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10 | ||||
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Studio album by | ||||
Released | 5 March 1990 [1] | |||
Recorded | Autumn 1989 | |||
Studio | Wisseloord Studios, Hilversum, Netherlands | |||
Genre | ||||
Length | 36:23 | |||
Label | Epic | |||
Producer | Roy Thomas Baker | |||
The Stranglers chronology | ||||
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Singles from 10 | ||||
10 is the tenth studio album by English rock band the Stranglers, released in March 1990 by Epic Records. [6] It was the last to feature guitarist/lead singer Hugh Cornwell. 10 peaked at No. 15 and spent four weeks in the UK Albums Chart. [7]
There was a big band sound to this album, possibly due to the production work of Roy Thomas Baker and the continued use of a horn section. One of the highlights was the cover version of Question Mark & the Mysterians' hit "96 Tears" (which reached No. 17 in the UK Singles Chart). [7] Cornwell has expressed satisfaction with the way this album turned out, whereas the rest of the band, including live guitarist John Ellis, who joined the band on the next album, have all expressed negative feelings about 10. [8]
Singles released in the UK for this album were "96 Tears" and "Sweet Smell of Success" (UK No. 65). [7] "Man of the Earth" was due to be the third single from the album, however, Epic decided against it. [9]
Since the Stranglers last album Dreamtime , released in October 1986, the band had toured extensively until the end of 1987, released the 1987 single "All Day and All of the Night", and the 1988 live album All Live and All of the Night . The band had begun recording 10 in bassist Jean-Jacques Burnel's newly built 16-track home studio in Cambridgeshire in 1988. By 1989, with help from local engineer Owen Morris, the band had recorded around 20 tracks which they delivered to their label CBS/Epic for a late 1989 release. [10] The label's A&R man Muff Winwood, however, was unhappy with the production and suggested re-recording the album with producer Roy Thomas Baker, aiming for the American market. [11] According to Hugh Cornwell in his 2001 book The Stranglers: Song by Song, the band had never heard of Baker before but were told he had produced various successful Queen albums. "Roy was sold to us on the basis that he could produce the sound that the Americans wanted," Cornwell said. [12]
The album was recorded in autumn 1989 at Wisseloord Studios in the Netherlands. [6] To achieve a bigger sound on the album, Baker would multi-track Cornwell's guitars. "Whenever I had a guitar part, Roy would make me play it 22 times and record it on separate tracks," Cornwell said. "He'd then mix it all down to stereo and it would sound immense with 22 guitars all playing the same part." [13] At the suggestion of Baker, the band also recorded a cover of "96 Tears" for the album. [11] The spoken section on "Let's Celebrate" is read by Baker's wife, Tere. [14]
Despite the album's American-friendly sound and the moderate success of "Sweet Smell of Success" in the United States (reaching No. 5 on the US Modern Rock Chart), [7] the band did not undertake a US tour. Cornwell, feeling the band had come to a halt in their artistic evolution, decided to leave the band following the last gig on the supporting tour. [15]
The album sleeve shows the members of the band dressed up as ten of the most notable world leaders of the time (l-r: Yasser Arafat, Rajiv Gandhi, Pope John Paul II, Mikhail Gorbachev, Margaret Thatcher, George H. W. Bush, Fidel Castro, Muammar al-Gaddafi, Benazir Bhutto and Joshua Nkomo). [6] The cover was created by Jean-Luke Epstein and Grant Louden from the design company Graphyk. Epstein had designed most of the Stranglers' album and single sleeves during their Epic years, starting with Aural Sculpture in 1984. [16] [17]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Great Rock Discography | 5/10 [19] |
AllMusic's Alex Ogg called the album a "meager fare of dislocated pop and half-assed R&B," writing, "The Stranglers actually released very, very few bad albums. 10, sad to say, is one of the few, and it's an absolute stinker." [2] Ira Robbins of Trouser Press wrote, "Although Roy Thomas Baker produced the rock'n'rolly 10 ... things didn't turn out all that bad. As horrifying as it is to hear this once-dynamic group reduced to covering "96 Tears" ... the originals that otherwise comprise the record are pretty lively." [3] In his 1997 book No Mercy: The Authorised and Uncensored Biography of The Stranglers, David Buckley wrote that the problem with the album wasn't so much Roy Thomas Baker's production, but the fact that the songs were "simply stale and boring", with the cover "96 Tears" being the only quality song. [8]
All tracks are written by the Stranglers, except where noted
No. | Title | Writer(s) | Length |
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1. | "Sweet Smell of Success" | 3:22 | |
2. | "Someone Like You" | 2:53 | |
3. | "96 Tears" | Rudy Martinez | 3:12 |
4. | "In This Place" | 3:38 | |
5. | "Let's Celebrate" | 4:16 |
No. | Title | Length |
---|---|---|
6. | "Man of the Earth" | 3:22 |
7. | "Too Many Teardrops" | 3:47 |
8. | "Where I Live" | 3:32 |
9. | "Out of My Mind" | 4:08 |
10. | "Never to Look Back" | 4:18 |
Total length: | 36:23 |
No. | Title | Writer(s) | Origin | Length |
---|---|---|---|---|
11. | "Instead of This" | "96 Tears" single | 3:59 | |
12. | "Poisonality" | "96 Tears" 12" and CD single | 3:40 | |
13. | "Motorbike" | "Sweet Smell of Success" single | 3:39 | |
14. | "Something" | "Sweet Smell of Success" 12" and CD single | 4:10 | |
15. | "You" | "Golden Brown" single reissue, 1991 | 3:06 | |
16. | "¡Viva Vlad!" | "All Day and All of the Night" single, 1987 | 3:08 | |
17. | "All Day and All of the Night" | Ray Davies | Single, 1987; All Live and All of the Night , 1988 | 2:24 |
18. | "Always the Sun" (Sunny-Side Up Mix) | Single, 1990; original version from Dreamtime , 1986 | 4:03 |
Credits adapted from the album liner notes, except where noted. [20]
The Stranglers are an English rock band. Scoring 23 UK top 40 singles and 20 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene.
