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Suite XVI | ||||
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Studio album by | ||||
Released | 18 September 2006 | |||
Recorded | 2006 | |||
Studio | Charlton Farm Studios, Bath, UK | |||
Genre | ||||
Length | 40:27 | |||
Label | Liberty / EMI / Coursegood | |||
Producer | Louie Nicastro | |||
the Stranglers chronology | ||||
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Singles from Suite XVI | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
PopMatters | 8/10 [3] |
Vive le Rock! | [4] |
Suite XVI is the sixteenth studio album by the Stranglers, released on 18 September 2006 by Liberty EMI Records. [1] It saw the band return as a four-piece after the departure of singer Paul Roberts, with lead vocals shared between guitarist Baz Warne and bassist Jean-Jacques Burnel. The album continues, but also builds on, the shift to a more recognisable sound seen in the previous album, Norfolk Coast , with a sound much more akin to the band's earlier sound during the 1970s and early 1980s.[ citation needed ] The album was supported by an extensive UK tour by the band and peaked at number 89 in the UK Albums Chart.
The album was released in Japan with two bonus tracks (taken from the B-side of the UK single "Spectre of Love"). [5] In 2022, the XVI Anniversary Remastered Edition [6] was re-issued by Coursegood Ltd and entered the UK albums chart at number 45.
The writing process for Suite XVI began in January 2005 in a rented house in Looe in Cornwall, [7] where Jean-Jacques Burnel and Baz Warne spent six weeks working on new songs. [8] Paul Roberts wasn't invited, which eventually led to friction within the band. [9] In June 2006, [10] Roberts officially left the Stranglers during the recording of Suite XVI, [11] having already completed lead vocals for 9 of the 11 tracks. [8] Burnel told The Burning Up Times web site, "He was obviously frustrated within the Stranglers ... Also, none of his songs were accepted for the new album ... we all put our songs in the melting pot ... but it wasn't happening with his. There was a lack of commitment." [11] Roberts said in 2007, "The fact of the matter is they started to do work without me, a couple of the members, and I found that incredibly insensitive and offensive and I just decided that enough was enough." [9] He also stated that it was "an acrimonious departure," where "bad feelings" built up over time. [12]
Burnel and Warne subsequently re-recorded the vocals on each track, Warne singing lead on six tracks and Burnel on four. [11] On "Unbroken", the two share lead vocals, Burnel singing the verse and bridge, and Warne the chorus. [8] The album was recorded at the band's own Charlton Farm Studios near Bath. [13] [14]
"Bless You (Save You, Spare You, Damn You)" features backing vocals from Lucy Lewry, who Burnel and Warne heard sing at an open mic night at the local pub in Looe during their stay. When it came time to record the track, the band called her "and she came up and did a great job of making the chorus haunting and very atmospheric," Warne said. [7]
Tracks range from the aggression of "Summat Outanowt", through the catchy "She's Slipping Away" to the machine-gun punk delivery of "A Soldier's Diary" (which, according to drummer Jet Black, is the fastest track yet recorded by the band) and back to the melodic ballad of "Bless You (Save You, Spare You, Damn You)". There's a foray into country with the biting "I Hate You" and the album finishes off with "Relentless" — a sonically relentless exploration of the passing of time. "See Me Coming" was originally recorded by Burnel for the 2004 Japanese animated TV series Gankutsuou: The Count of Monte Cristo .[ citation needed ]
Lyrically, the album covers a number of different subjects. In a "track-by-track" feature on the Stranglers' web site in 2016, Baz Warne discussed the album, revealing that "Spectre of Love" was a very personal song, written about, and for, his daughter, with whom he had a strained relationship at the time. "Relentless" is about all things eternal, such as time and love, and "Barbara (Shangri-La)" reminisces about a past love. "Summat Outanowt" (something out of nothing) is about someone who makes "mountains out of molehills, blowing everything out of all proportion." The song includes references to two films: the line "I'm not the bad albino" refer to The Da Vinci Code and "Something that reminds me of a rabbit horror show" refer to Fatal Attraction . [7]
The inspiration for "Bless You (Save You, Spare You, Damn You)" was drawn from the bubonic plague and its connection to sneezing, [7] which was often the first sign that someone had the disease. [15] Warne elaborated on the song's title, saying, "Bless You (you’ve sneezed once), Save You (twice), Spare You (thrice) and Damn You (you've sneezed 4 times ... you're dead)." [7]
Elsewhere on the album, "She's Slipping Away" deals with domestic violence, "Anything Can Happen" concerns George W. Bush and the United States foreign policy in the Middle East, and "A Soldier's Diary" is inspired by letters and diaries found in the allied trenches during World War I. [7] According to Warne, "I Hate You" was the topic of much discussion at the time of its release, but the song's writer, Burnel, has not disclosed who the song is aimed at. [7]
All tracks are written by Jet Black, Jean-Jacques Burnel, Dave Greenfield and Baz Warne, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Unbroken" | Black, Burnel, Greenfield, Paul Roberts, Warne | 3:47 |
2. | "Spectre of Love" | 3:34 | |
3. | "She's Slipping Away" | Black, Burnel, Greenfield, Roberts, Warne | 3:29 |
4. | "Summat Outanowt" | 2:14 | |
5. | "Anything Can Happen" | 3:54 | |
6. | "See Me Coming" | Burnel | 3:56 |
7. | "Bless You (Save You, Spare You, Damn You)" | 5:35 | |
8. | "A Soldier's Diary" | 2:19 | |
9. | "Barbara (Shangri-La)" | 3:44 | |
10. | "I Hate You" | 2:58 | |
11. | "Relentless" | 5:02 | |
Total length: | 40:27 |
No. | Title | Writer(s) | Length |
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12. | "Instead of This" (live acoustic) | Black, Burnel, Hugh Cornwell, Greenfield | 4:34 |
13. | "Death and Night and Blood (Yukio)" (live) | Black, Burnel, Cornwell, Greenfield | 2:28 |
Total length: | 47:29 |
Chart (2022) | Peak position |
---|---|
Scottish Albums (OCC) [18] | 7 |
UK Albums (OCC) [19] | 45 |
UK Independent Albums (OCC) [20] | 4 |
The Stranglers are an English rock band. Scoring 23 UK top 40 singles and 20 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene.
