The Hangman's Beautiful Daughter | ||||
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Studio album by | ||||
Released | March 1968 | |||
Recorded | December 1967 | |||
Studio | Sound Techniques, London | |||
Genre | Acid folk [1] | |||
Length | 49:51 | |||
Label | Elektra / WEA | |||
Producer | Joe Boyd | |||
The Incredible String Band chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [2] |
Pitchfork Media | 9.0/10 [3] |
Rolling Stone | (unfavourable) [4] |
The Rolling Stone Album Guide | [5] |
Encyclopedia of Popular Music | [6] |
The Hangman's Beautiful Daughter is the third album by Scottish psychedelic folk group the Incredible String Band (ISB), and was released in March 1968 on Elektra Records (see 1968 in music). It saw the band continuing its development of the elements of psychedelic folk and enlarging on past themes, a process they had begun on their previous album, The 5000 Spirits or the Layers of the Onion . Instrumentally, it was the ISB's most complex and experimental album to date, featuring a wide array of exotic instruments. In addition, the album captured the band utilising multi-tracks and overdubbing. [7]
Upon release, the album peaked at number five on the UK Albums Chart and number 161 on the Billboard Top LP's listings in America, becoming the group's highest charting album in both countries. [8] [9] The album brought critical and financial success for the band, including their first solo tour and a Grammy nomination. It was considered their most ambitious work to date and had a large impact on the psychedelic folk genre. [10]
In December 1967, the band completed their Hangman's Beautiful Daughter album at Sound Techniques in Chelsea, London. For the ISB's developments, they attempted to recreate as vividly as possible a live performance of their compositions. Lyrically, the compositions reflected upon past themes of life, mythology, and religious properties in a free musical structure, esotericism becoming a consistent anchor in their recordings. [11]
The album features a series of vividly dreamlike Robin Williamson songs, such as "The Minotaur's Song", a surreal music-hall parody sung from the point of view of the mythical beast. Its centrepiece is Mike Heron's "A Very Cellular Song", a 13-minute reflection on life, love, and amoebas, whose complex structure incorporates a Bahamian spiritual ("I Bid You Goodnight", originally recorded by the Pinder Family [12] [13] ). The last part of "A Very Cellular Song", "May the Long Time Sun Shine", is sometimes wrongly referred to as a Sikh hymn or an Irish blessing, but is in fact an original song written by Mike Heron. The album's layered production style employs multitrack recording techniques [14] and a wide array of instruments from across the world, including sitar, gimbri, shenai, oud, harpsichord, panpipes and kazoo.
The album's cover art – which on original LP issues was the back cover, as the front showed just Williamson and Heron – consists of a photograph taken on Christmas Day 1967. It shows both musicians with band members Licorice McKechnie and Rose Simpson, friends Roger Marshall and Nicky Walton, several children of their friend Mary Stewart, and Robin's dog Leaf. [11]
Regarding the title, Mike Heron said at the time: "The hangman is death and the beautiful daughter is what comes after. Or you might say that the hangman is the past twenty years of our life and the beautiful daughter is now, what we are able to do after all these years. Or you can make up your own meaning – your interpretation is probably just as good as ours." [11]
Owing largely to the band gaining much airplay from famous DJ John Peel, [15] The Hangman's Beautiful Daughter was a major commercial success in the UK, staying in the charts for 21 weeks [8] with a peak of number 5. In the US, the ISB always remained underground and the album struggled to number 161 during a two-month chart run. It was nominated for a Grammy in the folk music category.
The Hangman's Beautiful Daughter has been widely acclaimed by many critics. It was voted number 406 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). [16] It appears at number 88 in Joe S. Harrington's Top 100 Albums [17] and was listed by Keenan in The Best Albums Ever...Honest. [18] In its entry in Robert Dimery's book 1001 Albums You Must Hear Before You Die , Max Reinhardt describes the album as "a potent seed of the current 'world music' movement", adding: "[The Hangman's Beautiful Daughter] revealed a sustained grandeur of vision, lyrics, and musicality that the group were never to approach again … Each track is closer to a suite than a song, as Celtic folk, rock 'n' roll, gospel, plainsong harmonies, near qwaali moments, and North African and Indian sonics all drift effortlessly before the ears." [1] In the February 2016 edition of Uncut magazine it was placed 98th in the top 100 Albums of All Time.[ citation needed ]
The artwork has been referenced on the cover to David Keenan's book England's Hidden Reverse, Current 93's album cover to their LP Earth Covers Earth, Devendra Banhart's Cripple Crow LP, [19] and Feathers' eponymous debut.
Robert Plant credited The Hangman's Beautiful Daughter with influencing the direction of Led Zeppelin's first album. [20]
The amoeba section of "A Very Cellular Song" was covered by actor Nigel Planer, in character as "Neil the Hippy" from the UK television show The Young Ones , on his 1984 LP Neil's Heavy Concept Album . [21]
All tracks are written by Robin Williamson except where noted.