The Raven is the fourth studio album by English new wave band the Stranglers, released on 21 September 1979, through record label United Artists.
Rattus Norvegicus is the debut studio album by English punk rock band the Stranglers, released on 15 April 1977.
Live (X Cert) is the first live album by the Stranglers, released in February 1979 by United Artists. It contains tracks recorded at The Roundhouse in June and November 1977 and at Battersea Park in September 1978.
The Gospel According to the Meninblack is the fifth album by English rock band the Stranglers, an esoteric concept album released 9 February 1981 on the Liberty label. The album deals with conspiratorial ideas surrounding alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier The Raven album and subsequent 1980 single-release "Who Wants the World?" had also explored it.
La folie is the sixth studio album by English new wave band the Stranglers. It was released on 9 November 1981, through the EMI record label Liberty.
Nosferatu is an album by Hugh Cornwell of the Stranglers and Robert Williams, drummer in Captain Beefheart and the Magic Band. It was released on 16 November 1979 by United Artists.
Feline is the seventh studio album by the Stranglers and was released on 14 January 1983 on the Epic record label, their first for the label. The first edition came with a free one-sided 7" single "Aural Sculpture Manifesto". Feline drew heavily on two of the dominant musical influences in Europe of the time, by using primarily acoustic guitars and electronic drums as well as synthesizers. The American edition of the album included the British hit single "Golden Brown" as the closing track on side one of the original vinyl.
Greatest Hits 1977–1990 is a compilation album by the Stranglers, released in November 1990 by Epic Records. It contains hit singles selected from their back catalogue from both EMI and Epic Records.
All Live and All of the Night is the second live album by English rock band the Stranglers, released on 8 February 1988 by Epic Records. The release peaked at No. 12 in the UK Albums Chart in March 1988.
Dreamtime is the ninth studio album by the Stranglers, released in 1986 by Epic Records. The title track was inspired by a belief of the Indigenous peoples of Australia called Dreamtime.
Saturday Night, Sunday Morning is a live album by the Stranglers, released in 1993 by Castle Communications.
Aural Sculpture is the eighth studio album by the Stranglers, released in November 1984 by Epic Records. It was also the name given to a one-sided 7-inch single given free with a limited number of copies of their Feline album in 1983. The "Aural Sculpture Manifesto" on the 7" single was played before the Stranglers appeared on stage during concerts during both the 1983 "Feline" tour and the 1985 "Aural Sculpture" tour.
Euroman Cometh is the debut solo album by the Stranglers' bassist J.J. Burnel, released in April 1979 by United Artists. It is a concept album, as most of the songs concern the ideal of a united Europe, both culturally and economically. Upon release, the album was a contrast to the more melodic songs of the Stranglers, containing what Pat Gilbert of Record Collector describes as "a collection of dark, atmospheric soundscapes, embroidered with Burnel's intense, monotone theorising about a united Europe."
Jean-Jacques Burnel is an English musician, producer and songwriter, best known as the bass guitarist and co-lead vocalist with the English rock band The Stranglers. He is the only original member to remain in the band.
Peaches: The Very Best of The Stranglers is a compilation album by The Stranglers, released in 2002 by EMI. It reached No. 21 in the UK Albums Chart in June 2002.
Hans Axel Wärmling was a Swedish musician and songwriter, and was a founding member and keyboardist of the British rock band The Stranglers. He co-wrote their 1982 UK Top 10 release "Strange Little Girl". He drowned in a boating accident in 1995.
Un Jour Parfait is the second solo album by the Stranglers' bassist Jean-Jacques Burnel, released on 23 September 1988 by Epic Records. The album was aimed at the French market and its release limited to certain territories, but was available in the UK as an import. All songs were written in French, except "Garden of Eden".
"Goodbye Toulouse" is a song by The Stranglers. It was the second song on their 1977 debut album, Rattus Norvegicus. The lyrics were written by Jean-Jacques Burnel and the music by Hugh Cornwell, although the song was credited to the band as a whole.
"No Mercy" is a song and single written by Hugh Cornwell, Dave Greenfield, Jet Black and Jean-Jacques Burnel performed by the Stranglers and released in November 1984.