The Holocaust and social media

Last updated

Tourist taking a photograph of the Memorial to the Murdered Jews of Europe in Berlin Shooting the Memorial.jpg
Tourist taking a photograph of the Memorial to the Murdered Jews of Europe in Berlin

The representation of the Holocaust on social media has been a subject of scholarly inquiry [1] and media attention. [2]

Contents

Selfies at Holocaust memorial sites

A young man taking a selfie at the Memorial to the Murdered Jews of Europe Dante Alvarez, Berlin.jpg
A young man taking a selfie at the Memorial to the Murdered Jews of Europe

Some visitors take selfies at Holocaust memorials, which has been the subject of controversy. In 2018, Rhian Sugden, a British model, received criticism after posting a selfie at the Memorial to the Murdered Jews of Europe in Berlin with the caption "ET phone home". She later removed the caption but defended taking the photograph. [3] Other celebrities have also been criticised for photographs at the Berlin memorial, including Indian actress Priyanka Chopra [4] and US politician Pete Buttigieg, whose husband posted a photograph of him at the memorial on a personal social media account. [5]

The Israeli artist and satirist Shahak Shapira set up the website yolocaust.de in 2017 to expose people who take inappropriate selfies at the Holocaust memorial in Berlin. Shapira went through thousands of selfies posted to social media sites such as Facebook, Instagram, Tinder, and Grindr, choosing the twelve that he found most offensive. When the images were moused over, the website replaces the memorial backdrop with black and white images of Nazi victims. "Yolocaust" is a portmanteau of "Holocaust" and YOLO, an acronym for "you only live once". The website went viral, receiving 1.2 million views in the first 24 hours after its launch. [6] [7] Shapira honored requests to take down all of the photographs, which he had used without permission, and the website remains with only a textual documentation of the project. In an analysis of comments by Internet users on the project, Christoph Bareither estimated that 75% were positive. However, the memorial's architect, Peter Eisenman, criticized the website. [8]

In his 2018 book Postcards from Auschwitz, Grinnell professor Daniel P. Reynolds defends the practice of selfie-taking at Holocaust sites. [9] In 2019, the Auschwitz Museum requested that visitors not take inappropriate selfies, although the museum's staff acknowledged that other visitors take selfies in a thoughtful and respectful manner, which they did not criticize. [10]

In an academic paper, Gemma Commane and Rebekah Potton analyze the use of Instagram to share tourist photographs at Holocaust sites and conclude that "Instagram encourages conversation and empathy, keeping the Holocaust visible in youth discourses". According to their analysis, most images are tagged with respectful hashtags such as #tragic, #remembrance, and #sadness. The Auschwitz museum has an official Instagram account, auschwitzmemorial, which it uses to share selected appropriate Instagram posts. However, the image feed for the hashtag "Auschwitz" includes potentially offensive images such as an image of "Nazi Vs. Jews #beerpong". This image, according to the authors, expresses "mockery and contempt" for Holocaust victims. They also document offensive memes using images of Holocaust atrocities and shared on Instagram. [11] Some social media users post in order to criticize what they see as inappropriate behavior at Holocaust sites, with one commenting, "Taking photos posing next to razor wire, selfies with victim’s hair in the background, and even group shots in front of the crematoria had to be seen to be believed." [12]

Assessment of tourism

Social media posts have been used by researchers to analyze the phenomenon of Holocaust-related tourism. [12]

Social media groups

People have created groups on Facebook to discuss issues related to the Holocaust. One paper analyses two such groups, "The Holocaust and My Family" and "The Descendants of the Victims and Survivors of the Holocaust" in which people engage in collective trauma processing. [13]

Eva.stories

In 2019, Israeli high-tech entrepreneur Mati Kochavi created a fictitious Instagram account for Eva Heyman, a Hungarian-Jewish girl who was murdered in Auschwitz concentration camp. The project met with mixed reception. Israeli prime minister Benjamin Netanyahu praised the project, saying that it "exposes the immense tragedy of our people through the story of one girl". [14] [15] [16]