No. | Title | Length |
---|---|---|
1. | "Koeeoaddi There" | 4:49 |
2. | "The Minotaur's Song" | 3:22 |
3. | "Witches Hat" | 2:33 |
4. | "A Very Cellular Song" (Mike Heron) | 13:09 |
No. | Title | Length |
---|---|---|
5. | "Mercy I Cry City" (Heron) | 2:46 |
6. | "Waltz of the New Moon" | 5:10 |
7. | "The Water Song" | 2:50 |
8. | "Three Is a Green Crown" | 7:46 |
9. | "Swift As the Wind" (Heron) | 4:53 |
10. | "Nightfall" | 2:33 |
Chart | Entry date | Peak position |
---|---|---|
UK Albums Chart [8] | 6 April 1968 | 5 |
US Billboard Top LP's [9] | 20 July 1968 | 161 |
The Incredible String Band were a British psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Edinburgh in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion (1967), The Hangman's Beautiful Daughter (1968), and Wee Tam and the Big Huge (1968). They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music.
The 5000 Spirits or the Layers of the Onion is the second album by the Scottish psychedelic folk group the Incredible String Band (ISB). It was released in July 1967 on Elektra Records. The album was recorded following the reformation of the band as a duo consisting of Robin Williamson and Mike Heron. Notably, the album was a change in musical direction for the two as they transitioned from their more conventional folk music structures into complex psychedelic compositions influenced by British folk and Indian music.
The Incredible String Band is the debut album by the band of the same name, released in the United Kingdom in October 1966 by record label Elektra. It is the only one of the band's albums to feature the original trio line-up with Clive Palmer, Robin Williamson and Mike Heron.
U is a double album, the seventh studio album overall, by the British psychedelic folk group the Incredible String Band (ISB) and was released on Elektra Records in October 1970. The majority of the material featured on the album was taken from the mixed-media production of the same name, which saw the band backed by the dancing troupe the Stone Monkey. The concept of U derived from the ISB's fascination and subsequent conversion to Scientology in 1969.
Be Glad for the Song Has No Ending is the eighth album by the Scottish psychedelic folk group, the Incredible String Band, featuring Mike Heron, Robin Williamson, Licorice McKechnie and Rose Simpson. It is the soundtrack for a film of the same name, and was released on Island Records in March 1971, failing to chart in either the UK or US. It would be the first album from the band on the Island label, and the last to feature Joe Boyd as the producer.
Wee Tam and the Big Huge is the fourth album by the Scottish psychedelic folk group the Incredible String Band, released in 1968 by Elektra Records as both a double LP and separate single LPs known individually as Wee Tam and The Big Huge.
James Michael Heron is a Scottish singer, songwriter and multi-instrumentalist, best known for his work in the Incredible String Band in the 1960s and 1970s.
Changing Horses is the fifth album by the Scottish psychedelic folk group, the Incredible String Band (ISB), and was released in November 1969 on Elektra Records. The album saw the group continuing their use of unique instruments while integrating a standard musical structure. In addition, the album is seen as a transitional period in which the ISB shifted in musical textures, including early utilization of electric-based instruments.
I Looked Up is the sixth album by the Incredible String Band. Recorded at a time when the band was busy rehearsing for their ambitious upcoming stage show, U, the album has been described by band member Robin Williamson as a "quickie" album.
Robin Duncan Harry Williamson is a Scottish multi-instrumentalist, singer, songwriter, and storyteller who was a founding member of The Incredible String Band.
Clive Harold Palmer was an English folk musician and banjoist, best known as a founding member of the Incredible String Band.
Liquid Acrobat as Regards the Air is the ninth album by the Incredible String Band. It features Mike Heron, Robin Williamson, Licorice McKechnie and Malcolm Le Maistre. The album was the band's first almost entirely electric recording; a new feature that was to define the change in the band's sound throughout their final period through 1974.
Smiling Men with Bad Reputations is the 1971 solo debut album by Mike Heron of the Incredible String Band (ISB).
Malcolm Le Maistre is an English musician, experimental artist and theatre director, who was a member of the Incredible String Band in the 1970s.
Earthspan is the tenth album by The Incredible String Band, released in 1972 on Island Records. It features Mike Heron, Robin Williamson, Licorice McKechnie, and Malcolm Le Maistre.
Meg Baird is an American musician based in San Francisco, California, United States, who, in addition to her solo career, is known as a founding member, lead vocalist, and drummer for Heron Oblivion, along with members from Assemble Head in Sunburst Sound and Comets on Fire. She was also a guitarist and the lead female vocalist in Philadelphia psychedelic folk rock band Espers, and played drums in Philadelphia punk band Watery Love. Baird frequently collaborates with the Los Angeles-based harpist Mary Lattimore.
Myrrh is a folk album and the solo debut of Robin Williamson, released in 1972. Robin Williamson is noted as being a founding member of The Incredible String Band. Myrrh was subjected to a low budget and placed on the Island label's lowest sub-label, Help. The album was downgraded by poor-quality sound mixing and a single-sleeve cover design.
Songs For Children of All Ages is a folk album released in 1987 by Robin Williamson. The album was released in 1987 on the Flying Fish label and on Cladagh Records. It was re-issued with Winter's Turning in 1999 on Pig's Whisker Music.
"A Very Cellular Song" is a song by the Incredible String Band, written by Mike Heron, released on the 1968 album The Hangman's Beautiful Daughter.