. | "Manna Machine" | Cornwell | 3:17 |
10. | "Hallow to Our Men" | Cornwell | 7:26 |
Total length: | 40:28 |
No. | Title | Origin | Length |
---|---|---|---|
11. | "Top Secret" | "Thrown Away" single | 3:27 |
12. | "Maninwhite" | "Just Like Nothing on Earth" single | 4:27 |
13. | "Tomorrow Was the Hereafter" | Non-album single, 1980 [n 1] [19] | 4:01 |
Total length: | 52:33 |
No. | Title | Origin | Length |
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11. | "Who Wants the World?" | Non-album single, 1980 | 3:14 |
12. | "The Meninblack (Waiting for 'Em)" | "Who Wants the World?" single | 3:36 |
13. | "Top Secret" | "Thrown Away" single | 3:28 |
14. | "Maninwhite" | "Just Like Nothing on Earth" single | 4:26 |
15. | "Vietnamerica" | IV , 1980 | 4:03 |
16. | "Tomorrow Was the Hereafter" | Non-album single | 4:02 |
17. | "G.m.B.H" (extended album version) | IV | 3:51 |
Total length: | 67:08 |
Self-released by the Stranglers, The Gospel According to the Meninblack received a deluxe vinyl reissue in 2018, limited to 1000 numbered copies. The original 10-track album is coupled with a bonus 12-track album, entitled The Meninblack - Revelations, which features non-album singles, associated B-sides, demos, alternate versions, live tracks, and the brass band reworking "Marchinblack". [20]
No. | Title | Origin | Length |
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1. | "Who Wants the World?" | Non-album single | |
2. | "Bear Cage" (7" single edit) | Non-album single | |
3. | "Top Secret" | "Thrown Away" single | |
4. | "Maninwhite" | "Just Like Nothing on Earth" single | |
5. | "The Meninblack (Waiting for 'Em)" | "Who Wants the World?" single | |
6. | "The Freezer" | Previously unreleased [n 2] |
No. | Title | Origin | Length |
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7. | "Who Wants the World?" (demo) | Previously unreleased | |
8. | "Two Sunspots" (demo) | Previously unreleased | |
9. | "Thrown Away" (live in Paris, April 2014) | Previously unreleased | |
10. | "Justlikenothingonearth" (live at Brixton Academy, London, March 2018) | Previously unreleased | |
11. | "Bear Cage" (live at Brixton Academy, London, March 2018) | Previously unreleased | |
12. | "Marchinblack" | Previously unreleased [n 3] [21] |
Credits adapted from the album liner notes, except where noted. [22]
The Stranglers are an English rock band. Scoring 23 UK top 40 singles and 20 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene.
The Raven is the fourth studio album by English new wave band the Stranglers, released on 21 September 1979, through record label United Artists.
Rattus Norvegicus is the debut studio album by English punk rock band the Stranglers, released on 15 April 1977.
Norfolk Coast is the fifteenth studio album by the Stranglers, and was released on 16 February 2004 by EMI's Liberty Records label, making it their first new album recorded for the company in 23 years. It was released six years after their last studio album Coup de Grace and was their first official studio album with new guitarist Baz Warne, and also the last album to feature Paul Roberts on lead vocals. Norfolk Coast peaked at No. 70 in the UK Albums Chart in February, for one week's duration in that listing.
Black and White is the third studio album by English new wave band the Stranglers. It was released on 12 May 1978, through record label United Artists in most of the world and A&M in America.
Live (X Cert) is the first live album by the Stranglers, released in February 1979 by United Artists. It contains tracks recorded at The Roundhouse in June and November 1977 and at Battersea Park in September 1978.
La folie is the sixth studio album by English new wave band the Stranglers. It was released on 9 November 1981, through the EMI record label Liberty.
Nosferatu is an album by Hugh Cornwell of the Stranglers and Robert Williams, drummer in Captain Beefheart's Magic Band. It was released on 16 November 1979 by United Artists.
Hugh Alan Cornwell is an English musician, singer-songwriter and writer, best known for being the lead vocalist and lead guitarist for the punk rock and new wave band the Stranglers from 1974 to 1990. Since leaving the Stranglers, Cornwell has recorded a further ten solo studio albums and continues to record and perform live.
Feline is the seventh studio album by the Stranglers and was released on 14 January 1983 on the Epic record label, their first for the label. The first edition came with a free one-sided 7" single "Aural Sculpture Manifesto". Feline drew heavily on two of the dominant musical influences in Europe of the time, by using primarily acoustic guitars and electronic drums as well as synthesizers. The American edition of the album included the British hit single "Golden Brown" as the closing track on side one of the original vinyl.
All Live and All of the Night is the second live album by English rock band the Stranglers, released on 8 February 1988 by Epic Records. The release peaked at No. 12 in the UK Albums Chart in March 1988.
Dreamtime is the ninth studio album by the Stranglers, released in 1986 by Epic Records. The title track was inspired by a belief of the aboriginal peoples of Australia called Dreamtime.
10 is the tenth studio album by English rock band the Stranglers, released in March 1990 by Epic Records. It was the last to feature guitarist/lead singer Hugh Cornwell. 10 peaked at No. 15 and spent four weeks in the UK Albums Chart.
Aural Sculpture is the eighth studio album by the Stranglers, released in November 1984 by Epic Records. It was also the name given to a one-sided 7-inch single given free with a limited number of copies of their Feline album in 1983. The "Aural Sculpture Manifesto" on the 7" single was played before the Stranglers appeared on stage during concerts during both the 1983 "Feline" tour and the 1985 "Aural Sculpture" tour.
Written in Red is the thirteenth studio album recorded by the Stranglers, released in January 1997 through the When! label. It was co-produced by Gang of Four's Andy Gill.
Euroman Cometh is the debut solo album by the Stranglers' bassist J.J. Burnel, released in April 1979 by United Artists. It is a concept album, as most of the songs concern the ideal of a united Europe, both culturally and economically. Upon release, the album was a contrast to the more melodic songs of the Stranglers, containing what Pat Gilbert of Record Collector describes as "a collection of dark, atmospheric soundscapes, embroidered with Burnel's intense, monotone theorising about a united Europe."
David Paul Greenfield was an English keyboardist, singer and songwriter who was a member of rock band the Stranglers. He joined the band in 1975, within a year of its formation, and played with them for 45 years until his death.
Peaches: The Very Best of The Stranglers is a compilation album by The Stranglers, released in 2002 by EMI. It reached No. 21 in the UK Albums Chart in June 2002.
"Grip", or "(Get A) Grip ", is a single by the Stranglers from the album Rattus Norvegicus. It was the Stranglers' first single, released as a double A-side with "London Lady" in January 1977, and reached number 44 on the UK Singles Chart.
Giants is the seventeenth studio album by English rock band the Stranglers and continues the band's return as a four-piece after the departure of singer Paul Roberts. Lead vocals are shared between guitarist Baz Warne and bassist Jean-Jacques Burnel. The album was released on 5 March 2012 and was supported by an extensive UK tour by the band. It was their last album to feature original drummer Jet Black and the last to be released in keyboard player Dave Greenfield's lifetime.
The Stranglers release their sixth album for Liberty Records on February 9.
"We thought it would help the creative process and the end result was an album that I'm personally still very proud of, which was The Gospel According to the Meninblack.