Holocaust denial

The issue of Holocaust denial on social media has also attracted attention. In October 2020, Facebook reversed its policy and banned Holocaust denial from the platform. Founder Mark Zuckerberg had previously argued that such content should not be banned on freedom of speech grounds. [17] [18]

See also

Related Research Articles

Holocaust denial is an antisemitic conspiracy theory that asserts that the Nazi genocide of Jews, known as the Holocaust, is a fabrication or exaggeration. Holocaust denial involves making one or more of the following false claims:

<span class="mw-page-title-main">Memorial to the Murdered Jews of Europe</span> Memorial in Berlin, Germany

The Memorial to the Murdered Jews of Europe, also known as the Holocaust Memorial, is a memorial in Berlin to the Jewish victims of the Holocaust, designed by architect Peter Eisenman and Buro Happold. It consists of a 19,000-square-metre (200,000 sq ft) site covered with 2,711 concrete slabs or "stelae", arranged in a grid pattern on a sloping field. The original plan was to place nearly 4,000 slabs, but after the recalculation, the number of slabs that could legally fit into the designated areas was 2,711. The stelae are 2.38 m long, 0.95 m wide and vary in height from 0.2 to 4.7 metres. They are organized in rows, 54 of them going north–south, and 87 heading east–west at right angles but set slightly askew. An attached underground "Place of Information" holds the names of approximately 3 million Jewish Holocaust victims, obtained from the Israeli museum Yad Vashem.

<span class="mw-page-title-main">Evidence and documentation for the Holocaust</span> Evidence for the genocide of Jews in World War II

The Holocaust—the murder of about six million Jews by Nazi Germany from 1941 to 1945—is the most-documented genocide in history. Although there is no single document which lists the names of all Jewish victims of Nazi persecution, there is conclusive evidence that about six million Jews were murdered. There is also conclusive evidence that Jews were gassed at Auschwitz-Birkenau, the Operation Reinhard extermination camps, and in gas vans, and that there was a systematic plan by the Nazi leadership to murder them.

<i>The Boy in the Striped Pyjamas</i> 2006 novel by John Boyne

The Boy in the Striped Pyjamas is a 2006 historical novel by Irish novelist John Boyne. The plot concerns a German boy named Bruno whose father is the commandant of Auschwitz and Bruno's friendship with a Jewish detainee named Shmuel.

<span class="mw-page-title-main">Wilhelm Brasse</span> Polish photographer

Wilhelm Brasse was a Polish professional photographer and a prisoner in Auschwitz during World War II. He became known as the "famous photographer of Auschwitz concentration camp." His life and work were the subject of the 2005 Polish television documentary film The Portraitist (Portrecista), which first aired in the Proud to Present series on the Polish TVP1 on 1 January 2006.

<i>The Portraitist</i> 2006 Polish TV series or program

The Portraitist is a 2005 Polish television documentary film about the life and work of Wilhelm Brasse, the famous "photographer of Auschwitz", made for TVP1, Poland, which first aired in its "Proud to Present" series on January 1, 2006. It also premiered at the Polish Film Festival, at the West London Synagogue, in London, on March 19, 2007.

<span class="mw-page-title-main">Instagram</span> Social media platform owned by Meta Platforms

Instagram is a photo and video sharing social networking service owned by Meta Platforms. It allows users to upload media that can be edited with filters, be organized by hashtags, and be associated with a location via geographical tagging. Posts can be shared publicly or with preapproved followers. Users can browse other users' content by tags and locations, view trending content, like photos, and follow other users to add their content to a personal feed. A Meta-operated image-centric social media platform, it is available on iOS, Android, Windows 10, and the web. Users can take photos and edit them using built-in filters and other tools, then share them on other social media platforms like Facebook. It supports 32 languages including English, Spanish, French, Korean, and Japanese.

<span class="mw-page-title-main">Selfie</span> Photographic self-portrait

A selfie is a self-portrait photograph or a short video, typically taken with an electronic camera or smartphone. The camera would be usually held at arm's length or supported by a selfie stick instead of being controlled with a self-timer or remote. The concept of shooting oneself while viewing their own image in the camera's LCD monitor is also known as self-recording.