"Golden Brown" is a song by English rock band the Stranglers, released as a 7-inch single on EMI's Liberty label in 1982. Noted for its distinctive harpsichord instrumentation, it was the second single released from the band's sixth studio album La Folie (1981). The single peaked at No. 2 on the UK Singles Chart, making it the band's highest-charting single in the country. It has also been recorded by many other artists.
The Raven is the fourth studio album by English new wave band the Stranglers, released on 21 September 1979, through record label United Artists.
Norfolk Coast is the fifteenth studio album by the Stranglers, and was released on 16 February 2004 by EMI's Liberty Records label, making it their first new album recorded for the company in 23 years. It was released six years after their last studio album Coup de Grace and was their first official studio album with new guitarist Baz Warne, and also the last album to feature Paul Roberts on lead vocals. Norfolk Coast peaked at No. 70 in the UK Albums Chart in February, for one week's duration in that listing.
Black and White is the third studio album by English new wave band the Stranglers. It was released on 12 May 1978, through record label United Artists in most of the world and A&M in America.
The Gospel According to the Meninblack is the fifth album by English rock band the Stranglers, an esoteric concept album released 9 February 1981 on the Liberty label. The album deals with conspiratorial ideas surrounding alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier The Raven album and subsequent 1980 single-release "Who Wants the World?" had also explored it.
La folie is the sixth studio album by English new wave band the Stranglers. It was released on 9 November 1981, through the EMI record label Liberty.
Dreamtime is the ninth studio album by the Stranglers, released in 1986 by Epic Records. The title track was inspired by a belief of the aboriginal peoples of Australia called Dreamtime.
Friday the Thirteenth is a live album by the English rock band the Stranglers, released in 1997 by Eagle Records.
Aural Sculpture is the eighth studio album by the Stranglers, released in November 1984 by Epic Records. It was also the name given to a one-sided 7-inch single given free with a limited number of copies of their Feline album in 1983. The "Aural Sculpture Manifesto" on the 7" single was played before the Stranglers appeared on stage during concerts during both the 1983 "Feline" tour and the 1985 "Aural Sculpture" tour.
Written in Red is the thirteenth studio album recorded by the Stranglers, released in January 1997 through the When! label. It was co-produced by Gang of Four's Andy Gill.
Coup de Grace is the fourteenth studio album by the Stranglers, released in 1998 by Eagle Records. It was the last album to feature guitarist John Ellis, who left the band in 2000.
Euroman Cometh is the debut solo album by the Stranglers' bassist J.J. Burnel, released in April 1979 by United Artists. It is a concept album, as most of the songs concern the ideal of a united Europe, both culturally and economically. Upon release, the album was a contrast to the more melodic songs of the Stranglers, containing what Pat Gilbert of Record Collector describes as "a collection of dark, atmospheric soundscapes, embroidered with Burnel's intense, monotone theorising about a united Europe."
Jean-Jacques Burnel is an English musician, producer and songwriter, best known as the bass guitarist and co-lead vocalist with the English rock band the Stranglers. He is the only original member to remain in the band.
Paul Roberts is an English singer who was the lead singer of The Stranglers between 1990 and 2006.
Barry "Baz" Warne is the current guitarist and vocalist of The Stranglers.
"Spectre of Love" is the title of The Stranglers song released in September 2006. It was released as a single on CD and bright green-colored vinyl on 11 September that year. The song is also the second track of the band's album, Suite XVI, which released a week later. Vocals are provided by Baz Warne.
Decades Apart is a 2-CD career spanning compilation album by English rock band the Stranglers, released on 1 March 2010 by EMI. It features 35 singles and album tracks from 1977 to 2006, as well as two new tracks, "Retro Rockets" and "I Don't See the World Like You Do". The album reached #146 in the UK Albums Chart.
Giants is the seventeenth studio album by English rock band the Stranglers and continues the band's return as a four-piece after the departure of singer Paul Roberts. Lead vocals are shared between guitarist Baz Warne and bassist Jean-Jacques Burnel. The album was released on 5 March 2012 and was supported by an extensive UK tour by the band. It was their last album to feature original drummer Jet Black and the last to be released in keyboard player Dave Greenfield's lifetime.
Dark Matters is the eighteenth studio album by British rock band the Stranglers, released on 10 September 2021 through Coursegood. It features the playing of keyboardist Dave Greenfield, who died in 2020. It is also the first studio album recorded without founding drummer Jet Black, who retired from performing with the band in 2015.
In Rome during the plague of 590, Pope Gregory I ordered unceasing prayer for divine intercession. Part of his command was that anyone sneezing be blessed immediately ("God bless you"), since sneezing was often the first sign that someone was falling ill with the plague. Although the populace did not understand that the sneeze was the source of transmittal, they may have sensed it was connected to the disease. "God bless you" became a verbal totem invoking divine mercy on the sneezer.