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Coup de Grace | ||||
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Studio album by | ||||
Released | 26 October 1998 | |||
Studio | Funny Bunny Studios, London Matrix Studios, London Mixed at Maison Rouge, London | |||
Genre | Rock | |||
Length | 42:46 | |||
Label | Eagle | |||
Producer | ||||
The Stranglers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Encyclopedia of Popular Music | [2] |
The Great Rock Discography | 4/10 [3] |
NME | 2/10 [4] |
Coup de Grace is the fourteenth studio album by the Stranglers, released in 1998 by Eagle Records. It was the last album to feature guitarist John Ellis, who left the band in 2000.
The tracks on Coup de Grace represent a greater writing input from bassist Jean-Jacques Burnel than on more recent outings; [5] [6] he also sings four of the ten tracks. Heavily influenced by the band's troop-entertaining trips to such places as the Falkland Islands and Bosnia, and (in Burnel's words) "life in general", the tracks covered such topics as the ravages of war, religious conflicts, and failed relationships.[ citation needed ] The album included the minimally-accompanied ballad "In the End".
"Miss You" shares its title with a track on the previous Stranglers album Written in Red , but is a different song. [7]
The album failed to reach the official UK Albums Chart, their first such release not to do so. [8]
All tracks are written by the Stranglers.
No. | Title | Length |
---|---|---|
1. | "God is Good" | 4:03 |
2. | "You Don't Think That What You've Done is Wrong" | 3:13 |
3. | "Tonight" | 3:18 |
4. | "Jump Over My Shadow" | 4:32 |
5. | "Miss You" | 5:04 |
6. | "Coup de Grace (S-O-S)" | 3:24 |
7. | "In the End" | 3:14 |
8. | "No Reason" | 5:16 |
9. | "Known Only unto God" | 4:40 |
10. | "The Light" | 5:59 |
The Stranglers are an English rock band who emerged via the punk rock scene. Scoring 23 UK top 40 singles and 19 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene.
The Raven is the fourth studio album by English new wave band the Stranglers, released on 15 September 1979, through record label United Artists.
Norfolk Coast is the fifteenth studio album by the Stranglers, and was released on 16 February 2004 by EMI's Liberty Records label, making it their first new album recorded for the company in 23 years. It was released six years after their last studio album Coup de Grace and was their first official studio album with new guitarist Baz Warne, and also the last album to feature Paul Roberts on lead vocals. Norfolk Coast peaked at No. 70 in the UK Albums Chart in February, for one week's duration in that listing.
Black and White is the third studio album by English new wave band the Stranglers. It was released on 12 May 1978, through record label United Artists in most of the world and A&M in America.
The Gospel According to the Meninblack is the fifth album by English rock band the Stranglers, an esoteric concept album released in 1981 on the Liberty label. The album deals with conspiratorial ideas surrounding alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier The Raven album and subsequent 1980 single-release "Who Wants the World?" had also explored it.
Feline is the seventh studio album by the Stranglers and was released on 22 January 1983 on the Epic record label, their first for the label. The first edition came with a free one-sided 7" single "Aural Sculpture Manifesto". Feline drew heavily on two of the dominant musical influences in Europe of the time, by using primarily acoustic guitars and electronic drums as well as Dave Greenfield's synthesizers. The American edition of the album included the British hit single "Golden Brown" as the closing track on side one of the original vinyl.
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Aural Sculpture is the eighth studio album by the Stranglers, released in November 1984 by Epic Records. It was also the name given to a one-sided 7-inch single given free with a limited number of copies of their Feline album in 1983. The "Aural Sculpture Manifesto" on the 7" single was played before the Stranglers appeared on stage during concerts during both the 1983 "Feline" tour and the 1985 "Aural Sculpture" tour.
Stranglers in the Night is the eleventh studio album by the Stranglers and the first release on the band's own record label, Psycho, in 1992.
About Time is the twelfth studio album from the Stranglers and the second one from the Black, Burnel, Greenfield, Roberts and Ellis line-up. The album was released in 1995 through the When! label. It was co-produced, engineered and mixed by Alan Winstanley, who had worked with the Stranglers on their first four albums. Nigel Kennedy plays electric violin on "Face", and a string-quartet is used on three of the eleven tracks.
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Jean-Jacques "JJ" Burnel is a Franco-English musician, producer and songwriter, best known as the bass guitarist with the English rock band The Stranglers. He is the last founding member to remain in the band.
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Peaches: The Very Best of The Stranglers is a compilation album by The Stranglers, released in 2002 by EMI. It reached No. 21 in the UK Albums Chart in June 2002.
IV is a compilation album by the Stranglers, released on 24 September 1980 on I.R.S. Records and only available in the US and Canada.
Un Jour Parfait is the second solo album by the Stranglers' bassist Jean-Jacques Burnel, released on 23 September 1988 by Epic Records. The album was aimed at the French market and its release limited to certain territories, but was available in the UK as an import. All songs were written in French, except "Garden of Eden".
Giants is the seventeenth studio album by English rock band the Stranglers and continues the band's return as a four-piece after the departure of singer Paul Roberts. Lead vocals are shared between guitarist Baz Warne and bassist Jean-Jacques Burnel. The album was released on 5 March 2012 and was supported by an extensive UK tour by the band. It was their last album to feature original drummer Jet Black and the last to be released in keyboard player Dave Greenfield's lifetime.