<span class="mw-page-title-main">Space selfie</span> Self-portrait photo taken in outer space

A space selfie is a selfie that is taken in outer space. This include selfies taken by astronauts, machines and by indirect methods.

<span class="mw-page-title-main">Facetune</span> Mobile photo editing application

Facetune is a photo and video editing application used to edit, enhance, and retouch photos on a user's iOS or Android device created by Lightricks. The app is often used for portrait and selfie editing.

<span class="mw-page-title-main">Monkey selfie copyright dispute</span> Copyright dispute involving Celebes crested macaques

Between 2011 and 2018, a series of disputes took place about the copyright status of selfies taken by Celebes crested macaques using equipment belonging to the British wildlife photographer David J. Slater. The disputes involved Wikimedia Commons and the blog Techdirt, which have hosted the images following their publication in newspapers in July 2011 over Slater's objections that he holds the copyright, and People for the Ethical Treatment of Animals (PETA), who have argued that the copyright should be assigned to the macaque.

<span class="mw-page-title-main">Ballot selfie</span> Photographers completed election ballot

A ballot selfie is a type of selfie that is intended to depict the photographer's completed ballot in an election, as a way of showing how the photographer cast their vote. Ballot selfies have risen in prominence alongside the increasing availability of smartphone digital cameras and the use of social media in the 21st century. They have also generated controversy as potential violations of laws enacted in the late 19th and early 20th centuries to curtail vote buying, particularly in the United States, though some U.S. courts have rejected restrictions on ballot selfies as inconsistent with the U.S. Constitution's First Amendment guarantees of freedom of speech.

<span class="mw-page-title-main">Shahak Shapira</span> German artist and comedian

Shahak Shapira is a German-Israeli artist, comedian, author and musician. He is currently based in Berlin, Germany.

<span class="mw-page-title-main">Samantha Yammine</span> Canadian neuroscientist and science communicator

Samantha Yammine is a Canadian neuroscientist and science communicator. She completed her PhD in 2019 at the University of Toronto.

<span class="mw-page-title-main">Crawley Edge Boatshed</span> Boatshed in Matilda Bay, on Mounts Bay Road, Crawley, Western Australia

The Crawley Edge Boatshed, commonly referred to as the Blue Boat House, is a boathouse located on the Swan River at Crawley in Perth, Western Australia. A well known landmark, the boatshed was built in the 1930s, and since the 1940s has been owned mainly by the Nattrass family.

<span class="mw-page-title-main">Photography of the Holocaust</span> Brief history of photographs of the Holocaust

Photography of the Holocaust is a topic of interest to scholars of the Holocaust. Such studies are often situated in the academic fields related to visual culture and visual sociology studies. Photographs created during the Holocaust also raise questions in terms of ethics related to their creation and later reuse.

<span class="mw-page-title-main">Selfie museum</span>

A "selfie museum" or "Instagram museum" is a type of art gallery or installation designed to provide a setting for visitors to pose in photographs to be posted on social media sites such as Instagram. Typical features of exhibits in a selfie museum include colorful backdrops, oversize props, and optical illusions such as anamorphosis.

The Act on the Institute of National Remembrance – Commission for the Prosecution of Crimes against the Polish Nation is a 1998 Polish law that created the Institute of National Remembrance. This memory law was amended twice, in 2007 and 2018.

<span class="mw-page-title-main">Filter (social media)</span>

Filters are appearance-altering digital image effects often used on social media. They initially simulated the effects of camera filters, and they have since developed with facial recognition technology and computer-generated augmented reality. Social media filters—especially beauty filters—are often used to alter the appearance of selfies taken on smartphones or other similar devices.

In the early 21st century, antisemitism was identified in social media platforms with up to 69 percent of Jews in the US having encountered antisemitism online according to the 2022 report released by "The State of Antisemitism in America". Jews have encountered antisemitism either as targets themselves or by being exposed to antisemitic content on their media page.

References

  1. Adriaansen, Robbert-Jan (2020). "Picturing Auschwitz. Multimodality and the attribution of historical significance on Instagram". Infancia y Aprendizaje, Journal for the Study of Education and Development. 43 (3): 652–681. doi: 10.1080/02103702.2020.1771963 . hdl: 1765/128867 .; Fagen, Erica (2019). Hashtag Holocaust: Negotiating Memory in the Age of Social Media (PhD thesis). UMass Amherst.; Pfanzelter, Eva (2015). "At the crossroads with public history: mediating the Holocaust on the Internet". Holocaust Studies. 21 (4): 250–271. doi:10.1080/17504902.2015.1066066. S2CID   146258990.; Lundrigan, Meghan (2020). "#Holocaust #Auschwitz". A Companion to the Holocaust. John Wiley & Sons, Ltd. pp. 639–655. ISBN   978-1-118-97049-2.
  2. "Tweeting the Holocaust: The perils and perks of using social media to remember the Shoah". Haaretz.com. Retrieved 24 October 2020.
  3. "Glamour model Rhian Sugden criticised for posting Holocaust Memorial selfie" . The Independent. 5 December 2018. Archived from the original on 2022-06-18. Retrieved 24 October 2020.
  4. Bhattacharya, Ananya. "Priyanka Chopra broke the unspoken rule of taking selfies at the Holocaust Memorial". Quartz India. Retrieved 24 October 2020.
  5. Relman, Eliza (November 18, 2019). "Pete Buttigieg is facing criticism for an Instagram photo of him posing at the Berlin Holocaust memorial". Business Insider. Retrieved 24 October 2020.
  6. "'Yolocaust': How should you behave at a Holocaust memorial?". BBC News. 20 January 2017. Retrieved 24 October 2020.
  7. "Satirist Takes Berlin Holocaust Memorial Selfie-Takers To Task". NPR.org. Retrieved 24 October 2020.
  8. Bareither, Christoph (2020). "Difficult heritage and digital media: 'selfie culture' and emotional practices at the Memorial to the Murdered Jews of Europe". International Journal of Heritage Studies. 27: 57–72. doi: 10.1080/13527258.2020.1768578 .
  9. Lebovic, Matt. "Defending Auschwitz selfies, a new book unpacks Holocaust tourism". www.timesofisrael.com. Retrieved 24 October 2020.
  10. "When a selfie goes too far: How Holocaust memorial sites around Europe combat social media disrespect". ABC News. Retrieved 24 October 2020.
  11. Commane, Gemma; Potton, Rebekah (2019). "Instagram and Auschwitz: a critical assessment of the impact social media has on Holocaust representation". Holocaust Studies. 25 (1–2): 158–181. doi:10.1080/17504902.2018.1472879. S2CID   158972357.
  12. 1 2 Wight, A. Craig (2020). "Visitor perceptions of European Holocaust Heritage: A social media analysis". Tourism Management. 81: 104142. doi:10.1016/j.tourman.2020.104142. S2CID   219756247.
  13. Menyhért, Anna (2017). "Digital Trauma Processing in Social Media Groups: Transgenerational Holocaust Trauma on Facebook". The Hungarian Historical Review. 6 (2): 355–376. ISSN   2063-8647. JSTOR   26374322.
  14. Kershner, Isabel (30 April 2019). "A Holocaust Story for the Social Media Generation". The New York Times. Retrieved 24 October 2020.
  15. "Instagram Holocaust diary Eva.Stories sparks debate in Israel". the Guardian. 8 May 2019. Retrieved 24 October 2020.
  16. "What if you could Instagram the Holocaust? A question sparks controversy". ABC News. Retrieved 24 October 2020.
  17. "Facebook Bans Holocaust Denial, Reversing Earlier Policy". NPR.org. Retrieved 24 October 2020.
  18. "Facebook bans Holocaust denial, distortion posts". AP NEWS. 12 October 2020. Retrieved 24 October 2020.